Anon. The Case of the Stage in Ireland – Wherein the Qualifications, Duty and Importance of a Manager are Carefully Considered, Dublin, n.d.
Artaud, Antonin. The Theatre and its Double, New York: Grove Press, 1958
Balukhaty, S. D.Chaika v Postanovke Moskovskovo Khudozhestvennovo Teatra, Rezhisserskaya Partitura KS Stanislavskovo, Leningrad: Isskustvo, 1938
Balukhaty, S. D.The Seagull Produced by Stanislavsky, ed. and trans. Magarshak, David, London: Denis Dobson, 1952
Banham, Martin. The Cambridge Guide to World Theatre, Cambridge University Press, 1988
Banu, Georges et al. Giorgio Strehler ou la passion théâtrale/Giorgio Strehler or a Passion for Theatre: Proceedings of the Third Europe Theatre Prize [bilingual volume], Catania: Prix Europe pour le Théâtre, 2007
Barba, Eugenio, The Floating Islands, Holstebro: Odin Teatret Vorlag, 1979
Barba, Eugenio, Beyond the Floating Islands, New York: Performing Arts Journal, 1986
Barba, Eugenio, Land of Ashes and Diamonds: My Apprenticeship in Poland, Aberystwyth: Black Mountain Press, 1999
Barba, Eugenio, On Directing and Dramaturgy: Burning the House, London and New York: Routledge, 2010
Barba, Eugenio and Savarese, Nicola. A Dictionary of Theatre Anthropology: The Secret Art of the Performer, London and New York: Routledge, 1991
Barth, Herbert. Der Festspielhügel, Munich: List Verlag, 1973
Bartula, Malgorzata and Schroer, Stefan. On Improvisation: Nine Conversations with Roberto Ciulli, Brussels: Peter Lang, 2003
Batcheleder, John Davis. Henry Irving – A Short Account of his Public Life, New York: William S. Gottsberger, 1883
Beacham, Richard. Adolphe Appia: Theatre Artist, Cambridge University Press, 1987
Beare, William. The Roman Stage, London: Methuen, 1968
Beer, Josh. Sophocles and the Tragedy of Athenian Democracy, Westport, CT: Praeger, 2004
Bel Geddes, Norman. Miracle in the Evening: An Autobiography, ed. Kelley, William, New York: Doubleday, 1960
Benedetti, Jean (selected, ed. and trans.). The Moscow Art Theatre Letters, London: Methuen, 1991
Benedetti, Jean. Stanislavsky: His Life and Art, A Biography, London: Methuen, 1999
Braun, Edward (trans. and ed. with critical commentary). Meyerhold on Theatre, London: Methuen, 1969
Braun, Edward. Meyerhold: A Revolution in Theatre, London: Methuen, 1995
Brecht, Bertolt, Parables for the Theatre, trans. Bentley, Eric and Applebaum, Maja, New York: Grove Press, 1961
Brecht, Bertolt. Brecht on Theatre, trans. and ed. Willett, John, London: Eyre Methuen, 1964
Brecht, Bertolt. Schriften zum Theater, Frankfurt-am-Main: Suhrkamp, 1967
Brecht, Bertolt. Plays, Poetry, Prose, trans. Willett, John, London: Methuen, 1985
Brecht, Bertolt et al. Theaterarbeit, Berlin: Henschelverlag, 1967
Brockett, Oscar. History of the Theatre, Boston: Allyn and Bacon, 1968
Brook, Peter. The Empty Space, Harmondsworth: Penguin Books, 1973
Brook, Peter. The Shifting Point, New York: Harper and Row, 1987
Brook, Peter. There Are No Secrets: Thoughts on Acting and Theatre, London: Methuen, 1993
Brown, John Russell (ed.). The Routledge Companion to Directors’ Shakespeare, Abingdon: Routledge, 2008
Brown, John Russell, (ed.). The Routledge Companion to Actors’ Shakespeare, Abingdon: Routledge, 2011
Burnim, Kalman A.David Garrick: Director, University of Pittsburgh Press, 1961
Cardullo, Bert and Knopf, Robert (eds.). Theatre of the Avant Garde, 1890–1950: A Critical Anthology, New Haven: Yale University Press, 2001
Carlson, Marvin. Theatre Is More Beautiful than War: German Stage Directing in the Late Twentieth Century, Iowa City: University of Iowa Press, 2009
