Adams, H. H.“Cyril Tourneur on Revenge.”Journal of English and Germanic Philology 48 (1949): 72–87.
Adelman, Janet. “Making Defect Perfection: Shakespeare and the One-Sex Model,” in Enacting Gender on the English Renaissance Stage, ed. Comensoli, Viviana and Russell, Anne. Urbana, IL: University of Illinois Press, 1999.
Adelman, Janet.Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to The Tempest. New York: Routledge, 1992.
Alpers, Paul. “Learning from the New Criticism: The Example of Shakespeare's Sonnets,” in Renaissance Literature and Its Formal Engagements, ed. Rasmussen, , 116–38.
Alpers, Paul. The Poetry of the Faerie Queene. Princeton: Princeton University Press, 1967.
Alpers, Paul. What Is Pastoral?Chicago: University of Chicago Press, 1996.
Anderson, Donald K., Jr., ed. “Concord in Discord”: The Plays of John Ford, 1586–1986. New York: AMS Press, 1986.
Apter, Emily. Feminizing the Fetish: Psychoanalysis and Narrative Obsession in Turn-of-the-Century France. Ithaca: Cornell University Press, 1991.
Archer, John Michael.Sovereignty and Intelligence: Spying and Court Culture in the English Renaissance. Stanford: Stanford University Press, 1993.
Baines, Barbara J.“Effacing Rape in Early Modern Representation.” ELH 65 (1998): 69–98.
Bamber, Linda. Comic Women, Tragic Men: A Study of Gender and Genre in Shakespeare. Stanford: Stanford University Press, 1992.
Bamford, Karen. Sexual Violence on the Jacobean Stage. New York: St. Martin’s Press, 2000.
Barber, C. L.Creating Elizabethan Tragedy: The Theater of Marlowe and Kyd, ed. Wheeler, Richard P.. Chicago: University of Chicago Press, 1988.
Barbour, Reid. “John Ford and Resolve.” Studies in Philology 86 (1989): 341–66.
Barish, Jonas A. “The True and False Families of The Revenger's Tragedy,” in English Renaissance Drama: Essays in Honor of Madeline Doran and Mark Eccles, ed. Henning, S., Kimbrough, R., and Knowles, L., 142–54. Carbondale: Southern Illinois University Press, 1976.
Barkan, Leonard. “Diana and Actaeon: The Myth as Synthesis.” English Literary Renaissance 10 (1980): 317–59.
Bartels, Emily. Spectacles of Strangeness: Imperialism, Alienation, and Marlowe. Philadelphia: University of Pennsylvania Press, 1993.
Bartels, Emily. “Strategies of Submission: Desdemona, the Duchess, and the Assertion of Desire.”Studies in English Literature, 1500–1900 36 (1996): 417–33.
Bawcutt, N. W., ed. The Changeling, by Middleton, Thomas and Rowley, William. Manchester: Manchester University Press, 1998.
Belsey, Catherine. “The Name of the Rose in Romeo and Juliet,” in Romeo and Juliet: Contemporary Critical Essays, ed. White, R. S., 47–77. Houndmills: Palgrave, 2001.
Belsey, Catherine. The Subject of Tragedy: Identity and Difference in Renaissance Drama. London: Methuen, 1985.
Belt, Debra. “Anti-Theatricalism and Rhetoric in Marlowe's Edward II.”English Literary Renaissance 21 (1991): 134–60.
Bergeron, David M. “Brother-Sister Relationships in Ford's 1633 Plays,” in “Concord in Discord,” ed. Anderson, , 195–215.
Berry, Philippa. Shakespeare's Feminine Endings: Disfiguring Death in the Tragedies. New York: Routledge, 1999.
Bersani, Leo. The Freudian Body. New York: Columbia University Press, 1986.
Bersani, Leo. Homos. Cambridge, MA: Harvard University Press, 1995.
Best, Sue. “Sexualizing Space,” in Sexy Bodies: The Strange Carnalities of Feminism, ed. Grosz, Elizabeth and Probyn, Elspeth, 181–94. New York: Routledge, 1995.
Bevington, David, Engle, Lars, Maus, Katharine Eisaman, and Rasmussen, Eric, eds. English Renaissance Drama: A Norton Anthology. New York: Norton, 2002.
Bevington, David and Shapiro, James. “‘What are kings, when regiment is gone?’: The Decay of Ceremony in Edward II,” in “A Poet and a filthy Play-maker,” ed. Friedenreich, Gill, and Kuriyama, , 263–78.
Bicks, Caroline. Midwiving Subjects in Shakespeare's England. Aldershot: Ashgate, 2003.
Boehrer, Bruce Thomas.Monarchy and Incest in Renaissance England: Literature, Culture, Kinship, and Kingship. Philadelphia: University of Pennsylvania Press, 1992.
Boehrer, Bruce Thomas. .“‘Nice Philosophy’: ’Tis Pity She's a Whore and the Two Books of God.”Studies in English Literature, 1500–1900 24 (1984): 355–71.
Bonin, Erin Lang.“Margaret Cavendish's Dramatic Utopia and the Politics of Gender.” Studies in English Literature, 1500–1900 40 (2000): 339–54.
Booth, Stephen. Shakespeare's Sonnets. New Haven: Yale University Press, 1977.
Bowerbank, Sylvia. “The Spider's Delight: Margaret Cavendish and the ‘Female’ Imagination.” English Literary Renaissance 14 (1984): 392–408.
Bowers, Fredson, ed. The Complete Works of Christopher Marlowe. Cambridge: Cambridge University Press, 1973.
Bray, Alan. “Homosexuality and the Signs of Male Friendship in Elizabethan England.” History Workshop 29 (1990): 1–19.
Bray, Alan. Homosexuality in Renaissance England. London: Gay Men’s Press, 1982.
Bredbeck, Gregory W. Sodomy and Interpretation: Marlowe to Milton. Ithaca: Cornell University Press, 1991.
Breitenberg, Mark. Anxious Masculinity in Early Modern England. Cambridge: Cambridge University Press, 1996.
Bromham, A. A. and Bruzzi, Zara. The Changeling and the Years of Crisis, 1619–1624: A Hieroglyph of Britain. London: Pinter, 1990.
Brooke, C. F. Tucker, ed. The Works of Christopher Marlowe. Oxford: Clarendon Press, 1929.
Brooke, Nicholas. Horrid Laughter in Jacobean Tragedy. London: Open Books, 1979.
Brooke, Nicholas. Shakespeare's Early Tragedies. London: Methuen, 1968.
Brown, Georgia. “Breaking the Canon: Marlowe's Challenge to the Literary Status Quo in Hero and Leander,” in Marlowe, History, and Sexuality, ed. White, , 59–76.
Brown, Georgia. “Gender and Voice in Hero and Leander,” in Constructing Christopher Marlowe, ed. Downie, J. A. and Parnell, J. T., 148–63.
Brown, Georgia. Redefining Elizabethan Literature. Cambridge: Cambridge University Press, 2004.
Bruster, Douglas. “‘Come to the Tent Again’: ‘The Passionate Shepherd,’ Dramatic Rape and Lyric Time.”Criticism 33 (1991): 49–72.
Bueler, Lois E.“Role-Splitting and Reintegration: The Tested Woman Plot in Ford.”Studies in English Literature, 1500–1900 20 (1980): 325–44.
