African scholarship on epistemic decolonization and African self-determination has generated reflection and debate among African Studies scholars for several decades. The debate has gained new force in recent years and has resonated in African studies in new ways, prompted in part by political events and social activism around enduring racism. Grosz-Ngaté’s 2019 Presidential Lecture provides an opportunity to reflect further on these issues. It explores questions related to the production and decolonization of knowledge in conversations with colleagues in Mali and Senegal and draws out the implications of these discussions for African Studies Association members and for the Association at large.

Between the 1950s and the 1990s, Chinese enamelware products dominated kitchens, living rooms, and bedrooms in the northern part of Nigeria. These were initially imported from China by European trading firms but later manufactured in Nigeria by Chinese-owned factories. Liu concludes that it was not only the immediately obvious “modern” advantages of the enamelware that enabled it to dominate northern Nigeria’s market, but it was also its integration into local, socio-cultural networks of meaning that granted it a significance far beyond its practical use. Such processes of integration further enabled enamelware to become an important component of local marriage customs and an essential possession for Hausa women.

As the COVID-19 pandemic rages across the globe, ebbing and flowing from one region to the next, new infections and deaths continue to rise (Johns Hopkins 2020). Some of the first documented cases in Africa occurred in areas frequented by foreign tourists. Early on, the disease also circulated among Africa’s jet-setting political classes that had spent time in other regions of the world with higher infection rates. Since then, infections have taken off in the continent’s urban areas that are better connected globally via trade and travel. From there, it has spread to smaller cities, towns, and then to rural areas, a process known as hierarchical diffusion (Moseley 2020a). Unfortunately, there is another scourge that accompanies COVID-19, and that is a global hunger pandemic. In April 2020, the director of the World Food Programme warned that an additional 130 million people could be pushed to the brink of starvation by the end of 2020 because of the coronavirus. This comes on top of the 821 million people in the world who are already food insecure (Khorsandi 2020). Increasingly, scholars of food security, food systems, and poverty have come to realize that the hunger and malnutrition associated with COVID-19 may actually kill or debilitate more people than the disease itself, especially in regions of the world with weaker social safety nets (Fanzo 2020; HLPE 2020a, 2020b; UN 2020).

This forum contributes to debates on migration, displacement, and place-making in contemporary sub-Saharan Africa. We bring together an interdisciplinary group of scholars to move the existing literature beyond the dominant focus on the causes of displacement to a rich and granular exploration of its consequences. The forum focuses on Somali refugees and migrants for two reasons. First, Somalia is one of the largest refugee-producing countries in the world. Second, depending on the host states in which they find themselves, Somali migrants and refugees can encounter many different fates, ranging from living in refugee camps to migrating to other countries in sub-Saharan Africa to a small minority being resettled in countries of the global north. These varied circumstances make it possible to study strategies of place-making among Somali communities from several different perspectives. A central theme of this forum is to highlight the agency of migrants and refugees and to emphasize the fact that these groups are more than mere victims of their circumstances. The articles in this volume will be of interest to scholars of African studies, anthropology, comparative politics, migration studies, peace studies, and Somali studies.

Host governments have responded to the migration of Somali refugees throughout Africa in recent decades in different ways. Kenyan policymakers have treated Somalis primarily as a security threat, imposing restrictions on them that especially target this group. In South Africa, where economic and political competition fuel xenophobia, Somalis are part of a larger foreign national population that is seen as having disproportionate economic influence. However, Somali Bantus have been welcomed in Tanzania, which granted them citizenship even as it limited the mobility and activities of other refugees. A comparative analysis suggests that the relative balance among security, economic, political, and normative considerations shapes the extent and scope of host government policies.

Evan Mawarire’s poetic video “This Flag,” first posted on Facebook on April 20, 2016, mobilized an international protest movement against then-president of Zimbabwe Robert Mugabe between April and September of 2016. In the video, Mawarire built on the poetics of anti-colonial resistance and nationalization to create a rallying cry. The piece’s remediation through the hashtag channel #ThisFlag created rhetorical links between digital organizing and grounded action. This literary perspective on contemporary discussions of social media and collective identity formation shows how the poetic elements of the video enabled Mawarire’s claim to spread and motivate a grounded movement.

Human experience is more visual and visualized than ever before. This has been obvious in Africa since the 1990s, when democratization, media liberalization, proliferation of small technology, and religious reform movements introduced new ways of meaning-making. Ibrahim’s ethnographic research shows how sharia implementation and cinema as cultural production in northern Nigeria are embedded within the implicit and explicit visual regime of influencing what and how people see, think, and perform. The strategic replacement of cinemas with religious or other “neutral” objects is a visual regime that shifts people’s vision or encounter from one means of cultural production to another.

