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  3. Caribbean Literature in Transition, 1920–1970
  • Cited by 1
Publisher:
Cambridge University Press
Online publication date:
December 2020
Print publication year:
2021
Online ISBN:
9781108850087
DOI:
https://doi.org/10.1017/9781108850087
Subjects:
Literature, Area Studies, African Studies, African and Caribbean Literature, English Literature: General Interest
Series:
Caribbean Literature in Transition
Information

Book description

The years between the 1920s and 1970s are key for the development of Caribbean literature, producing the founding canonical literary texts of the Anglophone Caribbean. This volume features essays by major scholars as well as emerging voices revisiting important moments from that era to open up new perspectives. Caribbean contributions to the Harlem Renaissance, to the Windrush generation publishing in England after World War II, and to the regional reverberations of the Cuban Revolution all feature prominently in this story. At the same time, we uncover lesser known stories of writers publishing in regional newspapers and journals, of pioneering women writers, and of exchanges with Canada and the African continent. From major writers like Derek Walcott, V.S. Naipaul, George Lamming, and Jean Rhys to recently recuperated figures like Eric Walrond, Una Marson, Sylvia Wynter, and Ismith Khan, this volume sets a course for the future study of Caribbean literature.

Reviews

‘The new and timely perspectives on migration, gender, and the environment, amongst other topics, enable this series to bring attention to an incredibly diverse canon of writers, literary forms, and historical contexts. In doing so, the volumes invite readers to revisit established figures - with Walcott and Naipaul still looming large - whilst also re-examining Caribbean literary history to include a corpus of voices that are not necessarily anglophone or male-centric. For this reason, the series deserves to lay the foundations of new critical explorations into the heterogeneity and global scope of Caribbean creativity from its roots in the colonial past through to its many fluid and fragmentary strands in the present.’

Matthew Whittle Source: Journal of Postcolonial Writing

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