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  1. Home
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  3. Modernism and Naturalism in British and Irish Fiction, 1880–1930
Publisher:
Cambridge University Press
Online publication date:
November 2014
Print publication year:
2014
Online ISBN:
9781316018668
DOI:
https://doi.org/10.1017/CBO9781316018668
Subjects:
Literature, English Literature 1900-1945
Information

Book description

This book argues that the history of literary modernism is inextricably connected with naturalism. Simon Joyce traces a complex response among aesthetes to the work of Émile Zola at the turn of the century, recovering naturalism's assumed compatibility with impressionism as a central cause of their ambivalence. Highlighting a little-studied strain of reflexive naturalism in which Zola's mode of analytical observation is turned upon the authors themselves, Joyce suggests that the confluence of naturalism and impressionism formed the precondition for so-called stream-of-consciousness writing. This style served to influence not only the work of canonical modernists such as Joyce and Woolf, but also that of lesser-known writers such as George Moore, Sarah Grand, and George Egerton.

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Contents

Contents
  • Chapter 5 - The voice of witlessness
    pp 151-179
  • Virginia Woolf and the poor
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