And? J. V. Field and Frank James (eds.), Science in Art: Works in the National Gallery that Illustrate the History of Science and Technology. BSHS Monographs, 11. Stanford in the Vale: British Society for the History of Science, 1997. Pp. 110. ISBN 0-906450-13-6. £15.00, 35.00 (hardback). David Bindman, Frèdéric Ogée and Peter Wagner (eds.), Hogarth: Representing Nature's Machines. Barber Institute's Critical Perspectives in Art History. Manchester and New York: Manchester University Press, 2001. Pp. xvi+287. ISBN 0-7190-5919-4. £18.99 (paperback).

Ludmilla Jordanova

doi:10.1017/S0007087402004740

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And? J. V. Field and Frank James (eds.), Science in Art: Works in the National Gallery that Illustrate the History of Science and Technology. BSHS Monographs, 11. Stanford in the Vale: British Society for the History of Science, 1997. Pp. 110. ISBN 0-906450-13-6. £15.00, $26.00 (paperback). James Hamilton (ed.), Fields of Influence: Conjunctions of Artists and Scientists 1815–1860. Birmingham: University of Birmingham Press, 2001. Pp. xiii+174. ISBN 0-902459-10-5. £20.00, $35.00 (hardback). David Bindman, Frèdéric Ogée and Peter Wagner (eds.), Hogarth: Representing Nature's Machines. Barber Institute's Critical Perspectives in Art History. Manchester and New York: Manchester University Press, 2001. Pp. xvi+287. ISBN 0-7190-5919-4. £18.99 (paperback).

Volume 35, Issue 3
Ludmilla Jordanova ^(a1)
DOI: https://doi.org/10.1017/S0007087402004740

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And? J. V. Field and Frank James (eds.), Science in Art: Works in the National Gallery that Illustrate the History of Science and Technology. BSHS Monographs, 11. Stanford in the Vale: British Society for the History of Science, 1997. Pp. 110. ISBN 0-906450-13-6. £15.00, $26.00 (paperback). James Hamilton (ed.), Fields of Influence: Conjunctions of Artists and Scientists 1815–1860. Birmingham: University of Birmingham Press, 2001. Pp. xiii+174. ISBN 0-902459-10-5. £20.00, $35.00 (hardback). David Bindman, Frèdéric Ogée and Peter Wagner (eds.), Hogarth: Representing Nature's Machines. Barber Institute's Critical Perspectives in Art History. Manchester and New York: Manchester University Press, 2001. Pp. xvi+287. ISBN 0-7190-5919-4. £18.99 (paperback).

Volume 35, Issue 3
Ludmilla Jordanova ^(a1)
DOI: https://doi.org/10.1017/S0007087402004740

To save this article to your Google Drive account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your Google Drive account. Find out more about saving content to Google Drive.

And? J. V. Field and Frank James (eds.), Science in Art: Works in the National Gallery that Illustrate the History of Science and Technology. BSHS Monographs, 11. Stanford in the Vale: British Society for the History of Science, 1997. Pp. 110. ISBN 0-906450-13-6. £15.00, $26.00 (paperback). James Hamilton (ed.), Fields of Influence: Conjunctions of Artists and Scientists 1815–1860. Birmingham: University of Birmingham Press, 2001. Pp. xiii+174. ISBN 0-902459-10-5. £20.00, $35.00 (hardback). David Bindman, Frèdéric Ogée and Peter Wagner (eds.), Hogarth: Representing Nature's Machines. Barber Institute's Critical Perspectives in Art History. Manchester and New York: Manchester University Press, 2001. Pp. xvi+287. ISBN 0-7190-5919-4. £18.99 (paperback).

Volume 35, Issue 3
Ludmilla Jordanova ^(a1)
DOI: https://doi.org/10.1017/S0007087402004740

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