Book contents
- Shakespeare and Millennial Fiction
- Shakespeare and Millennial Fiction
- Copyright page
- Contents
- Contributors
- Introduction: “Reason Not the Need!”
- Chapter 1 Hamlet the Dane: “Tell My Story”
- Chapter 2 Shakespeare Found and Lost
- Chapter 3 Shakespeare’s Novel Life: Speech, Text and Dialogue in Recent Shakespearean Fictions
- Chapter 4 The School of (The) Night Circus: Performing Shakespeare Arcana in Novel Forms
- Chapter 5 “A Delicate and Tender Prince”: Hamlet and Millennial Boyhood
- Chapter 6 “How Many Daughters Had Lady Macbeth?”
- Chapter 7 Engaging Ophelia in Early Twenty-First Century Young Adult Fiction
- Chapter 8 Criminal Adaptations: Gender, Genre, and Shakespearean Young Adult Literature
- Chapter 9 A Man with a Map: The Millennial Macbeth
- Chapter 10 Shakespeare and the Post-Millennial Cancer Novel
- Chapter 11 Posthuman Tempests in the Twenty-First Century
- Chapter 12 Stratford-Upon-Web: Shakespeare in Twenty-First-Century Fanfiction
- Chapter 13 The Paranormal Bard: Shakespeare Is/As Undead
- Chapter 14 The Hogarth Shakespeare Series: Redeeming Shakespeare’s Literariness
- List of Referenced Novels
- Index
- References
Chapter 4 - The School of (The) Night Circus: Performing Shakespeare Arcana in Novel Forms
Published online by Cambridge University Press: 04 November 2017
Edited by
Book contents
- Shakespeare and Millennial Fiction
- Shakespeare and Millennial Fiction
- Copyright page
- Contents
- Contributors
- Introduction: “Reason Not the Need!”
- Chapter 1 Hamlet the Dane: “Tell My Story”
- Chapter 2 Shakespeare Found and Lost
- Chapter 3 Shakespeare’s Novel Life: Speech, Text and Dialogue in Recent Shakespearean Fictions
- Chapter 4 The School of (The) Night Circus: Performing Shakespeare Arcana in Novel Forms
- Chapter 5 “A Delicate and Tender Prince”: Hamlet and Millennial Boyhood
- Chapter 6 “How Many Daughters Had Lady Macbeth?”
- Chapter 7 Engaging Ophelia in Early Twenty-First Century Young Adult Fiction
- Chapter 8 Criminal Adaptations: Gender, Genre, and Shakespearean Young Adult Literature
- Chapter 9 A Man with a Map: The Millennial Macbeth
- Chapter 10 Shakespeare and the Post-Millennial Cancer Novel
- Chapter 11 Posthuman Tempests in the Twenty-First Century
- Chapter 12 Stratford-Upon-Web: Shakespeare in Twenty-First-Century Fanfiction
- Chapter 13 The Paranormal Bard: Shakespeare Is/As Undead
- Chapter 14 The Hogarth Shakespeare Series: Redeeming Shakespeare’s Literariness
- List of Referenced Novels
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Shakespeare and Millennial Fiction , pp. 64 - 80Publisher: Cambridge University PressPrint publication year: 2017
References
Bradbrook, M. C. (1965). The School of Night: A Study in the Literary Relationships of Sir Walter Ralegh. New York: Russell & Russell.Google Scholar
Cifelli, Laura A. B. (2010). Rev. of The School of Night, by Louis Bayard. Library Journal, December: 99.Google Scholar
Flaherty, Jennifer. (2014). “Dreamers and Insomniacs: Audiences in Sleep No More and The Night Circus.” Comparative Drama, 48.1/2: 135–54.CrossRefGoogle Scholar
Hartley, Andrew. (2016). “Appropriation in Contemporary Fiction. ” In Callaghan, Dympna and Gossett, Suzanne, eds., Shakespeare in Our Time: A Shakespeare Association of America Collection. New York: Bloomsbury, 240–3.Google Scholar
Shakespeare, William. (1966). Love’s Labour’s Lost. In David, Richard, ed., The Arden Shakespeare, 5th ed. Cambridge, MA: Harvard University Press.Google Scholar
Shakespeare, William. (1997). Love’s Labour’s Lost. Ed. Barton, Anne. In Evans, G. Blakemore and Tobin, J. J. M., eds., The Riverside Shakespeare, 2d ed., Boston: Houghton Mifflin Company, 208–250.Google Scholar
Shakespeare, William. (2000). Love’s Labour’s Lost. In Holland, Peter, ed., The Pelican Shakespeare. New York: Penguin Books.Google Scholar
Shakespeare, William. (2008). The Tempest. In Greenblatt, Stephen, Cohen, Walter, Howard, Jean E., and Maus, Katherine Eisaman, eds., The Norton Shakespeare, 2d ed. New York: W. W. Norton and Company, 3055–115.Google Scholar
Shakespeare, William. (2008a). Love’s Labour’s Lost. In Bate, Jonathan and Rasmussen, Eric, eds., The RSC Shakespeare. New York: The Modern Library.Google Scholar
Shakespeare, William. (2008b). Love’s Labour’s Lost. Ed. Cohen, Walter. In Greenblatt, Stephen, Cohen, Walter, Howard, Jean E., and Maus, Katherine Eisaman, eds., The Norton Shakespeare, 2d ed. New York: W. W. Norton and Company, 767–836.Google Scholar
Wells, Stanley and Taylor, Gary. (1997). William Shakespeare: A Textual Companion. New York: W. W. Norton and Company.Google Scholar
Whyte, Tamara. (2012). “‘A Consummation Devoutly to Be Wished’: Shakespeare in Popular Historical Romance Fiction.” In Frantz, Sarah S. G. and Selinger, Eric Murphy, eds., New Approaches to Popular Romance Fiction: Critical Essays. Jefferson, NC: McFarland & Company, Inc., 218–28.Google Scholar
Worthen, W. B. (2014). Shakespeare Performance Studies. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Yates, Frances A. (1936). A Study of Love’s Labour’s Lost. Cambridge: Cambridge University Press.Google Scholar
Yates, Frances A.. (1975). Shakespeare’s Last Plays: A New Approach. London: Routledge & Kegan Paul.Google Scholar
Yates, Frances A.. (1983). “Shakespeare and the Platonic Tradition.” [1942]. Renaissance and Reform: The Italian Contribution, Collected Essays Vol. II. Boston, MA: Routledge & Kegan Paul, 151–60.Google Scholar
Yates, Frances A.. (1986). The Rosicrucian Enlightenment. London: ARK Paperbacks, Routledge & Kegan Paul.Google Scholar