Book contents
- Frontmatter
- Contents
- List of contributors
- Acknowledgments
- Chronology
- Introduction
- 1 The construction of the woman writer
- 2 Remaking the canon
- 3 Women and the consumption of print
- 4 Women writing woman: nineteenth-century representations of gender and sexuality
- 5 Feminism, journalism and public debate
- 6 Women's writing and the domestic sphere
- 7 Women, fiction and the marketplace
- 8 Women poets and the challenge of genre
- 9 Women and the theatre
- 10 Women writers and self-writing
- 11 The professionalization of women's writing: extending the canon
- 12 Women writers and religion
- 13 Women writing for children
- Guide to further reading
- Index
4 - Women writing woman: nineteenth-century representations of gender and sexuality
Published online by Cambridge University Press: 03 October 2009
- Frontmatter
- Contents
- List of contributors
- Acknowledgments
- Chronology
- Introduction
- 1 The construction of the woman writer
- 2 Remaking the canon
- 3 Women and the consumption of print
- 4 Women writing woman: nineteenth-century representations of gender and sexuality
- 5 Feminism, journalism and public debate
- 6 Women's writing and the domestic sphere
- 7 Women, fiction and the marketplace
- 8 Women poets and the challenge of genre
- 9 Women and the theatre
- 10 Women writers and self-writing
- 11 The professionalization of women's writing: extending the canon
- 12 Women writers and religion
- 13 Women writing for children
- Guide to further reading
- Index
Summary
[M]any of the saddest and deepest truths in the strange science of sexual affection are to [the female novelist] mysteriously and mercifully veiled … She is describing a country of which she knows only the more frequented and the safer roads.
[S]exuality [is] a contested site for other struggles and social divisions, particularly those of class, gender, and race.
In a much-quoted episode towards the end of Jane Austen's Persuasion (1818), the heroine, Anne Elliot, discusses with Captain Harville a contentious aspect of gender and sexuality: the relative constancy in love of men and women. Captain Harville, who, like many of his Victorian successors, slips easily from the subject of women to that of ‘woman’, declares: ‘“I do not think I ever opened a book in my life which had not something to say upon woman's inconstancy.”’ Anne Elliot, all too familiar with the pains of being a constant woman, replies: ‘if you please, no reference to examples in books. Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands’ (chapter 23).
Austen wrote these words at a time when women had already taken the pen into their own hands, following what Virginia Woolf described as the most important change in British history: the period of ‘extreme activity of mind … among women’ when middle-class women began to write for money.
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- Women and Literature in Britain 1800–1900 , pp. 78 - 98Publisher: Cambridge University PressPrint publication year: 2001
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