Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- ‘Think when we talk of horses … ’
- In Dialogue with Ayanna Thompson
- Shakespeare and the Novel: A Conversation
- ‘Music Still’: Understanding and Reconstructing Shakespeare’s Use of Musical Underscore
- Remembering and Forgetting in 1916: Israel Gollancz, the Shakespeare Tercentenary and the National Theatre
- Four Centuries of Centenaries: Stratford-upon-Avon
- Writing and Re-writing Shakespeare’s Life: A Roundtable Discussion with Margreta de Grazia, Katherine Scheil, James Shapiro and Stanley Wells
- The Merchant in Venice: Re-creating Shakespeare in the Ghetto
- Shakespeare’s The Merchant of Venice in and beyond the Ghetto
- What the Quills Can Tell: The Case of John Fletcher and Philip Massinger’s Love’s Cure
- What if Greg and Werstine Had Examined Early Modern Spanish Dramatic Manuscripts?
- Exit Manuscripts: The Archive of Theatre and the Archive of Print
- ‘’Sblood!’: Hamlet’s Oaths and the Editing of Shakespeare’s Plays
- Antihonorificabilitudinitatibus: Love’s Labour’s Lost and Unteachable Words
- Shakespeare and Who? Aeschylus, Edward III and Thomas Kyd
- Authorial Attribution and Shakespearean Variety: Genre, Form and Chronology
- ‘My mother’s maids, when they did sew and spin’: Staging Sewing, Telling Tales
- Why Prospero Drowned His Books, and Other Catholic Folklore
- Why Did the English Stage Take Boys for Actresses?
- Acting Amiss: Towards a History of Actorly Craft and Playhouse Judgement
- ‘What imports this song?’: Spontaneous Singers and Spaces of Meaning in Shakespeare
- Shakespeare’s Depriving Particles
- Shakespeare’s Comedy of Upright Status: Standing Bears and Fallen Humans
- ‘Worth the name of a Christian’?: The Parabolic Economy of The Two Gentlemen of Verona
- ‘Titus, unkind’: Shakespeare’s Revision of Virgil’s Aeneas in Titus Andronicus
- ‘Cut him out in little stars’: Juliet’s Cute Classicism
- The Will of Caesar: Choice-making, the Death of the Roman Republic and the Development of Shakespearean Character
- ‘As for that light hobby-horse, my sister’: Shakespearean Influences and Popular Discourses in Blurt Master Constable
- Messianic Ugliness in A Midsummer Night’s Dream and The Winter’s Tale
- Shakespeare Performances in England, 2016
- Professional Shakespeare Productions in the British Isles, January–December 2015
- The Year’s Contribution to Shakespeare Studies
- Abstracts of Articles in Shakespeare Survey 70
- Shakespeare Survey 70 Index
- References
Shakespeare Survey
Published online by Cambridge University Press: 30 November 2017
Edited by
Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- ‘Think when we talk of horses … ’
- In Dialogue with Ayanna Thompson
- Shakespeare and the Novel: A Conversation
- ‘Music Still’: Understanding and Reconstructing Shakespeare’s Use of Musical Underscore
- Remembering and Forgetting in 1916: Israel Gollancz, the Shakespeare Tercentenary and the National Theatre
- Four Centuries of Centenaries: Stratford-upon-Avon
- Writing and Re-writing Shakespeare’s Life: A Roundtable Discussion with Margreta de Grazia, Katherine Scheil, James Shapiro and Stanley Wells
- The Merchant in Venice: Re-creating Shakespeare in the Ghetto
- Shakespeare’s The Merchant of Venice in and beyond the Ghetto
- What the Quills Can Tell: The Case of John Fletcher and Philip Massinger’s Love’s Cure
- What if Greg and Werstine Had Examined Early Modern Spanish Dramatic Manuscripts?
