Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
2018.
Publications Received.
Journal of the American Musicological Society,
Vol. 71,
Issue. 1,
p.
281.
HORTON, JULIAN
2018.
Form and Orbital Tonality in the Finale of Bruckner's Seventh Symphony.
Music Analysis,
Vol. 37,
Issue. 3,
p.
271.
LAI, ERIC
2018.
The Formal Ramifications of Bruckner's Bipartite Sonata Form.
Music Analysis,
Vol. 37,
Issue. 3,
p.
339.
Smith, Peter H.
2019.
The Type 2 Sonata in the Nineteenth Century.
Journal of Music Theory,
Vol. 63,
Issue. 1,
p.
103.
Rodgers, Stephen
and
Osborne, Tyler
2020.
Prolongational Closure in the Lieder of Fanny Hensel.
Music Theory Online,
Vol. 26,
Issue. 3,
Smith, Peter H.
2020.
Dvořák and Subordinate Theme Closure.
Journal of Music Theory,
Vol. 64,
Issue. 2,
p.
203.
Lawrence, John Y.
2020.
Toward a Predictive Theory of Theme Types.
Journal of Music Theory,
Vol. 64,
Issue. 1,
p.
1.
Bhogal, Gurminder K.
2020.
Orchestral Tissue, Subordinate Arabesques, and Turning Inward in Maurice Ravel’sBoléro.
Music Theory Online,
Vol. 26,
Issue. 2,
Horton, Julian
2021.
Rethinking Sonata Failure: Mendelssohn’s OvertureZum Märchen von der schönen Melusine.
Music Theory Spectrum,
Vol. 43,
Issue. 2,
p.
299.
Moortele, Steven Vande
2021.
The Cambridge Companion to Music and Romanticism.
p.
258.
VANDE MOORTELE, STEVEN
2021.
Apparent Type 2 Sonatas and Reversed Recapitulations in the Nineteenth Century.
Music Analysis,
Vol. 40,
Issue. 3,
p.
502.
HORTON, JULIAN
2021.
Beethoven's Error? The Modulating Ritornello and the Type 5 Sonata in the Post‐Classical Piano Concerto.
Music Analysis,
Vol. 40,
Issue. 3,
p.
353.
HORTON, JULIAN
and
SMITH, PETER H.
2021.
Editors’ Introduction: Sonata Types and Theoretical Dialogues.
Music Analysis,
Vol. 40,
Issue. 3,
p.
303.
LEE, KELVIN H. F.
2021.
Formalising Star Clusters: Sonata Process and Breakthrough Function in the Adagio of Mahler's Tenth Symphony.
Music Analysis,
Vol. 40,
Issue. 2,
p.
178.
Decroix, Manon
2021.
Éléments pour une analyse comparative de la forme musicale et du programme de Ce qu’on entend sur la montagne de Liszt.
Musurgia,
Vol. Volume XXVII,
Issue. 2,
p.
49.
HYLAND, ANNE M.
2021.
Schubert's Bi‐rotational Sonata Forms: Developmental Function and the Type 1–2 Hybrid.
Music Analysis,
Vol. 40,
Issue. 3,
p.
413.
SMITH, PETER H.
2021.
Parallel Binary or Tripartite? Formal Hybridisation of Sonata Types in the Nineteenth Century.
Music Analysis,
Vol. 40,
Issue. 3,
p.
534.
Alcalde, Bruno
2022.
Mixture Strategies.
Music Theory Online,
Vol. 28,
Issue. 1,
Grant, Aaron
2022.
Structure and Variable Formal Function in Schubert’s Three-Key Expositions.
Music Theory Spectrum,
Vol. 44,
Issue. 1,
p.
63.
SUURPÄÄ, LAURI
2022.
Continuous Exposition in Mozart's Slow Chamber‐Music Movements.
Music Analysis,
Vol. 41,
Issue. 3,
p.
394.