For primary sources, please see the List of Abbreviations at the front of the book. The Bibliography and Guide to Further Reading in this section is not exhaustive – such a booklist would require its own volume – but it does contain the main critical studies and collections of essays on Bishop’s writing, together with all the primary and secondary sources cited in this book. Readers should also consult Candace MacMahon’s Elizabeth Bishop: A Bibliography, 1927–1979 (Charlottesville: University Press of Virginia, 1980). The main Elizabeth Bishop archives are held at Vassar College.
Abrams, M. H. “Structure and Style in the Greater Romantic Lyric.” Romanticism and Consciousness: Essays in Criticism. Edited by Harold Bloom. New York: Norton, 1970. 201–229.
Altieri, Charles. Painterly Abstraction in Modernist American Poetry. Cambridge: Cambridge University Press, 1989.
Altieri, Charles “Why Modernist Claims for Autonomy Matter.” Journal of Modern Literature 32.3 (2009): 1–21.
Altman, Janet Gurkin. Epistolarity: Approaches to a Form. Columbus: Ohio State University Press, 1982.
Arendt, Hannah. The Human Condition. Chicago: University of Chicago Press, 1958.
Ashbery, John. “The Complete Poems” (1969). Elizabeth Bishop and Her Art. Edited by Lloyd Schwartz and Sybil P. Estess. Ann Arbor: University of Michigan Press, 1983. 201–205.
Axelrod, Steven Gould. “Elizabeth Bishop and Containment Policy.” American Literature 75.4 (December 2003): 843–867.
Bannet, Eve Tavor. Empire of Letters: Letter Manuals and Transatlantic Correspondence, 1688–1820. Cambridge: Cambridge University Press, 2005.
Barry, Sandra. Elizabeth Bishop: An Archival Guide to Her Life in Nova Scotia. Hantsport, Nova Scotia: Lancelot Press, 1996.
Barry, SandraElizabeth Bishop: Nova Scotia’s “Home-Made” Poet. Halifax: Nimbus, 2011.
Bate, Jonathan. The Song of the Earth. Cambridge: Harvard University Press, 2000.
Beards, Richard D. “Introducing Elizabeth Bishop.” Times Literary Supplement 25 March 2011: 15.
Benton, William. “Introduction.” Exchanging Hats: Elizabeth Bishop Paintings. New York: Farrar, Straus, and Giroux, 1996. vii–xx.
Berger, Charles. “Bishop’s Buried Elegies.” Elizabeth Bishop in the Twenty-First Century: Reading the New Editions. Edited by Angus Cleghorn, Bethany Hicok, and Thomas Travisano. Charlottesville: University of Virginia Press, 2012. 41–53.
Bergmann-Loizeaux, Elizabeth. Twentieth-Century Poetry and the Visual Arts. Cambridge: Cambridge University Press, 2008.
Bernard, April. “A Genius Ill-Served.” The New York Review of Books 24 March 2011: 16–18.
Bernlef, J. “A Conversation with Elizabeth Bishop.” Conversations with Elizabeth Bishop. Edited by George Monteiro. Jackson: University Press of Mississippi, 1996. 62–68.
Biele, Joelle. “Introduction.” Elizabeth Bishop and The New Yorker: The Complete Correspondence. New York: Farrar, Straus, and Giroux, 2011. vii–lx.
Biele, Joelle “‘Like Working Without Really Doing It’: Elizabeth Bishop’s Brazil Letters and Poems.” Antioch Review 67.1 (2009): 90–98.
Biele, Joelle “Three-Fourths Painter.” Elizabeth Bishop: Objects & Apparitions. [New York]: Tibor de Nagy Gallery in association with James S. Jaffe Rare Books, 2011. 33–42.
Bishop, Elizabeth. The Complete Poems. New York: Farrar, Straus, and Giroux, 1969.
Bishop, ElizabethThe Complete Poems: 1927–1979. New York: Farrar, Straus, and Giroux, 1983.
Bishop, ElizabethThe Diary of “Helena Morley.” Translated and Introduced by Elizabeth Bishop. New York: Farrar, Straus, and Cudahy, 1957.
Bishop, Elizabeth Letter to May Swenson, 5 June 1959. May Swenson Papers, Department of Special Collections, Washington University Library in St. Louis (I.103.4003).
Bishop, Elizabeth Letters to Pearl Bell (1954, 1959), Dorothee Bowie (1968), and Pauline Hanson (1951). Elizabeth Bishop Papers, Special Collections, Vassar College Libraries (I.24.4; I.24.9; I.27.3; I.32.1).
