Some newspaper reviews are taken from the monthly journal Theatre Record. A reference in the text of the sort ‘(TR 2002: 191)’ means, for example, that the review can be found on p. 191 of the Theatre Record for 2002.
References to the texts of Shakespeare's plays are, unless otherwise stated, from William Shakespeare: The Complete Works, ed. Stanley Wells and Gary Taylor (Oxford University Press 2005).
Adler, John, ed. 1997. Responses to Shakespeare. 8 vols. London: Routledge.
Agate, James 1932. The English Dramatic Critics: An Anthology. London: Arthur Baker.
Agate, James 1932. The English Dramatic Critics: An Anthology. London: Arthur Baker.1943a. Brief Chronicles: A Survey of the Plays of Shakespeare and the Elizabethans in Actual Performance. London: Jonathan Cape.
Agate, James.,1943b. These Were Actors: Extracts from a Newspaper Cutting Book, 1811–1833. London: Hutchinson.
Agate, James.,1946. Those Were the Nights. London: Hutchinson.
Agate, James.,1948. Ego 9: Concluding the Autobiography of James Agate. London: George Harrap.
Agate, James.,1961. James Agate, An Anthology. Ed. Herbert Van Thal. London: Rupert Hart-Davis.
Anonymous 1933. Review of Macbeth. The Times 9 April.
Appleton, William W. 1961. Charles Macklin: An Actor's Life. Cambridge, MA: Harvard University Press.
Archer, William 1891. ‘The Free Stage and the New Drama’. Fortnightly Review 50, 664.
Archer, William.,1896. The Theatrical ‘World’ for 1895. London: Walter Scott.
Armstrong, Alan 2008. ‘Romeo and Juliet Academic Theatre Review Kit’. Shakespeare Bulletin 26:1, 109--23.
Arnott, J.F. and J.W. Robertson 1970. English Theatrical Literature 1559–1900: Bibliography Incorporating Robert W. Lowe's ‘A Bibliographical Account of English Theatrical Literature’ Published in 1888. London: The Society for Theatre Research.
Baer, Marc 1992. Theatre and Disorder in Late Georgian London. Oxford: Clarendon Press.
Baldick, Chris 1983. The Social Mission of English Criticism 1848–1932. Oxford University Press.
Bartas 1605. Bartas: his deuine weekes and workes translated: & dedicated to the Kings most excellent Maiestie, by Joshua Sylvester. London.
Barthes, Roland 1975. The Pleasure of the Text. Trans. Richard Miller. New York: Noonday Press.
Bartholomeusz, Dennis 1969. Macbeth and the Players. Cambridge University Press.
Bate, Jonathan 1989. Shakespearean Constitutions: Politics, Theatre, Criticism 1730–1830. Oxford University Press.
Beckett, Samuel 1986. The Complete Dramatic Works. London: Faber and Faber.
BeerbohmMax 1896a. ‘An Unhappy Poet’. Saturday Review 82, 282–3, 315–16.
Beerbohm, Max.,1896b. ‘Hold, Furious Scot!’ Saturday Review 82, 395–6.
Beerbohm, Max.,1953. Around Theatres. London: Rupert Hart-Davis.
Beerbohm, Max.,1969. More Theatres: 1898–1903. London: Rupert Hart-Davis.
Beetham, Margaret 1990. ‘Towards a Theory of the Periodical as Publishing Genre’ in Brake et al., Investigating Victorian Journalism, 19–30.
Bell, A. 1996. ‘Texts, Time and Technology in News English’ in S. Goodman and D. Graddol, eds. Redesigning English: New Texts, New Identities. Milton Keynes: Open University Press. 3–26.
Benedetti, Jean 2001. David Garrick and the Birth of the Modern Theatre. London: Methuen.
Benjamin, Walter 1992. ‘The Work of Art in the Age of Mechanical Reproduction’ in Hannah Arendt, ed. Illuminations. London: Fontana. 211–44.
Bennett, Susan 1997. Theatre Audiences: Theory of Production and Reception. London and New York: Routledge.
Bentley, Eric 2008. Bentley on Brecht. 3rd edn. Evanston, IL: Northwestern University Press.
Bentley, G.E. 1941–68. The Jacobean and Caroline Stage. 7 vols. Oxford: Clarendon Press.
Billington, Michael 1993. One Night Stands: A Critic's view of British Theatre, 1971–91. London: Nick Hern.
Billington, Michael.,2000a. Personal interview with author, June.
