Hostname: page-component-788cddb947-t9bwh Total loading time: 0 Render date: 2024-10-15T22:14:37.326Z Has data issue: false hasContentIssue false

AMBITION, COMMITMENT, AND SUBVERSION IN COURBET'S REALISM

Published online by Cambridge University Press:  01 August 2008

JERROLD SEIGEL*
Affiliation:
Department of History, New York University

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review Essays
Copyright
Copyright © Cambridge University Press 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Chu, 9; but I give the translation I offered some years ago in Bohemian Paris: Culture, Politics, and the Boundaries of Bourgeois Life, 1830–1930 (New York, 1986; reprinted Baltimore, 1999), 14, assuming, however that Chu is correct that the verb is crée where I had crie. She seems unaware that anyone else has given attention to Saint-Cheron's article.

2 I took note of them, quoting from one, in Bohemian Paris, 14–15.

3 Quoted with citations in Bohemian Paris, 87.

4 From a letter quoted by Hélène Toussaint in her discussion of the Studio in the catalogue of the Paris exhibition Gustave Courbet (1819–1877) (Paris 1977), 260–61.

5 I take up this comment in Bohemian Paris, 83. I do not believe Chu cites it.

6 For a sustained argument to this effect see Bohemian Paris, esp. chap. 2.

7 The talk was published as the title essay in Nochlin, Linda, Women, Art, and Power (New York, 1988)Google Scholar.