Bueler, Lois E. .“The Structural Uses of Incest in English Renaissance Drama.” Renaissance Drama 15 (1984): 115–45.
Burke, Carolyn. “Irigaray through the Looking Glass,” in Engaging with Irigaray, ed. Burke, Schor, and Whitford, , 37–56.
Burke, Carolyn, Schor, Naomi, and Whitford, Margaret, eds. Engaging with Irigaray: Feminist Philosophy and Modern European Thought. New York: Columbia University Press, 1994.
Burks, Deborah G. “‘I'll want my will else’: The Changeling and Women's Complicity with Their Rapists,”ELH 62 (1995): 759–90.
Burnett, Mark Thornton.“Tamburlaine and the Body.”Criticism 33 (1991): 31–47.
Burt, Richard. Medieval and Early Modern Film and Media. New York: Palgrave Macmillan, 2008.
Burt, Richard. Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture. London: Macmillan, 1998.
Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.
Butler, Judith. Bodies That Matter: On the Discursive Limits of “Sex.”New York: Routledge, 1993.
Butler, Martin. “The Connection between Donne, Clarendon, and Ford.” Notes and Queries 34 (1987): 309–10.
Butler, Martin. “Love's Sacrifice: Ford's Metatheatrical Tragedy,” in John Ford, ed. Neill, , 201–31.
Byron, George Gordon [Byron], Lord. Don Juan, ed. Steffan, T. G., Steffan, E., and Pratt, W. W.. London: Penguin, 2004.
Cadden, Joan. Meanings of Sex Difference in the Middle Ages. Cambridge: Cambridge University Press, 1993.
Callaghan, Dympna C. “The Ideology of Romantic Love: The Case of Romeo and Juliet,” in The Weyward Sisters: Shakespeare and Feminist Politics, ed. Callaghan, Dympna, Helms, Lorraine, and Singh, Jyotsna, 59–101. Oxford: Blackwell, 1994.
Callagahan, Dympna. Shakespeare without Women: Representing Gender and Race on the Renaissance Stage. New York: Routledge, 2000.
Callagahan, Dympna.Woman and Gender in Renaissance Tragedy: A Study of King Lear, Othello, The Duchess of Malfi and The White Devil. Atlantic Highlands, NJ: Humanities Press International, 1989.
Campbell, Marion. “‘Desunt Nonnulla’: The Construction of Marlowe's Hero and Leander as an Unfinished Poem.”ELH 51 (1984): 241–68.
Carroll, Lewis. The Annotated Alice, ed. Gardner, Martin. New York: Clarkson N. Potter, 1960.
Cartelli, Thomas. Marlowe, Shakespeare, and the Economy of Theatrical Experience. Philadelphia: University of Pennsylvania Press, 1991.
Cavanagh, Sheila. Wanton Eyes and Chaste Desires: Female Sexuality in The Faerie Queene. Bloomington: Indiana University Press, 1994.
Cavendish, Margaret, Duchess of Newcastle. The Blazing World and Other Writings, ed. Lilly, Kate. Harmondsworth: Penguin, 1994.
Cavendish, Margaret, The Convent of Pleasure and Other Plays, ed. Anne Shaver. Baltimore: Johns Hopkins University Press, 1999.
Cavendish, Margaret, Natures Pictures, drawn by Fancies Pencil to the Life. London, 1656.
Cavendish, Margaret, Playes. London, 1662.
Cavendish, Margaret, Sociable Letters, ed. Fitzmaurice, James. New York: Garland, 1997.
Cerasano, S. P. and Wynne-Davies, Marion, eds. Readings in Renaissance Women's Drama: Criticism, History, and Performance 1594–1998. London: Routledge, 1998.
Champion, Larry. “Tourneur's The Revenger's Tragedy and the Jacobean Tragic Perspective.”Studies in Philology 72 (1975): 299–321.
Chanter, Tina. Ethics of Eros: Irigaray's Rewriting of the Philosophers. New York: Routledge, 1995.
Charlton, H. B. and Waller, R. D., eds. Edward II. New York: Gordian Press, 1966.
Cheney, Patrick. “Career Rivalry and the Writing of Counter-Nationhood: Ovid, Spenser, and Philomela in Marlowe's ‘The Passionate Shepherd to His Love.’”ELH 65 (1998): 523–55.
Cheney, Patrick. Marlowe's Counterfeit Profession: Ovid, Spenser, Counter-Nationhood. Toronto: University of Toronto Press, 1997.
Clark, Michael P. “Introduction,” in Revenge of the Aesthetic, ed. Clark, , 1–24.
Clark, Michael P., ed. Revenge of the Aesthetic: The Place of Literature in Theory Today. Berkeley: University of California Press, 2000.
Clerico, Terri. “The Politics of Blood: John Ford's ’Tis Pity She's a Whore.”English Literary Renaissance 22 (1992): 405–34.
Clucas, Stephen, ed. A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle. Aldershot: Ashgate, 2003.
Cohen, Stephen, “Between Form and Culture: New Historicism and the Promise of a Historical Formalism,” in Renaissance Literature and Its Formal Engagements, ed. Rasmussen, , 17–41.
Colie, Rosalie. Shakespeare's Living Art. Princeton: Princeton University Press, 1974.
Corporaal, Marguèrite. “An Empowering Wit and an ‘Unnatural’ Tragedy: Margaret Cavendish's Representation of the Tragic Female Voice.” Early Modern Literary Studies 14 (2004), available at www.chass.utoronto.ca/emls/si-14/corpempo.html.
Cottegnies, Line and Weitz, Nancy, eds. Authorial Conquests: Essays on Genre in the Writings of Margaret Cavendish. Madison, NJ: Fairleigh Dickinson University Press, 2003.
Crooke, Helikiah. Microcosmographia: A Description of the Body of Man. London, 1615.
Cubeta, Paul M.“Marlowe's Poet in Hero and Leander.”College English 26 (1965): 500–5.
Culpepper, Nicholas. A Directory for Midwives. London, 1656.
Cunningham, Karen. “Renaissance Execution and Marlovian Elocution: The Drama of Death.” PMLA 105 (1990): 209–22.
D, ’Mont, é, Rebecca. “‘Making a Spectacle’: Margaret Cavendish and the Staging of the Self,” in A Princely Brave Woman, ed. Clucas, , 109–26.
Daileader, Celia. Eroticism on the Renaissance Stage: Transcendence, Desire, and the Limits of the Visible. Cambridge: Cambridge University Press, 1998.
Dash, Irene. “Single Sex Retreats in Two Early Modern Dramas: Love's Labor's Lost and The Convent of Pleasure.”Shakespeare Quarterly 47 (1996): 387–95.
Davis, Natalie. Society and Culture in Early Modern France. Stanford: Stanford University Press, 1975.
Dawson, Anthony. “Women Beware Women and the Economy of Rape.” Studies in English Literature, 1500–1900 27 (1987): 303–20.
Lauretis, Teresa. Alice Doesn't: Feminism, Semiotics, Cinema. Bloomington: Indiana University Press, 1982.
Lauretis, Teresa. Technologies of Gender: Essays on Theory, Film and Fiction. Bloomington: Indiana University Press, 1990.
Deats, Sara Munson. “Marlowe's Fearful Symmetry in Edward II,” in “A Poet and a filthy Play-maker,” ed. Friedenreich, Gill, and Kuriyama, , 241–62.