Carnegy, Patrick. Wagner and the Art of the Theatre, New Haven, CT: Yale University Press, 2006
Carnicke, Sharon Marie. Stanislavsky in Focus: An Acting Master for the Twenty-First Century, London and New York: Routledge, 2009
Chekhov, Anton. A Life in Letters, ed. Bartlett, Rosamund, trans. Bartlett, Rosamund and Phillips, Anthony, London: Penguin Books, 2004
Chothia, Jean. André Antoine, Cambridge University Press, 1991
Christoffersen, Erik Axe. The Actor’s Way, London and New York: Routledge 1993
Copeau, Jacques. ‘L’art et l’œuvre d’Aldolphe Appia’, Comoedia, 12 March 1928
Craig, Edward Gordon. Henry Irving, New York: Longmans, Green, 1930
Craig, Edward Gordon. Index to the Story of My Days, New York: Hulton Press, 1957
Craig, Edward Gordon. On the Art of the Theatre, New York: Theater Arts Books, [1911] 1960
Craig, Edward Gordon. Craig on Theatre, ed. Walton, J. Michael, London: Methuen, 1983
Delgado, Maria M. and Rebellato, Dan (eds.). Contemporary European Theatre Directors, London and New York: Routledge, 2010
Devrient, Eduard. Geschichte der deutschen Schauspielkunst, Munich and Vienna: Langen Müller, 1967
Diderot, Denis. The Paradox of the Actor (1770–84), in Selected Writings on Art and Literature, trans. Bremner, Geoffrey, Harmondsworth: Penguin, 1994
Dodin, Lev. Journey without End, trans. Karabinska, Anna, and Mamyrin, Oksana, London: Tantalus Books, 2006
Dodin, Lev. Puteshestviye Bez Kontsa (Journey without End), St Petersburg: Baltic Seasons, 2009
Donnellan, Declan. The Actor and the Target, London: Nick Hern Books, 2nd edition, 2005
Dundjerović, Aleksandar Saša. Robert Lepage, London: Routledge, 2009
Enright, Robert. ‘A Clean, Well-lighted Grace: An Interview with Robert Wilson’, Border Crossings, 13, no. 2 (1994), 14–22
Filipowicz, Halina. ‘Gardzienice: A Polish Expedition to Baltimore’, Drama Review, 31, no. 1 (T113, 1987), 131–6
Flaszen, Ludwig. ‘Conversation with Ludwig Flaszen (reported by Eric Forsythe)’, Educational Theatre Journal, 30, no. 3 (1978), 301–28
Foulkes, F. J.Lessing and the Drama, Oxford: Clarendon Press, 1981
Fuchs, Georg. Revolution in the Theatre, trans. Kuhn, Constance Connor, Ithaca, NY: Cornell University Press, 1959
Gladkov, Aleksandr. Meyerhold Speaks, Meyerhold Rehearses, trans. and ed. with introduction by Law, Alma, Amsterdam: Harwood Academic Publishers, 1997
Glass, Philip. Opera on the Beach, London: Faber, 1988
Grotowski, Jerzy. Towards a Poor Theatre, New York: Simon and Schuster, 1968
Grotowski, Jerzy. ‘From the Theatre Company to Art as Vehicle’ in Richards, Thomas, At Work with Grotowski on Physical Actions, London: Routledge, 1995, 113–35
Grotowski, Jerzy. Opere e sentieri. Jerzy Grotowski, testi 1968–1998, vol. II, trans. and ed. Attisani, Antonio and Biagini, Mario, Rome: Bulzoni Editore, 2007
Heilpern, John. Conference of the Birds: The Story of Peter Brook in Africa, Harmondsworth: Penguin Books, 1979
Hill, John. The Actor, London: Printed for R. Griffith, 1750; New York: Blom, 1971
Hirst, David. Giorgio Strehler, Cambridge University Press, 1993
Holmberg, Arthur. The Theatre of Robert Wilson, Cambridge University Press, 1996
Hopkins, D. J.City/Stage/Globe: Performance and Space in Shakespeare’s London, New York: Routledge, 2008
Hunt, Albert and Reeves, Geoffrey. Peter Brook, Cambridge University Press, 1995
Innes, Christopher. Erwin Piscator’s Political Theatre, Cambridge University Press, 1972
Innes, Christopher. ‘The Piscator Section’, Drama Review, 22, no. 4 (December 1978), 83–98