Bishop, Elizabeth “On Life Studies” (1959). Elizabeth Bishop and Her Art. Edited by Lloyd Schwartz and Sybil P. Estess. Ann Arbor: University of Michigan Press, 1983. 285.
Bishop, Elizabeth “On ‘The Man-Moth.’” Poet’s Choice. Edited by Paul Engle and Joseph Langland. New York: Dial, 1962. 102–104.
Bishop, Elizabeth and the Editors of Life. Brazil. New York: Time-Life Books, 1962.
Bishop, Elizabeth and Emanuel Brasil, eds. An Anthology of Twentieth-Century Brazilian Poetry. Hanover: Wesleyan University Press, 1972.
Blasing, Mutlu Konuk. “From Gender to Genre and Back: Elizabeth Bishop and ‘The Moose.’” American Literary History 6.2 (Summer 1994): 265–286.
Blasing, Mutlu Konuk“‘Mont D’Espoir or Mount Despair’: The Re-Verses of Elizabeth Bishop.” Contemporary Literature XXV.3 (1984): 341–353.
Blasing, Mutlu KonukPolitics and Form in Postmodern Poetry: O’Hara, Bishop, Ashbery, and Merrill. Cambridge: Cambridge University Press, 1995.
Bloom, Harold. “Foreword.” Elizabeth Bishop and Her Art. Edited by Lloyd Schwartz and Sybil P. Estess. Ann Arbor: University of Michigan Press, 1983. ix–xi.
Boland, Eavan. “That the Science of Cartography is Limited.” In a Time of Violence. Manchester: Carcanet, 1994. 5.
Boschmann, Robert. In the Way of Nature: Ecology and Westward Expansion in the Poetry of Anne Bradstreet, Elizabeth Bishop, and Amy Clampitt. Jefferson, NC: McFarland and Company, 2009.
Bossis, Mireille. “Methodological Journeys Through Correspondences.” Translated by Karen McPherson. Yale French Studies 71 (1986): 63–75.
Breton, André. Manifestoes of Surrealism. Translated by Richard Seaver and Helen Land. Ann Arbor: University of Michigan Press, 1969.
Britto, Paulo Henriques. “Elizabeth Bishop as a Cultural Intermediary.” Brazil 2000–2001: A Revisionary History of Brazilian Literature and Culture. Edited by João Cezar de Castro Rocha. Portuguese Literary & Cultural Studies 4/5 (Spring/Fall 2000): 489–497.
Brown, Ashley. “An Interview with Elizabeth Bishop” (1966). Elizabeth Bishop and Her Art. Edited by Lloyd Schwartz and Sybil P. Estess. Ann Arbor: University of Michigan Press, 1983. 289–302.
Bryson, J. Scott, ed. Ecopoetry: A Critical Introduction. Salt Lake City: University of Utah Press, 2002.
Buell, Lawrence. The Environmental Imagination: Thoreau, Nature Writing, and the Formation of American Culture. Cambridge: Harvard University Press, 1995.
Castro, Fernando de. “Paternalism and Antiamericanism.” Correio da Manhã (28 March 1965).
Caws, Mary Ann, Rudold Kuenzli, and Gwen Raaberg, eds. Surrealism and Women. Cambridge, MA: MIT Press, 1991.
Chadwick, Whitney. Women Artists and the Surrealist Movement. Boston: Little, Brown, 1985.
Chiasson, Dan. “Works on Paper: The Letters of Elizabeth Bishop and Robert Lowell.” The New Yorker 8 November 2008: 106–110.
Chiasson, Dan “Tea for One: Elizabeth Bishop’s Art.” Elizabeth Bishop: Objects & Apparitions. [New York]: Tibor de Nagy Gallery in association with James S. Jaffe Rare Books, 2011. 17–25.
Cleghorn, Angus. “Bishop’s ‘Wiring Fused’: ‘Bone Key’ and ‘Pleasure Seas.’” Elizabeth Bishop in the Twenty-First Century: Reading the New Editions. Edited by Angus Cleghorn, Bethany Hicok, Thomas Travisano. Charlottesville: University of Virginia Press, 2012. 69–87.
Cleghorn, Angus, Bethany Hicok and Thomas Travisano. “Introduction.” Elizabeth Bishop in the Twenty-First Century: Reading the New Editions. Edited by Angus Cleghorn, Bethany Hicok, and Thomas Travisano. Charlottesville: University of Virginia Press, 2012. 1–7.
Clifford, James. Routes: Travel and Translation in the Late Twentieth Century. Cambridge: Harvard University Press, 1997.