Deats, Sara Munson. “Myth and Metamorphosis in Marlowe's Edward II.”Texas Studies in Literature and Language 22 (1980): 304–21.
Deats, Sara Munson.Sex, Gender, and Desire in the Plays of Christopher Marlowe. Newark, DE: University of Delaware Press, 1997.
Defaye, Claudine. “Annabella's Unborn Baby: The Heart in Womb in ’Tis Pity She's a Whore.”Cahiers Elisabéthains 15 (1979): 35–42.
Dente, Carla. “Reading Symptoms of Decadence in Ford's ’Tis Pity She's a Whore,” in Romancing Decay: Ideas of Decadence in European Culture, ed. John, Michael St, 27–38. Aldershot: Ashgate, 1999.
DeRosa, Robin. “‘What Have I On a Petticoat?’: The Convent of Pleasure and the Reality of Performance.”In-Between: Essays and Studies in Literary Criticism 9 (2000): 275–86.
Derrida, Jacques. Dissemination, trans. Johnson, Barbara. Chicago: University of Chicago Press, 1981.
Derrida, Jacques. The Post Card: From Socrates to Freud and Beyond, trans. Bass, Alan. Chicago: University of Chicago Press, 1987.
Derrida, Jacques. Of Grammatology, trans. Spivak, Gayatri C.. Baltimore: Johns Hopkins University Press, 1976.
Desnes, Marliss C.The Bed-Trick in English Renaissance Drama: Explorations in Gender, Sexuality, and Power. Newark, DE: University of Delaware Press, 1994.
DiGangi, Mario. The Homoerotics of Early Modern Drama. Cambridge: Cambridge University Press, 1997.
Digangi, Mario. “Marlowe, Queer Studies, and Renaissance Homoeroticism,” in Marlowe, History, and Sexuality, ed. White, , 195–212.
Dollimore, Jonathan. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries, 2nd edn. Durham, NC: Duke University Press, 1993.
Dollimore, Jonathan. Sexual Dissidence: Augustine to Wilde, Freud to Foucault. Oxford: Clarendon Press, 1991.
Dollimore, Jonathan. “Subjectivity, Sexuality, and Transgression: The Jacobean Connection,” in Renaissance Drama As Cultural History: Essays from Renaissance Drama 1977–1987, ed. Rose, Mary Beth, 335–63. Evanston, IL: Northwestern University Press, 1990.
Donaldson, Peter S. “Conflict and Coherence: Narcissism and Tragic Structure in Marlowe,” in Narcissism and the Text: Studies in Literature and the Psychology of Self, ed. Layton, Lynne and Schapiro, Barbara Ann, 36–63. New York: NYU Press, 1986.
Doniger, Wendy. The Bedtrick: Tales of Sex and Masquerade. Chicago: University of Chicago Press, 2000.
Donne, John. The Complete English Poems, ed. Smith, A. J.. London: Penguin, 1971.
Downie, J. A. and Parnell, J. T., eds. Constructing Christopher Marlowe. Cambridge: Cambridge University Press, 2000.
Drayton, Michael. The Works of Michael Drayton, ed. Hebel, J. William. Oxford: Basil Blackwell, 1931.
Dubrow, Heather. A Happier Eden: The Politics of Marriage in the Stuart Epithalamium. Ithaca: Cornell University Press, 1990.
Dubrow, Heather. “The Politics of Aesthetics: Recuperating Formalism and the County House Poem,” in Renaissance Literature and Its Formal Engagements, ed. Rasmussen, , 67–88.
Duncan, David. “Virginity in The Changeling.”English Studies in Canada 9 (1983): 25–33.
Eaton, Sara. “Beatrice Joanna and the Rhetoric of Love,” in Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama, ed. Kastan, David Scott and Stallybrass, Peter, 275–89. New York: Routledge, 1991.
Eccles, Audrey. Obstetrics and Gynaecology in Tudor and Stuart England. Kent, OH: Kent State University Press, 1982.
Edelman, Lee. Homographesis: Essays in Gay Literary and Cultural Theory. New York: Routledge, 1994.
Eliot, T. S.Selected Essays, 3rd edn. London: Faber and Faber, 1951.
Ellis-Fermor, Una. The Jacobean Drama: An Interpretation. London: Methuen, 1936.
Enterline, Lynn. The Rhetoric of the Body from Ovid to Shakespeare. Cambridge: Cambridge University Press, 2000.
Enterline, Lynn. The Tears of Narcissus: Melancholia and Masculinity in Early Modern Writing. Stanford: Stanford University Press, 1995.
Farmer, Norman K., Jr., ed. “Poems from a Seventeenth Century Manuscript with the Hand of Robert Herrick.”Texas Quarterly 16 (1973): Supplement 91.
Enterline, Lynn. The XV Comforts of Rash and Inconsiderate Marriage. London, 1682.
Enterline, Lynn. Fifteen Real Comforts of Matrimony. London, 1683.
Findlay, Alison, Williams, Gweno, and Hodgson-Wright, Stephanie J.. “‘The Play is ready to be Acted’: Women and Dramatic Production, 1570–1670.”Women's Writing 6 (1999): 129–47.
Fineman, Joel. Shakespeare's Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets. Berkeley: University of California Press, 1986.
Finke, Laurie, A. “Painting Women: Images of Femininity in Jacobean Tragedy.” Theatre Journal 36 (1984): 357–8.
Ford, John. ’Tis Pitty Shee's a Whore. London, 1633.
Forsythe, R. S.“The Passionate Shepherd; and English Poetry.” PMLA 40 (1925): 692–742.
Fraser, Russell A. and Rabkin, Norman, eds. Drama of the English Renaissance, vol. II, The Stuart Period. New York: Macmillan, 1976.
Frecerro, Carla. Queer/Early/Modern. Durham, NC: Duke University Press, 2006.
Freud, Sigmund. The Standard Edition of the Complete Psychological Works, 24 vols., ed. Strachey, James. London: Hogarth, 1953–74.
Freud, Sigmund. Three Case Histories, ed. Rieff, Philip. New York: Collier, 1996.
Friedenreich, Kenneth, Gill, Roma, and Kuriyama, Constance B., eds. “A Poet and a Filthy Play-maker”: New Essays on Christopher Marlowe. New York: AMS Press, 1988.
Frost, David L., ed. The Selected Plays of Thomas Middleton. Cambridge: Cambridge University Press, 1978.
Fuss, Diana. Essentially Speaking: Feminism, Nature and Difference. New York: Routledge, 1989.
Gallagher, Catherine. “Embracing the Absolute: Margaret Cavendish and the Politics of the Female Subject in Seventeenth-Century England,” in Early Women Writers: 1600–1720, ed. Pacheco, Anita, 133–45. London: Longman, 1998.
Gallop, Jane. Thinking through the Body. New York: Columbia University Press, 1988.
Garber, Marjorie. “‘Here's Nothing Writ’ Scribe, Script, and Circumscription in Marlowe's Plays,” in Christopher Marlowe, ed. Wilson, Richard, 30–53. London: Longman, 1999.
Garber, Marjorie. “‘Infinite Riches in a Little Room’: Closure and Enclosure in Marlowe,” in Two Renaissance Mythmakers: Christopher Marlowe and Ben Jonson, ed. Kernan, Alvin, 3–21. Baltimore: Johns Hopkins University Press, 1977.
