Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-qsmjn Total loading time: 0 Render date: 2024-04-20T02:26:21.176Z Has data issue: false hasContentIssue false

Further reading

Published online by Cambridge University Press:  05 June 2016

Christopher MacGowan
Affiliation:
College of William and Mary, Virginia
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Baldwin, Neil. To All Gentleness: William Carlos Williams: The Doctor Poet. New York: Atheneum Books, 1984.Google Scholar
Coles, Robert and Roma, Thomas. House Calls with William Carlos Williams, MD. Brooklyn: powerHouse Books, 2008.Google Scholar
Creeley, Robert. “A Visit with Dr. Williams.Sagetrieb 3.2 (Fall 1984): 2735.Google Scholar
Laughlin, James. Remembering William Carlos Williams. New York: New Directions, 1995.Google Scholar
Leibowitz, Herbert. “Something Urgent I Have to Say to You”: The Life and Works of William Carlos Williams. New York: Farrar Straus and Giroux, 2011.Google Scholar
Mariani, Paul. William Carlos Williams: A New World Naked. New York: McGraw-Hill, 1981.Google Scholar
Wagner, Linda Welshimer, ed. Interviews with William Carlos Williams: “Speaking Straight Ahead.” New York: New Directions, 1976.Google Scholar
Whittemore, Reed. William Carlos Williams, Poet from Jersey. Boston: Houghton Mifflin, 1975.Google Scholar

Secondary Sources

The American Idiom: A Correspondence. William Carlos Williams and Harold Norse. Ed. Wilson, John J.. San Francisco: Bright Tyger Press, 1990.Google Scholar
The Correspondence of William Carlos Williams and Louis Zukofsky. Ed. Ahearn, Barry. Middletown: Wesleyan University Press, 2003.Google Scholar
The Humane Particulars: The Collected Letters of William Carlos Williams and Kenneth Burke. Ed. East, James H.. Columbia: University of South Carolina Press, 2003.Google Scholar
The Last Word: Letters between Marcia Nardi and William Carlos Williams. Ed. O’Neil, Elizabeth M.. Iowa City: University of Iowa Press, 1994.Google Scholar
The Letters of Denise Levertov and William Carlos Williams. Ed. MacGowan, Christopher. New York: New Directions, 1998.Google Scholar
The Letters of Williams Carlos Williams to Edgar Irving Williams, 1902–1912. Ed. Krivak, Andrew J.. Madison: Fairleigh Dickinson University Press, 2009.Google Scholar
Pound/Williams: Selected Letters of Ezra Pound and William Carlos Williams. Ed. Witemeyer, Hugh. New York: New Directions, 1996.Google Scholar
The Selected Letters of William Carlos Williams. Ed. Thirlwall, John C.. New York: McDowell, Obolensky, 1957.Google Scholar
William Carlos Williams and Charles Tomlinson: A Transatlantic Connection. Ed. Magid, Barry and Witemeyer, Hugh. New York: Peter Lang, 1999.Google Scholar
William Carlos Williams and James Laughlin: Selected Letters. Ed. Witemeyer, Hugh. New York: Norton, 1989.Google Scholar
William Carlos Williams and John Sanford: A Correspondence. Ed. Rolens, Lin. Santa Barbara: Oyster Press, 1984.Google Scholar
Ahearn, Barry. William Carlos Williams and Alterity: The Early Poetry. Cambridge: Cambridge University Press, 1994.CrossRefGoogle Scholar
Angoff, Charles, ed. William Carlos Williams. Rutherford: Fairleigh Dickinson University Press, 1974.Google Scholar
Baldwin, Neil and Myers, Steven L.. The Manuscripts and Letters of William Carlos Williams in the Poetry Collection of the Lockwood Memorial Library, State University of New York at Buffalo, a Descriptive Catalogue. Boston: G.K. Hall, 1978.Google Scholar
