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Book contents

The Year’s Contributions To Shakespeare Studies

Published online by Cambridge University Press:  18 September 2019

Emma Smith
Affiliation:
University of Oxford
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Shakespeare Survey 72 , pp. 339 - 381
Publisher: Cambridge University Press
Print publication year: 2019

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References

Works Reviewed

Akhimie, Patricia, Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World (London, 2018)CrossRefGoogle Scholar
Barton, Anne, The Shakespearean Forest (Cambridge, 2018)Google Scholar
Clegg, Cyndia Susan, Shakespeare’s Reading Audiences: Early Modern Books and Audience Interpretation (Cambridge, 2018)Google Scholar
Corcoran, Neil, Reading Shakespeare’s Soliloquies: Text, Theatre, Film (London, 2018)CrossRefGoogle Scholar
Fulton, Thomas, and Poole, Kristen, The Bible on the Shakespearean Stage: Cultures of Interpretation in Reformation England (Cambridge, 2018)CrossRefGoogle Scholar
Gamboa, Brett, Shakespeare’s Double Plays: Dramatic Economy on the Early Modern Stage (Cambridge, 2018)CrossRefGoogle Scholar
Maxwell, Julie, and Rumbold, Kate, Shakespeare and Quotation (Cambridge, 2018)CrossRefGoogle Scholar
McEachern, Claire, Believing in Shakespeare: Studies in Longing (Cambridge, 2018)CrossRefGoogle Scholar
Parker, Patricia, Shakespearean Intersections: Language, Contexts, Critical Keywords (Philadelphia, PA, 2018)CrossRefGoogle Scholar
Rutter, Tom, Shakespeare and the Admiral’s Men: Reading Across Repertories on the London Stage, 1594–1600 (Cambridge, 2018)Google Scholar
Salkeld, Duncan, Shakespeare and London (Oxford, 2018)Google Scholar
Schalkwyk, David, Shakespeare, Love and Language (Cambridge, 2018)CrossRefGoogle Scholar
Shohet, Lauren, ed., Temporality, Genre, and Experience in the Age of Shakespeare: Forms of Time (London, 2018)Google Scholar
Sokol, B. J., Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in his Plays and Poems (London, 2018)Google Scholar
Stanivukovic, Goran, ed., Queer Shakespeare: Desire and Sexuality (London, 2018)Google Scholar

Works Reviewed

Aebischer, Pascale, Greenhalgh, Susanne and Osborne, Laurie E., eds., Shakespeare and the ‘Live’ Theatre Broadcast (London, 2018)Google Scholar
Bennett, Susan, and Massai, Sonia, eds., Ivo Van Hove: From Shakespeare to David Bowie (London, 2018)CrossRefGoogle Scholar
Bulman, James C., ed., The Oxford Handbook of Shakespeare and Performance (Oxford, 2018)Google Scholar
Croall, Jonathan, Performing Hamlet: Actors in the Modern Age (London, 2018)CrossRefGoogle Scholar
Goy-Blanquet, Dominique, Shakespeare in the Theatre: Patrice Chéreau (London, 2018)Google Scholar
Joseph, Paterson, Julius Caesar and Me: Exploring Shakespeare’s African Play (London, 2018)CrossRefGoogle Scholar
Knapp, Jeffrey, Pleasing Everyone: Mass Entertainment in Renaissance London and Golden-Age Hollywood (New York, 2017)CrossRefGoogle Scholar
Oliver, Emily, Shakespeare and German Reunification: The Interface of Politics and Performance (Oxford, 2017)CrossRefGoogle Scholar
Rawnsley, Ciara, and White, Robert, eds., The New Fortune Theatre: That Vast Open Stage (Crawley, Western Australia, 2018)Google Scholar
Rosenthal, Daniel, ed., Dramatic Exchanges: The Lives and Letters of the National Theatre (London, 2018)Google Scholar
Shaughnessy, Robert, Shakespeare in the Theatre: The National Theatre, 1963–1975: Olivier and Hall (London, 2018)CrossRefGoogle Scholar
Shaughnessy, Robert, Shakespeare in Performance: As You Like It (Manchester, 2018)Google Scholar
Sher, Antony, Year of the Mad King: The Lear Diaries (London, 2018)Google Scholar
Thompson, Ayanna, ‘RawnsleyShakespeare in the Theatre: Peter Sellars (London, 2018)Google Scholar
Tosh, Will, Playing Indoors: Staging Early Modern Drama in the Sam Wanamaker Playhouse (London, 2018)Google Scholar
White, R. S., Shakespeare’s Cinema of Love: A Study in Genre and Influence (Manchester, 2016)Google Scholar
Woodhouse, Adrian, Shakespeare by McBean (Manchester, 2018)Google Scholar

Works Reviewed

Ash, C. K., Pérez Díez, José A. and Smith, Emma, eds., Reanimating Playbooks: Editing for Performance, Performance for Editing, special issue of Shakespeare Bulletin 34 (2016), 1127CrossRef
Bate, Jonathan, ed., Titus Andronicus, rev. edn (London, 2018)Google Scholar
Depledge, Emma, Shakespeare’s Rise to Cultural Prominence: Politics, Print and Alteration, 1640–1700 (Cambridge, 2018)CrossRefGoogle Scholar
Ioppolo, Grace, ed., A Midsummer Night’s Dream (New York, 2018)Google Scholar
Kamaralli, Anna, ed., Much Ado About Nothing (London, 2018)Google Scholar
Lander, Jesse M., and Tobin, J. J. M., eds., King John (London, 2018)Google Scholar
Mahood, M. M., ed., The Merchant of Venice, 3rd edn (Cambridge, 2018)Google Scholar
McMullan, Gordon, ed., Romeo and Juliet (New York, 2017)Google Scholar
Menzer, Paul, ed., Romeo and Juliet (London, 2017)Google Scholar
Pechter, Edward, ed., Othello, 2nd edn (New York, 2017)Google Scholar
Prescott, Paul, ed., Othello (London, 2018)Google Scholar
Rokison-Woodall, Abigail, ed., Hamlet (London, 2017)Google Scholar
Rokison-Woodall, Abigail, ed., A Midsummer Night’s Dream (London, 2017)Google Scholar
Salzman, Paul, Editors Construct the Renaissance Canon, 1825–1915 (Basingstoke, 2018)CrossRefGoogle Scholar
Sanders, Norman, ed., Othello, 3rd edn (Cambridge, 2018)Google Scholar
Werstine, Paul, ed., special issue of Shakespeare Quarterly 68. 1 (2017), 192CrossRef

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