Garber, Marjorie. “The Insincerity of Women,” in Subject and Object in Renaissance Culture, ed. Margreta de Grazia, Maureen Quilligan, and Stallybrass, Peter, 349–68. Cambridge: Cambridge University Press, 1996.
Garber, Marjorie. Vested Interests: Cross Dressing and Cultural Anxiety. New York: Routledge, 1992.
Gibson, Colin, ed. The Selected Plays of John Ford. Cambridge: Cambridge University Press, 1986.
Godshalk, W. L. “Hero and Leander: The Sense of an Ending,” in “A Poet and a filthy Play-maker,” ed. Friedenreich, Gill, and Kuriyama, , 293–314.
Goldberg, Jonathan. Desiring Women Writing: English Renaissance Examples. Stanford: Stanford University Press, 1997.
Goldberg, Jonathan. “Romeo and Juliet's Open Rs,” in Queering the Renaissance, ed. Goldberg, Jonathan, 218–35. Durham, NC: Duke University Press, 1994.
Goldberg, Jonathan. Sodometries: Renaissance Texts, Modern Sexualities. Stanford: Stanford University Press, 1992.
Goldberg, Jonathan. “Sodomy and Society: The Case of Christopher Marlowe.” Southwest Review 69 (1984): 371–8.
Goldberg, Jonathan and Menon, Madhavi. “Queering History.” PMLA 120 (2005): 1608–17.
Grant, Douglas. Margaret the First. London: Hart-Davis, 1957.
Greenblatt, Stephen. Renaissance Self-Fashioning: From More to Shakespeare. Chicago: University of Chicago Press, 1980.
Greenblatt, Stephen. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Berkeley: University of California Press, 1988.
Greenfield, Matthew. “Christopher Marlowe's Wound Knowledge.” PMLA 119 (2004): 233–46.
Greville, Fulke, Brooke, Baron. Certaine Learned and Elegant Workes (1633): A Facsimile Reproduction. Delmar, NY: Scholars’ Facsimiles and Reprints, 1990.
Greville, Fulke, Brooke, Baron. Poems and Drama of Fulke Greville, First Lord Brooke, ed. Bullough, Geoffrey. Edinburgh: Oliver and Boyd, 1939.
Grossman, Marshall. The Story of All Things: Writing the Self in Narrative Poetry. Durham, NC: Duke University Press, 1998.
Grosz, Elizabeth. Sexual Subversions: Three French Feminists. Sydney: Allen & Unwin, 1989.
Guillemeau, Jacques. Child-birth, or, the Happy Delivery of Women. London, 1612.
Gunn, Thom, ed. Selected Poems of Fulke Greville. Chicago: University of Chicago Press, 1968.
Haber, Judith. Pastoral and the Poetics of Self-Contradiction: Theocritus to Marvell. Cambridge: Cambridge University Press, 1994.
Hackett, Helen. Women and Romance Fiction in the English Renaissance. Cambridge: Cambridge University Press, 2000.
Hallett, Charles A. and Hallett, Elaine S.. The Revenger's Madness: A Study of Revenge Tragedy Motifs. Lincoln: University of Nebraska Press, 1980.
Halperin, David. One Hundred Years of Homosexuality and Other Essays on Greek Love. New York: Routledge, 1990.
Hammill, Graham L.Sexuality and Form: Caravaggio, Marlowe, Bacon. Chicago: University of Chicago Press, 2000.
Harvey, Elizabeth D. Ventriloquized Voices: Feminist Theory and English Renaissance Texts. New York: Routledge, 1992.
Haslem, Lori Schroeder.“‘Troubled with the Mother’: Longings, Purgings, and the Maternal Body in ‘Bartholomew Fair’ and ‘The Duchess of Malfi.’” Modern Philology 92 (1995): 451–59.
Hattaway, Clare. Re-Citing Marlowe: Approaches to the Drama. Aldershot: Ashgate, 2000.
Heinemann, Margot. Puritanism and Theatre: Thomas Middleton and Opposition Drama under the Early Stuarts. Cambridge: Cambridge University Press, 1980.
Henderson, Diana E.Passion Made Public: Elizabethan Lyric, Gender and Performance. Urbana, IL: University of Illinois Press, 1995.
Hillman, David and Mazzio, Carla, ed. The Body in Parts: Fantasies of Corporeality in Early Modern Europe. New York: Routledge, 1997.
Hiscock, Andrew. “‘Here's no design, no plot, nor any ground’: The Drama of Margaret Cavendish and the Disorderly Woman.” Women's Writing 4 (1997): 401–20.
Hobby, Elaine. “‘Delight in a singularity’: Margaret Cavendish, Duchess of Newcastle, in 1671.” In-Between: Essays and Studies in Literary Criticism 9 (2000): 41–61.
Hobby, Elaine. Virtue of Necessity: English Women's Writing 1649–88. London: Virago, 1988.
Hocquenghem, Guy. Homosexual Desire, trans. Dangoor, Daniella. Durham, NC: Duke University Press, 1993.
Holinshed, Raphael. Chronicles of England, Scotland and Ireland. London: J. Johnsonet al., 1807.
Hopkins, Lisa. “Beguiling the Master of the Mystery: Form and Power in The Changeling.”Medieval and Renaissance Drama in England: 9 (1997): 149–61
Hopkins, Lisa. “Crime and Context in The Unnatural Tragedy.”Early Modern Literary Studies 14 (2004), available at http://purl.oclc.org/emls/si-14/hopkunna.html.
Hopkins, Lisa. “An Echo of Hymenaei in The Changeling.”Notes and Queries 43 (1996): 184.
Hopkins, Lisa. The Female Hero in English Renaissance Tragedy. New York: Palgrave, 2002.
Hopkins, Lisa. “Incest and Class: ’Tis Pity She's a Whore and the Borgias,” in Incest and the Literary Imagination, ed. Barnes, Elizabeth, 94–113. Gainesville: University of Florida Press, 2002.
Hopkins, Lisa. John Ford's Political Theatre. Manchester: Manchester University Press, 1994.
Hoy, Cyrus. “‘Ignorance in Knowledge’: Marlowe's Faustus and Ford's Giovanni.” Modern Philology 57 (1960): 145–54.
Huebert, Ronald. John Ford, Baroque English Dramatist. Montreal: McGill University Press, 1977.
Ide, Richard S. “Ford's ’Tis Pity She's a Whore and the Benefits of Belatedness,” in “Concord in Discord,” ed. Anderson, , 61–86.
Irigaray, Luce. Amante marine de Friedrich Nietzsche. Paris: Éditions de la Minuit, 1980.
Irigaray, Luce. An Ethics of Sexual Difference, trans. Burke, Carolyn and Gill, Gillian C.. Ithaca: Cornell University Press, 1993.
Irigaray, Luce. “Equal to Whom?” trans. Robert L. Mazzola, in The Essential Difference, ed. Schor, and Weed, , 63–81.
Irigaray, Luce. The Irigaray Reader, ed. Whitford, Margaret. Oxford: Blackwell, 1991.
Irigaray, Luce. Speculum of the Other Woman, trans. Gill, Gillian C.. Ithaca: Cornell University Press, 1985.
Irigaray, Luce. This Sex Which Is Not One, trans. Porter, Catherine. Ithaca: Cornell University Press, 1985.