Blau, Herbert 1987. The Eye of Prey. Bloomington: Indiana University Press.
Blau, Herbert.,1990. The Audience. Baltimore: Johns Hopkins University Press.
Bloom, Harold 1997. The Anxiety of Influence: Theory of Poetry. 2nd edn. Oxford University Press.
Booth, John E. 1991. The Critic, Power and the Performing Arts. New York: Columbia University Press, 1991.
Bourdieu, Pierre [1979]
1986. Distinction: A Social Critique of the Judgement of Taste. Trans. Richard Nice. London: Routledge and Kegan Paul.
Bradley, A.C. 1909. ‘Hegel's Theory of Tragedy’ in Bradley, Oxford Lectures on Poetry. London: Macmillan.
Brake, Laurel 1988. ‘The Old Journalism and the New: Forms of Cultural Production in London in the 1880s’ in Wiener, Papers for the Millions, 1–24.
Brake, Laurel, Aled Jones and Lionel Madden, eds. 1990. Investigating Victorian Journalism. New York: St Martin's Press.
Braunmuller, A.R. 1997. Introduction to Macbeth byWilliam Shakespeare. Cambridge University Press, 1–93.
Brecht, Bertolt 1964. Brecht on Theatre. Ed. and trans. John Willett. London: Methuen.
Bristol, Michael D. 1985. Carnival and Theater: Plebeian Culture and the Structure of Authority in Renaissance England. London: Methuen.
Brooke, Nicholas, ed. 1990. Macbeth byWilliam Shakespeare. Oxford: Clarendon Press.
Brown, Lucy 1985. Victorian News and Newspapers. Oxford: Clarendon Press.
Bulman, James, ed. 1996. Shakespeare, Theory, and Performance. London: Routledge.
Burke, Seán 1995. ‘The Ethics of the Signature’ in Seán Burke, ed. Authorship: From Plato to the Postmodern, A Reader. Edinburgh University Press. 285–91.
Burton, Hal, ed. 1967. Great Acting. London: Hill and Wang.
Carlson, Marvin 1989. ‘Theatre Audiences and the Reading of Performance’ in Postlewait and McConachie, eds., Interpreting the Theatrical Past, 82–98.
Carlson, Marvin.,2003. The Haunted Stage: The Theatre as Memory Machine. Ann Arbor: University of Michigan Press.
Carroll, Sydney W. 1931. ‘Grievances and Disabilities in Criticism’. Critics’ Circular 5:17 (May), 1–2.
Carson, Christie and Susan Bennett, eds. 2013. Shakespeare Beyond English:A Global Experiment. Cambridge University Press.
Cavanagh, John 1989. British Theatre, A Bibliography 1901 to 1985. Mottisfont: Motley Press, 1989.
Cecil, David 1964. Max: Biography. London: Constable.
Chomsky, Noam 2002. Understanding Power: The Indispensable Chomsky. Ed. Peter R. Mitchell and John Schoeffel. New York: The New Press.
Clarke, Bob 2010. From Grub Street to Fleet Street: An Illustrated History of English Newspapers to 1899. Brighton: Revel Barker Publishing.
Cliff, Nigel 2007. The Shakespeare Riots: Revenge, Drama, and Death in Nineteenth-Century America. New York: Random House.
Collini, Stefan 1988. ‘The Critic as Journalist: Leavis after Scrutiny’ in Treglown and Bennett, eds., Grub Street and the Ivory Tower, 51–76.
Conboy, Martin 2010. The Language of Newspapers: Socio-historical Perspectives. London: Continuum.
Connolly, Cyril 1961. Enemies of Promise. Harmondsworth: Penguin.
Cook, Dutton 1883. Nights at the Play. London: Chatto and Windus.
‘Craig, Nicholas’ (Christopher Douglas and Nigel Planer) 1989. I, An Actor. London: Pan Books.
‘The Critic's Progress’ (Anonymous) 1895. Saturday Review 79 (15 June), 796.
Daileader, Celia R. 2000. ‘Casting Black Actors: Beyond Othellophilia’ in CatherineM.S. Alexander and Stanley Wells, eds. Shakespeare and Race. Cambridge University Press. 177–202.
Danson, Lawrence 1989. Max Beerbohm and the Act of Writing. Oxford: Clarendon Press.
Diamond, Elin 1995. Writing Performances. London: Routledge.
Darlington, W.A. 1924. ‘The Producer’. Critics’ Circular 1:3 (April), 4.
