Cambridge Companions to Music - Series page

pp ii-vi

The Cambridge Companion to the Drum Kit - Title page

pp vii-vii

Copyright page

pp viii-viii

Contents

pp ix-x

Figures

pp xi-xi

Tables

pp xii-xii

Music Examples

pp xiii-xiii

Notes on Contributors

pp xiv-xviii

Introduction

pp 1-4

Part I - Histories of the Drum Kit

pp 5-64

1 - The Drum Kit in Theory

pp 7-20

2 - Historically Informed Jazz Performance on the Drum Kit

pp 21-33

3 - Towards a Cultural History of the Backbeat

pp 34-51

4 - Historicizing a Scene and Sound

pp 52-64

Part II - Analysing the Drum Kit in Performance

pp 65-138

5 - The Drum Kit beyond the Anglosphere

pp 67-78

6 - Drum Kit Performance in Contemporary Classical Music

pp 79-93

7 - Theorizing Complex Meters and Irregular Grooves

pp 94-111

8 - Shake, Rattle, and Rolls

pp 112-125

9 - Drum Tracks

pp 126-138

Part III - Learning, Teaching, and Leading on the Drum Kit

pp 139-194

10 - Studying Hybrid and Electronic Drum Kit Technologies

pp 141-155

11 - The Aesthetics of Timekeeping

pp 156-167

12 - Mentorship

pp 168-180

13 - Leadership

pp 181-194

Part IV - Drumming Bodies, Meaning, and Identity

pp 195-258

14 - The Meaning of the Drumming Body

pp 197-209

15 - Disability, Drumming, and the Drum Kit

pp 210-221

16 - Seen but Not Heard

pp 222-234