Book contents
- The Cambridge Introduction to British Fiction, 1900–1950
- The Cambridge Introduction to British Fiction, 1900–1950
- Copyright page
- Dedication
- Contents
- Preface
- Acknowledgments
- Chapter 1 British Narrative Fiction in Terms of “Period” and “Treatments”
- Interchapter 1 James Joyce’s A Portrait of the Artist as a Young Man (1916)
- Chapter 2 The Artist as Critic
- Interchapter 2 Joseph Conrad, Ford Madox Ford, and Virginia Woolf
- Chapter 3 Seeing Modernism Through
- Interchapter 3 Short Stories by Rudyard Kipling and Katherine Mansfield
- Chapter 4 British Fiction amid Nonfictional Discourses in the Era of Modernism
- Interchapter 4 British Fiction’s Ideas of History, 1923–1946
- Chapter 5 Entertaining Fictions
- Interchapter 5 Entertainments: Graham Greene, E. F. Benson, and Olaf Stapledon
- Chapter 6 Collective Welfare and Warfare
- Coda Short Stories by Elizabeth Bowen and Angus Wilson
- Notes
- Further Reading
- Index
- Cambridge Introductions to …
- References
Further Reading
Published online by Cambridge University Press: 28 March 2019
Book contents
- The Cambridge Introduction to British Fiction, 1900–1950
- The Cambridge Introduction to British Fiction, 1900–1950
- Copyright page
- Dedication
- Contents
- Preface
- Acknowledgments
- Chapter 1 British Narrative Fiction in Terms of “Period” and “Treatments”
- Interchapter 1 James Joyce’s A Portrait of the Artist as a Young Man (1916)
- Chapter 2 The Artist as Critic
- Interchapter 2 Joseph Conrad, Ford Madox Ford, and Virginia Woolf
- Chapter 3 Seeing Modernism Through
- Interchapter 3 Short Stories by Rudyard Kipling and Katherine Mansfield
- Chapter 4 British Fiction amid Nonfictional Discourses in the Era of Modernism
- Interchapter 4 British Fiction’s Ideas of History, 1923–1946
- Chapter 5 Entertaining Fictions
- Interchapter 5 Entertainments: Graham Greene, E. F. Benson, and Olaf Stapledon
- Chapter 6 Collective Welfare and Warfare
- Coda Short Stories by Elizabeth Bowen and Angus Wilson
- Notes
- Further Reading
- Index
- Cambridge Introductions to …
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Cambridge Introduction to British Fiction, 1900–1950 , pp. 266 - 271Publisher: Cambridge University PressPrint publication year: 2019
References
Primary Sources
Bourdieu, Pierre. The Rules of Art: Genesis and Structure of the Literary Field, trans. Emanuel, Susan. Stanford, CA: Stanford University Press, 1995.Google Scholar
Eysteinsson, Astradur. The Concept of Modernism. Ithaca, NY: Cornell University Press, 1990.Google Scholar
Johansen, Jorgen Dines. Literary Discourse: A Semiotic-Pragmatic Approach to Literature. Toronto: University of Toronto Press, 2002.Google Scholar
Kern, Stephen. The Modernist Novel: A Critical Introduction. Cambridge, UK: Cambridge University Press, 2011.Google Scholar
MacKay, Marina. The Cambridge Introduction to the Novel. Cambridge, UK: Cambridge University Press, 2011.Google Scholar
Nielsen, Henrik Skov, Phelan, James, and Walsh, Richard. “Ten Theses about Fictionality,” Narrative 23:1 (January 2015), 61–73.Google Scholar
Pierse, Mary. George Moore: Artistic Visions and Literary Worlds. Cambridge, UK: Cambridge Scholars Press, 2006.Google Scholar
Rabaté, Jean-Michele. James Joyce and the Politics of Egoism. Cambridge, UK: Cambridge University Press, 2001.Google Scholar
