Skip to main content Accessibility help
×
Home
Hostname: page-component-99c86f546-8r8mm Total loading time: 1.521 Render date: 2021-12-08T05:23:19.771Z Has data issue: true Feature Flags: { "shouldUseShareProductTool": true, "shouldUseHypothesis": true, "isUnsiloEnabled": true, "metricsAbstractViews": false, "figures": true, "newCiteModal": false, "newCitedByModal": true, "newEcommerce": true, "newUsageEvents": true }

Bibliography

Published online by Cambridge University Press:  03 August 2019

Tracy Brain
Affiliation:
Bath Spa University
Get access
Type
Chapter
Information
Sylvia Plath in Context , pp. 371 - 396
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Plath, Sylvia. Ariel (London: Faber and Faber, 1965).Google Scholar
Plath, Sylvia Ariel (New York: Harper & Row, 1966).Google Scholar
Plath, Sylvia Ariel (London: Faber and Faber, 1972).Google Scholar
Plath, Sylvia Ariel (New York: Harper & Row, 1975).Google Scholar
Plath, Sylvia Ariel (London: Faber and Faber, 1983).Google Scholar
Plath, Sylvia Ariel (London: Faber and Faber, 1999).Google Scholar
Plath, Sylvia Ariel (New York: Harper & Row, 1999).Google Scholar
Plath, Sylvia Ariel (London: Faber and Faber, 2001).Google Scholar
Plath, Sylvia Ariel (London: Faber and Faber, 2010).Google Scholar
Plath, Sylvia Ariel: The Restored Edition; A Facsimile of Plath’s Manuscript, Reinstating Her Original Selection and Arrangement. Foreword by Frieda Hughes (London: Faber and Faber, 2004) (New York: HarperCollins, 2004).Google Scholar
Plath, Sylvia A Winter Ship (Edinburgh: The Tragara Press, 1960).Google Scholar
Plath, Sylvia The Bed Book (London: Faber and Faber, 1976) (New York: Harper & Row, 1976).Google Scholar
Plath, Sylvia The Bell Jar (London: Heinemann, 1963).Google Scholar
Plath, Sylvia The Bell Jar (London: Faber and Faber, 1966).Google Scholar
Plath, Sylvia The Bell Jar (London: Faber and Faber, 1971).Google Scholar
Plath, Sylvia The Bell Jar (New York: Perennial Classics, 1971).Google Scholar
Plath, Sylvia The Bell Jar (New York: Harper & Row, 1971).Google Scholar
Plath, Sylvia The Bell Jar (New York: Bantam Books, 1972).Google Scholar
Plath, Sylvia The Bell Jar (London: Faber and Faber, 1983).Google Scholar
Plath, Sylvia The Bell Jar (London: Faber and Faber, 1986).Google Scholar
Plath, Sylvia The Bell Jar (New York: HarperCollins, 1996).Google Scholar
Plath, Sylvia The Bell Jar (New York: Harper Perennial Modern Classics, 1999).Google Scholar
Plath, Sylvia The Bell Jar (London: Faber and Faber, 1999).Google Scholar
Plath, Sylvia The Bell Jar (New York: Perennial Classics, 1999).Google Scholar
Plath, Sylvia The Bell Jar (New York: Harper Perennial Modern Classics, 2003).Google Scholar
Plath, Sylvia The Bell Jar (New York: Harper Perennial Modern Classics, 2005).Google Scholar
Plath, Sylvia The Bell Jar (London: Faber and Faber, 2005).Google Scholar
Plath, Sylvia The Bell Jar (New York: Harper Perennial Modern Classics, 2006).Google Scholar
Plath, Sylvia The Bell Jar (London: Faber and Faber, 2009).Google Scholar
Plath, Sylvia The Bell Jar (London: Faber and Faber, 2013).Google Scholar
Plath, Sylvia Collected Children’s Stories [The Bed Book, The It-Doesn’t-Matter Suit, Mrs Cherry’s Kitchen] (London: Faber and Faber, 2001).Google Scholar
Plath, Sylvia Collected Poems (London: Faber and Faber, 1981).Google Scholar
Plath, Sylvia Collected Poems (New York: Harper & Row, 1981).Google Scholar
Plath, Sylvia The Colossus and Other Poems (London: William Heinemann, 1960) (New York: Knopf, 1962).Google Scholar
Plath, Sylvia ‘Context’, London Magazine 1.11 (1962): 45–6.Google Scholar
Plath, Sylvia Crossing the Water (London: Faber and Faber, 1971),Google Scholar
Plath, Sylvia Crossing the Water (New York: Harper & Row, 1971).Google Scholar
Plath, Sylvia ‘General Jodpur’s Conversion’, New Statesman (10 November 1961): 696–8.
Plath, Sylvia The It-Doesn’t-Matter Suit (London: Faber and Faber, 1996) (New York: St Martin’s Press, 1996).Google Scholar
Plath, Sylvia Johnny Panic and the Bible of Dreams (London: Faber and Faber, 1977).Google Scholar
Plath, Sylvia Johnny Panic and the Bible of Dreams (London: Faber and Faber, 1979).Google Scholar
Plath, Sylvia Johnny Panic and the Bible of Dreams (New York: Harper & Row, 1979).Google Scholar
Plath, Sylvia The Journals of Sylvia Plath 1950–1962, edited by Kukil, Karen V. (London: Faber and Faber, 2000).Google Scholar
Plath, Sylvia The Journals of Sylvia Plath, edited by Hughes, Ted and McCullough, Frances (New York: Ballantine Books, 1982).Google Scholar
Plath, Sylvia Letters Home: Correspondence 1950–1963, edited by Schober Plath, Aurelia (London: Faber & Faber, 1975) (New York: Harper & Row, 1975).Google Scholar
Plath, Sylvia The Letters of Sylvia Plath, Volume I: 1940–1956, edited by Peter, Steinberg and Kukil, Karen V. (London: Faber and Faber, 2017) (New York: Harper, 2017).Google Scholar
Plath, Sylvia The Letters of Sylvia Plath, Volume II: 1956–1963, edited by Peter, Steinberg and Kukil, Karen (London: Faber and Faber, 2018) (New York: Harper, 2018).Google Scholar
Plath, Sylvia The Magic Mirror: A Study of the Double in Two of Dostoevsky’s Novels (Powys: Embers Handpress, 1989).Google Scholar
Plath, Sylvia Mrs Cherry’s Kitchen (London: Faber and Faber, 2007).Google Scholar
Plath, Sylvia Poems, Everyman’s Library Pocket Poets (New York: Knopf, 1998).Google Scholar
Plath, Sylvia The Poet Speaks, edited by Orr, Peter (London: Routledge & Kegan Paul, 1966).Google Scholar
Plath, Sylvia Review of The Stones of Troy, Gemini 1.2 (1957): 98103.Google Scholar
Plath, Sylvia Selected Poems (London: Faber and Faber, 1985).Google Scholar
Plath, Sylvia Three Women. London: Turret Books, 1968.Google Scholar
Plath, Sylvia Stings: Original Drafts of the Poem in Facsimile, Reproduced from the Sylvia Plath Collection at Smith College, edited by Van Dyne, Susan R. (Northampton: Smith College Library Rare Book Room, 1982).Google Scholar
Plath, Sylvia Sylvia Plath: Drawings, introduced by Hughes, Frieda (New York: HarperCollins, 2013; London: Faber and Faber, 2013).Google Scholar
Plath, Sylvia The Unabridged Journals of Sylvia Plath, edited by Kukil, Karen V. (New York: Anchor Books, 2000).Google Scholar
Plath, Sylvia Winter Trees (London: Faber and Faber, 1971) (New York: Harper & Row, 1972).Google Scholar
Plath, Sylvia and Hughes, Ted. ‘Two of a Kind: Poets in Partnership’, interviewed by Owen Leeming, recorded by the BBC in 1961, The Spoken Word: Sylvia Plath (British Library Publishing, 2010).Google Scholar
Plath, Sylvia and Perry Norton, . ‘Youth’s Plea for World Peace’, Christian Science Monitor (16 March 1950). SMITH.
Bacon, Francis. Novum Organum, edited by James Spedding, Robert Leslie Ellis and Douglas Denon Heath, vol. IV of The Works of Francis Bacon, 29-248. (London: Longman & Co., 1858).Google Scholar
Bergman, Ingmar. A Film Trilogy: Through a Glass Darkly, The Communicants (Winter Light), The Silence, translated by Paul Britten Austen (New York and London: Marion Boyars, 1989).Google Scholar
Blake, William. The Paintings and Drawings of William Blake, vol. II, edited by Butlin, Martin (New Haven and London: Paul Mellon Centre, 1981).Google Scholar
Brontë, Charlotte. Jane Eyre (1847), edited by Lutz, Deborah, Norton Critical Edition, 4th edition (London: W. W. Norton & Company, 2016).Google Scholar
Brontë, Charlotte. Villette (1853) (London: J. M. Dent & Sons, Everyman’s Library, 1909, 1949). LILLY.Google Scholar
Chambers, E. K., editor. The Oxford Book of Sixteenth-Century Verse (Oxford: Clarendon Press, 1950). SMITH.Google Scholar
Dickinson, Emily. The Poems of Emily Dickinson, edited by Franklin, Ralph (Cambridge, Massachusetts: The Belknap Press of Harvard University Press, 1999).Google Scholar
Eliot, T. S. The Poems of T.S. Eliot: Collected and Uncollected, vol. I, edited by Ricks, Christopher and McCue, Jim (Baltimore: Johns Hopkins Press, 2016).Google Scholar
Eliot, T. S. The Complete Poems and Plays (New York: Harcourt, Brace and Company, 1952). SMITH.Google Scholar
Ralph Waldo, Emerson. Selected Journals 1820–1842, edited by Rosenwald, Lawrence (New York: Library of America, 2010).Google Scholar
Enright, Anne. ‘Diary’, London Review of Books 39.18 (21 September 2017): 33–5.Google Scholar
Glück, Louise. The House on Marshland (New York: Ecco Press, 1975).Google Scholar
Glück, Louise. The Seven Ages (New York: Ecco Press, 2001).Google Scholar
Glück, Louise. Averno (New York: Farrar, Straus and Giroux, 2006).Google Scholar
Heller, Joseph. Catch-22 (New York: Simon & Schuster, 1961).Google Scholar
Selima, Hill. ‘Never Go to Sleep in a Lakein The Sparkling Jewel of Naturism (Northumberland: Bloodaxe, 2014), 46.Google Scholar
Hughes, Frieda. ‘My Mother’, Tatler (March 2003): 125. Reprinted in Hughes, Frieda, The Book of Mirrors (Northumberland: Bloodaxe Books, 2009), 32–3.Google Scholar
Hughes, Ted. Birthday Letters (London: Faber and Faber, 1998).Google Scholar
Hughes, Ted. Birthday Letters (New York: Farrar Straus & Giroux, 1998).Google Scholar
Hughes, Ted. Crow (London: Faber and Faber, 1970).Google Scholar
Hughes, Ted. ‘Last Letter’, facsimiles of draft manuscripts reproduced in ‘Exclusive: Ted Hughes’s Poem on the Night Sylvia Plath Died’, New Statesman (6 October 2010), www.newstatesman.com/blogs/cultural-capital/2010/10/hughes-poem-poet-publish. Accessed 22 December 2017.