Beck, John. Writing the Radical Center: William Carlos Williams, John Dewey, and American Cultural Politics. Albany: SUNY Press, 2001.Google Scholar
Bernstein, Michael. The Tale of the Tribe: Ezra Pound and the Modern Verse Epic. Princeton: Princeton University Press, 1980.CrossRefGoogle Scholar
Berrien, Edith Heal, Perkins, Barbara, and Perkins, George. “Descriptive List of Works from the Library of William Carlos Williams at Fairleigh Dickinson University.” Ed. Schmidt, Peter. William Carlos Williams Review X.2 (Fall 1984), 3053.Google Scholar
Berry, Eleanor. “Williams’ Development of a New Prosodic Form – Not the ‘Variable Foot,’ but the ‘Sight-Stanza.’William Carlos Williams Review 7.2 (Fall 1981): 2130.Google Scholar
Berry, Eleanor. “The Williams-Oppen Connection.Sagetrieb 3.2 (Fall 1984): 99116.Google Scholar
Berry, Eleanor. “William Carlos Williams’ Triadic-Line Verse: An Analysis of Its Prosody.Twentieth Century Literature 35.3 (Fall 1989): 364–88.CrossRefGoogle Scholar
Berry, Wendell. The Poetry of William Carlos Williams of Rutherford. Berkeley: Counterpoint, 2011.CrossRefGoogle Scholar
Bloom, Harold. Bloom’s Major Poets: William Carlos Williams, Comprehensive Research and Study Guide. Broomall: Chelsea House, 2002.Google Scholar
Bremen, Brian A. William Carlos Williams and the Diagnostics of Culture. New York: Oxford University Press, 1993.CrossRefGoogle Scholar
Breslin, James E. B. William Carlos Williams: An American Artist. New York: Oxford University Press, 1970.Google Scholar
Breslin, James E. B.William Carlos Williams and Charles Demuth: Cross-Fertilization in the Arts.Journal of Modern Literature VI.2 (April 1977): 248–63.Google Scholar
Breslin, James E. B. From Modern to Contemporary: American Poetry, 1945–1965. Chicago: University of Chicago Press, 1984.Google Scholar
Bufithis, Philip. “William Carlos Williams Writing against The Waste Land.Sagetrieb 8.1–2 (1989): 215–23.Google Scholar
Callan, Ron. William Carlos Williams and Transcendentalism: Fitting the Crab in a Box. New York: St. Martin’s Press, 1992.CrossRefGoogle Scholar
Cappucci, Paul R. William Carlos Williams’ Poetic Response to the 1913 Paterson Silk Strike. Lewiston: Edwin Mellen Press, 2002.Google Scholar
Cappucci, Paul R. William Carlos Williams, Frank O’Hara and the New York Art Scene. Madison: Fairleigh Dickinson University Press, 2010.Google Scholar
Churchill, Suzanne W. The Little Magazine Others and the Renovation of Modern American Poetry. Aldershot: Ashgate, 2006.Google Scholar
Cirasa, Robert J. The Lost Works of William Carlos Williams. Madison: Fairleigh Dickinson University Press, 1995.Google Scholar
Clarke, Bruce. “The Fall of Montezuma: Poetry and History in William Carlos Williams and D. H. Lawrence.William Carlos Williams Review 12.1 (Spring 1986): 112.Google Scholar
Cohen, Milton A. Beleaguered Poets and Leftist Critics: Stevens, Cummings, Frost, and Williams in the 1930s. Tuscaloosa: University of Alabama Press, 2010.Google Scholar
Coles, Robert. William Carlos Williams: The Knack of Survival in America. New Brunswick: Rutgers University Press, 1975.Google Scholar
Connaroe, Joel. William Carlos Williams’ Paterson: Language and Landscape. Philadelphia: University of Pennsylvania Press, 1970.CrossRefGoogle Scholar
Conrad, Bryce. Refiguring America: A Study of William Carlos Williams’ In the American Grain. Urbana: University of Illinois Press, 1990.Google Scholar
Copestake, Ian D., ed. Rigor of Beauty: Essays in Commemoration of William Carlos Williams. Bern: Peter Lang, 2004.Google Scholar
