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Discography

Published online by Cambridge University Press:  27 April 2023

Helen Deeming
Affiliation:
Royal Holloway, University of London
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Publisher: Cambridge University Press
Print publication year: 2023

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References

Discography

Adam de la Halle: Le Jeu de Robin et de Marion, Tonus Peregrinus, dir. Antony Pitts (Naxos, 8.557337, 2006)Google Scholar
Boethius: Songs of Consolation, Sequentia, dir. Bagby, Benjamin (Glossa, GCD 922518, 2018)Google Scholar
Cantigas de Santa Maria, Ensemble Gilles Binchois (Ambroisie, AMB 9973, 2005)Google Scholar
Carl Orff: Carmina Burana, Janowitz, Gundula, Stolze, Gerhard, Fischer-Dieskau, Dietrich, Opera Chorus, Berlin and Orchestra, cond. Jochum, Eugen (reissue: Deutsche Grammophon, 447 437-2, 1995)Google Scholar
Carmina Burana, Boston Camerata, dir. Joel Cohen (Erato, 825646208463, 2005)Google Scholar
Carmina Burana: Sacri Sarcasmi, La Reverdie (Arcana, A353, 2009)Google Scholar
Chant Wars, Sequentia, dir. Benjamin Bagby and Dialogos, dir. Livljanić, Katarina (Deutsche Harmonia Mundi, 82876 66650 2, 2005)Google Scholar
Codex Chantilly III, Tetraktys, dir. Boeke, Kees (Etcetera, O-live Music 1917, 2016)Google Scholar
Conductus: Music & Poetry from Thirteenth-Century France, Potter, John, O’Gorman, Christopher, Covey-Crump, Rogers (tenors), volumes 1, 2, and 3 (Hyperion, CDA67949, 2012 / CDA67998, 2013 / CDA68115, 2016)Google Scholar
Cor Europae: Christmas in Mediaeval Prague, Tiburtina Ensemble, dir. Barbora Kabátková (Ricercar, RIC 410, 2019)Google Scholar
Deo gracias Anglia!, Alamire, dir. Skinner, David (Obsidian, CD709, 2012)Google Scholar
De Santa Maria, Trovar, Aquel (The Recording Consort, 8435046259976, 2019)Google Scholar
The Earliest Songbook in England, Gothic Voices, dir. Page, Christopher (Hyperion, CDA67177, 2000)Google Scholar
École de Notre-Dame de Paris: Permanence et Rayonnement XIIe, XIIIe et XIVe siècles, Ensemble Gilles Binchois, dir. Vellard, Dominique (Harmonic, 9349, 1993)Google Scholar
A Feather on the Breath of God: Sequences and Hymns by Abbess Hildegard of Bingen, Gothic Voices, dir. Page, Christopher (Hyperion, CDA 66039, 1985)Google Scholar
Flyleaves: Medieval Music in English Manuscripts, Liber unUsualis (Passacaille, 938, 2004)Google Scholar
French Court Music of the Thirteenth Century, Musica Reservata, cond. Beckett, John [dir. Michael Morrow] (reissue: Decca, 00028947587798, 2008)Google Scholar
Gautier de Coincy: Les Miracles de Nostre-Dame, Alla Francesca (Opus, 111 30-146, 1995)Google Scholar
Guillaume de Machaut: La Messe de Nostre Dame/Songs from Le Voir Dit, Oxford Camerata, dir. Summerly, Jeremy (Naxos, 8.553833, 1996)Google Scholar
L’amor de Lonh: Medieval Songs of Love and Loss, Ensemble Gilles Binchois, dir. Dominique Vellard (Glossa, GCD P32304, 2010)Google Scholar
A Laurel for Landini, Gothic Voices with Lawrence-King, Andrew (Linn Records, BKD 573, 2016)Google Scholar
Legends of St Nicholas, Anonymous 4 (Harmonia Mundi, HMU 907232DI, 1999)Google Scholar
Léonin & Pérotin: Sacred Music from Notre-Dame Cathedral, Tonus Peregrinus, dir. Antony Pitts (Naxos, 8.557340, 2005)Google Scholar
The Lily & The Lamb, Anonymous 4 (Harmonia Mundi, HMU 907125, 1995)Google Scholar
Llibre Vermell, Capella de Ministrers, dir. Carles Magraner (Licanus, CDM 0201, 2002)Google Scholar
The Lord of the Rings Original Soundtrack, Shore, Howard, 3 vols (Reprise Records, 2001–3)Google Scholar
Lost Songs of a Rhineland Harper, Sequentia, dir. Bagby, Benjamin (Deutsche Harmonia Mundi, 82876 58940 2, 2004)Google Scholar