Colwell, Anne. Inscrutable Houses: Metaphors of the Body in the Poems of Elizabeth Bishop. Tuscaloosa: University of Alabama Press, 1997.
Cory, Chris, and Alwyn Lee. “Poets: The Second Chance.” Time 89.2 (2 June 1967): 67–74.
Costello, Bonnie. “Attractive Mortality.” Elizabeth Bishop: The Geography of Gender. Ed. Marilyn May Lombardi. Charlottesville: University of Virginia Press, 1993. 126–152.
Costello, Bonnie. “Elizabeth Bishop’s Impersonal Personal.” American Literary History 15.2 (2003): 334–366.
Costello, BonnieElizabeth Bishop: Questions of Mastery. Cambridge: Harvard University Press, 1991.
Cucinella, Catherine. Poetics of the Body: Edna St. Vincent Millay, Elizabeth Bishop, Marilyn Chin, and Marilyn Hacker. New York: Palgrave Macmillan, 2010.
Cunha, Euclides da. Os Sertões (Rebellion in the Backlands). Trans. Samuel Putnam. Chicago: University of Chicago Press, 1975.
Curran, Stuart. “The I Altered.” Romanticism and Feminism. Ed. Anne Mellor. Bloomington: Indiana University Press, 1988. 185–207.
Curran, Stuart ed. The Poems of Charlotte Smith. New York: Oxford University Press, 1993.
Curry, Renée R.White Women Writing White: H.D., Elizabeth Bishop, Sylvia Plath, and Whiteness. Connecticut and London: Greenwood Press, 2000.
Davidson, Michael. Guys Like Us: Citing Masculinity in Cold War Poetics. Chicago: Chicago University Press, 2004.
Derrida, Jacques. The Post Card: From Socrates to Freud and Beyond. Trans. Alan Bass. Chicago: University of Chicago Press, 1987.
Dickey, Frances. “Bishop, Dewey, Darwin: What Other People Know.” Contemporary Literature 44.4 (2003): 301–331.
Dickie, Margaret. “Race and Class in Elizabeth Bishop’s Poetry.” The Yearbook of English Studies (24), 1994: 44–58.
Dickie, MargaretStein, Bishop & Rich: Lyrics of Love, War, & Place. Chapel Hill: The University of North Carolina Press, 1997.
Diehl, Joanne Feit. Women Poets and the American Sublime. Bloomington: Indiana University Press, 1990.
Doreski, C. K.Elizabeth Bishop: The Restraints of Language. Oxford: Oxford University Press, 1993.
DuPlessis, Rachel Blau. Blue Studios: Poetry and its Cultural Work. Tuscaloosa: University of Alabama Press, 2006.
Dworkin, Craig. “Against Reading.” University of Georgia. Athens, GA. Fall 2001. Address.
Earle, Rebecca. “Introduction.” Epistolary Selves: Letters and Letter-Writers, 1600–1945. Ed. Rebecca Earle. Aldershot: Ashgate, 1999. 1–12.
Edelman, Lee. “The Geography of Gender: Elizabeth Bishop’s ‘In the Waiting Room.’” Elizabeth Bishop: The Geography of Gender. Edited by Marilyn May Lombardi. Charlottesville: University Press of Virginia, 1993. 91–110.
Eliot, T. S.Selected Essays of T. S. Eliot. New York: Harcourt, Brace & World, Inc., 1960.
Ellis, Jonathan. Art and Memory in the Work of Elizabeth Bishop. Aldershot: Ashgate, 2006.
Ellis, Jonathan “Aubade and Elegy: Elizabeth Bishop’s Love Poems.” English 60.229 (2011): 161–179.
Ellis, Jonathan “‘Between Us’: Letters and Poems of Stevenson and Bishop.” Voyages Over Voices: Critical Essays on Anne Stevenson. Edited by Angela Leighton. Liverpool: Liverpool University Press, 2010. 28–54.
Ellis, Jonathan “‘Mailed Into Space’: On Sylvia Plath’s Letters.” Representing Sylvia Plath. Edited by Sally Bayley and Tracy Brain. Cambridge: Cambridge University Press, 2011. 13–31.
Engelhardt, Tom. The End of Victory Culture: Cold War America and the Disillusioning of a Generation. Amherst: University of Massachusetts Press, 2nd ed., 2007.
Erkkila, Betsy. “The Emily Dickinson Wars.” The Cambridge Companion to Emily Dickinson. Edited by Wendy Martin. Cambridge: Cambridge University Press, 2002. 11–27.
Esdale, Logan. “Gertrude Stein, Laura Riding and the Space of Letters.” Journal of Modern Literature 29.4 (2006): 99–123. Web. 26 June 2010.