Hughes, Ted. Letters of Ted Hughes, edited and selected by Reid, Christopher (London: Faber and Faber, 2007).Google Scholar
Hughes, Ted. Shakespeare and the Goddess of Complete Being (London: Faber and Faber, 1992).Google Scholar
Hughes, Ted. Tales from Ovid (London: Faber and Faber, 1997).Google Scholar
Hughes, Ted. Winter Pollen: Occasional Prose, edited by Scammell, William (London: Faber and Faber, 1994).Google Scholar
Jennings, Elizabeth. The Collected Poems, edited by Mason, Emma (Manchester: Carcanet, 2012).Google Scholar
Joyce, James. Dubliners (New York: Random House, 1926). SMITH.Google Scholar
Joyce, James. Dubliners (London: Penguin, 1992).Google Scholar
Joyce, James. A Portrait of the Artist as a Young Man (1916; New York: New American Library, 1948). EMORY.Google Scholar
Kesey, Ken. One Flew Over the Cuckoo’s Nest (New York: Viking Press, 1962).Google Scholar
Larkin, Philip. The Complete Poems, edited by Archie Burnett (London: Faber and Faber, 2012).Google Scholar
Lawrence, D. H. The Complete Poems of D. H. Lawrence (Ware: Wordsworth Editions Limited, 2002).Google Scholar
Lawrence, D. H. Selected Poems, edited by Fenton, James (London: Penguin, 2008).Google Scholar
Marlowe, Christopher. The Complete Poems and Translations, edited by Orgel, Stephen (London: Penguin, 2007).Google Scholar
Milton, John. The Complete English Poems (London: Everyman, 1992).Google Scholar
Moore, Marianne. New Collected Poems, edited by White, Heather Cass (New York: Farrar, Strauss and Giroux, 2017).Google Scholar
Nichol Smith, David editor. The Oxford Book of Eighteenth-Century Verse (Oxford: Clarendon Press, 1951). SMITH.Google Scholar
Olds, Sharon. Satan Says (Pittsburgh, Pennsylvania: University of Pittsburgh Press, 1980).Google Scholar
Orr, Peter. Plath Reads Plath, interview with Peter Orr, recorded 30 October 1962 (Cambridge: Credo Records, 1975).Google Scholar
Orwell, George. Essays (London: Penguin, 2000).Google Scholar
Petit, Pascale. Fauverie (Bridgend: Seren, 2014).Google Scholar
Petit, Pascale. Mama Amazonica (Northumberland: Bloodaxe, 2017).Google Scholar
Ezra, Pound. Personae: The Shorter Poems of Ezra Pound (London: Faber and Faber, 2001).Google Scholar
Ransom, John Crowe. ‘Janet Waking’, Poetry Foundation, www.poetryfoundation.org/poems/47552/janet-waking. Accessed 30 September 2017.
Sagar, Keith, editor. The Letters of Ted Hughes and Keith Sagar (London: The British Library, 2012).Google Scholar
Salinger, J. D. The Catcher in the Rye (London: Hamish Hamilton, 1951).Google Scholar
Sasek, Miroslav. This Is Venice (London: W. H. Allen, 1961).Google Scholar
Sexton, Anne. A Self-Portrait in Letters, edited by Gray Sexton, Linda and Ames, Lois (New York: Mariner Books, 2004).Google Scholar
Sexton, Anne Transformations (Boston: Houghton Mifflin, 1971).Google Scholar
Shakespeare, William. The Tempest, edited by Sir Quiller-Couch, Arthur and Wilson, John (Cambridge: Cambridge University Press, 1965).Google Scholar
Percy Bysshe, Shelley. ‘A Defence of Poetry’ in Essays, Letters from Abroad, Translations and Fragments, By Percy Bysshe Shelley, 2 vols., edited by Shelley, Mary (London: Edward Moxon, 1840), vol. I, 157.Google Scholar
Smith, Stevie. The Collected Poems and Drawings of Stevie Smith, edited by May, William (London: Faber and Faber, 2015).Google Scholar
Smith, Stevie Novel on Yellow Paper (London: Virago, 1936/2015).Google Scholar
Smith, Stevie Me Again: The Uncollected Writings of Stevie Smith, edited by Barbera, Jack and William, McBrien (London: Virago, 1981).Google Scholar
Snicket, Lemony. A Series of Unfortunate Events, 13 vols. (New York: HarperCollins, 1999–2006).Google Scholar
Stevens, Wallace. The Collected Poems of Wallace Stevens (New York: Knopf, 1954).Google Scholar
Teasdale, Sara. The Collected Poems of Sara Teasdale (Digireads.com Publishing, 2012).Google Scholar
Thomas, Dylan. Under Milk Wood (London: J. M. Dent, 1975).Google Scholar
Henry David, Thoreau. Walden in Two Volumes: Volume 1 (New York: Houghton, Mifflin and Co., 1882).Google Scholar
Virgil, . The Eclogues and The Georgics, translated by Day Lewis, C. (Oxford: Oxford University Press, 1983).Google Scholar
Mary, Wollstonecraft. A Vindication of the Rights of Women. The Works of Mary Wollstonecraft, edited by Todd, Janet and Butler, Marilyn, vol. V (London: Chatto & Windus, 1989).Google Scholar
Woolf, Virginia. A Room of One’s Own (London: Penguin, 2004).Google Scholar
Woolf, Virginia A Writer’s Diary: Being Extracts from the Diary of Virginia Woolf, edited by Woolf, Leonard (London: Hogarth Press, 1953 and St Albans: Triad Press, 1978).Google Scholar
Woolf, VirginiaThe Historian and “The Gibbon”’, in The Death of the Moth and Other Essays (London: Hogarth, 1937), 5563.Google Scholar
Woolf, Virginia Jacob’s Room (London: Penguin, 1992).Google Scholar
Woolf, Virginia To the Lighthouse (London: Penguin Modern Classics, 2000).Google Scholar
Woolf, Virginia The Voyage Out. Oxford: Oxford University Press, 2009.Google Scholar
Yeats, W. B. The Collected Poems (New York: Macmillan, 1952). SMITH.Google Scholar
Bergman, Ingmar. A Film Trilogy: Through a Glass Darkly, The Communicants (Winter Light), The Silence. Svenskfilmindustri (1961–3). The Criterion Collection (2019) USA DVD.
Bergman, Ingmar Brink of Life. Inter-American Productions (1958).
Bergman, Ingmar The Magician. Svenskfilmindustri (1958). The Criterion Collection (2010) USA DVD.
Bergman, Ingmar The Seventh Seal. Svenskfilmindustri (1957). The Criterion Collection (2009) USA DVD.
Bergman, Ingmar Through a Glass Darkly. Svenskfilmindustri (1961). The Criterion Collection (2003) USA DVD.
Cocteau, Jean. La Belle et la Bête. DisCina (1946). The Criterion Collection (2011) USA DVD.
Cocteau, Jean. Orphée. Andree Paulve Film (1950). The Criterion Collection (2011) USA DVD.
Dreyer, Carl. La Passion de Jeanne d’Arc. Société Générale des Films (1928). The Criterion Collection (1999) USA DVD.
Forman, Miloš. One Flew Over the Cuckoo’s Nest. United Artists (1965).
Jeffs, Christine. Sylvia. BBC Films/Capitol Films (2003).
Kubrick, Stanley. Dr Strangelove, or: How I Learned to Stop Worrying and Love the Bomb. Columbia Pictures (1964). Sony Pictures (2002).
Litvak, Anatole. The Snake Pit. 20th Century Fox (1948). StudioCanal (2004).
Richter, Hans. Rêves à Vendre (Dreams that Money Can Buy). Art of This Century Films (1947). BFI Video (2006) UK DVD.
Truffaut, François. Jules et Jim. Sédif Productions (1962). The Criterion Collection (2014) USA DVD.
Wilder, Billy. Double Indemnity. Paramount Pictures (1944). Universal Home Pictures Home Entertainment (2012) USA DVD.
Wiene, Robert. The Cabinet of Dr. Caligari. Decla-Bioscop (1920). Cinema Classics Collection (2015) USA DVD.
Zemeckis, Robert. Who Framed Roger Rabbit. Touchstone Pictures (1988). Touchstone Home Video (1999) USA DVD.
Abse, Dannie. The Hutchinson Book of Post-War British Poets (London: Hutchinson, 1989).Google Scholar
Adcock, Fleur, editor. The Faber Book of Twentieth Century Women’s Poetry (London: Faber and Faber, 1987).Google Scholar
Aldrich, Ann. We, Too, Must Love (Dee Why West, Australia: Eclipse, no date).
Alexander, Jonathan, Meem, Deborah T. and Gibson, Michelle A., editors. Finding Out: An Introduction to LGBTQ Studies (Thousand Oaks, California: Sage, 2018).Google Scholar
Alexander, Paul. Rough Magic: A Biography of Sylvia Plath (New York: Da Capo Press, 1999).Google Scholar
Alexander, , Paul, , editor. Ariel Ascending: Writings about Sylvia Plath (New York: Harper & Row, 1985).Google Scholar
Alliston, Susan. Poems and Journals 1960–69 (Nottingham: Richard Hollis [an imprint of Five Leaves Publications], 2010).Google Scholar
Alvarez, Al. ‘A Poet’s Epitaph’, The Observer (17 February 1963): 23.
Alvarez, Al. Beyond This Fiddle: Essays 1955–1967 (New York: Random House, 1969).Google Scholar
Alvarez, Al. ‘The New Poetry or Beyond the Gentility Principle’, in The New Poetry (London: Penguin, 1966), 2132.Google Scholar
Alvarez, Al. ‘Poetry in Extremis’ (1965), reprinted in Linda Wagner-Martin, Sylvia Plath: The Critical Heritage (Abingdon: Routledge, 2009), 55–7.Google Scholar
Alvarez, Al. ‘Prologue: Sylvia Plath’, in The Savage God (New York: Random House, 1972), 1558.Google Scholar
Alvarez, Al. The Savage God (New York: Random House, 1972).Google Scholar
Alvarez, Al. The Savage God (London: Weidenfeld and Nicolson, 1972).Google Scholar
Alvarez, Al. ‘Ted, Sylvia and Me’, The Observer (24 January 2004), www.theguardian.com/film/2004/jan/04/poetry.highereducation. Accessed 23 April 2019.
Alvarez, Al. Where Did it All Go Right? A Memoir (London: Bloomsbury, 2002).Google Scholar
Lois, Ames. ‘Biographical Note’, in Sylvia, Plath, The Bell Jar (New York: Harper Perennial Modern Classics, 2005), 315.Google Scholar
Anderson, Linda. ‘Gender, Feminism, Poetry: Stevie Smith, Sylvia Plath, Jo Shapcott’, in The Cambridge Companion to Twentieth-Century Poetry, edited by Corcoran, Neil (Cambridge: Cambridge University Press, 2007), 173–86.Google Scholar
Armstrong, Tim. Modernism, Technology, and the Body: A Cultural Study (Cambridge: Cambridge University Press, 1998).Google Scholar
Ashe, Marie. ‘The Bell Jar and the Ghost of Ethel Rosenberg’, in Secret Agents: The Rosenberg Case, McCarthyism and 1950s America, edited by Garber, Marjorie and Walkowitz, Rebecca L. (New York and London: Routledge, 1995, 2011), 215–31.Google Scholar
Astruc, Alexandre. ‘The Birth of a New Avant-Garde: La Caméra-Stylo’, in The French New Wave, edited by Graham, Peter with Vincendeau, Ginette (London: Palgrave Macmillan for BFI, 1989), 31–6.Google Scholar
Atlas, James. ‘The Biographer and the Murderer’, New York Times Magazine (12 December 1993): 74–5.