Machaut: Motets and Music from the Ivrea Codex, The Clerks’ Group, dir. Wickham, Edward (Signum, 011, 1998)Google Scholar
Machaut: Songs from Le Voir Dit, The Orlando Consort (Hyperion, CDA 67727, 2012); and see www.orlandoconsort.com/Machaut_front_page.htm for further recordings in this series.Google Scholar
Medieval Carols, Oxford Camerata, dir. Jeremy Summerly (Naxos, 8.550751, 1993)Google Scholar
Medieval English Music, The Hilliard Ensemble, dir. Hillier, Paul (Harmonia Mundi, HMA 1901106, 1982, 2009)Google Scholar
Mel et lac: Twelfth-Century Songs for the Virgin, Ensemble Peregrina (Raumklang, 2501, 2005)Google Scholar
Mille Anni Passi Sunt, Corvus Corax (John Silver Productions, JS CD 1000, 2000)Google Scholar
Miracula: Medieval Music for St Nicholas, Ensemble Peregrina, dir. Budzińska-Bennett, Agnieszka (TACET, 213DIG, 2014)Google Scholar
Miri it is: Songs and Instrumental Music from Medieval England, The Dufay Collective with Potter, John (Chandos, CHAN 9396, 1995)Google Scholar
Music for a King: The Winchester Troper, Discantus, dir. Lesne, Brigitte (Aeon, 1436, 2014)Google Scholar
Music for Alfonso the Wise, The Dufay Collective (Harmonia Mundi, HMU 907390, 2005)Google Scholar
Music of the Crusades, Early Music Consort of London, dir. Munrow, David (reissue: Decca, 430 264, 1991)Google Scholar
Neidhart: A Minnesinger and his ‘Vale of Tears’, Ensemble Leones, dir. Lewon, Marc (Naxos, 8.572449, 2012)Google Scholar
Nova Cantica: Latin Songs of the High Middle Ages, Vellard, Dominique and Bonnardot, Emmanuel (Deutsche Harmonia Mundi, D-7800, 1990)Google Scholar
Nuits occitanes – Troubadours’ Songs, Ensemble Céladon, dir. Bündgen, Paulin (Ricercar, 340, 2014)Google Scholar
Pérotin and the Ars Antiqua, The Hilliard Ensemble (reissue: CORO, COR16046, 2007)Google Scholar
Philippe de Vitry: Motetten und Lieder/Motets & Chansons, Sequentia, dir. Benjamin Bagby and Barbara Thornton (reissue: Deutsche Harmonia Mundi (BMG) Splendeurs, 82876 68351 2, 2005)Google Scholar
Poissance d’amours: Mystics, Monks and Minstrels in 13th-Century Brabant, Graindelavoix, dir. Schmelzer, Björn (Glossa, GCDP32103, 2008)Google Scholar
Polyphonie Aquitaine du XIIe siècle, Ensemble Organum, dir. Pérès, Marcel (Harmonia Mundi, HMA 1901134, 1984/reissued 1998)Google Scholar
Pomerania: Music from Northern Germany and Poland (14th–15th century), Ensemble Peregrina, dir. Budzińska-Bennett, Agnieszka (TACET, 273, 2021)Google Scholar
Les premières polyphonies françaises: Organa et tropes du XIe siècle, Ensemble Gilles Binchois, dir. Vellard, Dominique (Virgin Veritas, 45135, 1994)Google Scholar
Salva nos, Mediæval Bæbes (Virgin, 7243 8 45157 2 0, 1997)Google Scholar
Sumer is icumen in, The Hilliard Ensemble, dir. Hillier, Paul (Harmonia Mundi, HMA 1951154, 1985, 2002)Google Scholar
Le Tournoi de Chauvency, Azéma, Anne, Aziman, Ensemble (K617, K617917, 2007)Google Scholar
Troubadours and Trouvères, Studio der frühen Musik, dir. Thomas Binkley (reissue: Warner Classics, 2564-69645-5, 2008)Google Scholar
Unsung Heroine & Vision: Soundtracks to the Concertplays, The Telling (First Hand Records, FHR123, 2021). See also www.thetelling.co.uk/unsung-heroine, for details of the film for which this is the soundtrack.Google Scholar
Variations amoureuses: French Love Songs from the 13th Century, Alla Francesca, dir. Lesne, Brigitte (Paraty, 220 190, 2020)Google Scholar
Wizlav von Rügen: Complete Songs, Ensemble Peregrina, dir. Agnieszka Budzińska-Bennett (TACET, 271DIG, 2020)Google Scholar
900 Years: Hildegard von Bingen, Sequentia (Deutsche Harmonia Mundi, 05472 77505-2, 1998)Google Scholar

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