Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-l7hp2 Total loading time: 0 Render date: 2024-12-02T14:14:35.396Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  27 July 2021

Juliet Shields
Affiliation:
University of Washington
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Scottish Women's Writing in the Long Nineteenth Century
The Romance of Everyday Life
, pp. 187 - 198
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Aaron, Jane. “Taking Sides: Power-Play on the Welsh Border in Early Twentieth-Century Women’s Writing.” In Gendering Border Studies. Ed. Aaron, Jane, Altink, Henrice, and Weedon, Chris. Cardiff: University of Wales Press, 2010. 127–41.Google Scholar
Alker, Sharon. “The Business of Romance: Mary Brunton and the Virtue of Commerce.” European Romantic Review 13 (2002): 199205.Google Scholar
Anderson, Benedict. Imagined Communities: Reflections on the Origins and Spread of Nationalism. Revised ed. London: Verso, 1991.Google Scholar
Anderson, Carol. “Tales of Her Own Countries: Violet Jacob.” In A History of Scottish Women’s Writing. Ed. Gifford, Douglas and McMillan, Dorothy. Edinburgh: Edinburgh University Press, 1997. 347–59.Google Scholar
Anderson, James, and O’Dowd, Liam. “Imperialism and Nationalism: The Home Rule Struggle and Border Creation in Ireland, 1885–1925.” Political Geography 26 (2007): 934–50.CrossRefGoogle Scholar
Anon. “A Little Chat about Mrs. Oliphant,” Blackwood’s Edinburgh Magazine 133.807 (Jan. 1883): 7391.Google Scholar
Anon. “Mrs. Oliphant.” Obituary. The Athenaeum 3636 (July 3, 1897): 35–6.Google Scholar
Anon. “Mrs. Oliphant.” Obituary. Blackwood’s Edinburgh Magazine 162 (July 1897): 161–64.Google Scholar
Ardis, Anne. New Woman, New Novels: Feminism and Early Modernism. New Brunswick, NJ: Rutgers University Press, 1990.CrossRefGoogle Scholar
Armstrong, Nancy. Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford University Press, 1987.Google Scholar
Arnold, Matthew. On the Study of Celtic Literature and on Translating Homer. New York: Macmillan, 1906.Google Scholar
Auyoung, Elaine. When Fiction Feels Real: Representation and the Reading Mind. New York: Oxford University Press, 2018.Google Scholar
Bagehot, Walter. “The Waverley Novels.” National Review 6 (April 1858): 444–72.Google Scholar
Barringer, Tim. Reading the Pre-Raphaelites. Revised ed. New Haven, CT: Yale University Press, 2012.Google Scholar
Bauer, Helen Pike. “Reconstructing the Colonial Woman: Gender, Race, and the Memsahib in Flora Annie Steel’s On the Face of the Waters.” Nineteenth-Century Feminisms 6 (2002): 7486.Google Scholar
Beddoe, Deirdre. Back to Home and Duty: Women between the Wars, 1914–1939. London: Pandora, 1989.Google Scholar
Beetham, Margaret. A Magazine of Her Own? Domesticity and Desire in the Woman’s Magazine, 1800–1914. London: Routledge, 1996.Google Scholar
Berry, Christopher J. Social Theory of the Scottish Enlightenment. Edinburgh: Edinburgh University Press, 1997.Google Scholar
Bingham, Caroline. Review of Flemington. Times Literary Supplement 4784 (Dec. 9, 1994): 22.Google Scholar
Blair, Emily. Virginia Woolf and the Nineteenth-Century Domestic Novel. Albany: State University of New York Press, 2007.Google Scholar
Blair, Kirstie. Working Verse in Victorian Scotland: Poetry, Press, Community. Oxford: Oxford University Press, 2019.Google Scholar
Bourdieu, Pierre. The Field of Cultural Production: Essays on Art and Literature. Ed. Johnson, Randal. New York: Columbia University Press, 1993.Google Scholar
Bowden, Martha F. Descendants of Waverley: Romancing History in Contemporary Historical Fiction. Lewisburg, PA: Bucknell University Press, 2016.Google Scholar
Brake, Laurel. Print in Transition, 1850–1910: Studies in Media and Book History. Houndsmills, Basingstoke: Palgrave, 2001.Google Scholar
Brown, Callum G. Religion and Society in Scotland since 1707. Edinburgh: Edinburgh University Press, 1997.Google Scholar
Brown, Callum G., and Stephenson, J. D.. “Sprouting Wings? Women and Religion in Scotland, c. 1890–1950.” In Out of Bounds: Women in Scotland in the Nineteenth and Twentieth Centuries. Ed. Breitenbach, E. and Gordon, E.. Edinburgh: Edinburgh University Press, 1992. 95120.Google Scholar
Brunton, Mary. Discipline. London: Pandora, 1986.Google Scholar