Darlington, W.A.,1942. ‘Minutes of the Annual General Meeting’. Critics’ Circular 8:29 (June), 15.
Darlington, W.A.,1960. Six Thousand and One Nights, Forty Years a Critic. London: George G. Harrap.
Davies, Nick 2008. Flat Earth News. London: Chatto and Windus.
Davies, Thomas [1784] 1971. Dramatic Miscellanies: Consisting of Critical Observations on Several Plays. New York: Benjamin Blom.
Dawson, Anthony B. 1999. ‘The Arithmetic of Memory: Shakespeare's Theatre and the National Past’. Shakespeare Survey 52, 54–67.
Derrida, Jacques 1988. Limited Inc. Evanston, IL: Northwestern University Press.
Dickson, Andrew 2012a. Email to author. 8 November.
Donohue, Joseph 1967–8. ‘Kemble and Mrs Siddons in Macbeth: The Romantic Approach to Tragic Character’. Theatre Notebook 22:2, 65–86.
Donohue, Joseph.,1970. Dramatic Character in the English Romantic Age. Princeton University Press.
Downes, John [1708] 1987. Roscius Anglicanus. Ed. Judith Milhous and Robert D. Hume. London: The Society for Theatre Research.
‘Dumb Britain’ 2002. Private Eye no. 1053 (3–16 May), 8.
Dundy, Elaine 2001. Life Itself!London: Virago Press.
Dusinberre, Juliet 1996. ‘Squeaking Cleopatras: Gender and Performance in Antony and Cleopatra’ in Bulman, ed., Shakespeare, Theory, and Performance, 46–67.
‘Editorial’ 1898. Saturday Review 85 (11 June), 769.
Edmondson, Paul, Paul Prescott and Peter J. Smith, eds. 2010. Reviewing Shakespearean Theatre: The State of the Art. Special issue of the Shakespeare Association's journal Shakespeare 6.3. London: Routledge.
Edmondson, Paul, Paul Prescott and Erin Sullivan, eds. 2013. A Year of Shakespeare: Re-living the World Shakespeare Festival. London: Arden.
Ehrenreich, Barbara 1989. Fear of Falling: The Inner Life of the Middle Class. New York: HarperCollins.
Eliot, T.S. 1964. ‘Tradition and the Individual Talent’ in Eliot, Selected Essays, 3rd edn. London: Faber and Faber.
Evans, Richard J. 1997. In Defence of History. London: Granta.
Fletcher, John 1847. Studies of Shakespeare. London: Longman, Brown, Green and Longmans.
Forbes-Robertson, Johnston 1925. A Player under Three Reigns. London: T. Fisher Unwin.
Franklin, Bob 1997. Newszak and News Media. London: Arnold.
Garrick, David 1744. An Essay on Acting: In which will be consider'd The Mimical Behaviour of Certain fashionable faulty Actor, and the Laudableness of such unmannerly, as well as inhumane Proceedings, To which will be added, A Short Criticism on His acting Macbeth. London. Extracts repr. in Vickers, ed., Shakespeare: The Critical Heritage Vol. iii 1733–1752.
Garrick, David.,1981. The Plays of David Garrick. Vol. iii: Garrick's Adaptations of Shakespeare 1744–1756. Ed. Harry William Pedicord and Fredrick LouisBergmann. Carbondale, IL: Southern Illinois University Press.
Gentleman, Francis [1770] 1969. The Dramatic Censor; or, Critical Companion Volumes i and ii. Farnborough: Gregg International.
Gilmore, David D. 1990. Manhood in the Making: Cultural Concepts of Masculinity. New Haven, CT: Yale University Press.
Grady, Hugh 1991. The Modernist Shakespeare: Critical Texts in a Material World. Oxford: Clarendon Press.
Gray, C.H. 1931. Theatrical Criticism in London to 1795. New York: Benjamin Blom.
Green, L. Dunton 1927. ‘The Second International Congress of Critics at Salzburg’. Critics’ Circular 3:12 (November), 2.
Grein, J.T. 1899. Dramatic Criticism. London: J. Long.
Gross, John 2000. Personal interview with author, June.
Gurr, Andrew with John Orrell 1989. Rebuilding Shakespeare's Globe. London: Weidenfeld & Nicolson.
Habermas, Jürgen [1962] 1992. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Trans. Thomas Burger. Cambridge: Polity Press.
Harding, James 1986. Agate: A Biography. London: Methuen.
Hawkes, Terence 1986. That Shakespeherian Rag: Essays on a Critical Process. London: Methuen.