Underwood, Ted. Why Literary Periods Mattered: Historical Contrast and the Prestige of English Studies. Stanford, CA: Stanford University Press, 2013.Google Scholar
Zunshine, Lisa. Why We Read Fiction: Theory of Mind and the Novel. Columbus: Ohio State University Press, 2006.Google Scholar
Secondary Sources
DiBattista, Maria. Imagining Virginia Woolf: An Experiment in Critical Biography. Princeton, NJ: Princeton University Press, 2009.Google Scholar
Fogel, Aaron. Coercion to Speak: Conrad’s Poetics of Dialogue. Cambridge, MA: Harvard University Press, 1985.Google Scholar
Gasiorek, Andrzej, Reeve-Tucker, Alice, and Waddell, Nathan, eds. Wyndham Lewis and the Cultures of Modernity. London: Routledge, 2011.Google Scholar
Goldstone, Andrew. Fictions of Autonomy: Modernism from Wilde to de Man. Oxford: Oxford University Press, 2013.Google Scholar
Hawkes, Rob. Ford Madox Ford and the Misfit Moderns: Edwardian Fiction and the First World War. Basingstoke, UK: Palgrave Macmillan, 2012.Google Scholar
Latham, Sean, and Rogers, Gayle. Modernism: Evolution of an Idea. New York: Bloomsbury Academic: 2015.Google Scholar
Lewis, Pericles. Religious Experience and the Modernist Novel. Cambridge, UK: Cambridge University Press, 2010.Google Scholar
Lyon, Janet. Manifestoes: Provocations of the Modern. Ithaca, NY: Cornell University Press, 1999.Google Scholar
Mallios, Peter Lancelot. Our Conrad: Constituting American Modernity. Stanford, CA: Stanford University Press, 2010.Google Scholar
Matz, Jesse. Literary Impressionism and Modernist Aesthetics. Cambridge, UK: Cambridge University Press, 2001.Google Scholar
O’Hara, Daniel. Virginia Woolf and the Modern Sublime: The Invisible Tribunal. Basingstoke, UK: Palgrave Macmillan, 2015.Google Scholar
Saunders, Max. Self-Impression: Life-Writing, Autobiografiction, and the Forms of Modern Literature. Oxford, UK: Oxford University Press, 2010.Google Scholar
Berman, Jessica. Modernist Commitments: Ethics, Politics and Transnational Modernism. New York, NY: Columbia University Press, 2011.Google Scholar
Bronfen, Elisabeth. Dorothy Richardson’s Art of Memory: Space, Identity, Text. Manchester, UK: Manchester University Press, 1999.Google Scholar
Burstein, Jessica. Cold Modernism. University Park, PA: Pennsylvania State University Press, 2012.Google Scholar
Cole, Sarah. “H. G. Wells and the Wartime Imagination.” Modernist Cultures 12:1 (2017), 16–35.Google Scholar
Ferrall, Charles, and McNeill, Dougal. Writing the 1926 General Strike. Cambridge, UK: Cambridge University Press, 2015.Google Scholar
Friedman, Susan Stanford. Planetary Modernisms: Provocations on Modernity across Time. New York, NY: Columbia University Press, 2015.Google Scholar
Gerhardie, William. God’s Fifth Column: A Biography of the Age 1890–1940. Eds. Holroyd, Michael and Skidelsky, Robert. New York: Simon & Schuster, 1981.Google Scholar
Hawthorn, Jeremy, ed. The British Working Class Novel in the Twentieth Century. London, UK: Arnold, 1984.Google Scholar
Murphet, Julian. Multimedia Modernism: Literature and the Anglo-American Avant-Garde. Cambridge, UK: Cambridge University Press, 2009.Google Scholar
Overy, Richard. The Twilight Years: The Paradox of Britain between the Wars. New York, NY: Penguin Group, Viking, 2009.Google Scholar
Shiach, Morag. Modernism, Labour, and Selfhood in British Literature and Culture 1890–1930. Cambridge, UK: Cambridge University Press, 2004.Google Scholar