Axelrod, Steven Gould. ‘Plath and Torture: Cultural Contexts for Plath’s Imagery of the Holocaust’, in Representing Sylvia Plath, edited by Bayley, Sally and Brain, Tracy (Cambridge: Cambridge University Press, 2011), 6787.CrossRefGoogle Scholar
Axelrod, Steven Gould ‘The Poetry of Sylvia Plath’, in The Cambridge Companion to Sylvia Plath, edited by Gill, Jo (Cambridge: Cambridge University Press, 2006), 7389.CrossRefGoogle Scholar
Axelrod, Steven Gould Sylvia Plath: The Wound and the Cure of Words (Baltimore: The John Hopkins University Press, 1990).Google Scholar
Bachelard, Gaston. The Poetics of Space (Boston: Beacon Press, 1994).Google Scholar
Badia, Janet. ‘The Bell Jar and Other Prose’, in The Cambridge Companion to Sylvia Plath, edited by Gill, Jo (Cambridge: Cambridge University Press, 2006), 124–38.Google Scholar
Balázs, Béla. Theory of the Film: Character and Growth of a New Art, translated from the Hungarian by Edith Bone (London: Dennis Dobson, 1952).Google Scholar
Ballard, Roger. ‘Britain’s Visible Minorities: A Demographic Overview’ (1999), crossasia-repository.ub.uni-heidelberg.de/286/1/demography.pdf. Accessed 12 December 2017.
Baldwin, Kate A. The Racial Imaginary of the Cold War Kitchen (Lebanon, New Hampshire: Dartmouth College Press, 2016).Google Scholar
Barbera, Jack. ‘The Relevance of Stevie Smith’s Drawings’, Journal of Modern Literature 12.2 (1985): 221–36.Google Scholar
Barbera, Jack, and William, McBrien. Stevie: A Biography of Stevie Smith (London: Macmillan, 1986).Google Scholar
Nodelman, Bartlett, Ellen, and Amanda Golden. ‘Recollections of Mrs. Hughes’s Student’, Plath Profiles, 5 Supplement (Fall 2012): 125–39, scholarworks.iu.edu/journals/index.php/plath/article/viewFile/4353/3978. Accessed 19 November 2017.
Bate, Jonathan. Ted Hughes: The Unauthorised Life (London: William Collins [an imprint of HarperCollins], 2015).Google Scholar
Bayley, Sally. The Private Life of the Diary: From Pepys to Tweets (London: Unbound, 2016).Google Scholar
Bayley, SallySublime Encounters in Sylvia Plath’s Tree Poems’, in Representing Sylvia Plath, edited by Bayley, Sally and Brain, Tracy (Cambridge: Cambridge University Press, 2011), 91109.CrossRefGoogle Scholar
Bayley, Sally ‘Sylvia Plath and the Costume of Femininity’, in Eye Rhymes: Sylvia Plath’s Art of the Visual, edited by Connors, Kathleen and Bayley, Sally (Oxford: Oxford University Press, 2007), 183204.Google Scholar
Beauvoir, Simone de. The Second Sex (New York: Vintage Books, 2010).Google Scholar
Becker, Jillian. Giving Up: The Last Days of Sylvia Plath (London: Ferrington, Bookseller & Publisher, 2002).Google Scholar
Beer, John. Post-Romantic Consciousness: Dickens to Plath (Basingstoke: Palgrave, 2003).CrossRefGoogle Scholar
Bensing, Robert C.A Comparative Study of American Sex Statutes’, The Journal of Criminal Law, Criminology, and Police Science 42.1 (May–June, 1951): 5772.CrossRefGoogle Scholar
Bergman, Ingmar. The Ingmar Bergman Archives, edited by Duncan, Paul and Wanselius, Bengt (Los Angeles: Taschen America, 2008).Google Scholar
Black, Edwin. War against the Weak (New York: Four Walls Eight Windows, 2003).Google Scholar
‘The Blood Jet is Poetry’, review of Ariel, Time (10 June 1966): 118–20.
Bluemel, Kristin. George Orwell and the Radical Eccentrics: Intermodernism in Literary London (New York: Palgrave Macmillan, 2004).CrossRefGoogle Scholar
Bluemel, Kristin ‘Suburbs Are Not So Bad I Think: Stevie Smith’s Problem of Place in 1930s and ’40s London’, Iowa Journal of Cultural Studies 3 (Fall 2003): 96114.CrossRefGoogle Scholar
Botkin, Daniel. Discordant Harmonies: A New Ecology for the Twenty-First Century (New York: Oxford University Press, 1990).Google Scholar
Brain, Tracy. ‘Fictionalizing Sylvia Plath’ in Representing Sylvia Plath, edited by Bayley, Sally and Brain, Tracy (Cambridge: Cambridge University Press, 2011), 183202.CrossRefGoogle Scholar
Brain, Tracy ‘Medicine in Sylvia Plath’s October Poems’, Plath Profiles: An Interdisciplinary Journal for Sylvia Plath Studies 6 (Summer 2013): 926.Google Scholar
Brain, Tracy The Other Sylvia Plath (London: Longman Studies in Twentieth-Century Literature [Pearson Education], 2001).Google Scholar
Brain, Tracy ‘Story, Body and Voice: Dating and Grouping Sylvia Plath’s Poems’, in Critical Insights on Sylvia Plath, edited by Buckley, William (Ipswich, Massachusetts: Salem Press, 2013), 7091.Google Scholar
Brain, Tracy ‘Sylvia Plath in the Early Twenty-First Century’, in American Poetry Since 1945, edited by Spencer, Eleanor (London: Palgrave Macmillan [New Casebooks], 2017), 111–30.Google Scholar
Brain, Tracy ‘Sylvia Plath’s Letters and Journals’, in The Cambridge Companion to Sylvia Plath, edited by Gill, Jo (Cambridge: Cambridge University Press, 2006), 139–55.Google Scholar
Brain, TracyTed Hughes and Feminism’, in The Cambridge Companion to Ted Hughes, edited by Gifford, Terry (Cambridge: Cambridge University Press, 2011), 94106.CrossRefGoogle Scholar
Brain, Tracy, and Bayley, Sally. ‘Introduction’, in Representing Sylvia Plath edited by Brain, Tracy and Bayley, Sally (Cambridge: Cambridge University Press, 2011), 112.Google Scholar
Brain, Tracy and Bayley, Sally, editors. Representing Sylvia Plath (Cambridge: Cambridge University Press, 2011).Google Scholar
Jo, Brans. ‘The Girl Who Wanted to be God’, in Sylvia Plath: the Critical Heritage, edited by Wagner-Martin, Linda (Abingdon: Routledge, 1988), 213215.Google Scholar
Britzolakis, Christina. ‘Ariel and Other Poems’, in The Cambridge Companion to Sylvia Plath, edited by Gill, Jo (Cambridge: Cambridge University Press, 2006), 107–24.Google Scholar
Britzolakis, Christina ‘Conversation Amongst the Ruins: Plath and de Chirico’, in Eye Rhymes: Sylvia Plath’s Art of the Visual, edited by Connors, Kathleen and Bayley, Sally (Oxford: Oxford University Press, 2007), 167–82.Google Scholar
Bronstein, Carolyn. Battling Pornography (New York: Cambridge University Press, 2011).CrossRefGoogle Scholar
Brooks, Cleanth. The Well Wrought Urn: Studies in the Structure of Poetry (New York: Harcourt, Brace and World, 1947). SMITH.Google Scholar
Brown, Judith. Glamour in Six Dimensions (Ithaca, New York: Cornell University Press, 2009).Google Scholar
Brownmiller, Susan. Against Our Will: Men, Women and Rape (New York: Fawcett Books, 1975).Google Scholar
Brownmiller, Susan. Femininity (New York: Linden Press, 1984).Google Scholar
Bruinius, Harry. Better for All the World (New York: Vintage Books, 2007).Google Scholar
Bryant, Marsha. ‘Ariel’s Kitchen: Plath, Ladies’ Home Journal, and the Domestic Surreal’, in The Unraveling Archive: Essays on Sylvia Plath, edited by Helle, Anita (Ann Arbor: University of Michigan Press, 2007), 211–35.Google Scholar
Bryant, MarshaEveryday Ariel: Sylvia Plath and the Dream Kitchen’, in Women’s Poetry and Popular Culture (New York: Palgrave, 2011), 121–48.CrossRefGoogle Scholar
Bryant, MarshaPlath, Domesticity, and the Art of Advertising’, College Literature 39.3 (2002): 1734.Google Scholar
Bryant, Marsha ‘Queen Bees: Edith Sitwell and Sylvia Plath’, paper given at the Modernist Studies Association Conference, Brighton, United Kingdom, in August 2013.
Bryant, Marsha Women’s Poetry and Popular Culture (New York: Palgrave, 2011).CrossRefGoogle Scholar
Bundtzen, Lynda K. The Other Ariel (Amherst: University of Massachusetts Press, 2001).Google Scholar
Burt, Stephen. Close Calls with Nonsense: Reading New Poetry (Minneapolis: Graywolf Press, 2009).Google Scholar
Burt, Stephen. ‘What Is This Thing Called Lyric?’, Modern Philology: Critical and Historical Studies in Literature, Medieval Through Contemporary 13.3 (February 2016): 422–40.Google Scholar
Butscher, Edward. Sylvia Plath: Method and Madness: A Biography (Tucson: Schaffner, 2003).Google Scholar
Butscher, Edward, editor. Sylvia Plath: The Woman and the Work (New York: Dodd, Mead and Company, 1977).Google Scholar
Byrne, Sandie. ‘Poetry and Class’, in The Cambridge Companion to British Poetry, 1945–2010, edited by Larrissy, Edward (Cambridge: Cambridge University Press, 2016), 116–29.Google Scholar
Capsule Trip, Capsule Wardrobe’, Vogue (1 January 1952): 154–5.
Carmichael, Virginia. Framing History: The Rosenberg Story and the Cold War (Minneapolis: University of Minneapolis Press, 1993).Google Scholar
Cheever, Abigail. Real Phonies: Culture and Authenticity in Post-World War II America (Athens: University of Georgia Press, 2010).Google Scholar
Chesler, Phyllis. Women and Madness (New York: Harcourt Brace Jovanovich, 1972).Google Scholar
Danille Elise, Christensen. ‘Look at Us Now!: Scrapbooking, Regimes of Value, and the Risks of (Auto)Ethnography’, Journal of American Folklore 124.493 (Summer 2011): 175210.Google Scholar
Clark, Heather. The Ulster Renaissance: Poetry in Belfast 1962–1972 (Oxford: Oxford University Press, 2006).Google Scholar
Cleverdon, Douglas. ‘The History of a Radio Classic’, Radio Times (28 June 1957): 67.