Hawkes, Terence.,1992. Meaning by Shakespeare. London: Routledge.
Hawkins, F.W. [1869] 1969. The Life of Edmund Kean. New York: Benjamin Blom.
Hazlitt, William 1854. Criticisms and Dramatic Essays of the English Stage. 2nd edn. London: Routledge.
Hazlitt, William.,1930–4. Complete Works of William Hazlitt. Ed. P.P. Howe. 21 vols. London: Dent and Co.
Haywood, Charles 1969. ‘George Bernard Shaw on Shakespearian Music and the Actor’. Shakespeare Quarterly 20, 417–26.
Herbert, Ian 1999. ‘Writing in the Dark: Fifty Years of British Theatre Criticism’. New Theatre Quarterly 59 (August), 236–42.
Hillebrand, Harold Newcomb 1966. Edmund Kean. New York: MS Press.
Hobson, Harold 1978. Indirect Journey: An Autobiography. London: Weidenfeld and Nicolson.
Hodgdon, Barbara 1998. The Shakespeare Trade: Performances and Appropriations. Philadelphia, PA: University of Pennsylvania Press.
Hogan, Charles Beecher 1958. The London Stage 1660–1800: Part 5, 1776–1800. Carbondale, IL: Southern Illinois University Press.
Holden, Anthony 1988. Olivier. London: Weidenfeld & Nicolson.
Holderness, Graham, ed. 1988. The Shakespeare Myth. Manchester University Press, 1988.
Holland, Peter 1997. English Shakespeares: Shakespeare on the English Stage in the 1990s. Cambridge University Press.
Holroyd, Michael 1990. Bernard Shaw. Vol. i: 1856–1898, The Search for Love. London: Penguin.
Hughes, Alan 1981. Henry Irving, Shakespearean. Cambridge University Press.
Hume, Robert D. 1999. Reconstructing Contexts: The Aims and Principles of Archaeo-Historicism. Oxford University Press.
Hunt, Leigh 1949. Leigh Hunt's Dramatic Criticism 1808–1831. Ed. L.H. and C.W. Houtchens. New York: Columbia University Press.
Jackson, Russell 1978. ‘J.F. Nisbet of The Times: Conservative Critic of the ’Eighties and ’Nineties’. Theatre Research International 3, 114–25.
Jackson, Russell.,1985. ‘Shakespeare in the Theatrical Criticism of Henry Morley’. Shakespeare Survey 38, 187–200.
Jackson, Russell.,1994. ‘Shaw's Reviews of Daly's Shakespeare: The Wooing of Ada Rehan’. Theatre Research International 19, 203–13.
James, Henry 1948. The Scenic Art: Notes on Acting and the Drama 1872–1901. Ed. Allan Wade. New Brunswick, NJ: Rutgers University Press.
Jauss, Hans Robert 1982. Toward an Aesthetic of Reception. Trans. Timothy Bahti. Brighton: Harvester.
Johnson, Samuel 1908. Johnson on Shakespeare. Ed. Walter Raleigh. Oxford University Press.
Kemble, John Philip [1817] 1997. ‘Macbeth and King Richard III: an Essay, in Answer to Remarks on Some Characters of Shakespeare’ in Adler, ed., Responses to Shakespeare. Vol. v :1808–1825.
Kennedy, Dennis 1993. Looking at Shakespeare: A Visual History of Twentieth-Century Performance. Cambridge University Press.
Kent, Christopher 1980. ‘Periodical Critics of Drama, Music and Art, 1830–1914: Preliminary List’. Victorian Periodicals Review 13, 31–55.
Kent, Christopher and Tracy C. Davies 1986. ‘More Critics of Drama, Music and Art’. Victorian Periodicals Review 19, 99–105.
Kliman, Bernice W. 1992. Shakespeare in Performance: Macbeth. Manchester University Press.
Knight, Joseph 1893. Theatrical Notes. London: Lawrence & Bullen.
Koenig, Rhoda 2002. Review of Measure for Measure. Independent 12 April.
Larson, Magali Sarfatti 1977. The Rise of Professionalism: A Sociological Analysis. Berkeley: University of California Press.
Laycock, Stuart 2012. All the Countries We've Ever Invaded: And the Few We Never Got Round To. Stroud: The History Press.
Littlewood, S.R. 1939. Dramatic Criticism. London: Sir Isaac Pitman.
