Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-dnltx Total loading time: 0 Render date: 2024-04-23T11:47:04.126Z Has data issue: false hasContentIssue false

48 - The novel of crime, mystery, and suspense

from PART THREE - MODERNISM AND BEYOND

Published online by Cambridge University Press:  28 July 2011

Leonard Cassuto
Affiliation:
Fordham University, New York
Clare Virginia Eby
Affiliation:
University of Connecticut
Benjamin Reiss
Affiliation:
Emory University, Atlanta
Get access

Summary

About a third of the way through Tender is the Night (1934), as Dick Diver is about to begin the precipitous decline that is the subject of Fitzgerald's novel, the young psychiatrist encounters a displaced American veteran in a neighborhood on the outskirts of Paris. The man reminds Dick of

a type of which he had been conscious since early youth … [i]ntimate to garages, where he had vague business conducted in undertones, to barber shops, to the lobbies of theaters … Sometimes the face bobbed up in one of Tad's more savage cartoons – in boyhood Dick had often thrown an uneasy glance at the dim borderland of crime on which he stood.

This scene plays a minor yet structurally significant role in Fitzgerald's novel. The unnamed veteran – who provides a “menacing,” working-class counterpoint to Dick's romantic memories of the war and to his visions of personal and national destiny – will return in the novel's final pages as a reminder of Dick's fateful collapse. But he is also more broadly representative of some of the salient qualities of American literary modernism, which is full of similarly menacing marginal figures. Meyer Wolfshiem in The Great Gatsby (1925), Sam Cardinella in Hemingway's In Our Time (1925), Faulkner's Popeye (in Sanctuary [1929]) or Joe Christmas (in Light in August [1932]) – all are, like the nameless veteran of Tender is the Night, examples of the ambivalent fascination with which the modernists regarded the development of a transient urban working class.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×