Brunton, Mary. Emmeline, with some other pieces by Mary Brunton, to which is prefixed a memoir of her life including some extracts from her correspondence. Edinburgh: Manners and Miller, 1819.Google Scholar
Buchan, Anna. Unforgettable, Unforgotten. London: Hodder and Stoughton, 1945.Google Scholar
Burton, Antoinette. Burdens of History: British Feminists, Indian Women, and Imperial Culture, 1865–1915. Chapel Hill: University of North Carolina Press, 1994.Google Scholar
Caird, Mona. The Daughters of Danaus. New York: Feminist Press, 1989.Google Scholar
Caird, Mona. “Marriage.” The Westminster Review 130.1 (1888): 186201.Google Scholar
Calder, Jenni. “Figures in a Landscape: Scott, Stevenson and Routes to the Past.” In Robert Louis Stevenson: Writer of Boundaries. Ed. Ambrosini, Richard and Drury, Richard. Madison: University of Wisconsin Press, 2006. 121–32.Google Scholar
Campbell, Donna. “American Literary Naturalism: Critical Perspectives.” Literature Compass 8 (2011): 499513.Google Scholar
Campbell, Ian. Kailyard. Edinburgh: Ramsay Head 1981.Google Scholar
Carlyle, Thomas. “Biography.” Fraser’s Magazine. 27.5 (April 1832): 253–60.Google Scholar
Carlyle, Thomas. “Memoirs of the Life of Scott.” Westminster Review. 6.2 (Jan. 1838): 293345.Google Scholar
Carlyle, Thomas. Sartor Resartus. Ed. McSweeney, Kerry and Sabor, Peter. Oxford: Oxford University Press, 2008.Google Scholar
Carruthers, Gerard, Goldie, David, and Renfrew, Alastair. “Introduction.” In Scotland and the 19th-Century World. Ed. Carruthers, Gerard, Goldie, David, and Renfrew, Alastair. Amsterdam: Rodopi, 2012. 1520.Google Scholar
Carswell, Catherine. The Camomile. London: Virago, 1987.Google Scholar
Carswell, Catherine. Lying Awake: An Unfinished Autobiography and Other Posthumous Papers. Ed. Carswell, John. Edinburgh: Canongate, 1997.Google Scholar
Carswell, Catherine. Open the Door! London: Virago, 1986.Google Scholar
Caserio, Robert L.Imperial Romance.” In The Cambridge History of the English Novel. Ed. Caserio, Robert L. and Hawes, Clement. Cambridge: Cambridge University Press, 2012. 517–32.CrossRefGoogle Scholar
Çelikkol, Ayşe. Romances of Free Trade: British Literature, Laissez-Faire, and the Global Nineteenth Century. Oxford: Oxford University Press, 2011.Google Scholar
Chrisman, Laura. Rereading the Imperial Romance: British Imperialism and South African Resistance in Haggard, Schreiner, and Plaatje. Oxford: Oxford University Press, 2000.Google Scholar
Coghill, Mrs. Harry, ed. Autobiography and Letters of Mrs. Margaret Oliphant. Introduction by Q. D. Leavis. Leicester: Leicester University Press, 1974.Google Scholar
Cohen, Monica. “Maximizing Oliphant: Begging the Question and the Politics of Satire.” In Victorian Women Writers and the Woman Question. Ed. Thompson, Nicola Diane. New York: Cambridge University Press, 1999. 99115.Google Scholar
Cohen, Monica. Professional Domesticity in the Victorian Novel: Women, Work, and Home. Cambridge: Cambridge University Press, 1998.CrossRefGoogle Scholar
Colby, Vinetta, and Colby, Robert A.. The Equivocal Virtue: Mrs. Oliphant and the Victorian Literary Marketplace. Hamden, CT: Archon Books, 1966.Google Scholar
Colby, Vinetta, and Colby, Robert A.. “Mrs. Oliphant’s Scotland: The Romance of Reality.” In Nineteenth-Century Scottish Fiction. Ed. Campbell, Ian. New York: Barnes & Noble, 1979. 89104.Google Scholar
Craig, Cairns. The Modern Scottish Novel: Narrative and the National Imagination. Edinburgh: Edinburgh University Press, 1999.Google Scholar
Craig, Cairns. Muriel Spark, Existentialism and the Art of Death. Edinburgh: Edinburgh University Press, 2019.Google Scholar
Crawford, Robert. Scotland’s Books: A History of Scottish Literature. Oxford: Oxford University Press, 2009.Google Scholar
D’Albertis, Deirdre. “The Domestic Drone: Margaret Oliphant and a Political History of the Novel.” SEL 37 (1997): 805–29.Google Scholar
Darlow, T. H. William Robertson Nicoll: Life and Letters. London: Hodder and Stoughton, 1925.Google Scholar
Dickson, Beth. “Annie S. Swan and O. Douglas: Legacies of the Kailyard.” In A History of Scottish Women’s Writing. Ed. Gifford, Douglas and McMillan, Dorothy. Edinburgh: Edinburgh University Press, 1997. 329–46.Google Scholar
