Book contents
- Frontmatter
- Contents
- Acknowledgements
- Contributors
- Abbreviations
- Introduction: Romance and its Medieval Contexts
- 1 The Pleasure of Popular Romance: A Prefatory Essay
- 2 Representations of Peasant Speech: Some Literary and Social Contexts for The Taill of Rauf Coilyear
- 3 ‘As ye have brewd, so shal ye drink’: the Proverbial Context of Eger and Grime
- 4 Ekphrasis and Narrative in Emaré and Sir Eglamour of Artois
- 5 What's in a Name? Anglo-Norman Romances or Chansons de geste?
- 6 ‘For Goddes loue, sir, mercy!’: Recontextualising the Modern Critical Text of Floris and Blancheflor
- 7 Roland in England: Contextualising the Middle English Song of Roland
- 8 Romance Baptisms and Theological Contexts in The King of Tars and Sir Ferumbras
- 9 Modern and Medieval Views on Swooning: the Literary and Medical Contexts of Fainting in Romance
- 10 Walking (between) the Lines: Romance as Itinerary/Map
- 11 Romances of Continuity in the English Rous Roll
- 12 ‘Ex Libris domini duncani / Campbell de glenwrquhay/ miles’: The Buik of King Alexander the Conquerour in the household of Sir Duncan Campbell, seventh laird of Glenorchy
- 13 ‘Pur les francs homes amender’: Clerical Authors and the Thirteenth-Century Context of Historical Romance
- Index
- Volumes already published
3 - ‘As ye have brewd, so shal ye drink’: the Proverbial Context of Eger and Grime
Published online by Cambridge University Press: 12 September 2012
- Frontmatter
- Contents
- Acknowledgements
- Contributors
- Abbreviations
- Introduction: Romance and its Medieval Contexts
- 1 The Pleasure of Popular Romance: A Prefatory Essay
- 2 Representations of Peasant Speech: Some Literary and Social Contexts for The Taill of Rauf Coilyear
- 3 ‘As ye have brewd, so shal ye drink’: the Proverbial Context of Eger and Grime
- 4 Ekphrasis and Narrative in Emaré and Sir Eglamour of Artois
- 5 What's in a Name? Anglo-Norman Romances or Chansons de geste?
- 6 ‘For Goddes loue, sir, mercy!’: Recontextualising the Modern Critical Text of Floris and Blancheflor
- 7 Roland in England: Contextualising the Middle English Song of Roland
- 8 Romance Baptisms and Theological Contexts in The King of Tars and Sir Ferumbras
- 9 Modern and Medieval Views on Swooning: the Literary and Medical Contexts of Fainting in Romance
- 10 Walking (between) the Lines: Romance as Itinerary/Map
- 11 Romances of Continuity in the English Rous Roll
- 12 ‘Ex Libris domini duncani / Campbell de glenwrquhay/ miles’: The Buik of King Alexander the Conquerour in the household of Sir Duncan Campbell, seventh laird of Glenorchy
- 13 ‘Pur les francs homes amender’: Clerical Authors and the Thirteenth-Century Context of Historical Romance
- Index
- Volumes already published
Summary
At first glance, the Older Scots romance Eger and Grime seems to be a stereotypical medieval tale about prowess, revenge and love. Perhaps this is why Eger and Grime has not been extensively studied. In general, medieval romances entertain, and this is certainly true of Eger and Grime. However, romances also convey, strengthen and uphold social bonds, opinions, prejudices, hopes and fears. In this they function very much like proverbs. Proverbial sayings ‘propose a world of moral implications to those who pause to consider them’. By pausing thus over the proverbs deployed in romances, one may gain a better understanding of what the authors of these texts were trying to convey. From the thirty categories of paroemial segment (proverbs and proverbial phrases) identified in Eger and Grime by Bartlett Whiting in his two-part article ‘Proverbs and Proverbial Sayings from Scottish Writings before 1600’, supplemented by twelve not noted by Whiting, I have identified groups of proverbs in the romance which exhibit some common characteristics. This chapter will consider three of these groups – proverbial comparisons; proverbs touching on the condition of women; and reciprocity. The proverbial comparisons are fairly conventional phrases one would expect to find in a tale of knights, combat and love, but should not be overlooked for this reason. Traditional phraseology generates meaning by deploying well-established conventions that function similarly each time they are used.
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- Information
- Medieval Romance, Medieval Contexts , pp. 35 - 46Publisher: Boydell & BrewerPrint publication year: 2011