Jankowski, Theodora A. “Pure Resistance: Queer(y)ing Virginity in William Shakespeare's Measure for Measure and Margaret Cavendish's The Convent of Pleasure.”Shakespeare Studies 26 (1998): 218–55.
Jankowski, Theodora. Women in Power in the Early Modern Drama. Urbana, IL: University of Illinois Press, 1992.
Jed, Stephanie. Chaste Thinking: The Rape of Lucretia and the Birth of Humanism. Bloomington: Indiana University Press, 1989.
Jonson, Ben. Bartholomew Fair, ed. Hibbard, G. R.. New York: Norton, 1977.
Jonson, Ben. The Complete Masques, ed. Orgel, Stephen. New Haven: Yale University Press, 1969.
Jordan, Robert. “Myth and Psychology in The Changeling.”Renaissance Drama 3 (1970): 157–65.
Kahn, Coppélia. “Whores and Wives in Jacobean Drama,” in In Another Country, ed. Kehler, Dorothea and Baker, Susan. Metuchen, NJ: Scarecrow, 1991.
Keach, William. Elizabethan Erotic Narratives: Irony and Pathos in the Ovidian Poetry of Shakespeare, Marlowe, and Their Contemporaries. New Brunswick, NJ: Rutgers University Press, 1977.
Knowles, James. “‘Infinite Riches in a Little Room’: Marlowe and the Aesthetics of the Closet,” in Renaissance Configurations: Voices/Bodies/Spaces, 1580–1690, ed. McMullan, Gordon, 3–29. Houndmills: Macmillan, 1998.
Kowsar, Mohammed. “Middleton and Rowley's The Changeling: The Besieged Temple.” Criticism 28 (1986):145–64.
Krieger, Murray. “My Travels with the Aesthetic,” in Revenge of the Aesthetic, ed. Clark, , 225–6.
Kristeva, Julia. Powers of Horror: An Essay on Abjection, trans. Roudiez, Leon S.. New York: Columbia University Press, 1982.
Kuriyama, Constance Brown. Hammer and Anvil: Psychological Patterns in Christopher Marlowe's Plays. New Brunswick, NJ: Rutgers University Press, 1980.
Kyd, Thomas. The Spanish Tragedy, 2nd edn., ed. Mulryne, J. R.. New Mermaids. New York: Norton, 1989.
Lamb, Mary Ellen.“Engendering the Narrative Act: Old Wives’ Tales in The Winter's Tale, Macbeth, and The Tempest,”Criticism 40 (1998): 529–53.
Laqueur, Thomas. Making Sex: Body and Gender from the Greeks to Freud. Cambridge, MA: Harvard University Press, 1990.
Leech, Clifford. John Ford and the Drama of His Time. London: Chatto and Windus, 1957.
Leggat, Alexander. Shakespeare's Tragedies, Violation and Identity. Cambridge: Cambridge University Press, 2005.
Levin, Harry. “Form and Formality in Romeo and Juliet,” in Twentieth Century Interpretations of Romeo and Juliet,” ed. Cole, Douglas, 85–95. Englewood Cliffs, NJ: Prentice Hall, 1970.
Levin, Richard. The Multiple Plot in English Renaissance Drama. Chicago: University of Chicago Press, 1971.
Levine, Laura. Men in Women's Clothing: Antitheatricality and Effeminization 1579–1642. Cambridge: Cambridge University Press, 1994.
Lifson, Martha Ronk.“Embodied Mortality in The Duchess of Malfi.” Pacific Coast Philology 23 (1988): 47–59.
Lindley, David. “Embarrassing Ben: The Masques for Frances Howard,” in Renaissance Historicism: Selections from English Literary Renaissance, ed. Kinney, Arthur F. and Collins, Dan S., 246–64. Amherst: University of Massachusetts Press, 1987.
Lindley, David. The Trials of Frances Howard: Fact and Fiction at the Court of King James. London: Routledge, 1993.
Little, Arthur L., Jr. “‘Transshaped’ Women: Virginity and Hysteria in The Changeling,” in Madness in Drama, ed. Redmond, James, 19–42. Themes in Drama 15. Cambridge: Cambridge University Press, 1993.
Logan, Robert. “Perspective in Marlowe's Hero and Leander: Engaging Our Detachment,” in “A Poet and a filthy Play-maker,” ed. Friedenreich, Gill, and Kuriyama, 279–91.
Lomax, Marion, ed. ’Tis Pity She's a Whore and Other Plays, by Ford, John. Oxford: Clarendon Press, 1995.
Loughlin, Marie H.Hymeneutics: Interpreting Virginity on the Early Modern Stage. Lewisburg, PA: Bucknell University Press, 1997.
Loughlin, Marie H. .“‘Love's Friend and Stranger to Virginitie’: The Politics of the Virginal Body in Ben Jonson's Hymenaei and Thomas Campion's The Lord Hay's Masque.” ELH 63 (1996): 833–49.
Luckyj, Christina. A Winter's Snake: Dramatic Form in the Tragedies of John Webster. Athens, GA: University of Georgia Press, 1989.
Malcolmson, Cristina. “‘As Tame as the Ladies’: Politics and Gender in The Changeling.”English Literary Renaissance 20 (1990): 321–39.
Malcolmson, Cristina. “‘What you Will’: Social Mobility and Gender in Twelfth Night,” in The Matter of Difference: Feminist Materialist Criticism of Shakespeare, ed. Wayne, Valerie, 29–57. Ithaca: Cornell University Press, 1991.
Marcus, Leah. Puzzling Shakespeare: Local Reading and Its Discontents. Berkeley: University of California Press, 1988.
Marienstras, Richard. New Perspectives on the Shakespearean World, trans. Lloyd, Janet. Cambridge: Cambridge University Press, 1985.
Marlowe, Christopher. The Complete Plays of Christopher Marlowe, ed. Ribner, Irving. Indianapolis: Odyssey, 1963.
Marlowe, Christopher. The Complete Poems and Translations, ed. Orgel, Stephen. Harmondsworth: Penguin, 1971.
Marlowe, Christopher. Dr Faustus, 2nd edn., ed. Gill, Roma. New Mermaids. New York: Norton, 1989.
Marlowe, Christopher. Edward II, ed. Merchant, W. Moelwyn. New Mermaids. New York: Norton, 1987.
Marlowe, Christopher. Tamburlaine, Parts One and Two, 2nd edn., ed. Dawson, Anthony B.. New Mermaids. New York: Norton, 1997.
Marshall, Cynthia. The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts. Baltimore: Johns Hopkins University Press, 2002.
Marston, John. Selected Plays, ed. Jackson, Macdonald P. and Neill, Michael. Cambridge: Cambridge University Press, 1986.
Martin, L. C., ed. Marlowe's Poems. New York: Gordian, 1966.
Martz, Louis L.Commentary, Textual. Hero and Leander: A Facsimile of the First Edition, London 1598, by Marlowe, Christopher. London: Johnson Reprint, 1972.
Masten, Jeffrey. Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama. Cambridge: Cambridge University Press, 1997.
Maus, Katharine Eisaman.Inwardness and Theater in the English Renaissance. Chicago: University of Chicago Press, 1995.
Mazzio, Carla. “Sins of the Tongue,” in The Body in Parts, ed. Hillman, and Mazzio, , 53–79.
McCabe, Richard A.Incest, Drama and Moral Law. Cambridge: Cambridge University Press, 1993.