Alan Ramòn, Clinton. Intuitions in Literature, Technology, and Politics: Parabilities (New York: Palgrave Macmillan, 2012).Google Scholar
Alan Ramòn, ClintonSylvia Plath and Electracy’, Iowa Journal of Cultural Studies 8 (2016): 6071. ir.uiowa.edu/ijcs/vol8/iss1/6/. Accessed 1 June 2017.Google Scholar
Cocteau, Jean. ‘Poésie de Cinema’, in The Art of Cinema, edited by Bernard, André and Gauteur, Claude, translated by Robin Buss (New York and London: Marion Boyars, 1994), 131–93.Google Scholar
Colum, Padriac. ‘Introduction’ to Joyce, James, Dubliners (New York: Random House, 1926). Smith.Google Scholar
Connolly, Joseph. Faber and Faber: Eighty Years of Book Cover Design (London: Faber and Faber, 2009).Google Scholar
Connors, Kathleen. ‘Living Color: The Interactive Arts of Sylvia Plath’, in Eye Rhymes: Sylvia Plath’s Art of the Visual, edited by Connors, Kathleen and Bayley, Sally (Oxford: Oxford University Press, 2007), 4144.Google Scholar
Connors, Kathleen ‘“Madonna (of the Refrigerator)”: Mapping Sylvia Plath’s Double in “The Babysitters” Drafts’, in Representing Sylvia Plath, edited by Bayley, Sally and Brain, Tracy (Cambridge: Cambridge University Press, 2011), 129–46.Google Scholar
Connors, KathleenVisual Art in the Life of Sylvia Plath: Mining Riches in the Lilly and Smith Archives’, in The Unraveling Archive: Essays on Sylvia Plath, edited by Helle, Anita (Ann Arbor: University of Michigan Press, 2007), 6588.Google Scholar
Connors, Kathleen, and Bayley, Sally, editors. Eye Rhymes: Sylvia Plath’s Art of the Visual (Oxford: Oxford University Press, 2007).Google Scholar
Conquest, Robert. ‘Introduction’, in New Lines: An Anthology (London: Macmillan & Co Ltd, 1957), xi-xviii.Google Scholar
Considine, Bob. It’s All News to Me: A Reporter’s Deposition (New York: Meredith Press, 1967).Google Scholar
Cooke, Rachel. ‘The Letters of Sylvia Plath, Volume I: 1940–1956 – Review’, The Guardian (15 October 2017), www.theguardian.com/books/2017/oct/15/the-letters-of-sylvia-plath-volume-one-1940-1956-review. Accessed 24 April 2019.
Coontz, Stephanie. A Strange Stirring: The Feminine Mystique and American Women at the Dawn of the 1960s (New York: Basic Books, 2011).Google Scholar
Corcoran, Neil. English Poetry since 1940 (Harlow: Longman, 1993).Google Scholar
Costello, Bonnie. ‘Effects of an Analogy: Wallace Stevens and Painting’, in Wallace Stevens: The Poetics of Modernism, edited by Gelpi, Albert (Cambridge: Cambridge University Press, 1985), 6585.Google Scholar
Cox, C. B., and Jones., A. R.After the Tranquillized Fifties: Notes on Sylvia Plath and James Baldwin’, Critical Quarterly 6.2 (Summer 1964): 107–22.CrossRefGoogle Scholar
Crowther, Gail. ‘“The Body Does Not Come Into it at All”: Material Culture of the Dead’, in These Ghostly Archives: The Unearthing of Sylvia Plath, edited by Crowther, Gail and Steinberg, Peter K. (Stroud: Fonthill Media, 2017), 113–25.Google Scholar
Crowther, Gail, and Steinberg, Peter K., editors. These Ghostly Archives: The Unearthing of Sylvia Plath (Stroud: Fonthill Media, 2017).Google Scholar
Culler, Jonathan. ‘The Lyric in Theory: A Conversation with Jonathan Culler’, Los Angeles Review of Books (May 27, 2017), lareviewofbooks.org/article/the-lyric-in-theory-a-conversation-with-jonathan-culler/#!. Accessed 26 October 2017.
Curry, Renée R. ‘White: It is a Complexion of the Mind: The Enactment of Whiteness in Sylvia Plath’s Poetry’, in White Women Writing White: H. D., Elizabeth Bishop, Sylvia Plath and Whiteness (Westport, Connecticut: Greenwood, 2000), 123–68.Google Scholar
Curry, Renée R. White Women Writing White: H. D., Elizabeth Bishop, Sylvia Plath and Whiteness (Westport, Connecticut: Greenwood Press, 2000).Google Scholar
Davidson, Michael. Guys Like Us: Citing Masculinity in Cold War Poetics (Illinois: University of Chicago Press, 2004).Google Scholar
Davie, Donald. ‘John Clare’, New Statesman (19 June 1964).
Davie, Donald Purity of Diction in English Verse [1952] (London: Routledge and Kegan Paul, 1967 [reissue]).Google Scholar
Davie, Donald ‘Reason Reversed’, New Statesman (4 May 1962).
Dobbs, Jeannine. ‘Viciousness in the Kitchen: Sylvia Plath’s Domestic Poetry’, Modern Language Studies 7.2 (Autumn 1977): 1125.CrossRefGoogle Scholar
Douglas, Mary. Purity and Danger (Abingdon: Routledge, 2015).Google Scholar
Dowbnia, Renée. ‘Consuming Appetites: Food, Sex and Freedom in Sylvia Plath’s The Bell Jar’, Women’s Studies 43.5 ( July 2014): 567–88.CrossRefGoogle Scholar
Dowson, Jane, and Entwistle, Alice. A History of Twentieth-Century British Women’s Poetry (Cambridge: Cambridge University Press, 2005).Google Scholar
Drakakis, John. ‘Introduction’, in British Radio Drama (Cambridge: Cambridge University Press, 1981), 136.Google Scholar
Drew, Elizabeth. Poetic Patterns: A Note on Versification (Northampton, Massachusetts: Kraushar Press, 1956). LILLY.Google Scholar
Drew, Elizabeth T. S. Eliot: The Design of His Poetry (New York: Scribner, 1949). SMITH.Google Scholar
Dudar, Helen. ‘The Virginia Woolf Cult’, Saturday Review (February 1982): 33–5.
Dunham, Lena. ‘Sylvia Plath: Reflections on her Legacy’, The Guardian (8 February 2013), www.theguardian.com/books/2013/feb/08/sylvia-plath-reflections-on-her-legacy. Accessed 24 April 2019.
Iris Jamahl, Dunkle. ‘Sylvia Plath’s The Bell Jar: Understanding Cultural and Historical Context in an Iconic Text’, in Critical Insights: The Bell Jar, edited by McCann, Janet (Pasadena, California: Salem Press, 2012).Google Scholar
Dyer, Geoff. But Beautiful (London: Canongate, 2012).Google Scholar
Eliot, T. S.Tradition and the Individual Talent’, in Selected Prose of T. S. Eliot, edited by Kermode, Frank (London: Faber and Faber, 1975), 3744.Google Scholar
Elliott, William Y. ‘Introduction’, in Television’s Impact on American Culture (Michigan: Michigan State University Press, 1956), 19.Google Scholar
Empson, William. Some Versions of Pastoral (London: Penguin, 1995).Google Scholar
Esty, Jed. A Shrinking Island: Modernism and National Culture in England (Princeton: Princeton University Press, 2004).Google Scholar
Faas, Ekbert. ‘Ted Hughes and Crow’ (interview with Ted Hughes), London Magazine (January 1971), reprinted in Fass, Ekbert, Ted Hughes: The Unaccommodated Universe (Santa Barbara: Black Sparrow Press, 1980), 197208.Google Scholar
Faderman, Lillian. Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America (New York: Columbia University Press, 1991).Google Scholar
Farland, Maria. ‘Sylvia Plath’s Anti-Psychiatry Movement’, Minnesota Review 5557 (Fall 2000 and Spring 2001): 256–76.Google Scholar
Farmer, Gareth. Veronica Forrest-Thomson: Poet on the Periphery (New York: Palgrave Macmillan, 2017).CrossRefGoogle Scholar
Elaine, Feinstein. Ted Hughes: The Life of a Poet (London and New York: W. W. Norton & Company, 2001).Google Scholar
Felstiner, John. Paul Celan: Poet, Survivor, Jew (New Haven: Yale University Press, 1997).Google Scholar
Fenichell, Stephen. Plastic (New York: HarperBusiness, 1996).Google Scholar
Ferretter, Luke. Sylvia Plath’s Fiction: A Critical Study (Edinburgh: Edinburgh University Press, 2013).Google Scholar
Ferretter, Luke“What Girl Ever Flourished in Such Company?” Sylvia Plath’s Religion’, The Yearbook of English Studies 39.1/2, Literature and Religion (2009): 101–13.Google Scholar
Finneran, Richard J., editor. The Collected Poems of W. B. Yeats (New York: Macmillan, 1983; 1989).Google Scholar
Fogarty, Anne. Wife Dressing: The Fine Art of Being a Well-Dressed Wife [1959] (London: V&A Publishing, 2011).Google Scholar
‘Fogarty Was Ahead of Dior’, LIFE (31 August 1953): 76.
Foote, Stephanie. ‘Deviant Classics: Pulps and the Making of Lesbian Print Culture’, Signs 31.1 (2005).CrossRefGoogle Scholar
Karen Jackson, Ford. Gender and the Poetics of Excess: Moments of Brocade (Jackson: University Press of Mississippi, 1997).Google Scholar
Forrest, Veronica. ‘My Attitudes and Beliefs’, unpublished document, The Veronica Forrest-Thomson Archive, Girton College Library, Cambridge.
Forrest-Thomson, Veronica. Letter to Paul Buck, dated 25 July 1972, The Veronica Forrest-Thomson Archive, Girton College Library, Cambridge.
Forrest-Thomson, Veronica Poetic Artifice: A Theory of Twentieth-Century Poetry [1978], edited by Farmer, Gareth (Bristol: Shearsman Books, 2016).Google Scholar
Forrest-Thomson, Veronica Review of Sylvia Plath’s Winter Trees (London: Faber and Faber, 1971), unpublished typescript, The Veronica Forrest-Thomson Archive, Girton College Library, Cambridge.Google Scholar
‘Four BWOC’, Flair (August 1950): 4952.
44lb. Travel Wardrobe for a 17-day Flying Trip’, Vogue (15 May 1952), 5861, 106–10.
Foucault, Michel. Madness and Civilization: A History of Insanity in the Age of Reason, translated by Richard Howard (New York: Pantheon Books, 1965).Google Scholar
Fournier, Bob. Trauma and the Golden Lady: The Life and Death of Sylvia Plath (Victoria, British Columbia: FreisenPress, 2016).Google Scholar
Fox, Renee C. The Sociology of Medicine: A Participant Observer’s View (New York: Prentice Hall, 1989).Google Scholar
Frayn, Michael. ‘An Uncollected Poem by Sylvia Plath’, The Independent (Saturday 8 October 1994), www.independent.co.uk/arts-entertainment/books-an-uncollected-poem-by-sylvia-plath-1441976.html. Accessed 24 April 2019.
