Steinbeck received much of his early training in creative writing classes at Stanford University. Focusing on Steinbeck’s short story cycle, The Pastures of Heaven, this chapter explores Steinbeck’s education in writing--and his resistance to many of its principles--as it relates to his understanding of the colonial history of the American West. The unstable mixture of realist and fantastic forms, particularly as they relate to the construction of literary character, here encapsulates an ambivalent resonse to the haunting lagacies of slavery and race in the California land. The second part of the chapter, on the story “The Snake,” traces another aspect of Steinbeck’s education--this time in the scientific laboratory--to understand an approach to gender more complex than critics would admit. The experiment with narrative point of view uncovers sexist ideologies in the purportedly objective act of scientific observation, thus bringing attention to the process of attention itself.