Copestake, Ian D., ed. The Legacy of William Carlos Williams: Points of Contact. Newcastle: Cambridge Scholars Publishing, 2007.Google Scholar
Copestake, Ian D. The Ethics of William Carlos Williams’s Poetry. Rochester: Camden House, 2010.CrossRefGoogle Scholar
Crawford, T. Hugh. Modernism, Medicine, & William Carlos Williams. Norman: University of Oklahoma Press, 1993.Google Scholar
Cushman, Stephen. William Carlos Williams and the Meanings of Measure. New Haven: Yale University Press, 1985.Google Scholar
Diggory, Terence. William Carlos Williams and the Ethics of Painting. Princeton: Princeton University Press, 1991.CrossRefGoogle Scholar
Dijkstra, Bram. The Hieroglyphics of a New Speech: Cubism, Stieglitz, and the Early Poetry of William Carlos Williams. Princeton: Princeton University Press, 1969.Google Scholar
Doyle, Charles, ed. William Carlos Williams, The Critical Heritage. London: Routledge & Kegan Paul, 1980.Google Scholar
Doyle, Charles, ed. William Carlos Williams and the American Poem. New York: St. Martin’s Press, 1982.CrossRefGoogle Scholar
Driscoll, Kerry. William Carlos Williams and the Maternal Muse. Ann Arbor: UMI Research Press, 1987.Google Scholar
Driscoll, Kerry. “Inversions, Evasions, Strange Machinations of Desire: William Carlos Williams and the Baroness Revisited.Sagetrieb 18.2–3 (2002): 4377.Google Scholar
Duffey, Bernard. A Poetry of Presence: The Writing of William Carlos Williams. Madison: University of Wisconsin Press, 1986.Google Scholar
Durgin, Patrick F.Post-Language Poetries and Post-Ableist Poetics.Journal of Modern Literature 32.2 (2009): 159–84.CrossRefGoogle Scholar
Fedo, David A. William Carlos Williams: A Poet in the American Theater. Ann Arbor: UMI Research Press, 1983.Google Scholar
Fisher-Wirth, Ann W. William Carlos Williams and Autobiography, The Woods of His Own Nature. University Park: Pennsylvania State University Press, 1989.Google Scholar
Frail, David. The Early Politics and Poetics of William Carlos Williams. Ann Arbor: UMI Research Press, 1987.Google Scholar
Fredman, Stephen. Poet’s Prose: The Crisis in American Verse. New York: Cambridge University Press, 1983.Google Scholar
Gable, Craig A., ed. A Concordance to the Poetry of William Carlos Williams. Lewiston: Edwin Mellen Press, 2012.Google Scholar
Gelpi, Albert. A Coherent Splendor: The American Poetic Renaissance. Cambridge: Cambridge University Press, 1998.Google Scholar
Gilbert, Sandra M.Purloined Letters: William Carlos Williams and ‘Cress.’William Carlos Williams Review XI.2 (Fall 1985): 515.Google Scholar
Giorcelli, Cristina and Stefanelli, Maria Anita, eds. The Rhetoric of Love in The Collected Poems of William Carlos Williams. Rome: Edizioni Associate, 1993.Google Scholar
Gish, Robert F. William Carlos Williams: A Study of the Short Fiction. Boston: Twayne, 1989.Google Scholar
Graham, Theodora R.‘Her Heigh Compleynte’: The Cress Letters of Williams Carlos Williams’ Paterson.” In Ezra Pound & William Carlos Williams: The University of Pennsylvania Conference Papers. Ed. Hoffman, Daniel. Philadelphia: University of Pennsylvania Press, 1983: pp. 164193.Google Scholar
Guimond, James. The Art of William Carlos Williams, A Discovery and Possession of America. Urbana: University of Illinois Press, 1968.Google Scholar
Hahn, Stephen. “‘It was … civilization I was after’: George Tice, William Carlos Williams, and the Archaeology of Paterson.The Literary Review 50.4 (Summer 2007): 6282.Google Scholar
Halter, Peter. The Revolution in the Visual Arts and the Poetry of William Carlos Williams. Cambridge: Cambridge University Press, 1994.Google Scholar