Freud, Sigmund. The Complete Psychological Works, vol. XIV, translated by Strachey, James (London: Vintage, 2001).Google Scholar
Friedan, Betty. The Feminine Mystique (New York: W. W. Norton & Company, 2013).Google Scholar
Gallo, Marcia. ‘No Secret Anymore: Lesbian Representations in Cold War America’, OAH Magazine of History 20.2 (2006).CrossRefGoogle Scholar
Garber, Marjorie and Walkowitz, Rebecca L., editors. Secret Agents: The Rosenberg Case, McCarthyism and 1950s America (New York and London: Routledge, 1995, 2011).Google Scholar
Gardner, W. H.Introduction’ in Gerard Manley Hopkins: Poems and Prose [1953] (Harmondsworth: Penguin Books, 1984), xiii-xxxvi.Google Scholar
Genette, Gérard. Paratexts: Thresholds of Interpretation (Cambridge: Cambridge University Press, 1997).CrossRefGoogle Scholar
Gilbert, Sandra. ‘In Yeats’ House: The Death and Resurrection of Sylvia Plath’, in Critical Essays on Sylvia Plath, edited by Wagner-Martin, Linda (Boston: G. K. Hall & Co., 1984), 204–22.Google Scholar
Gilbert, SandraOn the Beach with Sylvia Plath’, in The Unraveling Archive, edited by Helle, Anita (Ann Arbor: University of Michigan Press, 2007), 121–38.Google Scholar
Gill, Jo. The Cambridge Introduction to Sylvia Plath (Cambridge: Cambridge University Press, 2008).CrossRefGoogle Scholar
Gill, Jo. ‘The Colossus and Crossing the Water’, in The Cambridge Companion to Sylvia Plath, edited by Gill, Jo (Cambridge: Cambridge University Press, 2006), 90106.CrossRefGoogle Scholar
Gill, Jo. Modern Confessional Writing: New Critical Essays (Abingdon, Oxford: Routledge, 2006).CrossRefGoogle Scholar
Gilmore, Paul. Aesthetic Materialism: Electricity and American Romanticism (Stanford: Stanford University Press, 2009).Google Scholar
Gilot, Françoise. Life with Picasso (New York: McGraw Hill, 1994).Google Scholar
Gitlin, Todd. Watching Television (New York: Pantheon, 1986).Google Scholar
Golden, Amanda. Annotating Modernism: Marginalia and Pedagogy from Virginia Woolf to the Confessional Poets (New York: Routledge, forthcoming).
Golden, Amanda. ‘Sylvia Plath’s Teaching Syllabus: A Chronology’, Plath Profiles: An Interdisciplinary Journal of Sylvia Plath Studies 2 (August 2009): 209–20, scholarworks.iu.edu/journals/index.php/plath/article/viewFile/4746/4381. Accessed 23 September 2017.Google Scholar
Graham, Jorie. Materialism (New York: Ecco Press, 1993).Google Scholar
Graham, Jorie. Overlord (New York: Ecco Press, 2006).Google Scholar
Greenberg, Clement. ‘Modernist Painting’, in The Collected Essays: Modernism with a Vengeance 1957–1969, vol. 4, edited by O’Brian, John (Chicago: University of Chicago Press, 1986), 8593.Google Scholar
Greenberg, Clement ‘Towards a New Laocoön’, in The Collected Essays and Criticism: Perceptions and Judgements 1939–1944, vol. 1, edited by O’Brian, John (Chicago: University of Chicago Press, 1986), 2337.Google Scholar
Greenlaw, Lavinia. ‘Sylvia Plath: Reflections on her Legacy’, The Guardian (8 February 2013), www.theguardian.com/books/2013/feb/08/sylvia-plath-reflections-on-her-legacy. Accessed 13 December 2017.
Grocott, Kirsty. ‘The Bell Jar’s New Cover Is Just Perfect: No Chick-Lit in Sight’, The Telegraph (7 February 2013), www.telegraph.co.uk/women/womens-life/9854783/Sylvia-Plaths-The-Bell-Jars-new-cover-is-just-perfect-no-chick-lit-in-sight.html. Accessed 24 April 2019.
Gubar, Susan. ‘Afterword: The Sister Arts of Sylvia Plath’, in Eye Rhymes: Sylvia Plath’s Art of the Visual, edited by Connors, Kathleen and Bayley, Sally (Oxford: Oxford University Press, 2007), 223–33.Google Scholar
Gutterman, Lauren Jae. ‘Another Enemy Within: Lesbian Wives, or the Hidden Threat to the Nuclear Family in Post-war America’, Gender and History 24.2 (2012).CrossRefGoogle Scholar
Hacker, Helen Mayer. ‘Women as a Minority Group’, Social Forces 30.1 (October, 1951): 60–9.CrossRefGoogle Scholar
Hagood, Amanda. ‘Wonders with the Sea: Rachel Carson’s Ecological Aesthetic and the Mid-Century Reader’, Environmental Humanities 2 (2013): 5777.CrossRefGoogle Scholar
Halliwell, Martin. American Culture in the 1950s (Edinburgh: Edinburgh University Press, 2007).Google Scholar
Hammer, Langdon. ‘Plath at War’, in Eye Rhymes: Sylvia Plath’s Art of the Visual, edited by Connors, Kathleen and Bayley, Sally (Oxford University Press, 2007), 145–57.Google Scholar
Hammer, Langdon ‘Plath’s Lives: Poetry Professionalism, and the Culture of the School’, Representations 75.1 (Summer 2001): 6188.CrossRefGoogle Scholar
Elizabeth, Hardwick. ‘On Sylvia Plath’, in Ariel Ascending: Writing about Sylvia Plath, edited by Alexander, Paul (New York and London: Harper & Row, 1985), 100–15.Google Scholar
Harris, Dianne Suzette. Little White Houses (Minneapolis: University of Minnesota Press, 2013).CrossRefGoogle Scholar
Hart, Henry. Seamus Heaney: Poet of Contrary Progressions (Syracuse, New York: Syracuse University Press, 1992).Google Scholar
Hart, HenryHistory, Myth, and Apocalypse in Seamus Heaney’s North’, Contemporary Literature 30 (Fall 1989): 387412.CrossRefGoogle Scholar
Hayman, Ronald. The Death and Life of Sylvia Plath (New York: Birch Lane Publishing Group, 1991).Google Scholar
Heaney, Seamus. The Government of the Tongue: The 1986 T. S. Eliot Memorial Lectures and Other Critical Writings (London: Faber and Faber, 1988).Google Scholar
Heaney, SeamusThe Indefatigable Hoof-taps: Sylvia Plath’, in Finders Keepers: Selected Prose 1971–2001 (London, Faber and Faber, 2002).Google Scholar
Heaney, SeamusThe Indefatigable Hoof-taps: Sylvia Plath’, in The Government of the Tongue: The 1986 T. S. Eliot Memorial Lectures and Other Critical Writings (London: Faber and Faber, 1988), 148–72.Google Scholar
Hedley, Jane. ‘Introduction: The Subject of Ekphrasis’, in In the Frame: Women’s Ekphrastic Poetry from Marianne Moore to Susan Wheeler, edited by Hedley, Nick and Spiegelman, Willard (Newark: University of Delaware Press, 2009), 1540.Google Scholar
Hedley, Jane ‘Sylvia Plath’s Ekphrastic Impulse’, in ‘I Made You to Find Me’: The Coming of Age of the Woman Poet and the Politics of Poetic Address (Columbus: Ohio State University Press, 2009), 71102.Google Scholar
Helfand, Jessica. Scrapbooks: An American History (New Haven: Yale University Press, 2008).Google Scholar
Heffernan, James. Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery (Chicago: University of Chicago Press, 1993).Google Scholar
Helle, Anita. ‘Reading the Paratexts of Sylvia Plath’s Unabridged Journals’, Plath Profiles 3 (2010): 94106.Google Scholar
Hemmerle, Cheryl A. ‘That Still, Blue, Almost Eternal Hour: Touching the Sacred and the Profane in Sylvia Plath’s Last Poems’, in Critical Insights: Sylvia Plath, edited by Buckley, William K. (Ipswich, Massachusetts: Salem Press, 2013), 273–95.Google Scholar
‘Heyday – and Evening – Of the Knitted Dress’, Vogue (15 October 1955): 128.
Hibbett, Ryan. ‘The Hughes/Larkin Phenomenon: Poetic Authenticity in Postwar English Poetry’, Contemporary Literature 49.1 (Spring 2008): 111–40.CrossRefGoogle Scholar
Highet, Gilbert. The Art of Teaching (New York: Vintage Books, 1954). LILLYGoogle Scholar
hoogland, renée c. ‘(Sub)textual Configurations: Sexual Ambivalences in Plath’s, Sylvia The Bell Jar’, in Critical Insights: the Bell Jar, edited by McCann, Janet (Ipswich, Massachusetts: Salem Press, 2012), 280304.Google Scholar
Hobsbaum, Philip. ‘The Group: An Experiment in Criticism’, The Yearbook of English Studies 17 (1987, British Poetry since 1945 Special Number): 7588.Google Scholar
Hobsbaum, Philip and Lucie-Smith, Edward, editors. A Group Anthology (London: Oxford University Press, 1963).Google Scholar
Horowitz, Roger. Putting Meat on the American Table (Baltimore: Johns Hopkins University Press, 2006).Google Scholar
Richard, Howard. ‘Sylvia Plath: “And I Have No Face, I Have Wanted to Efface Myself”’, in The Art of Sylvia Plath: A Symposium, edited by Newman, Charles (London: Faber and Faber, 1970), 7788.Google Scholar
Howe, Irving. ‘The Plath Celebration: A Partial Dissent’, in Sylvia Plath: The Woman and the Work, edited by Butscher, Edward (New York: Dodd, Mead & Company, 1977), 224–35.Google Scholar
Hughes, Ted, and Weissbort, Daniel. ‘Editors’ Note’, Modern Poetry in Translation 1 (1965): 1.Google Scholar
Huk, Romana. ‘Eccentric Concentrism: Traditional Poetic Forms and Refracted Discourse in Stevie Smith’s Poetry’, Contemporary Literature 34.2 (1993): 240–65.CrossRefGoogle Scholar
Hurewitz, Daniel. Stepping Out: Nine Walks Through NYC’s Gay and Lesbian Past (New York: Henry Holt & Company, 1997).Google Scholar
Innes, Sherrie. The Lesbian Menace: Ideology, Identity, and Representation of the Lesbian Life (Amherst: University of Massachusetts Press, 1997).Google Scholar
‘In Velvet …’. Vogue (15 August 1950): 126–7.CrossRef
Jackson, Virginia. ‘Lyric’, in The Princeton Encyclopedia of Poetry and Poetics, 4th edition (Princeton: Princeton University Press, 2012), 826–34.Google Scholar
Kay Redfield, Jamison. Robert Lowell, Setting the River on Fire: A Story of Genius, Mania, and Character (New York: Knopf, 2017).Google Scholar
Jinghua, Fan. ‘Sylvia Plath’s Visual Poetics’, in Eye Rhymes: Sylvia Plath’s Art of the Visual, edited by Connors, Kathleen and Bayley, Sally (Oxford: Oxford University Press, 2007), 205–22.Google Scholar
Jong, Erica. ‘Letters Focus Exquisite Rage of Sylvia Plath’, The Los Angeles Times (23 November 1975).
