Hostname: page-component-8448b6f56d-dnltx Total loading time: 0 Render date: 2024-04-19T19:55:50.139Z Has data issue: false hasContentIssue false
  • English
  • Français

Paolo Gallarati, La forza delle parole. Mozart drammaturgo. Turin: Einaudi, 1993. xiv + 374 pp. Giovanna Gronda, ed., Lorenzo Da Ponte: Il Don Giovanni. Turin: Einaudi, 1995. xxviii + 131 pp. Manfred Hermann Schmid, Italienischer Vers und musikalische Syntax in Mozarts Opern. Tutzing: Schneider, 1994 (Mozart Studien 4). 320 pp.

Published online by Cambridge University Press:  27 August 2008

Reinhard Strohm
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review
Information
Cambridge Opera Journal , Volume 11 , Issue 2 , July 1999 , pp. 193 - 198
Copyright
Copyright © Cambridge University Press 1999

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Georgiades, Thrasyboulos, ‘Aus der Musiksprache des Mozart-Theaters’, Mozart-Jahrbuch (1950), 76–98, connected both Haydn and Mozart with Kant; see also Gallarati, pp. 15 and 43.Google Scholar

2 Referring to Starobinski, Jean, L'invention de la liberté (Geneva, 1964)Google Scholar

3 Ilia's aria ‘Se il padre perdei’ for some reason receives two different descriptions, the second of which interrupts the discussion of the following scene (pp. 165–70).

4 Stanley Sadie offers a synopsis of Act III in Rushton, Julian, ed., Idomeneo (Cambridge, 1993) 42–3.CrossRefGoogle Scholar

5 Some instruction in these matters is provided in Julian Rushton's monograph (see n. 4), 97–9.

6 See, for example, her Le passioni della ragiom. Studi sul Settecento (Pisa, 1984),Google Scholarand ‘Le peripezie di un libretto’, in Gronda, G., ed., La carriera di un librettista: Pietro Pariati da Reggio di Lombardia (Bologna, 1990), 289–737 [sic].Google Scholar

7 Feil, Arnold, Satztechnische Fragen in den Knmpositionslehren von F.E. Niedt, J. Riepel und H. Chr.Koch (Heidelberg, 1955).Google Scholar

8 For a short explanation of open-phrase structure, see Strohm, Reinhard, ‘Musical Analysis as Part of Musical History’, in Pozzi, Raffaele, ed., Tendenze e metodi nella ricerca musicologica. Atti del convegno Internazionale (Latina 27–29 settembre 1990) (Florence, 1995), 61–81.Google Scholar

9 Strohm, Reinhard, Italienische Opemarien des frühen Settecento (1720–1730), 2 vols (Cologne, 1976), 111–51.Google Scholar