Contents

pp v-vi

Figures

pp vii-viii

Musical examples

pp ix-x

Tables

pp xi-xi

Acknowledgements

pp xii-xii

List of manuscript sigla

pp xiii-xiv

Abbreviations

pp xv-xv

Table of fascicle 8 contents

pp xvi-xviii

Introduction

pp 1-10

I - The Material Object

pp 11-12

1 - Montpellier 8: Anatomy of …

pp 13-31

2 - A Palaeographical Analysis of the Verbal Text in Montpellier 8: Problems, Implications, Opportunities

pp 32-65

3 - The Style and Iconography of Montpellier folio 35or

pp 66-77

4 - The Decoration of Montpellier 8: Its Place in the Continuum of Parisian Manuscript Illumination

pp 78-89

5 - Double Motet Layouts in the Montpellier Codex and Contemporaneous Libri motetorum

pp 90-99

6 - Deus in adiutorium Revisited: Sources and Contexts

pp 100-120

7 - Thematic Clusters and Compilational Strategies in Montpellier 8

pp 121-136

II - INNOVATION AND TRADITION

pp 137-138

8 - Texture, Rhythm, and Stylistic Groupings in Montpellier 8 Motets

pp 139-160

9 - Je le temoin en mon chant: The Art of Diminution in the Petronian Triplum

pp 161-183

10 - How Rhythmically Innovative is Montpellier 8?

pp 184-196

11 - Re-Presentation in the Ars antiqua: From Chant to Polyphony

pp 197-210

12 - … Que ne dit ‘cief bien seans’: Quoting Motets in Montpellier 8

pp 211-230

III - ANALYTICAL CASE STUDIES

pp 231-232

13 - Montpellier 8 PORTARE Motets and Tonal Exploration

pp 233-253

14 - Repetitions, Rhythmical Evolution, and Rhetoric in the Montpellier Codex

pp 254-268

15 - Shedding Light on Mo 8,304: Alma virgo virginum/Benedicta es, Maria

pp 269-282

16 - A Performance and Reception History of On parole/A Paris/FRESE NOUVELE

pp 283-298

Bibliography

pp 299-312