Donaldson, William. Popular Literature in Victorian Scotland: Language, Fiction and the Press. Aberdeen: Aberdeen University Press, 1986.Google Scholar
Douglas, O. [Anna Buchan] The Day of Small Things. London: Thomas Nelson, 1933.Google Scholar
Douglas, O. [Anna Buchan] Eliza for Common. London: Thomas Nelson, 1930.Google Scholar
Douglas, O. [Anna Buchan] Penny Plain. London: Hodder and Stoughton, 1920.Google Scholar
Douglas, O. [Anna Buchan] Pink Sugar. London: Thomas Nelson, 1926.Google Scholar
Douglas, O. [Anna Buchan] The Proper Place. London: Hodder and Stoughton, 1926.Google Scholar
Duncan, Ian. Modern Romance and Transformations of the Novel: The Gothic, Scott, Dickens. Cambridge: Cambridge University Press, 1992.Google Scholar
Duncan, Ian. Scott’s Shadow: The Novel in Romantic Edinburgh. Princeton, NJ: Princeton University Press, 2007.Google Scholar
Dunnigan, Sarah M.The Hawk and the Dove: Religion, Desire and Aesthetics in Open the Door!” In Opening the Doors: The Achievement of Catherine Carswell. Ed. Anderson, Carol. Edinburgh: Ramsay Head Press, 2001. 93108.Google Scholar
Easley, Alexis. First Person Anonymous: Women Writers and Victorian Print Media. Aldershot: Ashgate, 2004.Google Scholar
Elliott, Dorice. The Angel Out of the House: Philanthropy and Gender in Nineteenth-Century England. Charlottesville: University of Virginia Press, 2002.Google Scholar
Emerson, Ralph Waldo. Essays. London: Fraser, 1841.Google Scholar
Ferris, Ina. The Achievement of Literary Authority: Gender, History, and the Waverley Novels. Ithaca, NY: Cornell University Press, 1992.Google Scholar
Findlater, Jane. The Green Graves of Balgowrie. London: Methuen, 1896.Google Scholar
Findlater, Jane, and Findlater, Mary. Crossriggs. London: Virago, 1986.Google Scholar
Findlater, Jane, and Findlater, Mary. Penny Monypenny. London: Thomas Nelson, 1918.Google Scholar
Findlater, Mary. The Rose of Joy. London: Methuen, 1903.Google Scholar
Forrester, Wendy. Anna Buchan and O. Douglas. London: Maitland Press, 1995.Google Scholar
Foster, Shirley, and Simon, Judy. What Katy Read: Feminist Re-readings of “Classic” Stories for Girls. Ames: University of Iowa Press, 1995.Google Scholar
Fraser, Hilary, Green, Stephanie, and Johnston, Judith. Gender and the Victorian Periodical. Cambridge: Cambridge University Press, 2003.Google Scholar
Galperin, William. The History of Missed Opportunities: British Romanticism and the Emergence of the Everyday. Stanford, CA: Stanford University Press, 2017.Google Scholar
Gifford, Douglas. “Introduction.” In The History of Scottish Literature, vol. 3: The Nineteenth Century. Ed. Gifford, Douglas. Aberdeen: Aberdeen University Press, 1988. 112.Google Scholar
Gifford, Douglas. “Preparing for the Renaissance: Revaluing Nineteenth-Century Scottish Literature.” Scotland and the 19th-Century World. Ed. Carruthers, Gerard, Goldie, David, and Renfrew, Alastair. Amsterdam: Rodopi, 2012. 2135.Google Scholar
Gilbert, Sandra, and Gubar, Susan. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New ed. New Haven, CT: Yale University Press, 2000.Google Scholar
Greiner, Rae. Sympathetic Realism in Nineteenth-Century British Fiction. Baltimore, MD: Johns Hopkins University Press, 2012.Google Scholar
Harris, Beth. “Introduction.” In Famine and Fashion: Needlewomen in the Nineteenth Century. Ed. Harris, Beth. Burlington, VT: Ashgate, 2005. 110.Google Scholar
Harsh, Constance D.Gissing’s The Unclassed and the Perils of Naturalism.” ELH 59.4 (1992): 911–38.Google Scholar
Harvie, Christopher. “Industry, Religion and the State of Scotland.” In The History of Scottish Literature, vol. 3: The Nineteenth Century. Ed. Gifford, Douglas. Aberdeen: Aberdeen University Press, 1988. 2341.Google Scholar
Hayden, John O.Introduction.” In Scott: The Critical Heritage. Ed. Hayden, John O.. London: Routledge & Kegan Paul, 1970. 123.Google Scholar
Heilmann, Ann. New Woman Strategies: Sarah Grand, Olive Schreiner, Mona Caird. Manchester: Manchester University Press, 2004.Google Scholar
Hendry, Joy. “Twentieth-Century Women’s Writing: The Nest of Singing Birds.” In The History of Scottish Literature. Vol. 4. Ed. Craig, Cairns. Aberdeen: Aberdeen University Press, 1987. 291308.Google Scholar
Homans, Margaret. Royal Representations: Queen Victoria and British Culture, 1837–1866. Chicago: University of Chicago Press, 1998.Google Scholar
