Hostname: page-component-8448b6f56d-cfpbc Total loading time: 0 Render date: 2024-04-25T01:35:51.947Z Has data issue: false hasContentIssue false

Movement in Sound/Sound in Movement: Choreographic Answer

Published online by Cambridge University Press:  05 December 2013

Abstract

This essay illustrates the working of the process of music and dance collaboration that has been developed since 2010 by composer Elo Masing and choreographer Jean Lee. It includes exemplification of their empirical work from a first person viewpoint, presented in chronological order. This paper questions how performer(s) to performer(s) interrelationship will affect the performer(s) to spectator(s) interrelationship in live performance, encompassing improvisation and examining spectatorship.

Type
Research Article
Copyright
Copyright © Jean Lee 2012 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Anderson, Laurie, Brown, Trisha and Matta-Clark, Gordon. 2011. Pioneers of the Downtown Scene, New York 1970s. Barbican Art Gallery, London, March 3–May 22, 2011 [exhibition].Google Scholar
Feedback Forum After Talk . 2011. Independent Dance, London, 14 June 2011 [After Talk].Google Scholar
Fischer-Lichte, Erika. 2008. The Transformative Power of Performance: A New Aesthetics, translated from German by Jain, Saskia Iris. Oxon, UK: Routledge.Google Scholar
Foster, Susan Leigh. 2009. “Choreographies and ChoreographersWorlding Dance: Studies in International Performance. New York: Palgrave Macmillan: 98118.CrossRefGoogle Scholar
Heise, Wolfgang. 1963. Forum on Empiricism – Theory Perspective Forum 23.Google Scholar
Heise, Wolfgang. 1965. Über die Entfremdung und ihre Überwindung in: Deutsche Zeitschrift für Philosophie., Vol. 13, No. 6: 684710.Google Scholar
Herrmann, Max. 1920. “Ueber die Aufgaben eines theaterwissenschaftlichen Instituts,” in Klier, Helmar (ed.) 1981. Theaterwissenschaft im deutschsprachigen Raum, Darmstadt: Wissenschaftliche Buchgesellschaft: 1524.Google Scholar
Kristeva, Julia. [1974] 1984. Revolution in Poetic Language. New York: Columbia University Press.Google Scholar
Mascall, Jennifer. 2011. “Footnotes: A Selection of Choreographer's Notes.” The Clara Thomas Archives and Special Collections of York University, Toronto, June 23–24 [exhibition].Google Scholar
Müller, Heiner. 1982. Rotwelsch. Berlin: Merve Verlag.Google Scholar
Schechner, Richard. 1985. Between Theater and Anthropology. Philadelphia: University of Pennsylvania Press.Google Scholar
Turner, Victor. 1982. From Ritual to Theatre: the Human Seriousness of Play. New York: PAJ Publications.Google Scholar