Innes, Christopher. Modern German Drama, Cambridge University Press, 1979
Innes, Christopher. Edward Gordon Craig, Cambridge University Press, 1983
Innes, Christopher. Avant Garde Theatre: 1892–1992, London and New York: Routledge, 1993
Innes, Christopher. (ed.). A Sourcebook on Naturalist Theatre, London and New York: Routledge 2000
Innes, Christopher. Modern British Drama: The Twentieth Century, Cambridge University Press, 2002
Innes, Christopher. Designing Modern America: Broadway to Main Street, Newhaven, CT: Yale University Press, 2005
Irving, Henry. The Drama: Addresses, New York: Tait [1892]
Jones, David Richard. Great Directors at Work, Berkeley and Los Angeles: University of California Press, 1986
Kalb, Johnathan. The Theatre of Heiner Müller, Cambridge University Press, 1998
Kiernander, Adrian. Ariane Mnouchkine and the Théâtre du Soleil, Cambridge University Press, 1993
Kirstein, Lincoln (ed.). Portrait of Mr B, New York: The Viking Press, 1984
Knapp, Bettina. The Reign of the Theatrical Director: French Theatre, 1887–1924, Troy, NY: Whitston, 1988
Knapp, Bettina. ‘The Reign of the Theatrical Director: Antoine and Lugné-Poë’, The French Review, 61, no. 6 (May 1988), 866–77
Knight, Charles. London, London: Henry G. Bohn, 1851
Koller, Anne Marie. The Theater Duke: Georg II of Saxe-Meiningen and the German Stage, Stanford University Press, 1984
Kosinski, Darius. ‘Songs from Beyond the Dark’, Performance Research, 13, no 2 (2008), 60–75
Kumiega, Jennifer. The Theatre of Grotowski, London: Methuen, 1987
Leach, Robert. Vsevolod Meyerhold, Cambridge University Press, 1989
Lecat, Jean-Guy and Todd, Andrew. The Open Circle: Peter Brook’s Theatrical Environments, London: Faber, 2003
Letzler Cole, Susan. ‘Elizabeth LeCompte Directs Frank Dell’s The Temptation of Saint Antony’ in Directors in Rehearsal: A Hidden World, London and New York: Routledge, 1992, 91–123
Marowitz, Charles, Bolt, Robert and Morris, Kelly. ‘Some Conventional Words: An Interview with Robert Bolt’, Drama Review, 11, no. 2, (winter 1966), 138–40
Marranca, Bonnie (ed.). The Theatre of Images, Baltimore, MD: Johns Hopkins University Press, 1996
Meierkhold, Vsevolod. Stati, Pisma, Rechi, Besedy, Chast Pervaya, 1891–1917, Moscow: Isskustvo, 1968
Meierkhold, Vsevolod. Stati, Pisma, Rechi, Besedy, Chast Vtoraya, 1917–1939, Moscow: Isskustvo, 1968
Melchinger, Siegfried. Max Reinhardt: Sein Theater in Bildern, Vienna: Friedrich Verlag, 1968
Merlin, Bella. Stanislavsky, London and New York: Routledge, 2003
Mikhaïlova, Alla et al. Meierkhold i Khudozhniki/Meyerhold and Set Designers [a bilingual publication], Moscow: Galart, 1995
Mikotowicz, Tom. ‘Director Peter Sellars: Bridging the Modern and Postmodern Theatre’, Theatre Topics, 1, no. 1 (March 1991), 87–98
Milne, Lesley (ed.). Russian and Soviet Theatre: Tradition and the Avant-Garde, trans. Permar, Roxane, London: Thames and Hudson, 1988
Mitchell, Katie. The Director’s Craft: A Handbook for the Theatre, London and New York: Routledge, 2009
Mnouchkine, Ariane. Entretiens avec Fabienne Pascaud: l’art du présent, Paris: Plon, 2005
Müller, Heiner. Interview with Horst Laube, Theater Heute, Sonderheft, 1975, 119–23
Müller, Heiner. Theatremachine, ed. and trans. von Henning, Marc, London and Boston: Faber, 1995
Nascimento, Claudia Tatinge. ‘Of Tent Shows and Liturgies: One breath left: Dies Irae’, Drama Review, 54, no. 3 (T207, 2010), 136–49
Nemirovich-Danchenko, Vladimir. My Life in the Russian Theatre, trans. Cournos, John, London: Geoffrey Bles, 1968