Hughes, Linda K., and Lund, Michael. The Victorian Serial. Charlottesville: University of Virginia Press, 1991.Google Scholar
Humble, Nicola. The Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemianism. Oxford: Oxford University Press, 2002.Google Scholar
Jacob, Violet. Diaries and Letters from India, 1895–1900. Ed. Anderson, Carol. Edinburgh: Canongate, 1990.Google Scholar
Jacob, Violet. The History of Aythan Waring. New York: Dutton, 1908.Google Scholar
Jacob, Violet. Irresolute Catherine. London: John Murray, 1908.Google Scholar
Jacob, Violet. The Sheepstealers. London: Heinneman, 1902.Google Scholar
James, Henry. Review of Essays on Fiction, by Nassau Senior. North American Review 99 (Oct. 1864): 580–8.Google Scholar
Jameson, Fredric. The Antinomies of Realism. London: Verso, 2013.Google Scholar
Jamie, Kathleen. “Lissen Back Everything.” The Clearing. Sept. 4, 2019. www.littletoller.co.uk/the-clearing/lissen-by-kathleen-jamie/.Google Scholar
Jay, Elisabeth, ed. The Autobiography of Margaret Oliphant. Peterborough, Ont.: Broadview, 2002.Google Scholar
Jay, Elisabeth. Mrs Oliphant: “A Fiction to Herself.” A Literary Life. Oxford: Clarendon, 1995.Google Scholar
Jeffrey, Francis. Review of Tales of My Landlord. Edinburgh Review 28.55 (Mar. 1817): 193260.Google Scholar
Jones, Susan. “Into the Twentieth Century: Imperial Romance from Haggard to Buchan.” In A Companion to Romance from Classical to Contemporary. Ed. Saunders, Corinne. Malden, MA: Blackwell, 2004.Google Scholar
Keating, Peter. The Haunted Study: A Social History of the English Novel 1875–1914. London: Secker & Warburg, 1989.Google Scholar
Keddie, Henrietta. Three Generations: The Story of a Middle-Class Scottish Family. London: John Murray, 1911.Google Scholar
Kelly, Stuart. Scott-land: The Man who Invented a Nation. Edinburgh: Polygon, 2010.Google Scholar
Kerrigan, John. Archipelagic English: Literature, History, and Politics 1603–1707. Oxford: Oxford University Press, 2008.Google Scholar
Knowles, Thomas D. Ideology, Art and Commerce: Aspects of Literary Sociology in the Late Victorian Scottish Kailyard. Göteborg: Göteborg University, 1983.Google Scholar
Kouidis, Virginia M.Emersonian True Romance and the Woman Novelist.” North Dakota Quarterly 60.4 (1992): 84104.Google Scholar
Krueger, Kate. “The Woman at Home in the World: Annie Swan’s Lady Doctor and the Problem of the Fin de Siècle Working Woman.” Victorian Periodicals Review 50.3 (2017): 517–33.CrossRefGoogle Scholar
Lang, Andrew. “Realism and Romance.” Contemporary Review 52 (Nov. 1887): 683–93.Google Scholar
Langbauer, Laurie. Novels of Everyday Life: The Series in English Fiction, 1850–1930. Ithaca, NY: Cornell University Press, 1999.Google Scholar
Langland, Elizabeth. Nobody’s Angels: Middle-Class Women and Domestic Ideology in Victorian Culture. Ithaca, NY: Cornell University Press, 1995.Google Scholar
Law, Graham. Serializing Fiction in the Victorian Press. Houndsmills: Palgrave Macmillan, 2000.Google Scholar
Ledger, Sally. The New Woman: Fiction and Feminism at the Fin de Siècle. Manchester: Manchester University Press, 1997.Google Scholar
Lefebvre, Henri. Everyday Life in the Modern World. Trans. Sacha Rabinovitch. Introduction by Philip Wander. New Brunswick, NJ: Transaction Publishers, 1990.Google Scholar
Levine, George. “Reading Margaret Oliphant.” Journal of Victorian Culture 19.2 (2014): 232–46.Google Scholar
Levine, George. Realism, Ethics and Secularism: Essays on Victorian Literature and Science. Cambridge: Cambridge University Press, 2008.Google Scholar
Light, Alison. Forever England: Femininity, Literature, and Conservatism between the Wars. London: Routledge, 1991.Google Scholar
Lockhart, John Gibson. The Life of Sir Walter Scott. London: J. M. Dent, 1912.Google Scholar
Losano, Antonia. The Woman Painter in Victorian Literature. Columbus: Ohio State University Press, 2008.Google Scholar
Lukács, Georg. The Historical Novel. Trans. Hannah and Stanley Mitchell. Boston: Beacon Press, 1963.Google Scholar
Lyall, David [Annie S. Swan]. David Lyall’s Love Story. London: Hodder and Stoughton, 1897.Google Scholar
Lyall, David [Annie S. Swan]. Flowers o’ the Forest. London: Hodder and Stoughton, 1900.Google Scholar
