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Chapter 7 - Pavanes and Passepieds in the Age of the Cancan

from Part II - Case Histories

Published online by Cambridge University Press:  09 September 2020

Maribeth Clark
Affiliation:
New College of Florida
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Summary

While noting the usual scholarly snubbing of ‘excessive’ and ‘insubstantial’ dance tunes, Carlo Caballero explores dance’s significance and popularity – not only with audiences, but also with ‘serious’ composers. Writing about late nineteenth-century French musical culture, Caballero examines a vogue for the sixteenth-century pavane (with reference to examples by Saint-Saëns, Delibes, Fauré, Ravel and Debussy, amongst others), considering how and why the genre of the pavane became emblematic of a constellation of contemporary cultural strains of influence. As Caballero recounts, dance took on new significance during the period, aligned with historical prestige, antique exoticism, the French aristocracy, musical nationalism and modernity itself. Guided by this case history, Caballero reminds us of the cultural embeddedness of both dance and musical practices, and why we need ways of understanding these practices as both socially conditioned and conditioning.

Type
Chapter
Information
Musicology and Dance
Historical and Critical Perspectives
, pp. 172 - 204
Publisher: Cambridge University Press
Print publication year: 2020

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