Jordison, Sam. ‘Don’t Judge The Bell Jar by Its Cover’, The Guardian (1 February 2013), www.theguardian.com/books/booksblog/2013/feb/01/the-bell-jar-cover. Accessed 24 April 2019.
Carl Gustav, Jung. The Archetypes and the Collective Unconscious (Collected Works of C. G. Jung), vol. 9, translated and edited by Adler, Gerhard and Hull, R. F. C. (Princeton: Princeton University Press, 1981).Google Scholar
Kandinsky, Wassily. Concerning the Spiritual in Art, translated by Sadler, M. T. H. (New York: Dover Publications, 1977).Google Scholar
Katriel, Tamar, and Farrell, Thomas. ‘Scrapbooks as Cultural Texts: An American Art of Memory’, Text and Performance Quarterly 11.1 (1991): 117.CrossRefGoogle Scholar
Kavaler-Adler, Susan. The Compulsion to Create: Women Writers and Their Demon Lovers (London: Routledge, 1993).Google Scholar
Keating, Patrick. ‘Film Noir and the Culture of Electric Light’, Film History 27 (2015): 5884.CrossRefGoogle Scholar
Keats, John. The Crack in the Picture Window (New York: Ballantine, 1956).Google Scholar
Kellner, Charles H.Electroconvulsive Therapy (ECT) in Literature: Sylvia Plath’s The Bell Jar’, Progress in Brain Research 206 (2013).CrossRefGoogle ScholarPubMed
Kendall, Tim. Sylvia Plath: A Critical Study (London: Faber and Faber, 2001).Google Scholar
Keniston, Ann. ‘The Holocaust Again: Sylvia Plath, Belatedness, and the Limits of Lyric Figure’, in The Unravelling Archive: Essays on Sylvia Plath, edited by Helle, Anita (Ann Arbor: University of Michigan Press, 2007), 139–58.Google Scholar
Kennedy, Elizabeth. ‘“But We Would Never Talk About It”: The Structures of Lesbian Discretion in South Dakota, 1928–1933’ in Inventing Lesbian Cultures in America, edited by Lewin, Ellen (Boston: Beacon Press, 1996).Google Scholar
Kenner, Hugh. Dublin’s Joyce (London: Chatto & Windus, 1955).Google Scholar
Kirchwey, Karl. ‘Women Look at Women: Prophecy and Retrospect in Six Ekphrastic Poems’, in In the Frame: Women’s Ekphrastic Poetry from Marianne Moore to Susan Wheeler, edited by Hedley, Jane, Halpern, Nick and Spiegelman, Willard (Newark: University of Delaware Press, 2009), 93106.Google Scholar
Kirk, Connie Ann. Sylvia Plath: A Biography (London: Greenwood Press, 2004).Google Scholar
Kirk, Connie Ann Sylvia Plath: A Biography (New York: Prometheus Books, 2009).Google Scholar
Klein, Viola. ‘The Stereotype of Femininity’, Social Issues 6.3 (Summer 1950): 312.CrossRefGoogle Scholar
Kneeland, Timothy, and Warren, Carol A. B.. Pushbutton Psychiatry: A History of Electroshock in America, 2nd edition (Walnut Creek, California: Left Coast Press, 2003).Google Scholar
Knickerbocker, Scott. Ecopoetics (Amherst: University of Massachusetts Press, 2012).Google Scholar
Krauss, Rosalind. ‘Grids’, October 9 (Summer 1979): 5164.CrossRefGoogle Scholar
Kroll, Judith. Chapters in a Mythology (New York: Harper & Row, 1976).Google Scholar
Kühl, Stefan. For the Betterment of the Race (Basingstoke: Palgrave Macmillan, 2013).CrossRefGoogle Scholar
Kukil, Karen V. ‘The Hot Steamy Drench of the Day: Plath on Poetry’, Cathedral of St John the Divine, in Conjunction with the Induction of Sylvia Plath to Poets’ Corner, 4 November 2010. Lecture transcript.
Laing, R. D. The Divided Self (London: Tavistock Publications, 1960).Google Scholar
La Rocca, David, editor. Estimating Emerson: An Anthology of Criticism from Carlyle to Cavell (New York and London: Bloomsbury, 2013).Google Scholar
Lawrence, D. H. The Complete Poems (London: Heinemann, 1957). 825P696 L. SMITH.Google Scholar
Lazaro, David E.Beautiful Clothes: Violet Angotti, Twentieth-Century Dress Designer’, in Dress: The Journal of the Costume Society of America 37.1 (2011): 3956.CrossRefGoogle Scholar
Locke, Richard. ‘The Last Word: Beside The Bell Jar’, The New York Times (20 June 1971), www.nytimes.com/books/98/03/01/home/plath-last.html. Accessed 24 December 2017.
Lee, Hermione. Biography: A Very Short Introduction (Oxford: Oxford University Press, 2009).CrossRefGoogle Scholar
Lehmann-Haupt, Christopher. ‘Elizabeth Hardwick, Writer, Dies at 91’, The New York Times (4 December 2007): A29.
Leighton, Angela. On Form: Poetry, Aestheticism and the Legacy of a Word (Oxford: Oxford University Press, 2007).Google Scholar
Leonard, Garry M.“The Woman Is Perfected. Her Dead Body Wears the Smile of Accomplishment”: Sylvia Plath and Mademoiselle Magazine’, College Literature 19.2 (1992): 6082.Google Scholar
Levine, Jay Arnold. ‘The Status of the Verse Epistle before Pope’, Studies in Philology 59.4 (October 1962): 658–84.Google Scholar
Lieberman, Elias. Paved Streets (Boston: Cornhill, 1917).Google Scholar
Lieberman, Jennifer. Electricity in American Life and Letters, 1882–1952 (Cambridge: The MIT Press, 2017).CrossRefGoogle Scholar
Lipsitz, George. Class and Culture in Cold War America (New York: Praeger, 1981).Google Scholar
Littauer, Amanda H.“Someone to Love”: Teen Girls’ Same-Sex Desire in the 1950s United States’ in Creating a Place for Ourselves: Lesbian, Gay and Bisexual Community Histories, edited by Beemyn, Brett (New York: Routledge, 1997).Google Scholar
Lowell, Robert. ‘Foreword’ to Sylvia Plath, Ariel (New York: Harper & Row, 1966), viiix.Google Scholar
Lucas, John. ‘Value and Validity in Contemporary Poetry’, in Unity in Diversity Revisited? British Literature and Culture in the 1990s, edited by Korte, Barbara and Mϋller, Klaus Peter (Tϋbingen: Gunter Narr Verlag, 1998), 249–62.Google Scholar
Lysol advertisement, American Home (May 1942): 35.
MacKay, Anne, editor. Wolf Girls at Vassar: Lesbian and Gay Experiences 1930–1990, (New York: St. Martin’s Press, 1993).Google Scholar
Macpherson, Pat. Reflecting on The Bell Jar (London and New York: Routledge, 1991).Google Scholar
Malcolm, Janet. The Silent Woman: Sylvia Plath and Ted Hughes (New York: Knopf, 1993).Google Scholar
Marcus, Amit. ‘A Contextual View of Narrative Fiction in the First Person Plural’, Narrative 16.1 (January 2008): 4664.CrossRefGoogle Scholar
Marcus, Eric. Making History: The Struggle for Gay and Lesbian Equal Rights, 1945–1990 – An Oral History (New York: HarperCollins, 1992).Google Scholar
Marcus, Sharon. ‘Fighting Bodies, Fighting Words: A Theory and Politics of Rape Prevention’, in Feminists Theorize the Political, edited by Butler, Judith and Scott, Joan Wallach (New York: Routledge, 1992), 385403.Google Scholar
Marren, Peter. The New Naturalists (London: HarperCollins, 2005).Google Scholar
Marthinsen, Leah. ‘Purity’, in Theories of Media: Glossary (University of Chicago, 2004), lucian.uchicago.edu/blogs/mediatheory/keywords/purity/. Accessed 26 April 2019.Google Scholar
Mathers, Madelyn. ‘Memo from the Guest Editor’, Mademoiselle (August 1953): 52–4.
May, Elaine Tyler. Homeward Bound: American Families in the Cold War Era (New York: Basic Books, 1988).Google Scholar
May, William. Stevie Smith and Authorship (Oxford: Oxford University Press, 2010).CrossRefGoogle Scholar
Meyershon, Rolf B. ‘Social Research in Television’, in Mass Culture: The Popular Arts in America, edited by Rosenberg, Bernard and Manning White, David (New York: The Free Press, 1957).Google Scholar
McClintock, Anne. Imperial Leather: Race, Gender, and Sexuality in the Colonial Contest (Abingdon: Routledge, 1995).Google Scholar
McCullough, Frances. ‘Anyone Who Remembers’, letter to the Atlantic Monthly (August 1976).
McGuire, Danielle L. At the Dark End of the Street: Black Women, Rape, and Resistance—A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power (New York: Vintage Books, 2010).Google Scholar
McKenna, Rollie. ‘Sylvia Plath’, 1959. National Portrait Gallery, www.npg.org.uk/collections/search/portrait/mw209018/Sylvia-Plath. Accessed 18 November 2017.
Middlebrook, Diane. ‘The Poetry of Sylvia Plath and Ted Hughes: Call and Response’, in The Cambridge Companion to Sylvia Plath, edited by Gill, Jo (Cambridge: Cambridge University Press, 2006), 156–71.Google Scholar
Middlebrook, Diane Her Husband: Hughes and Plath—A Marriage (New York: Viking, 2003).Google Scholar
Milbank, Caroline. New York Fashion: The Evolution of American Style (New York: Harry Abrams, 1989).Google Scholar
Mildorf, Jarmila. ‘Studying Writings in the Second Person: A Response to Joshua Parker’, Connotations 23.1 (January 2013): 6378.Google Scholar
Miller, Ellen. ‘Sylvia Plath and White Ignorance: Race and Gender in “The Arrival of the Bee Box”’, Janus Head: Journal of Interdisciplinary Studies, Literature, Continental Philosophy, Phenomenological Psychology and the Arts 10.1 (2007): 137–56.Google Scholar
Miller, Meredith. ‘Secret Agents and Public Victims: The Implied Lesbian Reader’, Journal of Popular Culture 35. 1 (2001).CrossRefGoogle Scholar
Miller, Neil. Out of the Past: Gay and Lesbian History from 1869 to the Present (London: Vintage, 1995).Google Scholar
Millett, Kate. Sexual Politics (New York: Ballantine Books, 1988).Google Scholar
Mirabella, Angelina. ‘The Other Point of View: A Debut Novelist Takes a Chance and Finds her Voice’, Publishers Weekly (12 January 2015): 64.
‘Missing Smith Girl Worried’ (Anon.). The Boston Post (26 August 1953): 1, 13.
Mitchell, Christine M.The Rhetoric of Celebrity Cookbooks’, Journal of Popular Culture 43.3 (June 2010): 524–39.CrossRefGoogle Scholar
Mitchell, Kaye. ‘Who is She? Identities, Intertextuality and Authority in Non-Fiction Lesbian Pulp of the 1950s’, in Queer 1950s: Rethinking Sexuality in the Postwar Years, edited by Bauer, Heike and Cook, Matt (Basingstoke: Palgrave Macmillan, 2012).Google Scholar
‘Mlle’s Last Word on: College, ’53’, Mademoiselle (August 1953): 235.