Fountain, Gary and Peter Brazeau, eds. Elizabeth Bishop: An Oral Biography. Amherst: University Press of Massachusetts, 1994.
Flynn, Richard. “Words in Air: Bishop, Lowell, and the Aesthetics of Autobiographical Poetry.” Elizabeth Bishop in the Twenty-First Century. Edited by Angus Cleghorn, Bethany Hicok, and Thomas Travisano. Charlottesville: University of Virginia Press, 2012. 204–222.
Gilcrest, David. Greening the Lyre: Environmental Poetics and Ethics. Reno: University of Nevada Press, 2002.
Gill, Jo. “Bestiary USA: The Modern American Bestiary Poem.” A Companion to Poetic Genre. Edited by Erik Martiny. Oxford: Blackwell, 2012. 555–567.
Giroux, Robert. “Introduction.” One Art: Letters. By Elizabeth Bishop. New York: Farrar, Straus, and Giroux, 1994. vii–xxii.
Goldensohn, Lorrie. “The Body’s Roses: Race, Sex, and Gender in Elizabeth Bishop’s Representations of Self.” Elizabeth Bishop: The Geography of Gender. Edited by Marilyn May Lombardi. Charlottesville: University of Virginia Press, 1993. 70–90.
Goldensohn, Lorrie. “Elizabeth Bishop’s Drafts: ‘That Sense of Constant Readjustment.’” Elizabeth Bishop in the Twenty-First Century: Reading the New Editions. Edited by Angus Cleghorn, Bethany Hicok, and Thomas Travisano. Charlottesville: University of Virginia Press, 2012. 104–116.
Goldensohn, Lorrie. Elizabeth Bishop: The Biography of a Poetry. New York: Columbia University Press, 1992.
Goldensohn, Lorrie. “The Homeless Eye.” Divisions of the Heart: Elizabeth Bishop and the Art of Memory and Place. Edited by Sandra Barry, Gwendolyn Davies and Peter Sanger. Wolfville: Gaspereau Press, 2001. 103–111.
Goldensohn, Lorrie. “Written Pictures, Painted Poems.” “In Worcester, Massachusetts”: Essays on Elizabeth Bishop: From the 1997 Elizabeth Bishop Conference at WPI. Edited by Laura Jehn Menides and Angela G. Dorenkamp. New York: Peter Lang, 1999. 167–176.
Gray, Jeffrey. Mastery’s End: Travel and Postwar American Poetry. Athens: University of Georgia Press, 2005.
Gray, Jeffrey. “Postcards and Sunsets: Bishop’s Revisions and the Problem of Excess.” Elizabeth Bishop in the Twenty-First Century: Reading the New Editions. Edited by Angus Cleghorn, Bethany Hicok, and Thomas Travisano. Charlottesville: University of Virginia Press, 2012. 26–40.
Halpern, Nick, Jane Hedley and Willard Spiegelman, eds. In the Frame: Women’s Ekphrastic Poetry from Marianne Moore to Susan Wheeler. Newark: University of Delaware Press, 2009.
Hammer, Langdon. “Useless Concentration: Life and Work in Elizabeth Bishop’s Letters and Poems.” American Literary History 9.1 (1997): 162–180.
Haraway, Donna. Simians, Cyborgs and Women: The Reinvention of Nature. New York: Routledge, 1991.
Harrison, Victoria. Elizabeth Bishop’s Poetics of Intimacy. Cambridge: Cambridge University Press, 1993.
Hartman, Geoffrey. “Romanticism and Anti-Self-Consciousness.” The Geoffrey Hartman Reader. Edited by Geoffrey Hartman and Daniel T. O’Hara. Edinburgh: Edinburgh University Press, 2004.
Heaney, Seamus. The Redress of Poetry. London: Faber and Faber, 1995.
Hemans, Felicia Dorothea. The Poetical Works of Felicia Dorothea Hemans. Oxford: Oxford University Press, 1914.
Hicok, Bethany. “Bishop’s Brazilian Politics.” Elizabeth Bishop in the Twenty-First Century: Reading the New Editions. Edited by Angus Cleghorn, Bethany Hicok and Thomas Travisano. Charlottesville: University of Virginia Press, 2012. 133–150.
Hofmann, Michael. “The Linebacker and the Dervish.” Poetry 193.4 (2008): 357–367.
Hofmann, Michael “Mostly Middle.” London Review of Books 8 September 2011: 14–16.
Huang, Iris Shu-O. “Landscapes, Animals and Human Beings: Elizabeth Bishop’s Poetry and Ecocentrism.” Intergrams 10.2–11.1 (2010): n. pag. Web. 20 August 2012.
