Book contents
- Frontmatter
- Contents
- List of Figures
- List of Tables
- List of Contributors
- Acknowledgements
- Introduction: The Role of Criticism in Interwar Musical Culture
- 1 Music Criticism and Aesthetics During the Interwar Period: Fewer Crimes and More Punishments
- 2 Nostalgia and Violence in the Music Criticism of L'Action française
- 3 Charles Koechlin: The Figure of the Expert
- 4 Bleu-horizon Politics and Music for Radio Listeners: L'Initiation à la musique (1935)
- 5 Common Canon, Conflicting Ideologies: Music Criticism in Performance in Interwar France
- 6 Arthur Honegger: Music Critic for Musique et Théâtre (1925–1926)
- 7 A Woman's Critical Voice: Nadia Boulanger and Le Monde musical, 1919–1923
- 8 From a Foreign Correspondent: The Parisian Chronicles of Alejo Carpentier
- 9 Debussy's ‘Reputational Entrepreneurs’: Vuillermoz, Koechlin, Laloy and Vallas
- 10 The Legacy of War: Conceptualising Wartime Musical Life in the Post-War Musical Press, 1919–1920
- 11 Satie, Relâche and the Critics: Controversies and Legacy
- 12 Creating a Canon: émile Vuillermoz's Musiques d'aujourd'hui and French Musical Modernity
- Selected Bibliography
- Index
Index
Published online by Cambridge University Press: 17 July 2019
- Frontmatter
- Contents
- List of Figures
- List of Tables
- List of Contributors
- Acknowledgements
- Introduction: The Role of Criticism in Interwar Musical Culture
- 1 Music Criticism and Aesthetics During the Interwar Period: Fewer Crimes and More Punishments
- 2 Nostalgia and Violence in the Music Criticism of L'Action française
- 3 Charles Koechlin: The Figure of the Expert
- 4 Bleu-horizon Politics and Music for Radio Listeners: L'Initiation à la musique (1935)
- 5 Common Canon, Conflicting Ideologies: Music Criticism in Performance in Interwar France
- 6 Arthur Honegger: Music Critic for Musique et Théâtre (1925–1926)
- 7 A Woman's Critical Voice: Nadia Boulanger and Le Monde musical, 1919–1923
- 8 From a Foreign Correspondent: The Parisian Chronicles of Alejo Carpentier
- 9 Debussy's ‘Reputational Entrepreneurs’: Vuillermoz, Koechlin, Laloy and Vallas
- 10 The Legacy of War: Conceptualising Wartime Musical Life in the Post-War Musical Press, 1919–1920
- 11 Satie, Relâche and the Critics: Controversies and Legacy
- 12 Creating a Canon: émile Vuillermoz's Musiques d'aujourd'hui and French Musical Modernity
- Selected Bibliography
- Index
Summary
- Type
- Chapter
- Information
- Music Criticism in France, 1918–1939Authority, Advocacy, Legacy, pp. 339 - 346Publisher: Boydell & BrewerPrint publication year: 2018