Mohdin, Aamna. ‘Women Are Horribly Under-Represented in the World’s Top Literary Awards’, Quartz (17 November 2016), qz.com/838175/the-national-book-award-and-other-top-literary-prizes-seriously-under-represent-women/. Accessed 19 December 2017.
‘More Taste Than Money’, Vogue (15 February 1950): 7689.
Morrison, Blake. The Movement: English Poetry and Fiction of the 1950s (Oxford: Oxford University Press, 1980).Google Scholar
Morrissette, Bruce. ‘Narrative “You” in Contemporary Literature’, Comparative Literature Studies 2.1 (1965): 1–24, www.jstor.org/stable/40245692. Accessed 28 May 2017.Google Scholar
Mortenson, Erik. ‘What the Shadows Know: The Crime-Fighting Hero the Shadow and His Haunting of Late-1950s Literature’, American Studies 54.4 (2016): 99117.CrossRefGoogle Scholar
Mossberg, Barbara Antonina Clarke. ‘Sylvia Plath’s Baby Book’, in Coming to Light: American Women Poets in the Twentieth Century, edited by Ward Middlebrook, Diane and Yalom, Marilyn (Ann Arbor: University of Michigan Press, 1985), 182–94.Google Scholar
Mulvey, Laura. ‘Visual Pleasure and Narrative Cinema’, in Visual and Other Pleasures (Bloomington and Indianapolis: Indiana University Press, 1989), 1426.CrossRefGoogle Scholar
Myers, Lucas. Crow Steered Bergs Appeared: A Memoir of Ted Hughes and Sylvia Plath (Sewanee, Tennessee: Proctor’s Hall Press, 2001).Google Scholar
Mynors, Roger, editor. P. Vergili Maronis Opera (Oxford: Oxford University Press, 1969).Google Scholar
Nadel, Alan. Containment Culture: American Narratives, Postmodernism and the Atomic Age (Durham, North Carolina: Duke University Press, 1995).CrossRefGoogle Scholar
Nelson, Deborah. ‘Plath, History and Politics’, in The Cambridge Companion to Sylvia Plath, edited by Gill, Jo (Cambridge: Cambridge University Press, 2006), 2135.CrossRefGoogle Scholar
Nelson, Deborah Pursuing Privacy in Cold War America (New York: Columbia University Press, 2002).Google Scholar
Nelson, Maggie. The Art of Cruelty (New York: W. W. Norton & Company, 2011).Google Scholar
de Nervaux-Gavoty, Laure. ‘Coming to Terms with Colour: Plath’s Visual Aesthetic’, in Representing Sylvia Plath, edited by Bayley, Sally and Brain, Tracy (Cambridge: Cambridge University Press, 2011), 110–28.Google Scholar
‘The New Charm of Red – Disarming’, Vogue (1 November 1957): 132–3.
Newman, Charles. ‘Candor is the Only Wile: The Art of Sylvia Plath’, in The Art of Sylvia Plath: A Symposium, edited by Newman, Charles (London: Faber and Faber, 1970), 2155.Google Scholar
Newman, Charles, editor. The Art of Sylvia Plath: A Symposium (London: Faber and Faber, 1970).Google Scholar
Newton, Esther. ‘The “Fun Gay Ladies”: Lesbians in Cherry Grove, 1936-1960’ in Creating a Place for Ourselves: Lesbian, Gay and Bisexual Community Histories edited by Beemyn, Brett (New York: Routledge, 1997).Google Scholar
Nicolson, Nigel. ‘Introduction’, in The Letters of Virginia Woolf, Volume II: 1912–1922, edited by Nicolson, Nigel and Trautmann, Joanne (London: Harcourt Brace Jovanovich, 1978), xiii-xxiv.Google Scholar
Oates, Joyce Carol. ‘Adventures in Abandonment’, The New York Times (28 August 1988): BR3.
Oates, Joyce Carol ‘The Death Throes of Romanticism: The Poems of Sylvia Plath’, Southern Review IX (July 1973): 501–22.Google Scholar
Frank, O’Connor. ‘The Lonely Voice’, in Short Story Theories, edited by May, Charles E. (Columbia: Ohio State University Press, 1976).Google Scholar
Ooms, Julie. ‘“I’m Willing to Let you Know Me If You’ll Do the Same”: Sylvia Plath’s Redemption of Bill the Veteran in “Brief Encounter”’, Plath Profiles 7 (2014): 3340.Google Scholar
Oram, Richard W. ‘Introduction’, in Collecting, Curating, and Researching Writers’ Libraries: A Handbook, edited by Oram, Richard W. and Nicholson, Joseph (Lanham, Maryland: Rowman & Littlefield, 2014).Google Scholar
Paltieli, Guy. ‘Solitude de son Propre Coeur: Tocqueville and the Transformation of Democratic Solitude’, The Tocqueville Review 37.1, 1 (2016): 183206.Google Scholar
Park Hong, Cathy. ‘Whiteness and the Avant Garde’, Lana Turner 7, arcade.stanford.edu/content/delusions-whiteness-avant-garde. Accessed 26 April 2019.Google Scholar
Parker, Joshua. ‘In Their Own Words: On Writing in the Second Person’, Connotations 21.2–3 (2011/2012): 165–76.Google Scholar
Patterson, Christina. ‘Sharon Olds: Blood Sweat and Fears’, The Independent (27 October 2006), www.independent.co.uk/arts-entertainment/books/features/sharon-olds-blood-sweat-and-fears-421691.html. Accessed 12 December 2017.
‘Peasant Clothes’, LIFE (17 July 1944): 88–9.
Paulu, Burton. British Broadcasting: Radio and Television in the United Kingdom (Minneapolis: University of Minnesota Press, 1956).Google Scholar
Peel, Robin. Writing Back: Sylvia Plath and Cold War Politics (Madison: Fairleigh Dickinson University Press, 2002).Google Scholar
Pelt, April. ‘Esther’s Sartorial Selves: Fashioning a Feminine Identity in The Bell Jar, Plath Profiles 8 (2015): 1324.Google Scholar
Penn, Donna. ‘The Meanings of Lesbianism in Post-War America’, Gender and History 3.2 (1991).CrossRefGoogle Scholar
Perloff, Marjorie. ‘Icon of the Fifties’, Parnassus 1213 (1985): 282–5.Google Scholar
Phillips, Claude. Titian (New York: Parkstone Press, 2008).Google Scholar
Pollak, Vivian R.Moore, Plath, Hughes, and “The Literary Life”’, American Literary History, 17.1 (2005): 95117.CrossRefGoogle Scholar
Pope, Ged. Reading London’s Suburbs: From Charles Dickens to Zadie Smith (London: Palgrave Macmillan, 2015).CrossRefGoogle Scholar
Pritchard, William H. ‘An Interesting Minor Poet?’ New Republic (30 December 1981): 32–5.
Quinn, Sister Bernetta, O. S. F. ‘The Artist as Armored Animal: Marianne Moore, Randall Jarrell’, Modern American Poetry, www.modernamericanpoetry.org/creator/sister-bernetta-quinn. Accessed 25 September 2017.
Ramazani, Jahan. Poetry of Mourning: The Modern Elegy from Hardy to Heaney (Chicago and London: University of Chicago Press, 1994).Google Scholar
‘Red-Black-White’, Flair (August 1950): 3743.
Redmond, John. ‘The Influence of Sylvia Plath on Seamus Heaney’, in Poetry and Privacy: Questioning Public Interpretations of Contemporary British and Irish Poetry (Bridgend: Seren, 2013), 111–29.Google Scholar
Rees-Jones, Deryn. Consorting with Angels: Essays on Modern Women Poets (Northumberland: Bloodaxe, 2005).Google Scholar
Rich, Adrienne. What Is Found There: Notebooks on Poetry and Politics (New York: W. W. Norton & Company, 1993).Google Scholar
Robertson, Nan. ‘To Sylvia Plath’s Mother, New Play Contains Words of Love’, The New York Times (9 October 1979), movies2.nytimes.com/books/98/03/01/home/plath-mother.html. Accessed 26 April 2019.
Rollyson, Carl. American Isis: The Life and Art of Sylvia Plath (New York: St. Martin’s Press, 2013).Google Scholar
Rollyson, Carl American Isis: The Life and Art of Sylvia Plath (New York: Picador, 2014).Google Scholar
Rombauer, Irma S., and Becker, Marion Rombauer. Joy of Cooking (New York: New American Library, 1964 edition).Google Scholar
Romer, A. S. Man and the Vertebrates: 1 (Harmondsworth: Penguin, 1954).Google Scholar
Rose, Jacqueline. The Haunting of Sylvia Plath (Cambridge: Harvard University Press, 1992).Google Scholar
Rosenbaum, Susan. Professing Sincerity: Modern Lyric Poetry, Commercial Culture, and the Crisis in Reading (Charlottesville and London: University of Virginia Press, 2007).Google Scholar
Rosenberg, Ethel, and Rosenberg, Julius. The Rosenberg Letters (London: Dennis Dobson, 1953).Google Scholar
Rosenberg, Ethel, and Rosenberg, Julius Death House Letters of Ethel and Julius Rosenberg (New York: Jero, 1953).Google Scholar
Rosenstein, Harriet. ‘To the Most Wonderful Mummy … A Girl Ever Had’, Ms. (December 1975): 45–9.
Rosenthal, M. L. The New Poets: American and British Poetry Since World War II (New York: Oxford University Press, 1967).Google Scholar
Rylands, Philip. ‘Palma Vecchio’s “Assumption of the Virgin”’, The Burlington Magazine, 119 (April 1977): 244–50.Google Scholar
Sagar, Keith. The Laughter of Foxes: A Study of Ted Hughes, 2nd edition (Liverpool: Liverpool University Press, 2006).CrossRefGoogle Scholar
Saldívar, Toni. ‘“Gleaning the Unsaid Off the Palpable”: Seamus Heaney’s Response to Sylvia Plath’, Plath Profiles: An Interdisciplinary Journal for Sylvia Plath Studies [S.l.] 2 (June 2009): 3554. scholarworks.iu.edu/journals/index.php/plath/article/view/4725/4360%3E. Accessed 13 December 2017.Google Scholar
Saldívar, Toni Sylvia Plath: Confessing the Fictive Self (New York: Peter Lang, 1992).Google Scholar
Sampson, Fiona. Chapter One, ‘The Plain Dealers’, in Beyond the Lyric (London: Chatto & Windus, 2012), 1235.Google Scholar
Sampson, Fiona ‘Ted Hughes’s Literary Legacy’, in Ted Hughes in Context, edited by Gifford, Terry (Cambridge: Cambridge University Press, 2018), 3342.CrossRefGoogle Scholar
Sanday, Peggy Reeves. A Woman Scorned: Acquaintance Rape on Trial (New York: Doubleday, 1996).Google Scholar
Scheerer, Constance. ‘The Deathly Paradise of Sylvia Plath’, The Antioch Review 34.4 (Summer 1976): 469–80.Google Scholar
Scholes, Robert. ‘Esther Came Back Like a Retreaded Tire’, New York Times Books (11 April 1971): 7.