Treglown, Jeremy. Romancing: The Life and Work of Henry Green. New York, NY: Random House, 2001.Google Scholar
Wilson, Angus. The Strange Ride of Rudyard Kipling: His Life and Works. New York, NY: Viking Press, 1977.Google Scholar
Wilson, Janet, Kimber, Gerri, and Reid, Susan, eds. Katherine Mansfield and Literary Modernism. New York, NY: Bloomsbury Academic, 2014.Google Scholar
Banfield, Ann. The Phantom Table: Woolf, Fry, Russell and the Epistemology of Modernism. Cambridge, UK: Cambridge University Press, 2000.Google Scholar
Booth, Howard J. New D. H. Lawrence. Manchester, UK: Manchester University Press, 2010.Google Scholar
Clayton, Jay. “The Modern Synthesis: Genetics and Dystopia in the Huxley Circle.” Modernism/modernity 23:4 (November 2016), 875–896.Google Scholar
Cole, Sarah. At the Violet Hour: Modernism and Violence in England and Ireland. Oxford, UK: Oxford University Press, 2012.Google Scholar
Eldridge, Richard. An Introduction to the Philosophy of Art, 2nd ed. Cambridge, UK: Cambridge University Press, 2014.Google Scholar
Ellmann, Maud. The Nets of Modernism: Henry James, Virginia Woolf, James Joyce, and Sigmund Freud. Cambridge, UK: Cambridge University Press, 2010.Google Scholar
Hale, Dorothy J. “Aesthetics and the New Ethics: Theorizing the Novel in the Twenty-First Century.” PMLA 124: 3 (May 2009), 865–905.Google Scholar
Morrisson, Mark S. Modern Alchemy: Occultism and the Emergence of Atomic Theory. Oxford, UK: Oxford University Press, 2007.Google Scholar
Morrisson, Mark S. Modernism, Science, and Technology. New York, NY: Bloomsbury Academic, 2016.Google Scholar
O’Malley, Seamus. Making History New: Modernism and Historical Narrative. Oxford, UK: Oxford University Press, 2015.Google Scholar
Rabaté, Jean-Michel. The Cambridge Introduction to Literature and Psychoanalysis. Cambridge, UK: Cambridge University Press, 2014.Google Scholar
Squier, Susan Merrill. Babies in Bottles: Twentieth Century Visions of Reproductive Technology. New Brunswick, NJ: Rutgers University Press, 1994.Google Scholar
Stocking, George W. Jr. Malinowski, Rivers, Benedict, and Others: Essays on Culture and Personality. Madison, WI: University of Wisconsin Press, 1986.Google Scholar
Abbot, H. Porter. Real Mysteries: Narrative and the Unknowable. Columbus, OH: Ohio State University Press, 2013.Google Scholar
Best, Stephen, and Marcus, Sharon. “Surface Reading: An Introduction.” Representations 108:1 (Fall 2009), 1–21.Google Scholar
Brennan, Michael G. Graham Greene: Political Writer. Basingstoke, UK: Palgrave Macmillan UK, 2016.Google Scholar
Daly, Nicholas. Modernism, Romance and the Fin de Siècle: Popular Fiction and British Culture, 1880–1914. Cambridge, UK: Cambridge University Press, 1999.Google Scholar
English, James F. Comic Transactions: Literature, Humor, and the Politics of Community in Twentieth-Century Britain. Ithaca, NY: Cornell University Press, 1994.Google Scholar
Greenberg, Jonathan. Modernism, Satire, and the Novel. Cambridge, UK: Cambridge University Press, 2011.Google Scholar
Hepburn, Allan. Intrigue: Espionage and Culture. New Haven, CT: Yale University Press, 2005.Google Scholar
Hipsky, Martin. Modernism and the Women’s Popular Romance in Britain, 1885–1925. Columbus, OH: Ohio State University Press, 2011.Google Scholar
Jaillant, Lise. Modernism, Middlebrow, and the Literary Canon: The Modern Library Series, 1917–1955. London, UK: Pickering and Chatto, 2014.Google Scholar
