‘Graham Holderness, who was given Lamb's Tales from Shakespeare as a child, here returns the compliment by writing tales for grown ups - and again shows that he is one of the few academics who can combine scholarship with creativity, criticism with fantasy, historical awareness with commitment to present-day issues. Anyone who thought that there was nothing further to say about the authenticity of the account of shipboard performances of two Shakespeare plays off the coast of Sierra Leone in 1607, or the likelihood of Shakespeare and Ben Jonson collaborating on the King James Bible, will be surprised at what Holderness does with the two controversies.'
Lois Potter - University of Delaware
'One would have to be [a] hardened and humourless reader not to enjoy this engaging and interesting book.'
Source: Around the Globe
'In his long and distinguished career, Holderness has been retelling Shakespeare, and in multiple forms: criticism, biography, fiction and poetry, and now, with this book, in a literary category of his own invention. He names it ‘creative criticism’, and his Tales from Shakespeare puts it into practice.'
Margreta de Grazia
Source: The Times Literary Supplement
'An invigorating reimagining of individual works and of the critical process itself, and a bold contribution to theoretical debates involving Shakespeare, the text and popular culture.'
Heather C. Easterling
Source: Renaissance Quarterly
'Successfully ‘colliding’ in this volume are the creative and critical dimensions. Both coexist and merge, illustrating Holderness’s main point: any activity linked to the name of Shakespeare - from the edition of texts to film adaptations, to advertisements and critical essays - exists in a continuum, and therefore must be studied as part of the system in order to understand the Shakespearean phenomenon.'
Maria Elisa Montironi