Lloyd Evans, Gareth and Barbara 1985. Plays in Review 1956–1980: British Drama and the Critics. London: Batsford Academic and Educational.
Lowe, R.W. and William Archer, eds. 1894. Leigh Hunt Dramatic Essays. London: Walter Scott Ltd.
Lowe, R.W.,1895. William Hazlitt, A View of the English Stage; or, a series of dramatic criticisms. London: Walter Scott Ltd.
Lowe, R.W.,1896. John Forster and George Henry Lewes: Dramatic Essays. London: Walter Scott Ltd.
Macready, W.C. 1875. Macready's Reminiscences, and Selections from his Diaries and Letters. Ed. Frederick Pollock. 2 vols. London: Macmillan.
Macready, W.C.,1912. The Diaries of William Charles Macready 1833–1851. Ed. William Toynbee. 2 vols. London: Chapman and Hall.
Manvell, Roger 1968. Ellen Terry. London: Heinemann.
‘Marie Corelli’ 1896. Saturday Review 82 (26 September), 337.
Mazer, Cary M. 1985. ‘Shakespeare, the Reviewer, and the Theatre Historian’. Shakespeare Quarterly 36, 648–61.
McDonald, Rónán 2007. The Death of the Critic. London: Continuum.
McNair, Brian 1994. News and Journalism in the UK. London: Routledge.
Middleton, David and Derek Edwards, eds. 1990. Collective Remembering. London: Sage Publications.
Miller, William Ian 2000. The Mystery of Courage. Cambridge, MA: Harvard University Press.
Molloy, J. Fitzgerald 1888. The Life and Adventures of Edmund Kean, Tragedian, 1787–1833. 2 vols. London: Ward and Downey.
Moore, Edward M. 1972. ‘William Poel’. Shakespeare Quarterly 23, 21–36.
Morgann, Maurice [1777] 1963. ‘Essay on the Dramatic Character of Sir John Falstaff’ in D. Nichol Smith, ed. Eighteenth-Century Essays on Shakespeare, 2nd edn. Oxford: Clarendon Press. 203–83.
Morison, Stanley 1932. The English Newspaper: Some Account of the Physical Development of Journals Printed in London Between 1622 and the Present Day. Cambridge University Press.
Morris, Mowbray 1882. Essays in Theatrical Criticism. London: Remington & Co.
‘Mr Clement Scott's Ignorance.’ 1896. Letter. Saturday Review 82 (24 October), 444.
Mulryne, J.R. and Margaret Shewring, eds. 1997. Shakespeare's Globe Rebuilt. Cambridge University Press.
Munsil, Janet 2002. Smoking with Lulu. London: Oberon Books.
Murphy, Arthur 1801. The Life of David Garrick. 2 vols. London: Joseph Wright.
Nelsen, Paul 1995. ‘Oaths and Oracles: Will the Globe Spin on an Axis of “Authenticity”?’ Shakespeare Bulletin 13:3, 27–32.
Nelson, Richard 1990. Two Shakespearean Actors. London: Faber and Faber.
Nelson, Richard.,2004. Tynan: Based on the Book The Diaries of Kenneth Tynan, edited by John Lahr. London: Faber and Faber.
Nord, Paul David 2006. Communities of Journalism: A History of American Newspapers and their Readers. Champaign: University of Illinois Press.
O’Connor, T.P. 1889. ‘The New Journalism’. The New Review 1, 423.
Orgel, Stephen 2002. The Authentic Shakespeare, and Other Problems of the Early Modern Stage. London: Routledge.
Osborne, Laurie E. 1996. ‘The Rhetoric of Evidence: The Narration and Display of Viola and Olivia in the Nineteenth Century’ in Pechter, ed., Textual and Theatrical Shakespeare, 124–43.
Pechter, Edward, ed. 1996. Textual and Theatrical Shakespeare: Questions of Evidence. Iowa City, IA: University of Iowa Press.
Postlewait, Thomas and Bruce A. McConachie, eds. 1989. Interpreting the Theatrical Past: Essays in the Historiography of Performance. Iowa City, IA: University of Iowa Press.
Pound, Reginald and Geoffrey Harmsworth 1959. Northcliffe. London: Cassel.
Prescott, Paul, Peter J. Smith and Janice Valls-Russell, eds. 2012. ‘Nothing if not critical’: International Perspectives on Shakespearean Theatre Criticism Special Issue of Cahiers Élisabéthains. Montpellier.
Procter, B.W. [1835] 1969. Life of Edmund Kean. 2 Vols. New York: Benjamin Blom.
