This chapter positions Thomas Hardy, and to a lesser extent his Wiltshire-born contemporary, Richard Jefferies, as case studies by which to assess broader environmental crises in the final decades of the nineteenth century. My central concern is with how the georgic sensibility, far from a passé or patrician enthusiasm in late-Victorian literature, has, in Hardy’s view, great analytical power and relevance. It allows him – especially in The Mayor of Casterbridge and The Woodlanders – to probe moral attitudes towards, and economic theories about, manual toil in an age of capitalist accumulation. In these novels Hardy interprets georgic motifs, values and sources through his portrayal of the pugnacious ‘corn king’ Henchard and the introverted yeoman Winterborne, respectively. In both texts, I contend, Hardy documents an indigenous land-worker’s increasingly fraught dispute with, and gradual supplanting by, a more ruthlessly hard-headed arriviste.