Obenhaus, Mark. Einstein on the Beach: The Changing Image of Opera, Obenhaus Films/Brooklyn Academy of Music, 1985 (video)
Orme, Michael. J. T. Grein: The Story of a Pioneer, 1862–1935, London: Murray, 1936
Osinski, Zbigniew. Grotowski and His Laboratory, New York: PAJ Publications, 1986
Patterson, Michael. Peter Stein: Germany’s Leading Director, Cambridge University Press, 1981
Pigeon, Jeanne (ed.). Anatoli Vassiliev, maître de stage: à propos de Bal masqué de Mikhaïl Lermontov, Carnières-Morlanwelz (Belgium): Lansman Editeur, 1997
Piscator, Erwin. Political Theatre, trans. Rorisson, Hugh, London: Methuen, 1980
Porubcansky, Anna. ‘Song of the Goat Theatre: Artistic Practice as Life Practice’, New Theatre Quarterly, 26, no. 3 (2010), 261–72
Raddatz, Frank M. ‘Botschafter der Sphinx: Zum Verhältnis von Ästhetik und Politik am Theater an der Ruhr’, Theater der Zeit, Sonderaufgabe, 2006
Radishcheva, O. A.Stanislavsky i Nemirovich-Danchenko: Istoria Teatralnykh Otnoshenyi, 1909–1917, Moscow: Artist Rezhisser. Teatr, 1999
Raikh, Zinaida. Letter of 16 December 1928, Teatr, 2 (1974), 34
Richards, Thomas. At Work with Grotowski on Physical Actions, London: Routledge, 1995
Richter, Julius. ‘Rasputin/Nach der Aufführung der Piscatorbühne’, Die Scene, 2 (1928)
Roesner, David. Theater als Musik, Tubingen: Gunther Narr Verlag, 2003
Rohmer, Rolf. ‘Autoren-Positionen: Heiner Müller’, Theater der Zeit, 30, no. 8 (1975), 55–9
Rudnitsky, Konstantin. Meyerhold the Director, ed. Schultze, Sydney and trans. Petrov, George, with introduction by Proffer, Ellendea, Ann Arbor, MI: Ardis, 1981
Rudnitsky, Konstantin. Russian and Soviet Theatre: Tradition and the Avant-Garde, ed. Milne, Lesley and trans. Permar, Roxane, London: Thames and Hudson, 1988
Rühle, Günther (ed.). Theater für die Republik, Frankfurt-am-Main: Fischer Verlag, 1967
Salter, Chris. Entangled: Technology and the Transformation of Performance, Cambridge, MA: Massachusetts Institute of Technology Press, 2010
Savran, David. Breaking the Rules: The Wooster Group, New York: Theatre Communications Group, 1988
Sayler, Oliver M.Max Reinhardt and His Theatre, New York: B. Blom, 1924
Schechner, Richard and Wolford, Lisa (eds.). The Grotowski Sourcebook, London and New York: Routledge, 1997
Senelick, Laurence. Gordon Craig’s MoscowHamlet, Westport, CT: Greenwood Press, 1982
Senelick, Laurence. The Chekhov Theatre, Cambridge University Press, 1997
Shevtsova, Maria. ‘Isabelle Huppert Becomes Orlando’, TheatreForum, 6 (1995), 69–75
Shevtsova, Maria. ‘A Theatre that Speaks to Citizens: Interview with Ariane Mnouchkine’, Western European Stages, 7, no. 3 (1995–96), 5–12
Shevtsova, Maria. Dodin and the Maly Drama Theatre: Process to Performance, London: Routledge, 2004
Shevtsova, Maria. ‘Eugenio Barba in Conversation with Maria Shevtsova: Reinventing Theatre’, New Theatre Quarterly, 23, no. 2 (2007), 99–114
Shevtsova, Maria. Robert Wilson, London and New York: Routledge, 2007
Shevtsova, Maria, ‘Anatoli Vassiliev in Conversation with Maria Shevtsova: Studio Theatre, Laboratory Theatre’, New Theatre Quarterly, 25, no. 4 (2009), 324–32
Shevtsova, Maria, Sociology of Theatre and Performance, Verona: QuiEdit, 2009
Shevtsova, Maria and Innes, Christopher. Directors/Directing: Conversations on Theatre, Cambridge University Press, 2009
Sidiropoulou, Avra. Authoring Performance: The Director in Contemporary Theatre, New York: Palgrave Macmillan, 2011
Staniewski, Wlodzimierz with Hodge, Alison. Hidden Territories: The Theatre of Gardzienice, London and New York: Routledge, 2004
