Shakespeare Survey 71: Re-Creating Shakespeare

doi:10.1017/9781108557177

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Shakespeare Survey 71

Shakespeare Survey 71

Re-Creating Shakespeare

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Volume 71
Edited by Peter Holland, University of Notre Dame, Indiana

Publisher: Cambridge University Press
Online publication date: November 2018
Print publication year: 2018
Online ISBN: 9781108557177
DOI: https://doi.org/10.1017/9781108557177

Subjects: Literature, Renaissance and Early Modern Literature
Series: Shakespeare Survey (71)

23.99 (GBP)

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Shakespeare Survey 71
Volume 71

Edited by Peter Holland
Online ISBN: 9781108557177

Book DOI: https://doi.org/10.1017/9781108557177
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The 71st in the annual series of volumes devoted to Shakespeare study and production. The articles, like those of volume 70, are drawn from the World Shakespeare Congress, held 400 years after Shakespeare's death, in July/August 2016 in Stratford-upon-Avon and London. The theme is 'Re-Creating Shakespeare'.

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Shakespeare Survey 71

Re-Creating Shakespeare

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Shakespeare Survey
pp i-i

Shakespeare Survey - Series page
pp ii-ii

Shakespeare Survey - Title page
pp iii-iii

Copyright page
pp iv-iv

Editor’s Note
pp v-vi

Contributors
pp vii-viii

Contents
pp ix-x

Illustrations
pp xi-xiv

Shakespeare’s Transcolonial Solidarities in the Global South
pp 1-11

Shakespeare’s Creolized Voices
pp 12-17

‘Accents Yet Unknown’: Haider and Hamlet in Kashmir
pp 18-25

The Forests of Silence: Global Shakespeare in the Philippines, the Philippines in Global Shakespeare
pp 26-34

Arab Shakespeares at the World Shakespeare Congress
pp 35-38

The Dual Tradition of Bardolatry in China
pp 39-45

A Catalyst for Theatrical Reinvention: Contemporary Travelling Companies at the Tokyo Globe Theatre
pp 46-50

‘Both Alike in Dignity’: Havana and Mexico City Play Romeo and Juliet
pp 51-58

Cuban Improvisations: Reverse Colonization via Shakespeare
pp 59-64

Mixing Memory with Desire: Staging Hamlet Q1
pp 65-73

Shakespeare, Race and ‘Other’ Englishes: The Q Brothers’ Othello: The Remix
pp 74-87

‘Mingled Yarn’: The Merchant of Venice East of Berlin and the Legacy of ‘Eastern Europe’
pp 88-102

Ariel’s Groans, or, Performing Protean Gender on the Bulgarian Post-Communist Stage
pp 103-112

Dressing the History ‘Boys’: Harry’s Masks, Falstaff’s Underpants
pp 113-124

Shopping for the Archives: Fashioning a Costume Collection
pp 125-134

Pastiche or Archetype? The Sam Wanamaker Playhouse and the Project of Theatrical Reconstruction
pp 135-146

Evolutionary Naturalism and Embodied Ecology in Shakespearian Performance (with a Scene from King John)
pp 147-163

Of Dance and Disarticulation: Juliet Dead and Alive
pp 164-174

Titania’s Dream: Three Choreographic Midsummer Night’s Dreams of the Twentieth Century
pp 175-185

Shakespeare on Screens: Close Watching, Close Listening
pp 186-193

From Table Books to Tumblr: Recollecting the Microgenres of the Early Modern Stage in Social Media
pp 194-208

Unlearning Shakespeare Studies: Speculative Criticism and the Place of Fan Activism
pp 209-220

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Shakespeare Survey 71

Re-Creating Shakespeare

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Contents

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