Pykett, Lyn 1990. ‘Reading the Periodical Press: Text and Context’ in Brake et al., Investigating Victorian Journalism, 1–18.
Radley, Alan 1990. ‘Artifacts, Memory and a Sense of the Past’ in Middleton and Edwards, eds., Collective Remembering, 46–59.
Reas, Paul, ed. 1993. Flogging a Dead Horse: Heritage Culture and its Role in Post-industrial Britain. Manchester: Cornerhouse Publications.
Rebellato, Dan 1999. 1956 and All That: The Making of Modern British Drama. London: Routledge.
‘Review of Reviews’ 1897. Saturday Review 83 (13 March), 279.
Richardson, John E. 2007. Analysing Newspapers: An Approach from Critical Discourse Analysis. Basingstoke: Palgrave.
Roach, Joseph 1996. Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press, 1996.
Roach, Joseph.,2000. ‘The Performance’ in Deborah Payne Fisk, ed. The Cambridge Companion to English Restoration Theatre. Cambridge University Press.19–39.
Roberts, David 2002. ‘Shakespeare, Theatre Criticism, and the Acting Tradition’. Shakespeare Quarterly 53:3, 341–61.
Rosenberg, Marvin 1978. The Masks of Macbeth. Berkeley: University of California Press.
Rosenberg, Marvin.,1982. ‘Macbeth and Lady Macbeth in the Eighteenth and Nineteenth Centuries’ in John Russell Brown, ed. Focus on Macbeth. London: Routledge and Kegan Paul. 73–86.
Ross, Robert [‘R.’] 1896. Review of The Musketeers. Saturday Review 86 (12 November), 631.
Rowell, George, ed. 1971. Victorian Dramatic Criticism. London: Methuen.
Runciman, J.F. 1899. Review of The Perfect Wagnerite. Saturday Review 87 (4 February), 140.
Rutter, Carol Chillington 2001. Enter the Body: Women and Representation on Shakespeare's Stage. London: Routledge.
Rylance, Mark 1997. ‘Playing the Globe: Artistic Policy and Practice’ in Mulryne and Shewring, eds., Shakespeare's Globe Rebuilt, 169–76.
Samuel, Raphael 1994. Theatres of Memory. Vol. i: Past and Present in Contemporary Culture. London: Verso.
Scott, Clement 1896. From ‘The Bells’ to ‘King Arthur’, a Critical Record of the First-Night Productions at the Lyceum Theatre from 1871 to 1895. London: John Macqueen.
Scott, Clement.,1899. The Drama of Yesterday and To-day. 2 vols. London: Macmillan.
Seymour-Ure, Colin 1991. The British Press and Broadcasting since 1945. Oxford: Blackwell.
Shakespeare, William 2005. The Complete Works. Ed. Stanley Wells, Gary Taylor, John Jowett and William Montgomery. Oxford University Press.
Shaw, George Bernard [1891] 1971. Appendix to The Quintessence of Ibsenism in Rowell, ed., Victorian Dramatic Criticism, 361–3.
Shaw, George Bernard.,1899. ‘The Perfect Wagnerite’. Letter. Saturday Review 87 (11 February), 177.
Shaw, George Bernard.,1920. ‘“The Dying Tongue of Great Elizabeth” by George Bernard Shaw…To which is added a Footnote by William Poel. Published by the London Shakespeare League’. London: London Shakespeare League.
Shaw, George Bernard.,1932. Our Theatres in the Nineties. 3 vols. London: Constable.
Shaw, George Bernard.,[1911] 1934. Fanny's First Play. The Complete Plays of Bernard Shaw. London: Odhams Press Limited. 651–83.
Shaw, George Bernard.,1937. London Music in 1888–89 as Heard by Corno di Bassetto. London: Constable.
Shaw, George Bernard.,1949a. Ellen Terry and George Bernard Shaw: Correspondence. Ed. Christopher St John. London: Reinhardt and Evans.
Shaw, George Bernard.,1949b. Sixteen Self Sketches. London: Constable.
Shaw, George Bernard.,1956. Advice to a Young Critic, Letters 1894–1928. London: Peter Owen Ltd.
Shaw, George Bernard.,1960. How to Become a Musical Critic. Ed. Dan H. Laurence. London: Rupert Hart-Davis.
Shaw, George Bernard.,1961. Shaw on Shakespeare. Ed. Edwin Wilson. New York: E.P. Dutton.