Stanislavky, Konstantin. My Life in the Russian Theatre, trans. Cournos, John, London: Geoffrey Bles, 1968
Stanislavky, Konstantin. Zapisnye Knizhki, Moscow: Vagrius, 2001
Stanislavky, Konstantin. An Actor’s Work, trans. Benedetti, Jean, London and New York: Routledge, 2008
Stanislavky, Konstantin. My Life in Art, trans. Benedetti, Jean, London and New York: Routledge, 2008
Stoker, Bram. Personal Reminiscences of Henry Irvin, London: Macmillan, 1906
Stone, George and Kahel, George. David Garrick: A Critical Biography, Carbondale: Southern Illinois University Press, 1979
Strehler, Giorgio. Per un teatro umano, ed. Kesler, Sinah, Milan: Feltrinelli Editore, 1974
Styan, John. Max Reinhardt, Cambridge University Press, 1982
Symons, James M.Meyerhold’s Theatre of the Grotesque, Cambridge: L. Rivers Press, 1973
Tairov, Aleksandr. Notes of a Director, trans. and with introduction by Kuhlke, William, Gables, Coral, FL: University of Miami Press, 1969
Tairov, Aleksandr. Zapisi Rezhissera, Stati, Besedy, Rechi, Pisma, Moscow: Vserossiiskoye Tetaralnoye Obshchestvo, 1970
Trousdell, Richard. ‘Peter Sellars Rehearses Figaro’, Drama Review, 35, no. 1 (spring 1991), 66–89
Varley, Julia. Notes from an Odin Actress: Stones of Water, London and New York: Routledge, 2011
Vassiliev, Anatoli. Sept ou huit leçons de théâtre, trans. Néron, Martine, Paris: POL, 1999
Vendrovskaya, Lyubov and Kaptereva, Galina (comp.). Evgeny Vakhtangov [Notes by Vakhtangov, and Articles and Reminiscences], trans. Bradbury, Doris, Moscow: Progress Publishers, 1982
Wagner, Richard. Opera and Drama (Oper und Drama), trans. Evans, Edwin, London: W. Reeves, 1913
Wagner, Richard. Gesammelte Schriften und Briefe, ed. Kapp, Julius, Leipzig: Hesse and Becker, 1914
Watson, Ian. Towards a Third Theatre: Eugenio Barba and Odin Teatret, London and New York: Routledge, 1996
Watson, Ian and colleagues. Negotiating Culture: Eugenio Barba and the Intercultural Debate, Manchester University Press, 2002
Whyman, Rose. The Stanislavsky System of Acting: Legacy and Influence in Modern Performance, Cambridge University Press, 2008
Willett, John. (ed. and trans.). Brecht on Theatre, London: Eyre Methuen, 1964
Willett, John. (ed.). The Theatre of Bertolt Brecht, London: Methuen, 1977
Willett, John. The Theatre of Erwin Piscator: Half a Century of Politics in the Theatre, London: Eyre Methuen, 1978
Williams, David. (comp.). Peter Brook: A Theatrical Casebook, London: Methuen, 1992
Williams, David. (comp. and ed.). Collaborative Theatre: The Théâtre du Soleil Sourcebook, London and New York: Routledge, 1999
Williams, Simon. Richard Wagner and Festival Theatre, Westport, CT: Greenwood Press, 1994
Wilson, Robert. Preface to Strehler dirige: le tesi di un allestimento e l’impulso musicale nel teatro, ed. Stampalia, Giancarlo, Versiglio: Marsilio Editori, 11–16
Woods, Leigh. Garrick Claims the Stage, Westport, CT: Greenwood Press, 1984
Worral, Nick. Modernism to Realism on the Soviet Stage: Tairov – Vakhtangov – Okhlopkov, Cambridge University Press, 1989
Worral, Nick. The Moscow Art Theatre, London and New York: Routledge, 1996
Zavadsky, Yury. Uchitelya i uchineky (Teachers and Pupils), Moscow: Iskusstvo, 1975
Zola, Emile. ‘Naturalism in the Theatre’, trans. Bermel, Albert, in Bentley, Eric (ed.), The Theory of the Modern Stage, Harmondsworth: Penguin Books, 1976, 351–72
Zubrzycki, Anna and Bral, Grzegorz in Conversation with Shevtsova, Maria. ‘Finding the Musicality of the Text: The Art and Craft of Coordination’, New Theatre Quarterly, 26, no. 3 (2010), 248–60