Jackson, Virginia. Dickinson’s Misery: A Theory of Lyric Reading. Princeton: Princeton University Press, 2005.
Jarrell, Randall. “The Poet and His Public.” Partisan Review 13 (1946): 488–500.
Jarrell, Randall “Poets.” Poetry and the Age. New York: Knopf, 1953. 220–236.
Johnson, Alexandra. “Geography of the Imagination.” Conversations with Elizabeth Bishop, ed. George Monteiro. Jackson: University Press of Mississippi, 1996. 98–104.
Kalstone, David. Becoming a Poet: Elizabeth Bishop with Marianne Moore and Robert Lowell. New York: Farrar Straus, and Giroux, 1989.
Kalstone, DavidFive Temperaments. New York: Oxford University Press, 1977.
Kaplan, Caren. Questions of Travel: Postmodern Discourses of Displacement. Durham, NC: Duke University Press, 1996.
Keller, Lynn. Re-Making It New: Contemporary American Poetry and the Modernist Tradition. Cambridge: Cambridge University Press, 1987.
Keller, Lynn. “Green Reading: Modern and Contemporary American Poetry and Environmental Criticism.” The Oxford Handbook to Modern and Contemporary American Poetry. Edited by Cary Nelson. Oxford: Oxford University Press, 2012. 602–623.
Kennedy, Stetson. Grits & Grunts: Folkloric Key West. Sarasota: Pineapple Press, 2008.
Kent, Kathryn R.Making Girls into Women: American Women’s Writing and the Rise of Lesbian Identity. Durham: Duke University Press, 2003.
Lensing, George, “Elizabeth Bishop and Flannery O’Connor: Minding and Mending a Fallen World.” Elizabeth Bishop in the Twenty-First Century: Reading the New Editions. Edited by Angus Cleghorn, Bethany Hicok and Thomas Travisano. Charlottesville: University of Virginia Press, 2012. 186–203.
Leviston, Frances. “Spectacle and Speculation: Reflecting on Elizabeth Bishop in the Twenty-First Century: Reading the New Editions.” Edinburgh Review 136 (2012): 43–51.
Lispector, Clarice, “The Smallest Woman in the World,” “A Hen,” “Marmosets,” trans. Elizabeth Bishop. Kenyon Review 26 (Summer 1964): 500–511.
Lombardi, Marilyn May. The Body and the Song: Elizabeth Bishop’s Poetics. Carbondale: Southern Illinois University Press, 1995.
Lombardi, Marilyn May. “The Closet of Breath: Elizabeth Bishop, Her Body and Her Art.” Elizabeth Bishop: The Geography of Gender. Ed. Marilyn May Lombardi. Charlottesville: University of Virginia Press, 1993. 46–69.
Longenbach, James. Modern Poetry after Modernism. New York and Oxford: Oxford University Press, 1997.
Lowell, Robert. Collected Poems. Edited by Frank Bidart and David Gewanter. New York: Farrar, Straus, and Giroux, 2003.
Lowell, Robert. “Elizabeth Bishop’s North & South.”Collected Prose. Edited by Robert Giroux. New York: Farrar, Straus, and Giroux, 1987. 76–80.
MacArthur, Marit J. “‘In a Room’: Elizabeth Bishop in Europe, 1935–1937.” Texas Studies in Literature and Language 50.4 (2008): 408–442.
McCabe, Susan. Elizabeth Bishop: Her Poetics of Loss. University Park: Pennsylvania State University Press, 1994.
McCabe, Susan “Stevens, Bishop, and Ashbery: A Surrealist Lineage.” The Wallace Stevens Journal 22.2 (Fall 1998): 149–168.
McCabe, Susan “Survival of the Queerly Fit: Darwin, Marianne Moore, and Elizabeth Bishop.” Twentieth-Century Literature 55.4 (Winter 2009): 547–571.
McCarthy, Mary. “Symposium” (1981). Elizabeth Bishop and Her Art. Edited by Lloyd Schwartz and Sybil P. Estess. Ann Arbor: University of Michigan Press, 1983. 267.
McClatchy, J. D. “Letters From A Lonely Poet.” The New York Times Book Review 17 April 1994. Web. 27 June 2010.
McGann, Jerome. The Romantic Ideology: A Critical Investigation. Chicago: University of Chicago Press, 1983.
McIntosh, Hugh. “Conventions of Closeness: Realism and the Creative Friendship of Elizabeth Bishop and Robert Lowell.” PMLA 127.2 (2012): 231–247.