Hatlen, Burton and Tryphonopoulos, Demetres, eds. William Carlos Williams and the Language of Poetry. Orono: National Poetry Foundation, 2002.Google Scholar
Hoffmann, Daniel, ed. Ezra Pound and William Carlos Williams: The University of Pennsylvania Conference Papers. Philadelphia: University of Pennsylvania Press, 1983.Google Scholar
Juhasz, Suzanne. Metaphor and the Poetry of Williams, Pound, and Stevens. Lewisburg: Bucknell University Press, 1974.Google Scholar
Kallet, Marilyn. Honest Simplicity in William Carlos Williams’ “Asphodel, That Greeny Flower.” Baton Rouge: Louisiana State University Press, 1985.Google Scholar
Kenner, Hugh. A Homemade World: The American Modernist Writers. New York: Knopf, 1975.Google Scholar
Kinnahan, Linda A. Poetics of the Feminine: Authority and Literary Tradition in William Carlos Williams, Mina Loy, Denise Levertov, and Kathleen Fraser. Cambridge: Cambridge University Press, 1994.CrossRefGoogle Scholar
Koch, Vivienne. William Carlos Williams. Norfolk: New Directions, 1950.Google Scholar
Koehler, G. Stanley. Countries of the Mind: The Poetry of William Carlos Williams. Lewisburg: Bucknell University Press, 1998.Google Scholar
Kusch, Robert. “My Toughest Mentor,” Theodore Roethke and William Carlos Williams (1940–1948). Lewisburg: Bucknell University Press, 1999.Google Scholar
Kutzinski, Vera M. Against the American Grain: Myth and History in William Carlos Williams, Jay Wright and Nicolás Guillén. Baltimore: Johns Hopkins University Press, 1987.CrossRefGoogle Scholar
Larson, Kelli A. Guide to the Poetry of William Carlos Williams. New York: G. K. Hall, 1995.Google Scholar
Lenhart, Gary. The Teachers & Writers Guide to William Carlos Williams. New York: Teachers & Writers Collaborative, 1998.Google Scholar
Lloyd, Margaret Glynne. William Carlos Williams’s Paterson: A Critical Reappraisal. Rutherford: Fairleigh Dickinson University Press, 1980.Google Scholar
Loevy, Stephen Ross. William Carlos Williams’s A Dream of Love. Ann Arbor: UMI Research Press, 1983.Google Scholar
Lowney, John. The American Avant-Garde Tradition: William Carlos Williams, Postmodern Poetry, and the Politics of Cultural Memory. Lewisburg: Bucknell University Press, 1997.Google Scholar
MacGowan, Christopher. William Carlos Williams’ Early Poetry: The Visual Arts Background. Ann Arbor: UMI Research Press, 1984.Google Scholar
Mariani, Paul. William Carlos Williams: The Poet and His Critics. Chicago: American Library Association, 1975.Google Scholar
Markos, Donald W. Ideas in Things: The Poems of William Carlos Williams. Rutherford: Fairleigh Dickinson University Press, 1994.Google Scholar
Marling, William. William Carlos Williams and the Painters, 1909–1923. Athens: Ohio University Press, 1982.Google Scholar
Marsh, Alec. Money and Modernity: Pound, Williams, and the Spirit of Jefferson. Tuscaloosa: University of Alabama Press, 1998.Google Scholar
Martz, Louis, L. Many Gods and Many Voices: The Role of the Prophet in English and American Modernism. Columbia: University of Missouri Press, 1998.Google Scholar
Martz, Louis, L. The Poem of the Mind: Essays on Poetry, English and American. Oxford: Oxford University Press, 1966.Google Scholar
Marzán, Julio. The Spanish American Roots of William Carlos Williams. Austin: University of Texas Press, 1994.Google Scholar
Mazzaro, Jerome. William Carlos Williams: The Later Poems. Ithaca: Cornell University Press, 1973.Google Scholar
