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12 - From Reeducation to Alternative Theater - German-American Theater Relations

Published online by Cambridge University Press:  05 January 2013

Detlef Junker
Affiliation:
Ruprecht-Karls-Universität Heidelberg, Germany
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Summary

If you had opened the thin, six-page Saturday edition of the Rhein-Neckar Zeitung on July 27, 1946, you would have first seen a full page reprint of the closing statement made by the chief American prosecutor at Nuremberg, Robert H. Jackson: “The Prosecution Rests Its Case.” The second page offered articles on a variety of current affairs: “Where Will We Put Refugees from the East?”; “Bread Ration Increased in French Zone”; and, in the feuilleton, a report on a “German Premiere in Esslingen am Neckar.” The play under review was Eugene O'Neill's Ah, Wilderness!

Nothing could more clearly illustrate the atmosphere of that time than this paradoxical - and entirely matter of fact - juxtaposition. Genocide, the crime to end all crimes, brushes up against the peaceful normalcy of an evening of theater in Esslingen am Neckar. One page announces that nothing will ever be the same. The other declares that life goes on; we've made it through again. The inconceivability of a return to normalcy is contradicted by indications that normalcy had already returned. It could be found in the theater in Esslingen, for example, where the paper's reviewer saw “a piece of popular theater with mildly ironic touches”:

A benign wilderness infused with humanity, in which each person can prosper according to his own abilities and personality, as long as he respects his fellow human beings and is just as respectful of their freedoms and choices as he is of his own. These themes are laid out by the case of the young Richard Miller, whose love life creates various complications that bring him into conflict with God, humanity, and his family. . . . But, in the end, he stages a reconciliation and finds a place for himself in that inestimably happy 'wilderness' . . . [H]e will become a new citizen with new horizons stretching before him.

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Publisher: Cambridge University Press
Print publication year: 2004

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