Mellor, Anne. Romanticism and Gender. New York: Routledge, 1993.
Menides, Laura Jehn, and Angela G. Dorenkamp.“In Worcester, Massachusetts”: Essays on Elizabeth Bishop: From the 1997 Elizabeth Bishop Conference at WPI. New York: Peter Lang, 1999.
Merrill, James. “Elizabeth Bishop, 1911–1979” (1979). Elizabeth Bishop and Her Art. Edited by Lloyd Schwartz and Sybil P. Estess. Ann Arbor: University of Michigan Press, 1983. 259–262.
Merrin, Jeredith. An Enabling Humility: Marianne Moore, Elizabeth Bishop, and the Uses of Tradition. New Jersey: Rutgers University Press, 1990.
Merrin, Jeredith. “Elizabeth Bishop: Gaiety, Gayness, and Change.” Elizabeth Bishop: The Geography of Gender. Edited by Marilyn May Lombardi. Charlottesville: University of Virginia Press, 1993. 153–172.
Millier, Brett C.Elizabeth Bishop: Life and the Memory of It. Berkeley: University of California Press, 1993.
Mindlin, Henrique E.Modern Architecture in Brazil. New York: Reinhold, 1956.
Monteiro, George, ed. Conversations with Elizabeth Bishop. Jackson: University of Mississippi Press, 1996.
Monteiro, George, ed. Elizabeth Bishop in Brazil and After: A Poetic Career Transformed. Jefferson, North Carolina and London: McFarland, 2012.
Moore, Marianne. Selected Letters. Edited by Bonnie Costello, Celeste Goodridge and Cristanne Miller. New York: Viking, 1997.
Morton, Timothy. “John Clare’s Dark Ecology.” Studies in Romanticism 47.2 (Summer 2008): 179–193.
Mullen, Richard. “Elizabeth Bishop’s Surrealist Inheritance.” American Literature 54.1 (March 1982): 63–80.
Nickowitz, Peter. Rhetoric and Sexuality: The Poetry of Hart Crane, Elizabeth Bishop, and James Merrill. New York: Palgrave Macmillan, 2006.
Niebuhr, Reinhold. The Irony of American History (1952). Chicago: University of Chicago Press, 2008.
Oliveira, Carmen L.Rare and Commonplace Flowers: The Story of Elizabeth Bishop and Lota de Macedo Soares. Trans. Neil K. Besner. New Brunswick and London: Rutgers University Press, 2002. [Translation of Floras raras e banalíssimus: A história de Lota de Macedo Soares e Elizabeth Bishop, 1995.]
Orr, David. “Elizabeth Bishop’s Rough Gems.” The New York Times Book Review 2 April 2006: 1, 10–11.
Ortner, Sherry B. “Is Female to Male as Nature is to Culture?” Woman, Culture, and Society. Edited by M. Z. Rosaldo and L. Lamphere. Stanford: Stanford University Press, 1974. 68–87.
Page, Barbara. “Off-Beat Claves, Oblique Realities: The Key West Notebooks of Elizabeth Bishop.” Elizabeth Bishop: The Geography of Gender. Edited by Marilyn May Lombardi. Charlottesville: University of Virginia Press, 1993. 196–211.
Parker, Robert Dale. The Unbeliever: The Poetry of Elizabeth Bishop. Urbana and Chicago: University of Illinois Press, 1988.
Paton, Priscilla. Abandoned New England: Landscape in the Works of Homer, Frost, Hopper, Wyeth, and Bishop. Hanover and London: University Press of New England, 2003.
Paton, Priscilla “Landscape and Female Desire: Elizabeth Bishop’s ‘Closet’ Tactics.” Mosaic 31.3 (September 1998): 133–151.
Paton, Priscilla “‘You are not Beppo’: Elizabeth Bishop’s Animals and Negotiation of Identity.” Mosaic 39.4 (December 2006): 197–214.
Paulin, Tom. “Dwelling without Roots: Elizabeth Bishop.” Grand Street 36 (1990): 90–102.
Paulin, Tom “Newness and Nowness.” Times Literary Supplement 4752 (1994): 3–5.
Paulin, Tom “Writing to the Moment: Elizabeth Bishop.” Writing to the Moment. London: Faber and Faber, 1996. 215–239.
Paz, Octavio. “Elizabeth Bishop, or the Power of Reticence” (1975). Elizabeth Bishop and Her Art. Edited by Lloyd Schwartz and Sybil P. Estess. Ann Arbor: University of Michigan Press, 1983. 211–213.