Jameson, Fredric. Archaeologies of the Future. London, UK/New York, NY: Verso Books, 2005.Google Scholar
Lassner, Phyllis. Espionage and Exile: Fascism and Anti-fascism in British Spy Fiction and Film. Edinburgh, UK: Edinburgh University Press, 2016.Google Scholar
Marcus, Laura. Dreams of Modernity: Psychoanalysis, Literature, Cinema. Cambridge, UK: Cambridge University Press, 2014.Google Scholar
Mass Observation. Britain. Eds. Madge, Charles and Harrisson, Tom. Harmondsworth, UK: Penguin Books, 1939.Google Scholar
McCarthy, Patrick, Elkins, Charles, and Greenberg, Martin Harry. The Legacy of Olaf Stapledon. New York, NY: Greenwood Press, 1989.Google Scholar
McCracken-Flesher, Caroline, ed. Scotland as Science Fiction. Lewisburg, PA: Bucknell University Press, 2012.Google Scholar
Mendlesohn, Farah, and James, Edward. A Short History of Fantasy. London, UK: Middlesex University Press, 2009.Google Scholar
Rainey, Lawrence. Institutions of Modernism: Literary Elites and Public Culture. New Haven, CT: Yale University Press, 1998.Google Scholar
Thomson, Brian Lindsay. Graham Greene and the Politics of Popular Fiction and Film. Basingstoke, UK: Palgrave Macmillan, 2009.Google Scholar
Wachman, Gay. Lesbian Empire: Radical Crosswriting in the Twenties. New Brunswick, NJ: Rutgers University Press, 2001.Google Scholar
Wollaeger, Mark. Modernism, Media, and Propaganda. Princeton, NJ: Princeton University Press, 2006.Google Scholar
Adams, Hazard. Joyce Cary’s Trilogies. Tallahassee, FL: University Presses of Florida, 1983.Google Scholar
Bennett, Andrew, and Royle, Nicholas. Elizabeth Bowen and the Dissolution of the Novel. New York, NY: St. Martin’s Press, 1995.Google Scholar
Ellman, Maud. Elizabeth Bowen: The Shadow across the Page. Edinburgh, UK: Edinburgh University Press, 2003.Google Scholar
Hepburn, Allan, ed. Around 1945: Literature, Citizenship, Rights. Montreal, Canada: McGill–Queen’s University Press, 2016.Google Scholar
James, David, ed. Legacies of Modernism: Historicising Postwar and Contemporary Fiction. Cambridge, UK: Cambridge University Press, 2012.Google Scholar
Kalliney, Peter J. Commonwealth of Letters: British Literary Culture and the Emergence of Postcolonial Aesthetics. Oxford, UK: Oxford University Press, 2013.Google Scholar
Lassner, Phyllis. British Women Writers of World War II: Battlegrounds of Their Own. New York, NY: St. Martin’s Press, 1998.Google Scholar
MacKay, Marina. Modernism and World War II. Cambridge, UK: Cambridge University Press, 2007.Google Scholar
MacKay, Marina, and Stonebridge, Lyndsey, eds. British Fiction after Modernism: The Novel at Mid-Century. Basingstoke, UK/New York, NY: Palgrave Macmillan, 2007.Google Scholar
Matz, Jesse. Lasting Impressions: The Legacies of Impressionism in Contemporary Culture. New York, NY: Columbia University Press, 2016.Google Scholar
Mellor, Leo. Reading the Ruins: Modernism, Bombsites and British Culture. Cambridge, UK: Cambridge University Press, 2011.Google Scholar
Miller, J. Hillis. Communities in Fiction. New York, NY: Fordham University Press, 2014.Google Scholar
Plain, Gill. Literature of the 1940s: War, Postwar and “Peace.” Edinburgh, UK: Edinburgh University Press, 2014.Google Scholar
Robbins, Bruce. Upward Mobility and the Common Good: Toward a Literary History of the Welfare State. Princeton, NJ: Princeton University Press, 2007.Google Scholar