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Epilogue

Published online by Cambridge University Press:  08 June 2019

Harriet Phillips
Affiliation:
Queen Mary University of London
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Summary

A brief coda on the afterlives of early modern broadside ballads considered no longer as performances but as texts, and increasingly assimilated to a narrative of English popular culture that would re-emerge in the nineteenth century’s rediscovery of ‘Merry England’.

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Publisher: Cambridge University Press
Print publication year: 2019

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  • Epilogue
  • Harriet Phillips, Queen Mary University of London
  • Book: Nostalgia in Print and Performance, 1510–1613
  • Online publication: 08 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108612685.009
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To send content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to Dropbox.

  • Epilogue
  • Harriet Phillips, Queen Mary University of London
  • Book: Nostalgia in Print and Performance, 1510–1613
  • Online publication: 08 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108612685.009
Available formats
×

Send book to Google Drive

To send content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to Google Drive.

  • Epilogue
  • Harriet Phillips, Queen Mary University of London
  • Book: Nostalgia in Print and Performance, 1510–1613
  • Online publication: 08 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108612685.009
Available formats
×