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Revolutionary Posturing: Iranian Writers and the Iranian Revolution of 1979
Published online by Cambridge University Press: 29 January 2009
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During those eventful days of early January 1979, after Shah Mohammad Reza Pahlavi of Iran had finally announced his intention to leave the country and the revolutionary leader Ayatollah Khomeini had made his return from exile contingent on the shah's departure, a hemistitch by Hafez, the 14th-century Persian poet, suddenly appeared next to an array of revolutionary slogans on display in the streets of Tehran: “Div cho birun ravad fereshteh dar āyad” (When the demon departs, the angel shall arrive). The basic binary oppositions of demon/angel and departure/arrival fit the realities of the situation the country had found itself in; a perfect correspondence had been made between the simple, single idea enshrined in the abstract language of a medieval poetic phrase and the intricate political posturing involved in a modern-day revolution in the making. Furthermore, the stark discourse of antagonism underlying the opposition had become as absolute, as uncompromising as the idea of a total revolution.
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References
NOTES
1 Karimi-Hakkak, Cf. Ahmad, “Of Hail and Hounds: The Image of the Iranian Revolution in Recent Persian Literature,” State Culture and Society, 1, 3 (Spring 1985), 148–80.Google Scholar
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