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The corpus of mouldings and signatures on glass vessels, volume 3 - DANIÈLE FOY et MARIE-DOMINIQUE NENNA (edd.), CORPUS DES SIGNATURES ET MARQUES SUR VERRES ANTIQUES, vol. 3. Grande-Bretagne et addenda: Pays-Bas, France, Allemagne, Suisse, Croatie, Espagne, Portugal, Grèce, Turquie, mer Noire, Proche-Orient (Association française pour l’archéologie du verre; Aix-en-Provence/Lyon 2011). Pp. 323, numerous pls. ISBN 2-9505942-5-5.
Published online by Cambridge University Press: 27 November 2014
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References
1 Reviewed by Stern, E. M. at JRA 21 (2008) 501–4Google Scholar.
2 Foy, D., “Nouvelles marques sur verres antiques à Marseille,” Bulletin de l’Association française pour l’Archéologie du Verre 2013, 54–58 Google Scholar; A. Marie, “Les contenants en verre du trésor de Tourouvre (Orne),” ibid. 60-61; C. Munier, “Aperçu des verres de l’Antiquité au XIXe siècle, découverts à Besançon — ZAC Pasteur (fouilles 2010-2011),” ibid. 62-66 (the lenticular bottle is on p. 63, fig. 2.1).
3 Aubert, J.-J., “Workshop managers,” in Harris, W. V. (ed.), The inscribed economy (JRA Suppl. 6, 1993) at 172–173 Google Scholar.
4 CSMVA 1, 149–90Google Scholar (H. Cabart).
5 CSMVA 1, at 164.
6 Whitehouse, D., “A mold-blown bottle from the workshop of Titianus Hyacinthus,” JGS 45 (2003) 179–80, n.3Google Scholar. Note that the inscriptions of the two base-marks (not identical) clearly read Titienus with an e, not Titianus.
7 Cockle, H., “Pottery manufacture in Roman Egypt,” JRS 71 (1981) 87–97 Google Scholar.
8 Stern, E. M., “Roman glassblowing in a cultural context,” AJA 103 (1999) at 460 Google Scholar, citing documents from the Cairo Geniza.
9 For additional findspots confirming a N Italian origin, see Foy, D., “Réactualisation de la distribution de la marque C. LUCRETI FESTIVI sur les unguentaria ,” Bulletin de l’Association française pour l’Archéologie du Verre 2013, 59 Google Scholar.
10 For a square bottle blown into a mould with a cracked base section, cf. Foy (supra n.2) 54-58.
11 To the three examples cited in the index (p. 302) add an unpublished example from Romania, presented by Sz.-P. Pánczél at the 19th congress of the AIHV held in Piran, Slovenia, in 2012.
12 Mandruzzato, L. and Marcante, A., Vetri antichi del Museo Archeologico Nazionale di Aquileia: il vasellame da mensa (Venice 2005) no. 95Google Scholar.
13 Buljević, Z., Traces of Ennion and Aristeas in the Roman province of Dalmatia (exh. cat., Split 2012)Google Scholar; Fadić, I. and Štefanac, B., Roman glass in Croatia: workshop relief stamps (exh. cat., Muzej Antičkoe Staklo; Zadar 2012)Google Scholar.
14 On the technique of the folded stemmed foot, introduced in the second half of the 5th c., see Stern, E. M., “Early Byzantine glass from Athens (5th-8th centuries),” in Böhlendorf-Arslan, B. and Ricci, A. (edd.), Byzantine small finds in archaeological contexts (Byzas 15; Istanbul 2012) 49–60 Google Scholar.
15 Cf. Stern, E. M., Roman, Byzantine and Early Medieval glass: the Ernesto Wolf Collection (Ostfildern-Ruit 2001) nos. 160-61 with referencesGoogle Scholar.
16 For additional names of women glass producers, cf. Mainardis, F., “Sentia Secunda e le altre: le donne produttrici di vetro nel mondo romano,” in Buonopane, A. and Cenerini, F. (edd.), Donna e lavoro nella documentazione epigrafica (Faenza 2003) 87–112 Google Scholar; Stern, E. M., “Glass producers in late antique and Byzantine texts and papyri,” in Entwistle, C. and James, L. (edd.), New light on old glass: recent research on Byzantine mosaics and glass (Brit. Mus. Res. Pub. 179, 2013) at 85–86 Google Scholar.
17 E.g., mould-blown cups signed by Ennion and Aristeas, Buljević (supra n.13).
18 E.g., by Amaranthus, Ariston Sidoni, Artas Sidon, Neikon Sidon: index p. 297.