Lynch, Deidre Shauna. Loving Literature: A Cultural History. Chicago: University of Chicago Press, 2015.Google Scholar
MacDiarmid, Hugh. “The Scott Centenary.” In Modernism and Nationalism: Literature and Society in Scotland 1918–1939. Ed. McCulloch, Margery Palmer. Glasgow: Association for Scottish Literary Studies, 2004. 125–6.Google Scholar
MacDiarmid, Hugh. “Violet Jacob.” In Contemporary Scottish Studies. Ed. Riach, Alan. Manchester: Carcanet, 1995. 2734.Google Scholar
MacDonald, Leslie Orr. A Unique and Glorious Mission: Women and Presbyterianism in Scotland, 1830–1930. Edinburgh: John McDonald, 2000.Google Scholar
Mackenzie, Eileen. The Findlater Sisters: Literature and Friendship. London: John Murray, 1964.Google Scholar
Marshall, Rosalind K. Virgins and Viragos: A History of Women in Scotland from 1080 to 1980. London: Collins, 1983.Google Scholar
Maxwell, Cheryl. “‘I’d rather be a girl … because I like boys best’: Building the Sexual Self in Open the Door!” In Opening the Doors: The Achievement of Catherine Carswell. Ed. Anderson, Carol. Edinburgh: Ramsay Head Press, 2001. 109–23.Google Scholar
McAleavey, Maia. The Bigamy Plot: Sensation and Convention in the Victorian Novel. Cambridge: Cambridge University Press, 2015.Google Scholar
McAleer, Joseph. Popular Reading and Publishing 1914–50. Oxford: Oxford University Press, 1992.Google Scholar
McCulloch, Margery Palmer. Scottish Modernism and Its Contexts, 1918–1959: Literature, National Identity and Cultural Exchange. Edinburgh: Edinburgh University Press, 2009.Google Scholar
McCulloch, Margery Palmer. “Testing the Boundaries in Life and Literature: Catherine Carswell and Rebecca West.” In Scottish and International Modernisms: Relationships and Reconfigurations. Ed. Dymock, Emma and McCulloch, Margery Palmer. Glasgow: Association for Scottish Literary Studies, 2011. 148–60.Google Scholar
McMillan, Margaret. Women of the Raj. London: Thames and Hudson, 1988.Google Scholar
Mitchell, Jerome. Scott, Chaucer, and Medieval Romance: A Study in Sir Walter Scott’s Indebtedness to the Middle Ages. Lexington: University Press of Kentucky, 1987.Google Scholar
Michie, Elsie B.History after Waterloo: Margaret Oliphant Reads Walter Scott.” ELH 80.3 (2013): 897916.Google Scholar
Michie, Elsie B. The Vulgar Question of Money: Heiresses, Materialism, and the Novel of Manners from Jane Austen to Henry James. Baltimore, MD: Johns Hopkins University Press, 2011.Google Scholar
Muir, Edwin. Scott and Scotland: The Predicament of the Scottish Writer. Introduction by Allan Massie. Edinburgh: Polygon, 1982.Google Scholar
Muir, Willa. “Mrs. Grundy in Scotland.” In Imagined Selves. Ed. Allen, Kirsty. Edinburgh: Canongate, 1996.Google Scholar
Murphy, Patricia. Time Is of the Essence: Temporality, Gender, and the New Woman. Albany: State University of New York Press, 2001.Google Scholar
Nash, Andrew. Kailyard and Scottish Literature. New York: Brill, 2007.Google Scholar
Nicoll, Mildred Robertson, ed. The Letters of Annie S. Swan. London: Hodder and Stoughton, 1945.Google Scholar
Norquay, Glenda. “Catherine Carswell: Open the Door!” In A History of Scottish Women’s Writing. Ed. Gifford, Douglas and McMillan, Dorothy. Edinburgh: Edinburgh University Press, 1997. 389–99.Google Scholar
Norquay, Glenda. “Flourishing through Oppression: The Camomile.” In Opening the Doors: The Achievement of Catherine Carswell. Ed. Anderson, Carol. Edinburgh: Ramsay Head Press, 2001. 124–36.Google Scholar
Oberhelman, David. “Waverley, Genealogy, History: Scott’s Romance of Fathers and Sons.” Nineteenth-Century Contexts 15.1 (1991): 2947.Google Scholar
Oliphant, Margaret. “A Century of Great Poets, from 1750 Downwards. No. II – Walter Scott.” Blackwood’s Edinburgh Magazine 110.670 (August 1871): 229256.Google Scholar
Oliphant, Margaret. Harry Muir; A Story of Scottish Life. New York: Appleton, 1853.Google Scholar
Oliphant, Margaret. Kirsteen; The Story of a Scotch Family Seventy Years Ago. Ed. Scriven, Anne M.. Glasgow: Association for Scottish Literary Studies, 2010.Google Scholar
Oliphant, Margaret. “The Old Saloon.” Blackwood’s Edinburgh Magazine 146.856 (Aug. 1889): 244–75.Google Scholar
Oliphant, Margaret. The Quiet Heart. Edinburgh: Blackwood, 1854.Google Scholar
Oliphant, Margaret. Review of The Letters of Walter Scott. Blackwood’s Edinburgh Magazine 155.939 (Jan. 1894): 1526.Google Scholar
