This chapter explores Wagner’s rhetorical elisions across three substantives essential to eighteenth- and nineteenth-century conceptual history: nature, culture, and humanity. It begins by explicating Wagner’s engagement with contemporary philosophies of language, cognition, and climate in developing the racialised identities and implications of these interlocked categories. Disclosing Wagner’s participation in what philosopher Stephen Haymes describes as an ‘axiological preference for Western “holism” regarding what is valued’, this chapter suggests that his nature-thinking enforced an exclusionary humanism by elevating a Germanic subset of nature, culture, and humanity as solely deserving these monolithic titles.

The chapter concludes by exploring Wagner’s treatment of these categories in his libretti, particularly in Siegfried’s ‘forest murmurs’. Where some stage directors have sought to resuscitate Wagner by suggesting that his environmental imagery is separable from his infamous racism, this chapter ultimately argues that these conceptual paradigms were inextricably entwined, and were part of a synthetic regime of knowledge.