Miki, Roy. The PrePoetics of William Carlos Williams: Kora in Hell. Ann Arbor: UMI Research Press, 1983.Google Scholar
Miller, J. Hillis. Poets of Reality: Six Twentieth-Century Writers. Cambridge: Harvard University Press, 1965.Google Scholar
Miller, J. Hillis, ed. William Carlos Williams: A Collection of Critical Essays. Englewood Cliffs: Prentice Hall, 1966.Google Scholar
Monacell, Peter. “In the American Grid: Modern Poetry and the Suburbs.Journal of Modern Literature 35.1 (2011): 122–42.CrossRefGoogle Scholar
Morris, Daniel. The Writings of William Carlos Williams: Publicity for the Self. Columbia: University of Missouri Press, 1995.Google Scholar
Nolan, Sarah. “‘The Poem is the World’: Re-Thinking Environmental Crisis Through William Carlos Williams’ Paterson.UnderCurrents 18 (2014): 3843.CrossRefGoogle Scholar
Oliphant, Dave and Thomas, Zigal, eds. WCW & Others, Essays on Williams Carlos Williams and his Association with Ezra Pound, Hilda Doolittle, Marcel Duchamp, Marianne Moore, Emanuel Romano, Wallace Stevens, and Louis Zukofsky. Austin: Harry Ransom Humanities Research Center, 1985.Google Scholar
Paul, Sherman. The Music of Survival: A Biography of a Poem by William Carlos Williams. Urbana: University of Illinois Press, 1968.Google Scholar
Perleman, Bob. “A Williams Sound-Script: Listening to ‘The Sea-Elephant.’English Studies in Canada 33.4 (December 2007): 3753.CrossRefGoogle Scholar
Perloff, Marjorie. The Poetics of Indeterminacy: Rimbaud to Cage. Princeton: Princeton University Press, 1981.Google Scholar
Perloff, Marjorie. The Dance of the Intellect: Studies in the Poetry of the Pound Tradition. Cambridge: Cambridge University Press, 1985.Google Scholar
Peterson, Walter Scott. An Approach to Paterson. New Haven: Yale University Press, 1967.Google Scholar
Qian, Zhaoming. Orientalism and Modernism: The Legacy of China in Pound and Williams. Durham: Duke University Press, 1995.Google Scholar
Rapp, Carl. William Carlos Williams and Romantic Idealism. Hanover: University Press of New England, 1984.Google Scholar
Rehder, Robert. Stevens, Williams, Crane and the Motive for Metaphor. New York: Palgrave Macmillan, 2005.CrossRefGoogle Scholar
Riddel, Joseph N. The Inverted Bell: Modernism and the Counterpoetics of William Carlos Williams. With a New Postscript by the Author. Baton Rouge: Louisiana State University Press, 1991.Google Scholar
Rodgers, Audrey T. Virgin and Whore: The Image of Women in the Poetry of William Carlos Williams. Jefferson: McFarland, 1987.Google Scholar
Sankey, Benjamin. A Companion to William Carlos Williams’s Paterson. Berkeley: University of California Press, 1971.Google Scholar
Sayre, Henry M. The Visual Text of William Carlos Williams. Urbana: University Of Illinois Press, 1983.Google Scholar
Schmidt, Peter. William Carlos Williams, the Arts, and Literary Tradition. Baton Rouge: Louisiana State University Press, 1988.Google Scholar
Sharpe, William Chapman. Unreal Cities: Urban Configuration in Wordsworth, Baudelaire, Whitman, Eliot and Williams. Baltimore: Johns Hopkins University Press, 1990.Google Scholar
Steinman, Lisa M. Made in America: Science, Technology, and American Modernist Poets. New Haven: Yale University Press, 1987.Google Scholar
Tapscott, Stephen. American Beauty: William Carlos Williams and the Modernist Whitman. New York: Columbia University Press, 1984.CrossRefGoogle Scholar
Tashjian, Dickran. Skyscraper Primitives: Dada and the American Avant-Garde, 1910 – 1925. Middletown: Wesleyan University Press, 1975.Google Scholar
