Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Introduction
- Recent Directions in Medieval Manuscript Study
- Another Fine Manuscript Mess: Authors, Editors and Readers of Piers Plowman
- A New Approach to the Witnesses and Text of the Canterbury Tales
- Prospecting in the Archives: Middle English Verse in Record Repositories
- Medieval Manuscripts and Electronic Media: Observations on Future Possibilities
- Representing the Middle English Manuscript
- Skins, Sheets and Quires
- Reconsidering the Auchinleck Manuscript
- Professional Readers of Langland at Home and Abroad: New Directions in the Political and Bureaucratic Codicology of Piers Plowman
- Professional Scribes? Identifying English Scribes Who Had a Hand in More Than One Manuscript
- Manuscript Production in Medieval Theatre: The German Carnival Plays
- The ‘Lancelot-Graal’ Project
- After Chaucer: Resituating Middle English Poetry in the Late Medieval and Early Modern Period
- Notes on Contributors
- Index
Skins, Sheets and Quires
Published online by Cambridge University Press: 05 September 2014
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Introduction
- Recent Directions in Medieval Manuscript Study
- Another Fine Manuscript Mess: Authors, Editors and Readers of Piers Plowman
- A New Approach to the Witnesses and Text of the Canterbury Tales
- Prospecting in the Archives: Middle English Verse in Record Repositories
- Medieval Manuscripts and Electronic Media: Observations on Future Possibilities
- Representing the Middle English Manuscript
- Skins, Sheets and Quires
- Reconsidering the Auchinleck Manuscript
- Professional Readers of Langland at Home and Abroad: New Directions in the Political and Bureaucratic Codicology of Piers Plowman
- Professional Scribes? Identifying English Scribes Who Had a Hand in More Than One Manuscript
- Manuscript Production in Medieval Theatre: The German Carnival Plays
- The ‘Lancelot-Graal’ Project
- After Chaucer: Resituating Middle English Poetry in the Late Medieval and Early Modern Period
- Notes on Contributors
- Index
Summary
In a conference on New Directions in Medieval Manuscript Studies, the newer developments in codicology ought to be represented. I regret that no speaker was found for Quantitative Codicology; but at least some quite technical aspects can be discussed. And although these matters are often of scant relevance for those scholars – surely the vast majority – who study medieval manuscripts for the sake of their texts, still they have their interest as part of the history of a craft; and from time to time they are relevant to text scholars as well.
I
Everybody knows what folio, quarto and octavo are. In the bibliography of the printed book these terms denote the format, that is: they indicate (in principle) that during printing two, four or eight leaves were attached, and that these constituted a whole sheet as produced by the paper mill. There is an advantage, especially for studying manuscript books, in distinguishing several aspects of format: first the question what part the leaf, as we see it in the book, was of the sheet as produced by the supplier (what I call the material format); and then the further question what leaves, if any, had been still attached during the production of the book. Actually, of course, one should ask these questions not about leaves but about bifolia, which are the real constituents of the book.
- Type
- Chapter
- Information
- New Directions in Later Medieval Manuscript StudiesEssays from the 1998 Harvard Conference, pp. 81 - 90Publisher: Boydell & BrewerPrint publication year: 2000