Hostname: page-component-8448b6f56d-sxzjt Total loading time: 0 Render date: 2024-04-24T17:34:54.263Z Has data issue: false hasContentIssue false
  • English
  • Français

Broken Voices: Postcolonial Entanglements and the Preservation of Korea's Central Folksong Traditions By Roald Maliangkay. Honolulu: University of Hawai‘i Press, 2017. Pp. 264. ISBN 10: 0824866657; ISBN 13: 978-0824866655.

Published online by Cambridge University Press:  23 July 2019

Hyunseok Kwon
Hyunseok Kwon*
Affiliation:
Hanyang University, Email: hyunseok1211@gmail.com
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
International Journal of Asian Studies , Volume 16 , Issue 2 , July 2019 , pp. 154 - 156
Copyright
Copyright © Cambridge University Press 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Regarding the tense relationship in Korean intangible music properties between preservation and promotion, see Howard, Keith, Preserving Korean Music: Intangible Cultural Properties as Icons of Identity (Aldershot: Ashgate, 2006)Google Scholar.

2 Regarding the case of mask drama of t'ongyŏng, a national intangible property, see the article by Hyunseok, Kwon, “A Case Study on the Perception of the Wŏnhyŏng (Original Form) of Local Music in Korea,” Acta Koreana 12:1 (2009), pp. 53–71CrossRefGoogle Scholar.

3 In 2016, the Act on Conservation and Promotion of Intangible Properties had newly been enacted, partly to overcome the inflexibility of the CPPL's previous rule.