Phillips, Siobhan. The Poetics of the Everyday: Creative Repetition in Modern American Verse. New York: Columbia University Press, 2010.
Pickard, Zachariah. “The Attack on Surrealism in Elizabeth Bishop’s Darwin Letter.” Studies in the Humanities 31.2 (December 2004): 121–137.
Pickard, ZachariahElizabeth Bishop’s Poetics of Description. Montreal: McGill-Queen’s University Press, 2009.
Pickard, Zachariah “Natural History and Epiphany: Elizabeth Bishop’s Darwin Letter.” Twentieth-Century Literature 50.3 (Fall 2004): 268–282.
Pound, Ezra. Make It New. London: Faber and Faber, 1934.
Pugh, Christina. “‘A Lovely Finish I Have Seen’: Voice and Variorum in Edgar Allan Poe & The Juke-Box.” Elizabeth Bishop in the Twenty-First Century: Reading the New Editions. Edited by Angus Cleghorn, Bethany Hicok and Thomas Travisano. Charlottesville: University of Virginia Press, 2012. 274–288.
Putnam, Phoebe. “‘I could open your belly with my claw’: Touch and the Erotics of Panorama in Elizabeth Bishop.” Draft to Peggy Samuels, June 2012.
Quinn, Alice. “Introduction.” Edgar Allan Poe & The Juke-Box: Uncollected Poems, Drafts, and Fragments. By Elizabeth Bishop. New York: Farrar, Straus, and Giroux, 2006. ix-xv.
Rasula, Jed. This Compost: Ecological Imperatives in American Poetry. Athens: University of Georgia Press, 2002.
Ribeiro, Léo Gilson. “Elizabeth Bishop: The Poetess, the Cashew, and Micuçu.” Conversations with Elizabeth Bishop. Edited by George Monteiro. Jackson: University of Mississippi Press, 1996. 14–17.
Rich, Adrienne. “The Eye of the Outsider: The Poetry of Elizabeth Bishop.” Boston Review 8 (April 1983): 16–17.
Riggs, Sarah. Word Sightings: Poetry and Visual Media in Stevens, Bishop, and O’Hara. New York: Routledge, 2002.
Rognoni, Francesco. “Reading Darwin: On Elizabeth Bishop’s Marked Copies of The Voyage of the Beagle and The Autobiography of Charles Darwin.” Jarrell, Bishop, Lowell, & Co. Edited by Suzanne Ferguson. Knoxville: University of Tennessee Press, 2003. 239–248.
Roman, Camille. Elizabeth Bishop’s World War II–Cold War View. New York: Palgrave, 2001.
Roselle, Jan. “Corporeal Sovereignty: The Territory of American Feminism.” Diss. University of California, Riverside, 2012.
Rosemont, Penelope, ed. Surrealist Women: An International Anthology. Austin: University of Texas Press, 1998.
Rosenbaum, Susan. “Elizabeth Bishop and the Miniature Museum.” Journal of Modern Literature 28.2 (2005): 61–99.
Rosenbaum, Susan. “Exquisite Corpse: Surrealist Influence on the American Poetry Scene, 1920–1960.” The Oxford Handbook to Modern and Contemporary American Poetry. Edited by Cary Nelson. Oxford: Oxford University Press, 2012. 268–300.
Rosenbaum, Susan. Professing Sincerity: Modern Lyric Poetry, Commercial Culture, and the Crisis in Reading. Charlottesville: University of Virginia Press, 2007.
Rotella, Guy. Reading and Writing Nature: The Poetry of Robert Frost, Wallace Stevens, Marianne Moore, and Elizabeth Bishop. Boston: Northeastern Press, 1991.
Samuels, Peggy. Deep Skin: Elizabeth Bishop and Visual Art. Ithaca: Cornell University Press, 2010.
Scarry, Elaine. Dreaming by the Book. New York: Farrar, Straus, and Giroux, 1999.
Schapiro, Meyer. “Fromentin as Critic.” Partisan Review 16 (January 1949): 25–51.
Schapiro, MeyerPaul Cézanne. New York: Abrams, 1962 [1952].
Schiller, Beatriz. “Poetry Born Out of Suffering.” Conversations with Elizabeth Bishop. Edited by George Monteiro. Jackson: University of Mississippi Press, 1996. 74–81.
Schor, Naomi. Reading in Detail: Aesthetics and the Feminine. New York: Methuen, 1987.
Schulze, Robin G. “Marianne Moore’s ‘Imperious Ox, Imperial Dish’ and the Poetry of the Natural World.” Twentieth-Century Literature 44.1 (Spring 1998): 1–33.
