Book contents
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- Copyright page
- Contents
- Notes on Contributors
- Book part
- Introduction
- 1 “The First Shall Be Last”: Apology and Redemption in the Work of the First New England Poets, Anne Bradstreet and Edward Taylor
- 2 Phillis Wheatley
- 3 The Historical Epic, Women’s Poetry, and Early American Verse
- 4 The Fire This Time: Longfellow, Lowell, Holmes, Whittier
- 5 Ralph Waldo Emerson
- 6 Edgar Allan Poe
- 7 Walt Whitman
- 8 Melville the Poet
- 9 Forever Young: Rereading Emily Dickinson in the Twenty-First Century
- 10 Paul Laurence Dunbar
- 11 Edwin Arlington Robinson
- 12 Robert Frost
- 13 Gertrude Stein
- 14 Wallace Stevens
- 15 William Carlos Williams
- 16 Ezra Pound
- 17 Marianne Moore
- 18 T. S. Eliot and American Poetry
- 19 Hart Crane’s Visionary Company
- 20 The New Negro Renaissance
- 21 Langston Hughes
- 22 Elizabeth Bishop
- 23 Gwendolyn Brooks
- 24 The Three Voices of Robert Lowell
- 25 The Black Mountain School
- 26 Jack Spicer
- 27 Allen Ginsberg: Irreverent, Reverential, and Apocalyptic American Poet
- 28 Anne Sexton, Sylvia Plath and Confessional Poetry
- 29 “Street Musicians”: Frank O’Hara and John Ashbery
- 30 Adrienne Rich: The Poetry of Witness
- 31 An “Empty Prescription”: Pleasure in Contemporary American Poetry
- Further Reading
- Index
- Series page
- References
24 - The Three Voices of Robert Lowell
Published online by Cambridge University Press: 05 November 2015
Edited by
Book contents
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- Copyright page
- Contents
- Notes on Contributors
- Book part
- Introduction
- 1 “The First Shall Be Last”: Apology and Redemption in the Work of the First New England Poets, Anne Bradstreet and Edward Taylor
- 2 Phillis Wheatley
- 3 The Historical Epic, Women’s Poetry, and Early American Verse
- 4 The Fire This Time: Longfellow, Lowell, Holmes, Whittier
- 5 Ralph Waldo Emerson
- 6 Edgar Allan Poe
- 7 Walt Whitman
- 8 Melville the Poet
- 9 Forever Young: Rereading Emily Dickinson in the Twenty-First Century
- 10 Paul Laurence Dunbar
- 11 Edwin Arlington Robinson
- 12 Robert Frost
- 13 Gertrude Stein
- 14 Wallace Stevens
- 15 William Carlos Williams
- 16 Ezra Pound
- 17 Marianne Moore
- 18 T. S. Eliot and American Poetry
- 19 Hart Crane’s Visionary Company
- 20 The New Negro Renaissance
- 21 Langston Hughes
- 22 Elizabeth Bishop
- 23 Gwendolyn Brooks
- 24 The Three Voices of Robert Lowell
- 25 The Black Mountain School
- 26 Jack Spicer
- 27 Allen Ginsberg: Irreverent, Reverential, and Apocalyptic American Poet
- 28 Anne Sexton, Sylvia Plath and Confessional Poetry
- 29 “Street Musicians”: Frank O’Hara and John Ashbery
- 30 Adrienne Rich: The Poetry of Witness
- 31 An “Empty Prescription”: Pleasure in Contemporary American Poetry
- Further Reading
- Index
- Series page
- References
- Type
- Chapter
- Information
- The Cambridge Companion to American Poets , pp. 327 - 339Publisher: Cambridge University PressPrint publication year: 2015
References
Further Reading
Altieri, Charles, The Art of Twentieth-Century American Poetry (London: Wiley-Blackwell, 2006): 157–173.CrossRefGoogle Scholar
Axelrod, Steven Gould, Robert Lowell: Life and Art (Princeton: Princeton University Press, 1978).Google Scholar
Axelrod, Steven Gould, ed., The Critical Response to Robert Lowell (Westport: Greenwood Press, 1999).Google Scholar
Axelrod, Steven Gould, and Deese, Helen, eds., Robert Lowell: New Essays on the Poetry (New York: Cambridge University Press, 1986).Google Scholar
Doreski, William, Robert Lowell’s Shifting Colors: Poetics of the Public and Personal (Athens: Ohio University Press, 1999).Google Scholar
Kearful, Frank J., “‘Stand and live’: Tropes of Falling, Rising, Standing in Robert Lowell’s Lord Weary’s Castle,” Connotations 17 (2007/2008): 29–60.Google Scholar
Lowell, Robert, Collected Poems, eds. Bidart, Frank and Gewanter, David (New York: Farrar, Straus and Giroux, 2003).Google Scholar
Lowell, Robert, Collected Prose, ed. Giroux, Robert (New York: Farrar, Straus and Giroux, 1987).Google Scholar
Lowell, Robert, Letters, ed. Hamilton, Saskia (New York: Farrar, Straus and Giroux, 2005).Google Scholar
Perloff, Marjorie, The Poetic Art of Robert Lowell (Ithaca: Cornell University Press, 1973).Google Scholar
Ricks, Christopher, True Friendship (New Haven: Yale University Press, 2010): 143–222.Google Scholar
Spiegelman, Willard, Imaginative Transcripts (Oxford: Oxford University Press, 2009): 247–284.Google Scholar
Spivack, Kathleen, With Robert Lowell and His Circle (Boston: Northeastern University Press, 2012).Google Scholar
Tillinghast, Richard, Robert Lowell’s Life and Work: Damaged Grandeur (Ann Arbor: University of Michigan Press, 1995).CrossRefGoogle Scholar
Travisano, Thomas, Midcentury Quartet: Bishop, Lowell, Jarrell, and Berryman and the Making of a Postmodern Poetics (Charlottesville: University of Virginia Press, 1999).Google Scholar
Travisano, Thomas, ed. Words in Air: The Complete Correspondence of Elizabeth Bishop and Robert Lowell (New York: Farrar, Straus and Giroux, 2008).Google Scholar
Vendler, Helen, “Lowell’s Persistence: The Forms Depression Makes,” Kenyon Review 22 (Winter 2000): 216–233.Google Scholar
Wallingford, Katherine, Robert Lowell’s Language of the Self (Chapel Hill: University of North Caroline Press, 1988).Google Scholar
Williamson, Alan Pity the Monsters: The Political Vision of Robert Lowell (New Haven: Yale University Press, 1974).Google Scholar
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