Oliphant, Margaret. Royal Edinburgh: Her Saints, Kings, Prophets and Poets. London: Macmillan, 1890.Google Scholar
Oliphant, Margaret. The Selected Works of Margaret Oliphant, vol. 17: Miss Marjoribanks. Ed. Bristow, Joseph. London: Routledge, 2014.Google Scholar
Olson, Leisl. Modernism and the Ordinary. Oxford: Oxford University Press, 2009.Google Scholar
O’Mealy, Joseph H.Mrs Oliphant, Miss Marjoribanks, and the Victorian Canon.” Victorian Newsletter 82 (1992): 44–9.Google Scholar
Onslow, Barbara. “‘Humble comments for the ignorant’: Margaret Oliphant’s Criticism of Art and Society.” Victorian Periodicals Review 31.1 (1998): 5574.Google Scholar
Otsuki, Jennifer L.The Memsahib and the Ends of Empire: Feminine Desire in Flora Annie Steel’s On the Face of the Waters.” Victorian Literature and Culture 24 (1996): 129.Google Scholar
Parker, Rozsika. The Subversive Stitch: Embroidery and the Making of the Feminine. London: Women’s Press, 1984.Google Scholar
Parry, Benita. Delusions and Discoveries: India and the British Imagination, 1880–1930. London: Verso, 1998.Google Scholar
Patwardhan, Daya. A Star of India, Flora Annie Steel: Her Works and Times. Bombay: A. V. Griha Prakashan, 1963.Google Scholar
Paxton, Nancy. “Feminism under the Raj: Complicity and Resistance in the Writings of Flora Annie Steel and Annie Besant.” Women’s Studies International Forum 13.4 (1990): 333–46.Google Scholar
Perkins, Pamela. “‘We who have been bred upon Sir Walter’: Margaret Oliphant, Sir Walter Scott, and Women’s Literary History,” English Studies in Canada 30.2 (2004): 90104.Google Scholar
Peterson, Linda. “The Female Bildungsroman: Tradition and Subversion in Oliphant’s Fiction.” In Margaret Oliphant: Critical Essays on a Gentle Subversive. Ed. Trela, D. J.. Selinsgrove, PA: Susquehanna University Press, 1995. 6679.Google Scholar
Pittock, Murray G. H. Celtic Identity and the British Image. Manchester: Manchester University Press, 1999.Google Scholar
Poovey, Mary. Uneven Developments: The Ideological Work of Gender in Mid-Victorian Britain. London: Virago, 1989.Google Scholar
Powell, Violet. Flora Annie Steel: Novelist of India. London: Heinemann, 1981.Google Scholar
Prochaska, Frank. Women and Philanthropy in Nineteenth-Century England. Oxford: Clarendon Press, 1980.Google Scholar
Pykett, Lyn. “Portraits of the Artist as a Young Woman: Representations of the Female Artist in the New Woman Fiction of the 1890s.” In Victorian Women Writers and the Woman Question. Ed. Thompson, Nicola Diane. Cambridge: Cambridge University Press, 1999. 135–50.Google Scholar
Quayle, Eric. The Ruin of Sir Walter Scott. London: Rupert Hart-Davis, 1968.Google Scholar
Radway, Janice. Reading the Romance: Women, Patriarchy, and Popular Literature. Revised ed. Chapel Hill: University of North Carolina Press, 2009.Google Scholar
Richardson, LeeAnne M. New Woman and Colonial Adventure Fiction in Victorian Britain: Gender, Genre, and Empire. Gainesville: University Press of Florida, 2006.Google Scholar
Robertson, Fiona. “Romance and the Romantic Novel: Sir Walter Scott.” In A Companion to Romance: From Classical to Contemporary. Ed. Saunders, Corinne. Malden, MA: Blackwell, 2004. 287304.Google Scholar
Robinson, Amy. “Margaret Oliphant’s Miss Marjoribanks: A Victorian Emma.” Persuasions 30 (2008): 6776.Google Scholar
Robson, Leo. “Cold Mistress.” New Statesman 138 (Aug. 10, 2009): 40–2.Google Scholar
Rosenthal, Jesse. Good Form: The Ethical Experience of the Victorian Novel. Princeton, NJ: Princeton University Press, 2017.Google Scholar
Roye, Susmita, ed. Flora Annie Steel: A Critical Study of an Unconventional Memsahib. Edmonton: University of Alberta Press, 2017.Google Scholar
Sassi, Carla. “Prismatic Modernities: Towards a Recontextualization of Scottish Modernism.” In Scottish and International Modernisms: Relationships and Reconfigurations. Ed. Dymock, Emma and McCulloch, Margery Palmer. Glasgow: Association for Scottish Literary Studies, 2011. 184–97.Google Scholar
Schaffer, Talia. The Forgotten Female Aesthetes: Literary Culture in Late-Victorian England. Charlottesville: University of Virginia Press, 2000.Google Scholar
Schaffer, Talia. Novel Craft: Victorian Domestic Handicraft and Nineteenth-Century Fiction. New York: Oxford University Press, 2011.Google Scholar