McLuskie, Kathleen. “‘Language and Matter with a Fit of Mirth’: Dramatic Construction in the Plays of John Ford,” in John Ford, ed. Neill, , 97–127.
McMillin, Scott. “Acting and Violence: The Revenger's Tragedy and Its Departures from Hamlet.”Studies in English Literature, 1500–1900 24 (1984): 275–91.
Mendelson, Sara. “Playing Games with Gender and Genre: The Dramatic Self-Fashioning of Margaret Cavendish,” in Authorial Conquests, ed. Cottegnies, and Weitz, , 195–212.
Menon, Madhavi. Wanton Words: Rhetoric and Sexuality in Renaissance Drama. Toronto: University of Toronto Press, 2004.
Middleton, Thomas. A Game at Chess, ed. Howard-Hill, T. H.. Manchester: Manchester University Press, 1993.
Middleton, Thomas. Women Beware Women, ed. Carroll, William C.. New Mermaids. New York: Norton, 1994.
Middleton, Thomas and Rowley, William. The Changeling, ed. Daalder, Joost. New Mermaids. New York: Norton, 1990.
Miller, David Lee.“The Death of the Modern: Gender and Desire in Marlowe's ‘Hero and Leander.’” South Atlantic Quarterly 88 (1989): 757–86.
Miller, David Lee. .Dreams of the Burning Child: Sacrificial Sons and the Father's Witness. Ithaca: Cornell University Press, 2003.
Milton, John. Paradise Lost, ed. Fowler, Alastair. London: Longman, 1971.
Moffett, Thomas. The Silkewormes and Their Flies (1599): A Facsimile, ed. Houliston, Victor. Binghamton, NY: Medieval and Renaissance Texts and Studies, 1989.
Morris, Brian, ed. ’Tis Pity She's a Whore, by Ford, John. New Mermaids. New York: Norton, 1968.
Morrison, Paul. “End Pleasure.” GLQ 1 (1993): 55–8.
Mullaney, Steven. “Lying Like Truth: Riddle, Representation and Treason in Renaissance England.” ELH 47 (1980): 32–42.
Mullaney, Steven. “Mourning and Misogyny: Hamlet, The Revenger's Tragedy, and the Final Progress of Elizabeth I, 1600–1607,” in Centuries’ Ends, Narrative Means, ed. Newman, Robert, 238–60. Stanford: Stanford University Press, 1996.
Mulryne, J. R., ed. Women Beware Women, by Middleton, Thomas. The Revels Plays. London: Methuen, 1975.
Mulryne, J. R. and Fender, Stephen. “Marlowe and the ‘Comic Distance,’” in Christopher Marlowe: Mermaid Critical Commentaries, ed. Morris, Brian, 49–64. London: Ernest Benn, 1968.
Mulvey, Laura. Visual and Other Pleasures. Bloomington: Indiana University Press, 1989.
Munday, Anthony. A second and third blast of retrait from plaies and theaters, by Salvian of Marseilles and “Anglo-phile Eutheo.” London, 1580.
Neely, Carol Thomas.“Constructing the Subject: Feminist Practice and the New Renaissance Discourses.”English Literary Renaissance 18 (1988): 5–18.
Neill, Michael. “Bastardy, Counterfeiting, and Misogyny in The Revenger's Tragedy.”Studies in English Literature 1500–1900 36 (1996): 397–416.
Neill, Michael. Issues of Death: Mortality and Identity in English Renaissance Tragedy. Oxford: Clarendon Press, 1997.
Neill, Michael. Putting History to the Question: Power, Politics and Society in English Renaissance Drama. New York: Columbia University Press, 2000.
Neill, Michael. “‘What Strange Riddle's This?’: Deciphering ’Tis Pity She's a Whore,” in John Ford, ed. Neill, , 168–72.
Neill, Michael., ed. John Ford: Critical Revisions. Cambridge: Cambridge University Press, 1988.
Newman, Karen. Fashioning Femininity and English Renaissance Drama. Chicago: University of Chicago Press, 1991.
Oliver, H. J.The Problem of John Ford. Carlton, Australia: Melbourne University Press, 1955.
Orgel, Stephen. “Authentic Shakespeare.” Representations 21 (1988): 1–25.
Orgel, Stephen. Impersonations: The Performance of Gender in Early Modern England. Cambridge: Cambridge University Press, 1996.
Orgel, Stephen. “Nobody's Perfect: Or Why Did the English Stage Take Boys for Women?” in Displacing Homophobia, ed. Butters, Ronald R., Clum, John M., and Moon, Michael, 7–29. Durham, NC: Duke University Press, 1990.
Orgel, Stephen. “The Poetics of Incomprehensibility.” Shakespeare Quarterly 42 (1991): 431–7.
Ornstein, Robert. The Moral Vision of Jacobean Tragedy. Madison: University of Wisconsin Press, 1960.
Paré, Ambroise. The Works of the Famous Chirurgion, trans. Johnson, Thomas. London, 1633.
Park, Katharine. “The Rediscovery of the Clitoris: French Medicine and the Tribade, 1570–1620,” in The Body in Parts, ed. Hillman, and Mazzio, , 171–93.
Park, Katharine and Nye, Robert A.. “Destiny Is Anatomy.” The New Republic, 18 February 1991: 53–7.
Parker, Patricia. “Gender Ideology, Gender Change: The Case of Marie Germain.” Critical Inquiry 19 (1993): 337–64.
Parker, Patricia. Inescapable Romance: Studies in the Poetics of a Mode. Princeton: Princeton University Press, 1979.
Parker, Patricia. Literary Fat Ladies: Rhetoric, Gender, Property. London: Methuen, 1987.
Parker, Patricia. ‘ “On the Tongue’: Cross-Gendering, Effeminacy, and the Art of Words.” Style 23 (1989): 445–65.
Parker, Patricia. “Othello and Hamlet: Dilation, Spying, and the ‘Secret Place’ of Woman.” Representations 44 (1993): 60–95.
Parker, Patricia. “Preposterous Events.”Shakespeare Quarterly 43 (1992): 186–213.
Parker, Patricia. Shakespeare from the Margins: Language, Culture, Context. Chicago: University of Chicago Press, 1996.
Partridge, Eric. Shakespeare's Bawdy, rev. edn. New York: Dutton, 1969.
Paster, Gail Kern.The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Ithaca: Cornell University Press, 1993.
Patterson, Annabel. Pastoral and Ideology: Virgil to Valéry. Berkeley: University of California Press, 1987.
Payne, Linda R. “Dramatic Dreamscape: Women's Dreams and Utopian Vision in the Works of Margaret Cavendish, Duchess of Newcastle,” in Curtain Calls: British and American Women and the Theater, 1660–1829, ed. Schofield, Mary Anne and Macheski, Cecilia, 18–33. Athens, OH: Ohio University Press, 1991.
Peacock, Judith. “Writing for the Brain and Writing for the Boards: The Producibility of Margaret Cavendish's Dramatic Texts,” in A Princely Brave Woman, ed. Clucas, 87–108.
Pearson, Jacqueline. The Prostituted Muse: Images of Women and Women Dramatists 1642–1737. London: Harvester, 1988.
Puttenham, George. The Arte of English Poesie (1589). Kent, OH: Kent State University Press, 1970.
Quilligan, Maureen. Incest and Agency in Elizabeth's England. Philadelphia: University of Pennsylvania Press, 2005.