The written words of African Muslims have recently received renewed attention. This stems from a push to go beyond colonial archives as well as concerns with terrorism and Islamic radicalization. While Ajami—that is, African languages written in Arabic script—has been a part of this trend, Manding-language publications in the N’ko script have been overlooked. And yet, this literary industry is distinctly Islamic. Putting the writings of Sulemaana Kantè into conversation with historical authors and his contemporaries, Donaldson demonstrates that N’ko represents an iteration of Afro-Muslim vernacular thought, thereby illuminating Kantè and a body of N’ko and Ajami publications.

Following the attacks in Timbuktu in 2012, the ICC’s Al Mahdi case became the first instance where one perpetrator was solely charged with the war crime of destruction of cultural heritage. The ICC prioritized the crimes against cultural heritage at the expense of other types of atrocities in Northern Mali for two reasons: expediency, and the convergence of interests between the Court, the Malian state, and the international community. This study finds that the international community, the state, and the local community do not have the same conceptions and approaches regarding cultural heritage, its protection, or its value.

Taking as a starting point the observation that Tanzania has historically been a more effective nation-builder than Kenya, Gorham asks why that is the case, focusing on the construction of national narratives in state-run museum spaces to gain a better understanding of official nationalist pedagogy. State-run museums are spaces where states can articulate their vision of the nation, and by cataloging and analyzing the content of exhibits, one can better understand the different types of narratives constructed by states with diverging nation-building strategies. The narratives produced in museum sites in Tanzania and Kenya differ in terms of their consistency, clarity, and inclusivity.

Since 2012, when broadcasting licenses were granted to various private television and radio stations in Mauritania, the controversy around the Battle of Um Tounsi (and Mauritania’s colonial past more generally) has grown substantially. One of the results of this unprecedented level of media freedom has been the propagation of views defending the Mauritanian resistance (muqawama in Arabic) to French colonization. On the one hand, verbal and written accounts have emerged which paint certain groups and actors as French colonial power sympathizers. At the same time, various online publications have responded by seriously questioning the very existence of a structured resistance to colonization. This article, drawing predominantly on local sources, highlights the importance of this controversy in studying the western Saharan region social model and its contemporary uses.

Refugee resettlement is accomplished through the intersecting administration of state and non-state actors with competing claims and interests. These competing claims are caught between humanitarian imperatives to rescue the most vulnerable refugees on one hand and security demands to protect national borders from those deemed undesirable and undeserving on the other. Based on ethnographic research with Somali refugees in Nairobi from 2013 to 2015, Balakian examines the ways in which refugees maneuver through an unsynchronized assemblage of institutions to which they are subject; she brings this assemblage into relief through ethnographic accounts of Somali refugees as they attempt to navigate the resettlement system and are simultaneously caught in Kenya’s 2014 anti-refugee security operations. Based on this case, the research demonstrates that being subject to multiple, competing governing bodies is central to the condition of statelessness in twenty-first century Africa.

When the #RhodesMustFall (#RMF) movement erupted at the University of Cape Town (UCT) in March 2015, it not only sparked the proliferation of student movements across South Africa, but also led to the formation of #RMF at the University of Oxford and similar movements at universities in the United States. By drawing on ninety-eight interviews with various actors involved in both movements, Ahmed’s empirical research contributes to the limited academic literature on the connections between the #RMF movements in Cape Town and in Oxford. The example of the #RMF movement in Cape Town inspired the #RMF Oxford movement to challenge the epistemic architecture of the University of Oxford.

Uganda’s touring orphan choirs engage in a form of charity that is dependent on the mobility not only of money, but also of people and sentiments. Boyd considers the moral economies that underlie this ongoing project of compassionate “circulation.” If a key finding of the work on humanitarian affect has been how such “affective surpluses” mask inequalities between donors and recipients, this article considers how participants in charitable relationships conceive of dependency and indebtedness differently. These differences compel us to understand how moral and religious sentiments give shape to the inequalities inherent in dominant forms of global humanitarian “care.”

An ethnographic analysis of two interconnected cities for the Somali diaspora—Nairobi and Johannesburg—helps to uncover alternative narratives about the lives of Somali women and the ways they renegotiate their cultural and religious identities in diasporic contexts, moving beyond the widespread representation of Somali women in the global imagination as helpless victims. Using the domains of marriage and female circumcision, Ripero-Muñiz analyzes how these women exercise their agency while at the same time negotiating the cultural and religious practices of their community. By focusing on the ways in which Somali women re-negotiate their identities, this article helps to locate the agency of women in refugee and migrant communities in sub-Saharan Africa.

A critique of multi-sectoral responses to the customary practice of ukuthwala (the isiXhosa term for abduction for purposes of marriage) in South Africa highlights attention to gendered tropes pertaining to marriage, custom, and sexual assault. Karimakwenda deconstructs how, in its inflexible framing of customary practice, the multi-sectoral campaign against violent forms of ukuthwala lacks historicization and silences women’s narratives. By obscuring historical and locally-embedded linkages between marriage practices and rape, the myopic campaign energizes collective anxieties around representations of violence within Black communities, and fuels misconceptions surrounding marital rape. This critique contributes to debates about gender, violence, and state power by offering a counter-narrative to simplified characterizations of sexual violence and custom.