Tashjian, Dickran. William Carlos Williams and the American Scene, 1920 – 1940. New York: Whitney Museum of American Art, 1978.Google Scholar
Terrell, Carroll F., ed. William Carlos Williams: Man and Poet. Orono: National Poetry Foundation, 1983.Google Scholar
Tichi, Cecelia. Shifting Gears: Technology, Literature, Culture in Modernist America. Chapel Hill: University of North Carolina Press, 1987.Google Scholar
Tomlinson, Charles, ed. William Carlos Williams: A Critical Anthology. Harmondsworth: Penguin, 1972.Google Scholar
Townley, Rod. The Early Poetry of William Carlos Williams. Ithaca: Cornell University Press, 1975.Google Scholar
Wagner, Linda Welshimer. The Poems of William Carlos Williams: A Critical Study. Middletown: Wesleyan University Press, 1964.Google Scholar
Wagner, Linda Welshimer. The Prose of William Carlos Williams. Middletown: Wesleyan University Press, 1970.Google Scholar
Wagner, Linda Welshimer. William Carlos Williams: A Reference Guide. Boston: G. K. Hall, 1978.Google Scholar
Wallace, Emily Mitchell. A Bibliography of William Carlos Williams. Middletown: Wesleyan University Press, 1968.Google Scholar
Wallaert, Josh. “The Ecopoetics of Perfection: William Carlos Williams and Nature in Spring and All.” ISLE: Interdisciplinary Studies in Literature and Envioronment 12.1 (2005): 7998.Google Scholar
Weaver, Mike. William Carlos Williams: The American Background. Cambridge: Cambridge University Press, 1971.Google Scholar
Whitaker, Thomas R. William Carlos Williams. Rev. Ed. Boston: Twayne, 1989.Google Scholar
White, Eric B. Transatlantic Avant-Gardes: Little Magazines and Localist Modernism. Edinburgh: Edinburgh University Press, 2013.CrossRefGoogle Scholar
Williams, William Carlos. Many Loves and Other Plays. New York: New Directions, 1961.Google Scholar
Williams, William Carlos, translator. Soupault, Philippe. Last Nights of Paris. New York: Full Court Press, 1982.Google Scholar
Williams, William Carlos. Something to Say: William Carlos Williams on Younger Poets. Ed. Breslin, James E. B.. New York: New Directions, 1985.Google Scholar
Williams, William Carlos. William Carlos Williams: The Collected Recordings. Ed. Swigg., Richard Twenty Audio-Cassette Tapes. Keele University, England, 1993. Available online at PennSound, http://writing.upenn.edu/pennsound/x/Williams-WC.php.Google Scholar
Williams, William Carlos. Poems [1909]. Introduction by Wright-Peterson, Virginia M.. Urbana: University of Illinois Press, 2002.Google Scholar
Williams, William Carlos. By Word of Mouth: Poems from the Spanish, 1916–1959. Ed. Cohen, Jonathan. New York: New Directions, 2011.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Further reading
  • Edited by Christopher MacGowan, College of William and Mary, Virginia
  • Book: The Cambridge Companion to William Carlos Williams
  • Online publication: 05 June 2016
  • Chapter DOI: https://doi.org/10.1017/CCO9781316154991.016
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Further reading
  • Edited by Christopher MacGowan, College of William and Mary, Virginia
  • Book: The Cambridge Companion to William Carlos Williams
  • Online publication: 05 June 2016
  • Chapter DOI: https://doi.org/10.1017/CCO9781316154991.016
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Further reading
  • Edited by Christopher MacGowan, College of William and Mary, Virginia
  • Book: The Cambridge Companion to William Carlos Williams
  • Online publication: 05 June 2016
  • Chapter DOI: https://doi.org/10.1017/CCO9781316154991.016
Available formats
×