Schaub, Melissa. “Middlebrow Feminism and the Politics of Sentiment: From the Moonstone to Dorothy L. Sayers.” Modern Language Studies 43.1 (2013): 1027.Google Scholar
Schaub, Melissa. “Queen of the Air or Constitutional Monarch?: Idealism, Irony, and Narrative Power in Miss Marjoribanks.” Nineteenth-Century Literature 55.2 (2000): 195225.Google Scholar
Schor, Naomi. Reading in Detail: Aesthetics and the Feminine. 2nd ed. London: Routledge, 2007.Google Scholar
Scott, Paul H.The Last Purely Scotch Age.” In The History of Scottish Literature, vol. 3: The Nineteenth Century. Ed. Gifford, Douglas. Aberdeen: Aberdeen University Press, 1988. 1321.Google Scholar
Scott, Walter. Chronicles of the Canongate. Ed. Lamont, Claire. Edinburgh: Edinburgh University Press, 2000.Google Scholar
Scott, Walter. “Essay on Romance.” In The Miscellaneous Prose Works of Sir Walter Scott, Bart. Vol. 6. Edinburgh: Cadell, 1827. 153256.Google Scholar
Scott, Walter. The Journal of Sir Walter Scott. Ed. Anderson, W. E. K.. Oxford: Clarendon, 1972.Google Scholar
Scott, Walter. Waverley; or, ’Tis Sixty Years Since. Ed. Garside, P. D.. Edinburgh: Edinburgh University Press, 2007.Google Scholar
Sebastiani, Silvia. The Scottish Enlightenment: Race, Gender, and the Limits of Progress. Trans. Carden, Jeremy. New York: Palgrave, 2013.Google Scholar
Sen, Indrani. Woman and Empire: Representations in the Writing of British India, 1858–1900. Hyderabad: Orient Longman, 2002.Google Scholar
Sharpe, Jenny. Allegories of Empire: The Figure of Woman in the Colonial Text. Minneapolis: University of Minnesota Press, 1993.Google Scholar
Shaw, Harry E. Narrating Reality: Austen, Scott, Eliot. Ithaca, NY: Cornell University Press, 1999.Google Scholar
Shepherd, Gillian. “The Kailyard.” In The History of Scottish Literature, vol. 3: The Nineteenth Century. Ed. Gifford, Douglas. Aberdeen: Aberdeen University Press, 1988. 309–20.Google Scholar
Should Married Women Engage in Public Work?” In Woman at Home. Vol. 4. London: Hodder and Stoughton, 1895. 111–14.Google Scholar
Siegel, Daniel. Charity and Condescension: Victorian Literature and the Dilemmas of Philanthropy. Athens: Ohio University Press, 2012.Google Scholar
Singh, Brijraj. “Violet Jacob and India: A Question of Stereotypes.” Journal of Commonwealth and Postcolonial Studies 15.2 (2008): 327.Google Scholar
Sly, Debbie. “Pink Sugary Pleasures: Reading the Novels of O. Douglas.” The Journal of Popular Culture 35.1 (2001): 519.Google Scholar
Smith, Alison. “And God Created Woman: Carswell, Shepherd and Muir, and the Self-Made Woman.” In Gendering the Nation: Studies in Modern Scottish Literature. Ed. Whyte, Christopher. Edinburgh: Edinburgh University Press, 1995.Google Scholar
Spark, Muriel. The Prime of Miss Jean Brodie. New York: Plume, 1984.Google Scholar
Spivak, Gayatri. “The Making of Americans.” New Literary History 21 (1990): 781–98.Google Scholar
St. Clair, William. The Reading Nation in the Romantic Period. Cambridge: Cambridge University Press, 2004.Google Scholar
Steel, Flora Annie. The Garden of Fidelity. London: Macmillan, 1930.Google Scholar
Steel, Flora Annie. The Hosts of the Lord. London: Thomas Nelson, 1907.Google Scholar
Steel, Flora Annie. Miss Stuart’s Legacy. London: Macmillan, 1897.Google Scholar
Steel, Flora Annie. On the Face of the Waters. London: Arnold-Heinemann, 1985.Google Scholar
Stetz, Margaret D.Internationalizing Authorship: Beyond New Grub Street to The Bookman in 1891,” Victorian Periodicals Review 48.1 (2015): 114.Google Scholar
Stevenson, D. E. [Dorothy Emily Peploe]. The Blue Sapphire. New York: Holt, Rinehart and Winston, 1963.Google Scholar
Stevenson, John. British Society, 1914–1945. Harmondsworth: Penguin, 1990.Google Scholar
[Stewart, Andrew.] “Annie S. Swan.” The People’s Friend 1306 (Jan. 1895): 34.Google Scholar
Stewart, Victoria. “The Woman Writer in Mid-Twentieth Century Middlebrow Fiction: Conceptualizing Creativity.” Journal of Modern Literature 35 (2011): 2136.Google Scholar
Sturrock, June. “Emma in the 1860s: Austen, Yonge, Oliphant, Eliot.” Women’s Writing 17.2 (2010): 324–42.Google Scholar
Swan, Annie S. Elizabeth Glen, M.B., the Experiences of a Lady Doctor. London: Hutchinson & Co., 1895.Google Scholar