Schott, Webster. ‘The Cult of Plath’, Washington Post Book World (1 October 1972): 3.
Schulze, Robin G. The Degenerate Muse (Oxford: Oxford University Press, 2013).CrossRefGoogle Scholar
Scigaj, Leonard. ‘The Painterly Plath that Nobody Knows’, The Centennial Review, 32.3 (1988): 220–49.Google Scholar
Scott, J. D. ‘In the Movement’, The Spectator (1 October 1954): 399400.
Seajay, Carole. ‘Essay: Pulp and Circumstance’, The Women’s Review of Books, 23.1 (2006).Google Scholar
Sedgwick, Eve Kosofsky. Epistemology of the Closet (Berkeley: University of California Press, 1990).Google Scholar
Sehgal, Parul. ‘Sylvia Plath’s Letters Reveal a Writer Split in Two’, New York Times Books (10 October 2017), www.nytimes.com/2017/10/10/books/review-sylvia-plath-letters-volume-one.html. Accessed 24 April 2019.
Showalter, Elaine. ‘Sunny Sylvia’, Literary Review (November 2017), literaryreview.co.uk/sunny-sylvia.
Skea, Ann. ‘Ted Hughes: The Wound’, transcript of the interview with Ted Hughes from the Adelaide Festival, reproduced by permission of Radio National and the ABC (Australia); transcribed by Ann Skea. March 1976. ann.skea.com/ABC2AF.htm. Accessed 24 April 2019.
Smith, Caroline J. ‘“The Feeding of Young Women”: Sylvia Plath’s The Bell Jar, Mademoiselle Magazine, and the Domestic Ideal’, College Literature, 37.4 (2010): 122.CrossRefGoogle Scholar
Smith, Patricia Juliana. Lesbian Panic: Homoeroticism in Modern British Women’s Fiction (New York: Columbia University Press, 1997).Google Scholar
Sontag, Susan. Reborn: Early Diaries 1947–1963, edited by Reiff, David (London: Hamish Hamilton, 2009).Google Scholar
Sontag, Susan Styles of Radical Will (London: Penguin, 2009).Google Scholar
Spalding, Frances. Stevie Smith: A Critical Biography (London: Faber and Faber, 1988).Google Scholar
‘Spanish Styles’, LIFE (21 August 1950): 5761.CrossRef
Spicer, Andrew, and Hanson, Helen, editors. A Companion to Film Noir (New York: Wiley-Blackwell, 2013).CrossRefGoogle Scholar
Spigel, Lynn. Make Room for TV: Television and the Family Ideal in Postwar America (Chicago: University of Chicago Press, 2004).Google Scholar
Spigel, Lynn. Welcome to the Dreamhouse: Popular Media and Postwar Suburbs (Durham and London: Duke University Press, 2001).CrossRefGoogle Scholar
Stanley, Liz. ‘The Death of the Letter? Epistolary Intent, Letterness and the Many Ends of Letter-Writing’, Cultural Sociology 9.2 (2015): 240–55.CrossRefGoogle Scholar
Steele, Valerie. Fifty Years of Fashion: New Look to Now (New Haven, Connecticut and London: Yale University Press, 1997).Google Scholar
Steinberg, Peter K. ‘Translations of Sylvia Plath’, A Celebration This Is. sylviaplath.info. www.sylviaplath.info/worksnonenglish.html. Accessed 24 April 2019.
Steinberg, Peter K.“What’s Been Happening in a Lot of American Poetry”: Sylvia Plath as Editor and Reviewer’, in These Ghostly Archives: The Unearthing of Sylvia Plath, edited by Crowther, Gail and Steinberg, Peter K. (Stroud: Fonthill Media, 2017), 127–43.Google Scholar
George, Steiner. ‘Dying is an Art’, in Language and Silence: Essays 1958–1966 (London: Faber and Faber, 1967), 324–31.Google Scholar
Stern, Barbara B.Who Talks Advertising? Literary Theory and Narrative “Point of View”’, Journal of Advertising 20.3 (September 1991): 922.CrossRefGoogle Scholar
Stern, Frederick C.F. O. Matthiessen: Christian Socialist as Critic (Chapel Hill: University of North Carolina Press, 1981).Google Scholar
Sternlicht, Sanford. ‘Introduction’ in In Search of Stevie Smith (Syracuse: Syracuse University Press, 1991).Google Scholar
Stevenson, Anne, Bitter Fame: A Life of Sylvia Plath (Boston: Houghton Mifflin, 1989).Google Scholar
Stevenson, Anne Bitter Fame: A Life of Sylvia Plath (London: Penguin, 1989).Google Scholar
Stevenson, Anne Bitter Fame: A Life of Sylvia Plath (London: Penguin, 1990).Google Scholar
Streitmatter, Rodger. Unspeakable: The Rise of the Gay and Lesbian Press in America (London: Faber and Faber, 1995).Google Scholar
St John, De Crèvecoeur, J. Hector. ‘From Letter III. What is an American’, in The Norton Anthology of American Literature, Volume A, edited by Baym, Nina (New York: W. W. Norton & Company, 2011), 657–67.Google Scholar
‘Summer Fashion on a Tricolour Basis: Red White Black’, Vogue (1 June 1957): 114–19.
‘Sylvia Plath Tours the Stores and Forecasts May Week Fashions’, Varsity (26 May 1956): 67.
Tansley, Arthur G. ‘The Use and Abuse of Vegetational Concepts and Terms’ (1935) in The Philosophy of Ecology: From Science to Synthesis, edited by Keller, David R. and Golley, Frank B. (Athens: University of Georgia Press, 2000), 5570.Google Scholar
Tarrant, Richard, editor. P. Ovidi Nasonis Metamorphoses (Oxford: Oxford University Press, 2004).Google Scholar
Temple, Emily. ‘A Fifty-Year Visual History of Plath’s The Bell Jar’, The Atlantic (16 January 2013), www.theatlantic.com/entertainment/archive/2013/01/a-50-year-visual-history-of-sylvia-plaths-the-bell-jar/267227/. Accessed 24 April 2019.
Thomas, Carolyn de la Peña. The Body Electric: How Strange Machines Built the Modern American (New York and London: New York University Press, 2003).Google Scholar
Trautmann Banks, Joanne. ‘Introduction’ in Congenial Spirits: The Selected Letters of Virginia Woolf (London: The Hogarth Press, 1989), vii-xiv.Google Scholar
Travisano, Thomas. Midcentury Quartet: Bishop, Lowell, Jarrell, Berryman, and the Making of a Postmodern Aesthetic (Charlottesville and London: University of Virginia Press, 1999).Google Scholar
Tuite, Rebecca. Seven Sisters Style: The All-American Preppy Look (New York: Rizzoli, 2014).Google Scholar
Ulmer, Gregory. Internet Invention: From Literacy to Electracy (New York: Longman, 2003).Google Scholar
Van Dyne, Susan R. Revising Life: Sylvia Plath’s ‘Ariel’ Poems (Chapel Hill: University of North Caroline Press, 1993).Google Scholar
Vendler, Helen. ‘The Contest of Melodrama and Restraint: Sylvia Plath’s Ariel’ in Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill (Princeton: Princeton University Press, 2010), 4769.CrossRefGoogle Scholar
Vendler, Helen Seamus Heaney (Cambridge, Massachusetts: Harvard University Press, 2000).Google Scholar
Wagner, Erica. Ariel’s Gift (London: Faber and Faber, 2000).Google Scholar
Wagner, Erica ‘The Many Selves of Sylvia Plath: The Poet’s Early Letters Show a Writer in Training’, New Statesman (6 October 2017), www.newstatesman.com/culture/books/2017/10/many-selves-sylvia-plath-poet-s-early-letters-show-writer-training. Accessed 24 April 2019.
Wagner-Martin, Linda. The Bell Jar: A Novel of the Fifties (New York: Macmillan, 1992).Google Scholar
Wagner-Martin, LindaPlath and Contemporary American Poetry’, in The Cambridge Companion to Sylvia Plath, edited by Gill, Jo (Cambridge: Cambridge University Press, 2006), 5262.CrossRefGoogle Scholar
Wagner-Martin, Linda Sylvia Plath: A Biography (New York, Simon & Schuster, 1987; London, Chatto & Windus, 1988).Google Scholar
Wagner-Martin, Linda, editor. Critical Essays on Sylvia Plath (Boston: G. K. Hall & Co., 1984).Google Scholar
Wagner-Martin, Linda Sylvia Plath: The Critical Heritage (London and New York: Routledge, 1988).Google Scholar
Warnock, Mary, et. al. ‘Participation Rates: Now We Are 50’, The Times Higher Education Supplement (25 July 2013), www.timeshighereducation.com/features/participation-rates-now-we-are-50/2005873.article. Accessed 12 December 2017.
Waugh, Patricia. ‘1963, London: The Myth of the Artist and the Woman Writer’, in The Edinburgh Companion to Twentieth Century Literatures in English, edited by McHale, Brian and Stevenson, Randall (Edinburgh: Edinburgh University Press, 2006), 173–85.Google Scholar
Webb, Ruth. ‘Ekphrasis Ancient and Modern: The Invention of a Genre’, Word and Image: A Journal of Verbal/Visual Enquiry 15.1 (1999): 718.CrossRefGoogle Scholar
Wertham, Fredric. Seduction of the Innocent (New York: Rinehart, 1953).Google Scholar
White, Gillian. Lyric Shame: The ‘Lyric’ Subject of Contemporary American Poetry (Cambridge, Massachusetts: Harvard University Press, 2014).CrossRefGoogle Scholar
‘Who Won Vogue’s 1955 Prix de Paris’, Vogue (1 August 1955): 142.
Wilson, Andrew. Mad Girl’s Love Song: Sylvia Plath and Life Before Ted (New York: Scribner, 2013).Google Scholar
Wilson, Andrew Mad Girl’s Love Song: Sylvia Plath and Life Before Ted (London: Simon & Schuster, 2013).Google Scholar
Wilson, Edmund. Axel’s Castle: A Study in the Imaginative Literature of 1870–1930 (New York: Charles Scribner’s Sons, 1950). SMITH.Google Scholar
Wimsatt, W. K. The Verbal Icon: Studies in the Meaning of Poetry (Kentucky: University of Kentucky Press, 1954).Google Scholar
Winder, Elizabeth. ‘On Sylvia Plath’s Food and Body Issues’, interviewed by Jean Fain, Huffington Post (27 March 2013, updated 6 December 2017). www.huffingtonpost.com/jean-fain-licsw-msw/sylvia-plath_b_2944939.html. Accessed 24 April 2019.
Winder, Elizabeth Pain, Parties, Work: Sylvia Plath in New York, Summer 1953 (New York: Harper, 2013).Google Scholar
Worster, Donald, Nature’s Economy: A History of Ecological Ideas [1977] (Cambridge: Cambridge University Press, 1985).Google Scholar
Wrigley, Amanda. ‘Dylan Thomas’ Under Milk Wood, “a Play for Voices” on Radio, Stage and Television’, Critical Studies in Television 9.3 (2014): 7788.CrossRefGoogle Scholar
Yohannan, Kohle. Claire McCardell: Redefining Modernism (New York: Harry N. Abrams, 1998).Google Scholar
Zimring, Carl A. Clean and White (New York: New York University Press, 2017).Google Scholar