Quint, David. Epic and Empire: Politics and Generic Form from Virgil to Milton. Princeton: Princeton University Press, 1993.
Rackin, Phyllis. Stages of History: Shakespeare's English Chronicles. Ithaca: Cornell University Press, 1990.
Randall, Dale. “Some Observations on the Theme of Chastity in The Changeling.”English Literary Renaissance 14 (1984): 347–66.
Randall, Dale. Winter Fruit: English Drama 1642–1660. Lexington, KY: University of Kentucky Press, 1995.
Rasmussen, Mark David, ed. Renaissance Literature and Its Formal Engagements. New York: Palgrave, 2002.
The Revenger's Tragedy, 2nd edn., ed. Gibbons, Brian. New Mermaids. New York: Norton, 1991.
Ribner, Irving. Jacobean Tragedy: The Quest for Moral Order. London: Methuen, 1962.
Riggs, David. The World of Christopher Marlowe. New York: Henry Holt, 2004.
Robertson, Karen. “Chastity and Justice in The Revenger's Tragedy,” in Sexuality and Politics in Renaissance Drama, ed. Levin, Carol and Robertson, Karen, 215–36. Lewiston, NY: Edwin Mellen, 1991.
Robertson, Karen. “Rape and the Appropriation of Progne's Revenge in Shakespeare's Titus Andronicus, or ‘Who Cooks the Thyestean Banquet?’” in Representing Rape in Medieval and Early Modern Literature, ed. Robertson, Elizabeth and Rose, Christine M., 213–37. New York: Palgrave, 2001.
Roof, Judith. Come As You Are: Sexuality and Narrative. New York: Columbia University Press, 1996.
Roper, Derek, ed. ’Tis Pity She's a Whore. The Revels Plays. London: Methuen, 1975.
Rose, Mary Beth.The Expense of Spirit: Love and Sexuality in Renaissance Drama. Ithaca: Cornell University Press, 1988.
Rosen, Carol C.“The Language of Cruelty in Ford's ’Tis Pity She's a Whore.”Comparative Drama 8 (1974): 356–68.
Rosenthal, Laura J.Playwrights and Plagiarists in Early Modern England: Gender, Authorship, Literary Property. Ithaca: Cornell University Press, 1996.
Royston, Pamela L.“Hero and Leander and the Eavesdropping Reader.” John Donne Journal 2 (1983): 37–40.
Rubinstein, Frankie. A Dictionary of Shakespeare's Sexual Puns and Their Significance, 2nd edn. New York: St. Martin’s Press, 1995.
Sadler, John. The Sicke Womans Private Looking-Glasse. London, 1636.
Sanders, Julie. “‘A woman write a play!’: Jonsonian Strategies and the Dramatic Writings of Margaret Cavendish; or, Did the Duchess Feel the Anxiety of Influence?” in Readings in Renaissance Women's Drama, ed. Cerasano and Wynne-Davies, 293–305.
Sanders, Julie. “‘The Closet Opened’: A Reconstruction of ‘Private’ Space in the Writing of Margaret Cavendish,” in A Princely Brave Woman, ed. Clucas, 125–55.
Schor, Naomi. “This Essentialism Which Is Not One: Coming to Grips with Irigaray,” in Engaging with Irigaray, ed. Burke, Schor, and Whitford, , 57–78.
Schor, Naomi. Reading in Detail: Aesthetics and the Feminine. New York: Routledge, 1989.
Schor, Naomi and Weed, Elizabeth, eds. The Essential Difference. Bloomington: Indiana University Press, 1994.
Shakespeare, William. The Riverside Shakespeare, 2nd edn., ed. Evans, G. Blakemoreet al. Boston: Houghton Mifflin, 1997.
Sharp, Jane. The Midwives Book (1671). New York: Garland, 1985.
Shell, Mark. The End of Kinship: “Measure for Measure,” Incest, and the Ideal of Universal Siblinghood. Stanford: Stanford University Press, 1988.
Shepard, Alan. Marlowe's Soldiers: Rhetorics of Masculinity in the Age of the Armada. Aldershot: Ashgate, 2002.
Shepherd, Simon. Marlowe and the Politics of Elizabethan Theatre. Brighton: Harvester Press, 1986.
Sidney, Sir Philip.An Apology for Poetry, ed. Robinson, Forrest G.. New York: Macmillan, 1970.
Silverman, Kaja. The Acoustic Mirror. Bloomington: Indiana University Press, 1983.
Silverman, Kaja. Male Subjectivity at the Margins. New York: Routledge, 1992.
Silverman, Kaja. The Subject of Semiotics. Oxford: Oxford University Press, 1983.
Simmons, J. L.“Diabolical Realism in Middleton and Rowley's The Changeling.” Renaissance Drama 11 (1980): 135–70.
Simmons, J. L. .“The Tongue and Its Office in The Revenger's Tragedy.” PMLA 92 (1977): 56–68.
Singer, S. W., ed. Select Early English Poets, No. 8. London, 1821.
Smallwood, R. L.“’Tis Pity She's a Whore and Romeo and Juliet.”Cahiers Elisabéthains 20 (1981): 49–70.
Smith, Bruce R.Homosexual Desire in Shakespeare's England: A Cultural Poetics. Chicago: University of Chicago Press, 1991.
Smith, Molly. Breaking Boundaries: Politics and Play in the Drama of Shakespeare and His Contemporaries. Aldershot: Ashgate, 1998.
Snow, Edward A.“Sexual Anxiety and the Male Order of Things in Othello.”English Literary Renaissance 10 (1980): 384–412.
Spenser, Edmund. The Faerie Queene, ed. Hamilton, A. C.. London: Longman, 1977.
Stachniewski, John. “Calvinist Psychology in Middleton's Tragedies,” in Three Jacobean Revenge Tragedies, ed. Holdsworth, R. V., 226–47. London: Macmillan, 1990.
Stallybrass, Peter. “Patriarchal Territories: The Body Enclosed,” in Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe, ed. Ferguson, Margaret W., Quilligan, Maureen, and Vickers, Nancy J., 123–42. Chicago: University of Chicago Press, 1986.
Stallybrass, Peter. “Reading the Body: The Revenger's Tragedy and the Jacobean Theater of Consumption.” Renaissance Drama 18 (1987): 121–48.
Stanton, Donna C. “Recuperating Women and the Man behind the Screen,” in Sexuality and Gender in Early Modern Europe: Institutions, Texts, Images, ed. Turner, James Grantham, 247–65. Cambridge: Cambridge University Press, 1993.
Stavig, Mark. John Ford and the Traditional Moral Order. Madison: University of Wisconsin Press, 1968.
Stavig, Mark. “Shakespearean and Jacobean Patterns in ’Tis Pity She's a Whore,” in “Concord in Discord,” ed. Anderson, , 221–40.
Steane, J. B.Marlowe: A Critical Study. Cambridge: Cambridge University Press, 1964.
Stephens, Dorothy. The Limits of Eroticism in Post-Petrarchan Narrative: Conditional Pleasure from Spenser to Marvell. Cambridge: Cambridge University Press, 1998.
Stockton, Sharon. “The ‘broken rib of mankind’: The Sociopolitical Function of the Scapegoat in The Changeling.”Papers on Language and Literature 26 (1990): 459–77.
