Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-08T02:11:12.118Z Has data issue: false hasContentIssue false

Illustrations

Published online by Cambridge University Press:  24 August 2023

James Grande
Affiliation:
King's College London
Carmel Raz
Affiliation:
Max-Planck-Institut für Empirische Ästhetik

Summary

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NC
This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC 4.0 https://creativecommons.org/cclicenses/

Illustrations

  1. 1.1William Hogarth, The Enraged Musician, 1741.

  2. 1.2William Hogarth, The Distrest Poet, c. 1736.

  3. 2.1David Allan, James Erskine, Lord Alva, and His Family, 1780.

  4. 3.1Michael Angelo Rooker, The Scene-Painter’s Loft at the Theatre Royal, Haymarket, c. 1785.

  5. 3.2George Cruikshank, ‘The Beautiful Maid’, 1811.

  6. 3.3Edward Rooker after Michael Angelo Rooker, ‘The Horse-Guards’, from Six Views of London, 1768.

  7. 3.4James Stow after George Jones, ‘Interior of the Little Theatre, Haymarket’, 1815 (detail), from a series published by Robert Wilkinson, 1825.

  8. 5.1Isaac Cruikshank, ‘The Enraget [sic] Politician or the Sunday Reformer or a Noble Bellman Crying Stinking Fish’, 1799.

  9. 7.1Image accompanying the echo measurement in Robert Plot, The Natural History of Oxford-Shire (1677), 17.

  10. 7.2Detail from letter from Gilbert White to Samuel Barker and Anne Barker, 30 March 1775.

  11. 9.1The keyboard and pedalboard for Liston’s ‘euharmonic organ’. Each of the keys is in natural tuning (or in technical terms, five-limit just intonation).

  12. 9.2St Andrew’s Church in Tank Square, Calcutta, c. 1826, from James Baillie Fraser, Views of Calcutta and Its Environs, plate 13.

  13. 9.3Farey’s table of Liston’s tuning system, from two perspectives, as described in Farey, ‘On Mr. Liston’s, or the Euharmonic Scale of Musical Intervals,’ 443.

  14. 9.4The connection between the European diatonic scale and the ‘Indian scale’ composed of twenty-two śrutis, as per Captain N. Augustus Willard, William Jones, and J. D. Paterson.

  15. 9.5Krishnaji Ballal Deval’s ‘Indian Harmonium,’ from Henry Keatley Moore, ‘Indian Harmonium,’ patent application GB 15548, filed July 4, 1911, issued December 12, 1911.

  16. 9.6A diplomatic transcription of G. S. Khare’s diagram of the twenty-two śrutis.

  17. 10.1Laennec-type monaural stethoscope, 1851–1900.

  18. 10.2William Davey, The Illustrated Practical Mesmerist, Curative and Scientific (Edinburgh: William Davey, 1854), plate 2.

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Illustrations
  • Edited by James Grande, King's College London, Carmel Raz, Max-Planck-Institut für Empirische Ästhetik
  • Book: Sound and Sense in British Romanticism
  • Online publication: 24 August 2023
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Illustrations
  • Edited by James Grande, King's College London, Carmel Raz, Max-Planck-Institut für Empirische Ästhetik
  • Book: Sound and Sense in British Romanticism
  • Online publication: 24 August 2023
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Illustrations
  • Edited by James Grande, King's College London, Carmel Raz, Max-Planck-Institut für Empirische Ästhetik
  • Book: Sound and Sense in British Romanticism
  • Online publication: 24 August 2023
Available formats
×