- Exit Manuscripts: The Archive of Theatre and the Archive of Print
- ‘’Sblood!’: Hamlet’s Oaths and the Editing of Shakespeare’s Plays
- Antihonorificabilitudinitatibus: Love’s Labour’s Lost and Unteachable Words
- Shakespeare and Who? Aeschylus, Edward III and Thomas Kyd
- Authorial Attribution and Shakespearean Variety: Genre, Form and Chronology
- ‘My mother’s maids, when they did sew and spin’: Staging Sewing, Telling Tales
- Why Prospero Drowned His Books, and Other Catholic Folklore
- Why Did the English Stage Take Boys for Actresses?
- Acting Amiss: Towards a History of Actorly Craft and Playhouse Judgement
- ‘What imports this song?’: Spontaneous Singers and Spaces of Meaning in Shakespeare
- Shakespeare’s Depriving Particles
- Shakespeare’s Comedy of Upright Status: Standing Bears and Fallen Humans
- ‘Worth the name of a Christian’?: The Parabolic Economy of The Two Gentlemen of Verona
- ‘Titus, unkind’: Shakespeare’s Revision of Virgil’s Aeneas in Titus Andronicus
- ‘Cut him out in little stars’: Juliet’s Cute Classicism
- The Will of Caesar: Choice-making, the Death of the Roman Republic and the Development of Shakespearean Character
- ‘As for that light hobby-horse, my sister’: Shakespearean Influences and Popular Discourses in Blurt Master Constable
- Messianic Ugliness in A Midsummer Night’s Dream and The Winter’s Tale
- Shakespeare Performances in England, 2016
- Professional Shakespeare Productions in the British Isles, January–December 2015
- The Year’s Contribution to Shakespeare Studies
- Abstracts of Articles in Shakespeare Survey 70
- Shakespeare Survey 70 Index
- References
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- Shakespeare Survey 70Creating Shakespeare, pp. iiPublisher: Cambridge University PressPrint publication year: 2017
References
Shakespeare and his Stage
Shakespearian Production
The Man and the Writer
Interpretation
Textual Criticism
The Histories
Style and Language
The Comedies
Hamlet
The Roman Plays
The Last Plays (with an index to Surveys 1–10)
The Elizabethan Theatre
King Lear
Shakespeare and his Contemporaries
The Poems and Music
Shakespeare in the Modern World
Shakespeare in his Own Age
Shakespeare Then Till Now
Macbeth
Shakespearian and Other Tragedy
Othello (with an index to Surveys 11–20)
Aspects of Shakespearian Comedy
Shakespeare’s Language
Shakespeare: Theatre Poet
Shakespeare’s Problem Plays
Shakespeare’s Jacobean Tragedies
Shakespeare’s Early Tragedies
Shakespeare and the Ideas of his Time
Shakespeare’s Last Plays
Henry IV to Hamlet
Shakespeare and the Classical World (with an index to Surveys 21–30)
The Middle Comedies
King Lear
Characterization in Shakespeare
Shakespeare in the Nineteenth Century
Shakespeare in the Twentieth Century
Shakespeare’s Earlier Comedies
Shakespeare and History
Shakespeare on Film and Television
Current Approaches to Shakespeare through Language, Text and Theatre
Shakespearian Stages and Staging (with an index to Surveys 31–40)
Shakespeare and the Elizabethans
The Tempest and After
Shakespeare and Politics
Hamlet and its Afterlife
Shakespeare and Sexuality
Playing Places for Shakespeare
Shakespeare and Cultural Exchange
Romeo and Juliet and its Afterlife
Shakespeare and Language
Shakespeare in the Eighteenth Century (with an index to Surveys 41–50)
Shakespeare and the Globe
Shakespeare and Narrative
Shakespeare and Religions
King Lear and its Afterlife
Shakespeare and Comedy
Macbeth and its Afterlife
Writing About Shakespeare
Editing Shakespeare
Theatres for Shakespeare
Shakespeare, Sound and Screen
Close Encounters with Shakespeare’s Text
Shakespeare’s English Histories and their Afterlives
Shakespeare as Cultural Catalyst
A Midsummer Night’s Dream
Working with Shakespeare
Shakespeare’s Collaborative Work
Shakespeare, Origins and Originality
Shakespeare and Rome
Creating Shakespeare