Shaw, George Bernard.,1981. Shaw's Music: The Complete Musical Criticism in Three Volumes. Ed. Dan H. Laurence. London: Max Reinhardt.
Shaw, George Bernard.,[1895] 1986. ‘The Sanity of Art: An Exposure of the Current Nonsense about Artists being Degenerate’ in Michael Holroyd, ed. Bernard Shaw: Major Critical Essays. Harmondsworth: Penguin. 309–60.
Shellard, Dominic 1995. Harold Hobson: Witness and Judge. Keele University Press.
Shellard, Dominic.,2003. Kenneth Tynan: A Life. New Haven, CT: Yale University Press.
Sheridan, Richard Brinsley [1779] 1940. The Critic. Ed. G.A. Aitken. London: J.M. Dent.
Shrum, Wesley Monroe 1996. Fringe and Fortune: The Role of Critics in High and Popular Art. Princeton University Press.
‘Sir Henry Irving’ 1895. Saturday Review 79 (1 June), 718.
Smialkowska, Monika 2013. ‘Julius Caesar’ in Edmondson, Prescott and Sullivan, eds., A Year of Shakespeare, 91–5.
Smith, Barbara Herrnstein 1988. Contingencies of Value: Alternative Perspectives for Critical Theory. Cambridge, MA: Harvard University Press.
Smith, Bruce 2000. Shakespeare and Masculinity. Oxford University Press.
Society of Dramatic Critics. 1907. ‘Suggested Rules to be Submitted at a General Meeting, January 4th, 1907’. London.
Sondheim, Stephen, Burt Shevelove and Larry Gelbart 1985.The Frogs and A Funny Thing Happened on the Way to the Forum. New York: Dodd, Mead and Co.
Spencer, Charles 2000. Personal interview with author, June.
Sprague, A.C. 1947. ‘Shakespeare and William Poel’. University of Toronto Quarterly 17, 29–37.
Stead, W.T. 1902. ‘Character Sketch: Mr. T.P. O’Connor, M.P.’ Review of Reviews 26, 478–9.
Stedman, Jane W. 1995. ‘Theatre’ in J. Don Vann and Rosemary T. VanArsdel, eds. Victorian Periodicals and Victorian Society. University of Toronto Press. 162–76.
Stefanova, Kalina 2000. Who Keeps the Score on the London Stages?Amsterdam: Harwood.
Steiner, George 1967. Language and Silence: Essays 1958–1966. London: Faber and Faber.
Stokes, John 1972. Resistible Theatres: Enterprise and Experiment in the Late Nineteenth Century. London: Paul Elek Books.
Stone, George Winchester, Jr. 1957. The London Stage 1660–1800: Part 4, 1747–1776. Carbondale, IL: Southern Illinois University Press.
Stone, George Winchester, Jr. and George M. Kahrl 1979. David Garrick: Critical Biography. London: Feffer & Simons.
Stoppard, Tom 1968. The Real Inspector Hound. London: Faber.
Stubbes, Philip [1583] 2002. Anatomy of Abuses. Ed. M.J. Kidnie. Renaissance English Text Society. Tempe: Arizona Center for Medieval and Renaissance Studies.
Sutton Trust, the
2006.
The Educational Backgrounds of Leading Journalists. Downloaded from:
www.suttontrust.com.
Tardiff, Joseph C., ed. 1993. Shakespearean Criticism Volume XX: Macbeth and Timon of Athens. Detroit: Gale Research Inc.
Taylor, Gary 1991. Reinventing Shakespeare: Cultural History from the Restoration to the Present. London: Vintage.
Taylor, Gary.,1996. Cultural Selection. New York: Basic Books.
Terry, Ellen 1933. Ellen Terry's Memoirs, with Preface, Notes and Additional Biographical Chapters by Edith Craig and Christopher St. John. London: Victor Gollancz.
Theatre of Blood 1973. Screenplay by Anthony Greville-Ball. Dir. Douglas Hickox. MGM/UA.
Thomas, David and Arnold Hare 1989. Theatre in Europe – A Documentary History: Restoration and Georgian England, 1660–1788. Cambridge University Press.
Thomson, Peter 2000. On Actors and Acting. University of Exeter Press.
TR = see Theatre Record.
Treglown, Jeremy and Bridget Bennett, eds. 1988. Grub Street and the Ivory Tower: Literary Journalism and Literary Scholarship from Fielding to the Internet. Oxford: Clarendon Press.
