Book contents
- The Cambridge Handbook of Intellectual Property in Central and Eastern Europe
- The Cambridge Handbook of Intellectual Property in Central and Eastern Europe
- Copyright page
- Dedication
- Epigraph
- Contents
- Figures
- Tables
- Contributors
- Foreword
- Acknowledgements
- 1 General Introduction – Intellectual Property in Central and Eastern Europe:
- 2 The Patent System in Pre-1989 Czechoslovakia
- 3 The Development of Hungarian Copyright Law until the Creation of the First Copyright Act (1793–1884)
- 4 Moral Rights and the Cultural Aspects of Hungarian Copyright Law:
- 5 The Polish Struggle with the Concept of Copyrightable Work:
- 6 Comparing Concepts of Originality in EU, Lithuanian, and US Law:
- 7 The Comparative Lessons of Itar-Tass Russian News Agency v. Russian Kurier
- 8 Communication to the Public under Union Law from the Perspective of Austrian and German Copyright Law: A Notion in Transition
- 9 Collective Management of Copyright in Hungary1
- 10 Exceptions and Limitations:
- 11 The Digitization of Czech Cultural Heritage and New Forms of Information Exclusivity
- 12 The Treatment of Authors’ Moral Rights in Georgia
- 13 Performers’ Rights: A Central European Export
- 14 The White Elephant in the Room:
- 15 A Central and Eastern European Perspective on EU Copyright Reform:
- 16 The Painter, the One Horn Cow, and Ole Hank Wilson’s Back Lot:
- 17 Does Paying Innovative Employees Pay Off?:
- 18 Intellectual Property Rights in Albania:
- 19 The Protection of Geographical Indications for Agricultural Products in the European Union
- 20 Legal Protection of the Traditional Knowledge and Traditional Cultural Expressions of the Indigenous Peoples of the Former Soviet Union*
- Index
11 - The Digitization of Czech Cultural Heritage and New Forms of Information Exclusivity
Published online by Cambridge University Press: 11 June 2019
By
Edited by
Book contents
- The Cambridge Handbook of Intellectual Property in Central and Eastern Europe
- The Cambridge Handbook of Intellectual Property in Central and Eastern Europe
- Copyright page
- Dedication
- Epigraph
- Contents
- Figures
- Tables
- Contributors
- Foreword
- Acknowledgements
- 1 General Introduction – Intellectual Property in Central and Eastern Europe:
- 2 The Patent System in Pre-1989 Czechoslovakia
- 3 The Development of Hungarian Copyright Law until the Creation of the First Copyright Act (1793–1884)
- 4 Moral Rights and the Cultural Aspects of Hungarian Copyright Law:
- 5 The Polish Struggle with the Concept of Copyrightable Work:
- 6 Comparing Concepts of Originality in EU, Lithuanian, and US Law:
- 7 The Comparative Lessons of Itar-Tass Russian News Agency v. Russian Kurier
- 8 Communication to the Public under Union Law from the Perspective of Austrian and German Copyright Law: A Notion in Transition
- 9 Collective Management of Copyright in Hungary1
- 10 Exceptions and Limitations:
- 11 The Digitization of Czech Cultural Heritage and New Forms of Information Exclusivity
- 12 The Treatment of Authors’ Moral Rights in Georgia
- 13 Performers’ Rights: A Central European Export
- 14 The White Elephant in the Room:
- 15 A Central and Eastern European Perspective on EU Copyright Reform:
- 16 The Painter, the One Horn Cow, and Ole Hank Wilson’s Back Lot:
- 17 Does Paying Innovative Employees Pay Off?:
- 18 Intellectual Property Rights in Albania:
- 19 The Protection of Geographical Indications for Agricultural Products in the European Union
- 20 Legal Protection of the Traditional Knowledge and Traditional Cultural Expressions of the Indigenous Peoples of the Former Soviet Union*
- Index
Summary
This paper focuses on the legal and technological issues involved in the digitization and use of cultural content. We chose to take the perspective of Czech public cultural institutions because they administer the majority of the rich cultural heritage in the Czech Republic.
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- Publisher: Cambridge University PressPrint publication year: 2019