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from B - IP Overlaps
Published online by Cambridge University Press: 29 December 2020
While the Court of Justice of the European Union (CJEU) has proclaimed a harmonized concept for the very object of copyright protection – an original work – in a fairly comprehensive bulk of decisions,2 by mainly defining a protected work as being the result of an author’s own intellectual creation, as expressed in three different EU Directives,3 some recent signs of a Swedish fall-out from that concept are in view, as will be discussed in this text, concerning artistic works and applied art. It is written in the hope that Professor Annette Kur, being a long-time observer of Nordic IP law and an esteemed link between Nordic and Continental IP law, may take some interest in those possible transitions in Swedish design law.4
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