Schwartz, Lloyd. “Annals of Poetry: Elizabeth Bishop and Brazil.” The New Yorker (30 September 1991): 85–97.
Schwartz, Lloyd. “Elizabeth Bishop’s ‘Finished’ Unpublished Poems.” Elizabeth Bishop in the Twenty-First Century: Reading the New Editions. Edited by Angus Cleghorn, Bethany Hicok and Thomas Travisano. Charlottesville: University of Virginia Press, 2012. 54–65.
Schwartz, Lloyd. “Elizabeth Bishop: Two Arts.” Elizabeth Bishop: Objects & Apparitions. [New York]: Tibor de Nagy Gallery in association with James S. Jaffe Rare Books, 2011. 5–10.
Schwartz, Lloyd and Sybil P. Estess, eds. Elizabeth Bishop and Her Art. Ann Arbor: University of Michigan Press, 1983.
Schweik, Susan. A Gulf So Deeply Cut: American Women Poets and the Second World War. Madison: University of Wisconsin Press, 1991.
Scully, James. Line Break: Poetry as Social Practice. Willimantic, CT: Curbstone Press, 2005.
Simic, Charles. “The Power of Reticence.” The New York Review of Books 27 April 2006: 17–19.
Soper, Kate. What is Nature? Culture, Politics and the Non-Human. Oxford: Blackwell, 1995.
Stanley, Liz. “The Epistolarium: On Theorizing Letters and Correspondences.” Auto/Biography 12.3 (2004): 201–235.
Starbuck, George. “‘The Work!’ A Conversation with Elizabeth Bishop” (1977). Elizabeth Bishop and Her Art. Edited by Lloyd Schwartz and Sybil P. Estess. Ann Arbor: University of Michigan Press, 1983. 312–330.
Stevens, Wallace. Collected Poetry & Prose. New York: Library of America, 1997.
Stevenson, Anne. Elizabeth Bishop. New York: Twayne Publishers, 1966.
Stevenson, AnneFive Looks at Elizabeth Bishop. Newcastle: Bloodaxe Books, 2006.
Suárez-Toste, Ernesto. “Dream Logic and Multiple Metamorphoses in Elizabeth Bishop’s Early Poetry.” Revista de Estudios Norteamericanos 9 (2003): 111–121.
Suárez-Toste, Ernesto “Empathy vs. Surrealism in Elizabeth Bishop’s Animal Poems.” Animal Magic: Essays on Animals in the American Imagination. Joensuu: University of Joensuu Press, 2004. 112–123.
Suárez-Toste, Ernesto “Une Machine a Coudre Manuelle: Elizabeth Bishop’s ‘Everyday Surrealism.’” Mosaic 33.2 (June 2000): 143–161.
Tomlinson, Charles. “Elizabeth Bishop’s New Book.” Shenandoah 17 (Winter 1966): 88–91.
Travisano, Thomas. Elizabeth Bishop: Her Artistic Development. Charlottesville: University of Virginia Press, 1988.
Travisano, Thomas. “The Elizabeth Bishop Phenomenon.” Gendered Modernisms: American Women Poets and Their Readers. Edited by Margaret Dickie and Thomas Travisano. Philadelphia: University of Pennsylvania Press, 1996. 217–244.
Travisano, Thomas. “‘The Flicker of Impudence’: Delicacy and Indelicacy in the Art of Elizabeth Bishop.” Elizabeth Bishop: The Geography of Gender. Edited by Marilyn May Lombardi. Charlottesville: University of Virginia Press, 1993. 111–125.
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Travisano, Thomas. Mid-Century Quartet: Bishop, Lowell, Jarrell, Berryman and the Making of a Postmodern Aesthetic. Charlottesville: University of Virginia Press, 1999.
Travisano, Thomas “With an eye of Flemish accuracy: An Afterword.” The Georgia Review (Winter 1992): 612–616.
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Wagley, Charles. Amazon Town: A Study of Man in the Tropics. New York: Macmillan, 1953.
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White, Gillian. “Words in Air and ‘Space’ in Art: Bishop’s Midcentury Critique of the United States.” Elizabeth Bishop in the Twenty-First Century: Reading the New Editions. Edited by Angus Cleghorn, Bethany Hicok and Thomas Travisano. Charlottesville: University of Virginia Press, 2012. 255–273.
Williams, William Carlos. “Reply to Questionnaire.” View 1.11–12 (February-March 1942): 10.
Zona, Kirstin Hotelling. Marianne Moore, Elizabeth Bishop, and May Swenson: The Feminist Poetics of Self-Restraint. Ann Arbor: University of Michigan Press, 2002.