Trewin, J.C. 1964. Shakespeare on the English Stage, 1900–1964. London: Barrie and Rockliff.
Tynan, Kathleen 1987. The Life of Kenneth Tynan. London: Methuen.
Tynan, Kenneth 1950. He That Plays the King. London: Longman.
Tynan, Kenneth.,1953. ‘Down with Scarecrows, Snobs and Sniggers!’ Daily Sketch 2 October. 4.
Tynan, Kenneth.,1961a. Curtains. London: Longman.
Tynan, Kenneth.,1961b. ‘Post-mortem on the Egoist’ Observer.
Tynan, Kenneth.,1964. Tynan on Theatre. Harmondsworth: Penguin.
Tynan, Kenneth.,1966. Bull Fever: New Edition with Some Afterthoughts. New York: Atheneum.
Tynan, Kenneth.,1967. Tynan Right and Left. London: Longmans.
Tynan, Kenneth.,1971. ‘The Critic Comes Full Circle’. Theatre Quarterly 1, 37–48.
Tynan, Kenneth.,1975a. A View of the English Stage. London: Davis-Poynter.
Tynan, Kenneth.,1975b. The Sound of Two Hands Clapping. London: Jonathan Cape.
Tynan, Kenneth.,1994. The Letters of Kenneth Tynan. Ed. Kathleen Tynan. London: Weidenfeld & Nicolson.
Tynan, Kenneth.,2001. The Diaries of Kenneth Tynan. Ed. John Lahr. London: Bloomsbury.
Van Dijk, Marteen 1982. ‘John Philip Kemble and the Critics’. Theatre Notebook 36, 110–18.
Van Dijk, T.A. 1988. News Analysis. New Jersey: L.E.A.
Vickers, Brian, ed. 1975. Shakespeare: The Critical Heritage. Vol. iii: 1733–1752. London: Routledge and Kegan Paul.
Walkley, Arthur Bingham 1892. Playhouse Impressions. London: Fisher Unwin.
Walkley, Arthur Bingham.,1903. Dramatic Criticism. London: John Murray.
Wardle, Irving 1980. Review of Macbeth. The Times 5 September.
Wardle, Irving 1992. Theatre Criticism. London: Routledge and Kegan Paul.
Wardle, Irving.,1997. ‘Thieves and Parasites: On Forty Years of Theatre Reviewing in England’. New Theatre Quarterly 13:50 (May), 119–32.
Webb, Kaye, ed. 1952. An Experience of Critics and The Approach to Dramatic Criticism. London: Perpetua.
Weimann, Robert 1988. ‘Bifold Authority in Shakespeare's Theater’. Shakespeare Quarterly 39:4, 401–17.
Weller, Bernard 1923. ‘Probation for Critics’. Critics’ Circular 1:1 (November), 5.
Wells, Stanley 1976. ‘Shakespeare in Max Beerbohm's Theatre Criticism’. Shakespeare Survey 29, 132–44.
Wells, Stanley.,1980. ‘Shakespeare in Leigh Hunt's Theatre Criticism’. Essays and Studies, 119–38.
Wells, Stanley.,1982. ‘Shakespeare in Hazlitt's Theatre Criticism’. Shakespeare Survey 35, 43–55.
Wells, Stanley.,ed. 1997. Shakespeare in the Theatre: An Anthology of Criticism. Oxford University Press.
Werner, Sarah 2001. Shakespeare and Feminist Performance: Ideology on Stage. London: Routledge.
Whately, Thomas [1785] 1997. ‘Remarks on Some of the Characters of Shakespeare’ in Adler, ed., Responses to Shakespeare. Vol. iii: 1783–1791, n.p.
Wiener, Joel H., ed. 1988. Papers for the Millions: The New Journalism in Britain, 1850s to 1914. London: Greenwood Press.
Wilde, Oscar [1890] 1950. ‘The Critic as Artist, with Some Remarks upon the Importance of Doing Nothing’ in Hesketh Pearson, ed. Essays by Oscar Wilde. London: Methuen. 100–88.
Williams, Raymond 1961. The Long Revolution. London: Chatto and Windus.
Wilson, A.E. 1941. Editorial. Critics’ Circular 7:28 (June), 1.
Wilson, M. Glen 1975. ‘Charles Kean and the Victorian Press’. Victorian Periodicals Newsletter 8, 95–108.
Woolf, Virginia 1925. The Common Reader. London: Hogarth Press.
Worthen, W.B. 1997. Shakespeare and the Authority of Performance. Cambridge University Press.