Swan, Annie S. The Gates of Eden. London: Oliphant & Ferrier, 1949.Google Scholar
Swan, Annie S. The Guinea Stamp: A Tale of Modern Glasgow. London: Oliphant, Anderson & Ferrier, 1892.Google Scholar
Swan, Annie S. Mary Garth: A Clydeside Romance. London: Hodder and Stoughton, 1904.Google Scholar
Swan, Annie S. Memories of Margaret Granger, Schoolmistress. London: Hutchinson & Co, 1896.Google Scholar
Swan, Annie S. My Life: An Autobiography. London: Ivor Nicholson, 1934.Google Scholar
Tange, Andrea Kaston. “Redesigning Femininity: Miss Marjoribanks’ Drawing Room of Opportunity.” Victorian Literature and Culture 36 (2008): 163–86.Google Scholar
Teo, Hsu-Ming. “Imperial Affairs: The British Empire and the Romantic Novel, 1890–1939.” In New Directions in Popular Fiction: Genre, Distribution, Reproduction. Ed. Gelder, Ken London: Palgrave, 2016. 87110.Google Scholar
Townsend, Meredith. “Mrs. Oliphant.” The Cornhill Magazine 79 (June 1899): 773–79.Google Scholar
Trumpener, Katie. Bardic Nationalism: The Romantic Novel and the British Empire. Princeton, NJ: Princeton University Press, 1997.Google Scholar
Tytler, Sarah [Henrietta Keddie]. Saint Mungo’s City: A Novel. 3 vols. London: Chatto and Windus, 1884.Google Scholar
Vaninskaya, Anna. “The Late Victorian Romance Revival: A Generic Excursis.” English Literature in Transition, 1880–1920 51.1 (2008): 5779.Google Scholar
Waller, Philip. Writers, Readers, and Reputations: Literary Life in Britain, 1870–1918. New York: Oxford University Press, 2006.Google Scholar
Walton, Samantha. “Scottish Modernism, Kailyard Fiction, and the Woman at Home.” In Transitions in Middlebrow Writing, 1880–1930. Ed. MacDonald, K. et al. Houndsmills, Basingstoke: Palgrave Macmillan, 2015. 141–59.Google Scholar
Webster, Augusta. A Housewife’s Opinions. London: Macmillan, 1879.Google Scholar
Weliver, Phyllis. Women Musicians in Victorian Fiction, 1860–1900: Representations of Music, Science and Gender in the Leisured Home. Aldershot: Ashgate, 2000.Google Scholar
Welsh, Alexander. The Hero of the Waverley Novels. Revised ed. Princeton, NJ: Princeton University Press, 2014.Google Scholar
Williams, Chris. “Problematizing Wales: An Exploration in Historiography and Postcoloniality.” In Postcolonial Wales. Ed. Aaron, Jane and Williams, Chris. Cardiff: University of Wales Press, 2005. 322.Google Scholar
Williams, Merryn. Margaret Oliphant: A Critical Biography. London: Macmillan, 1986.Google Scholar
Wilson, Carol Shiner. “Lost Needles, Tangled Thread: Stitchery, Domesticity, and the Artistic Enterprise in Barbauld, Edgeworth, Taylor, and Lamb.” In Revisioning Romanticism: British Women Writers, 1776–1837. Ed. Wilson, Carol Shiner. Philadelphia: University of Pennsylvania Press, 1994. 167–90.Google Scholar
Woolf, Virginia. The Death of the Moth and Other Essays. New York: Harcourt Brace, 1942.Google Scholar
Yeazell, Ruth Bernard. Art of the Everyday: Dutch Painting and the Realist Novel. Princeton, NJ: Princeton University Press, 2008.Google Scholar
Young, Arlene. “Workers’ Compensation: (Needle)Work and Ideals of Femininity in Margaret Oliphant’s Kirsteen.” In Famine and Fashion: Needlewomen in the Nineteenth Century. Ed. Harris, Beth. Burlington, VT: Ashgate, 2005. 4151.Google Scholar
Zakreski, Patricia. Representing Female Artistic Labour, 1848–1890: Refining Work for the Middle-Class Woman. Aldershot: Ashgate, 2006.Google Scholar
Zlotnick, Susan. “Passing for Real: Class and Mimicry in Miss Marjoribanks.” Victorian Review 38.1 (2012): 173–92.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Juliet Shields, University of Washington
  • Book: Scottish Women's Writing in the Long Nineteenth Century
  • Online publication: 27 July 2021
  • Chapter DOI: https://doi.org/10.1017/9781009000048.008
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Juliet Shields, University of Washington
  • Book: Scottish Women's Writing in the Long Nineteenth Century
  • Online publication: 27 July 2021
  • Chapter DOI: https://doi.org/10.1017/9781009000048.008
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Juliet Shields, University of Washington
  • Book: Scottish Women's Writing in the Long Nineteenth Century
  • Online publication: 27 July 2021
  • Chapter DOI: https://doi.org/10.1017/9781009000048.008
Available formats
×