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- Cited by 10
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Cited byCrossref Citations
This Book has been cited by the following publications. This list is generated based on data provided by Crossref.
Tunbridge, Laura 2014. Opera and Materiality. Cambridge Opera Journal, Vol. 26, Issue. 3, p. 289.
2016. The Cambridge Companion to Film Music. p. 413.
2017. The Cambridge Companion to the Musical.
Babilas, Dorota 2018. Opera Paryska Palais Garnier. Historia, sztuka, mit.
Hingorani, Dominic 2018. Performance and Civic Engagement. p. 41.
Leroy, Maxime 2018. Looking for Echo in George Du Maurier’s Trilby: An Intermedial Perspective. Polysèmes,
Berry, Mark and Vazsonyi, Nicholas 2020. The Cambridge Companion to Wagner's Der Ring des Nibelungen.
Markiewicz, Grzegorz 2022. Polskie doświadczenia z operą w dobie oświecenia. Studia z Historii Społeczno-Gospodarczej XIX i XX Wieku, Vol. 25, Issue. , p. 147.
Adetu, Edith Georgiana and Coroiu, Petruța Maria 2022. The Character “Lucrezia Borgia” of Donizetti’s Homonymous Opera. An Analysis of Character and Vocal Features. Studia Universitatis Babeş-Bolyai Musica, Vol. 67, Issue. 1, p. 263.
Radu-Giurgiu, Cristina 2022. A Perspective on the Opera Audience of the 21st Century. Studia Universitatis Babeş-Bolyai Musica, Vol. 67, Issue. 1, p. 119.
- Publisher:
- Cambridge University Press
- Online publication date:
- December 2012
- Print publication year:
- 2012
- Online ISBN:
- 9781139024976
- Subjects:
- Music, Opera, Music: General Interest
- Collection:
- The Cambridge Companions to Music
- Series:
- Cambridge Companions to Music