Strier, Richard. “Afterword: How Formalism Became a Dirty Word, and Why We Can't Do Without It,” in Renaissance Literature and Its Formal Engagements, ed. Rasmussen, , 207–15.
Strout, Nathaniel. “The Tragedy of Annabella in ’Tis Pity She's a Whore,” in Traditions and Innovations: Essays on British Literature of the Middle Ages and the Renaissance, ed. Allen, David G. and White, Robert A., 163–76. Newark, DE: University of Delaware Press, 1990.
Stubbes, Phillip. The Anatomie of Abuses (1583), ed. Furnivall, Frederick J.. London: N. Trubner, 1877–9.
Sullivan, Garrett. Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster. Cambridge: Cambridge University Press, 2005.
Sutherland, Sarah P.Masques in Jacobean Tragedy. New York: AMS Press, 1983.
Suzuki, Mihoko. “Gender, the Political Subject, and Dramatic Authorship: Margaret Cavendish's Loves Adventures and the Shakespearean Example,” in Cavendish and Shakespeare, Interconnections, ed. Romack, Katherine and Fitzmaurice, James, 103–20. Aldershot: Ashgate, 2006.
Sylvester, Richard S., ed. English Sixteenth-Century Verse: An Anthology. New York: Norton, 1984.
Taylor, Gary. Castration: An Abbreviated History of Western Manhood. New York: Routledge, 2000.
Thomas, Keith. “The Double Standard.” Journal of the History of Ideas 20 (1959): 195–216.
Thurn, David H.“Sights of Power in Tamburlaine.”English Literary Renaissance 19 (1989): 3–21.
Thurn, David H. .“Sovereignty, Disorder, and Fetishism in Marlowe's Edward II.”Renaissance Drama 21 (1990): 115–42.
Tomlinson, Sophie. “‘My Brain the Stage’: Margaret Cavendish and the Fantasy of Female Performance,” in Women, Texts and Histories 1575–1760, ed. Brant, Clare and Purkiss, Diane, 134–63. New York: Routledge, 1992.
Traub, Valerie. Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama. New York: Routledge, 1992.
Traub, Valerie. The Renaissance of Lesbianism in Early Modern England. Cambridge:Cambridge University Press, 2002.
Traub, Valerie. “The Psychomorphology of the Clitoris.” GLQ 2 (1995): 81–113.
Tromly, Fred B.Playing with Desire: Christopher Marlowe and the Art of Tantalization. Toronto: University of Toronto Press, 1998.
Turner, James Grantham.One Flesh: Paradisal Marriage and Sexual Relations in the Age of Milton. Oxford: Clarendon Press, 1987.
Tuve, Rosamund. Elizabethan and Metaphysical Imagery: Renaissance Poetic and Twentieth-Century Critics. Chicago: University of Chicago Press, 1947.
Venet, Gisèle. “Margaret Cavendish's Drama: an Aesthetic of Fragmentation,” in Authorial Conquests, ed. Cottegnies, and Weitz, , 213–28.
Vickers, Nancy J. “‘The blazon of sweet beauty's best’: Shakespeare's Lucrece,” in Shakespeare and the Question of Theory, ed. Parker, Patricia and Hartman, Geoffrey, 95–115. New York: Methuen, 1985.
Vickers, Nancy J. “Diana Described: Scattered Women and Scattered Rhyme,” in Writing and Sexual Difference, ed. Elizabeth Abel, 95–110. Chicago: University of Chicago Press, 1982.
Vickers, Nancy J. “The Mistress in the Masterpiece,” in The Poetics of Gender, ed. Miller, Nancy K., 19–41. New York: Columbia University Press, 1986.
Wall, Wendy. The Imprint of Gender: Authorship and Publication in the English Renaissance. Ithaca: Cornell University Press, 1993.
Webster, John. The Duchess of Malfi, 3rd edn, ed. Brennan, Elizabeth M.. New Mermaids. New York: Norton, 1993.
Webster, John. The White Devil, ed. Brennan, Elizabeth M.. New Mermaids. New York: Norton, 1993.
Weimann, Robert. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function, ed. Schwartz, Robert. Baltimore: Johns Hopkins University Press, 1978.
Wessman, Christopher. “‘I'll Play Diana’: Christopher Marlowe's Doctor Faustus and the ‘Actaeon Complex.’” English Studies 82 (2001): 401–19.
Wharton, T. F.Moral Experiment in Jacobean Drama. New York: St. Martin's Press, 1988.
Whigham, Frank. Seizures of the Will in Early Modern English Drama. Cambridge: Cambridge University Press, 1996.
Whigham, Frank. “Sexual and Social Mobility in The Duchess of Malfi.”PMLA 100 (1985): 167–86.
White, Paul Whitfield, ed. Marlowe, History, and Sexuality: New Essays on Christopher Marlowe. New York: AMS Press, 1998.
Whitford, MargaretLuce Irigaray: Philosophy in the Feminine. New York: Routledge, 1991.
Whittier, Gayle. “The Sonnet's Body and the Body Sonnetized in ‘Romeo and Juliet.’” Shakespeare Quarterly 40 (1989): 27–41.
Wilkinson, Charles. “Twin Structure in John Webster's The Duchess of Malfi.”Literature and Psychology 31 (1984): 52–65.
Williams, Gweno. “‘Why may not a lady write a good play?’: Plays by Early Modern Women Reassessed as Performance Texts,” in Readings in Renaissance Women's Drama, ed. Cerasano and Wynne-Davies, 95–8.
Wilson, Adrian. “The Ceremony of Childbirth and Its Interpretation,” in Women As Mothers in Pre-Industrial England: Essays in Memory of Dorothy McLaren, ed. Fildes, Valerie, 68–107. New York: Routledge, 1990.
Wilson, Adrian. The Making of Man-Midwifery: Childbirth in England, 1660–1770. Cambridge, MA: Harvard University Press, 1995.
Wilson, Richard. Will Power: Essays on Shakespearean Authority. Detroit: Wayne State University Press, 1993.
Wilson, Richard. “‘Writ in blood’: Marlowe and the New Historicists,” in Constructing Christopher Marlowe, ed. Downie, and Parnell, , 116–32.
Wiseman, Susan J. “’Tis Pity She's a Whore: Representing the Incestuous Body,” in Renaissance Bodies: The Human Figure in English Culture c. 1540–1600, ed. Gent, Lucy and Llewellyn, Nigel, 180–97. London: Reaktion, 1990.
Wofford, Susanne Lindgren.The Choice of Achilles: The Ideology of Figure in the Epic. Stanford:Stanford University Press, 1992.
Woodbridge, Linda. Women and the English Renaissance: Literature and the Nature of Womankind, 1540–1620. Urbana, IL: University of Illinois Press, 1986.
Woodbridge, Linda. “Queen of Apricots: The Duchess of Malfi, Hero of Desire,” in The Female Tragic Hero in English Renaissance Drama, ed. Liebler, Naomi Conn, 161–84. New York: Palgrave, 2002.
Woolf, Virginia. A Room of One's Own. New York: Harcourt, Brace, 1929.
Wymer, Rowland. Webster and Ford. New York: St. Martin's Press, 1995.
Yachnin, Paul. Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical Value. Philadelphia: University of Pennsylvania Press, 1997.
Žižek, Slavoj. Looking Awry: An Introduction to Jacques Lacan through Popular Culture. Cambridge, MA: MIT Press, 1992.
