Skip to main content Accessibility help
Hostname: page-component-594f858ff7-hf9kg Total loading time: 0 Render date: 2023-06-08T05:46:42.332Z Has data issue: false Feature Flags: { "corePageComponentGetUserInfoFromSharedSession": true, "coreDisableEcommerce": false, "corePageComponentUseShareaholicInsteadOfAddThis": true, "coreDisableSocialShare": false, "useRatesEcommerce": true } hasContentIssue false


Published online by Cambridge University Press:  15 September 2017

Phyllis Weliver
Saint Louis University, Missouri
Get access


Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Mary Gladstone and the Victorian Salon
Music, Literature, Liberalism
, pp. 273 - 294
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)


Primary Sources

Acton, John. Letters of Lord Acton to Mary, Daughter of the Right Hon. W.E. Gladstone. Ed. Paul, Herbert. London: George Allen, 1904.Google Scholar
Allingham, William. A Diary, 1824–1889. 1907. Intro. Norwich, John Julius. London: Penguin, 1985.Google Scholar
Annual Record of the Musical Union 27 (1871).
Arnold, Matthew. Culture and Anarchy and Other Writings. Ed. Collini, Stefan. Cambridge: Cambridge University Press, 1993.CrossRefGoogle Scholar
Ashford, Constance. Letter in “Helen Gladstone.” Obit. January 1926. Newnham College Roll: Letter. Cambridge: Privately printed, 1926. 70–4. NCA.Google Scholar
Balfour, Arthur. Chapters of Autobiography. Ed. Mrs. Dugdale, Edgar. London: Cassell, 1930.Google Scholar
Balfour, Arthur. “Handel.” Edinburgh Review (January 1887). Privately reprinted and corrected by Balfour. BL shelfmark 7896 w.30.
Balfour, Arthur. The Pleasures of Reading: An Address Delivered at St. Andrews University, December 10, 1887. Edinburgh: Blackwood, 1888.Google Scholar
Balfour, Frances. “Mary Gladstone: Personal and Family Memories.” Obit. Westminster Gazette (5 January 1927).
Battersea, Constance Lady. Reminiscences. London: Macmillan, 1923.Google Scholar
Bennett, J.R. Sterndale. The Life of William Sterndale Bennett. Cambridge: Cambridge University Press, 1907.Google Scholar
Benson, E.F. As We Were: A Victorian Peep-Show. London: Longmans, Green, 1930.Google Scholar
Bosanquet, Charles B.P. The Organization of Charity: The History and Mode of Operation of the Charity Organisation Society. London: Longmans, Green, 1874.Google Scholar
Bosanquet, Helen. Social Work in London: 1869–1912: A History of the Charity Organisation Society. London: Murray, 1914.Google Scholar
Bromby, Gertrude. “District Visitors and Working Men.” The Commonwealth (December 1897): 376–7.
Brown, Algernon Leslie. Selwyn College, Cambridge. London: Hutchinson, 1906.Google Scholar
Butler, H. Montague. “Recollections of Tennyson.” Tennyson and His Friends. Ed. Tennyson, Hallam. London: Macmillan, 1911. 206–21.Google Scholar
Carlyle, Thomas. “The Opera.” The Dumfries Album. Ed. Adam, A. Mercer. Glasgow: Dumfries and Maxwelltown Mechanics’ Institution, 1857. 134–40.Google Scholar
Carlyle, Thomas. Past and Present. 1843. Ed. Altick, Richard D.. New York: New York University Press, 1847.Google Scholar
Carroll, Lewis. Alice’s Adventures in Wonderland. Ed. Kelly, Richard. 2nd edn. Peterborough, Ontario: Broadview, 2011.Google Scholar
Cavendish, Lucy. The Diary of Lady Frederick Cavendish. Ed. Bailey, John. 2 vols. New York: Stokes, 1927.Google Scholar
Cavendish, Lucy. “In Memorium.” The Life of Man after Death, with Remarks on Cremation and upon Christian Burial. By Lyttelton, W.H.. Preface Edward Talbot, S.. 4th edn. London: Wells Gardner, Darton, 1893. viixxii.Google Scholar
Clough, Blanche Athena. A Memoir of Anne Jemima Clough. London: Edward Arnold, 1897.Google Scholar
Conferences Held in Connection with the Special Loan Collection of Scientific Apparatus, 1876. Vol. 2. London: Chapman and Hall, 1877.
Cook, Eliza. “New Echoes.” New Echoes and Other Poems. London: Routledge, 1864. 134.Google Scholar
Crackanthorpe, B.A.The Revolt of the Daughters.” Nineteenth Century 35 (January 1894): 2331. Rpt in A New Woman Reader: Fiction, Articles and Drama of the 1890s. Ed. Carolyn Christensen Nelson. Peterborough, Ontario: Broadview, 2000. 261–9.Google Scholar
Dakyns, Henry Graham. “Tennyson, Clough, and the Classics.” Tennyson and His Friends. Ed. Tennyson, Hallam. London: Macmillan, 1911. 188205.Google Scholar
de Vere, Aubrey. Alexander the Great: A Dramatic Poem. London: King, 1874.Google Scholar
“Dinners à la Russe.” All the Year Round (31 March 1877): 103–6.
Downing Street Breakfast Book, including 4 Carlton Gardens. 10 February 1876–7 June 1893. Annotations by Mary Gladstone. ff 80 with one folio note by Erskine William Gladstone. Hawarden Castle MSS.
Elgar, Edward. “A Future for English Music.” Inaugural Lecture for the Peyton Professor of Music, University of Birmingham (16 March 1905). A Future for English Music and Other Lectures. Ed. Young, Percy M.. London: Dobson, 1968. 2265.Google Scholar
Eliot, George. Daniel Deronda. 1876. Cabinet edn. 3 vols. Edinburgh: Blackwood, 1878.Google Scholar
Eliot, George. Daniel Deronda. 1876. Ed. Handley, Graham. Oxford: Oxford University Press, 1988.Google Scholar
Eliot, George. George Eliot’s Daniel Deronda Notebooks. Ed. Irwin, Jane. Cambridge: Cambridge University Press, 1996.CrossRefGoogle Scholar
Eliot, George. The George Eliot Letters. Ed. Haight, Gordon S.. 7 vols. London: Oxford University Press, 1954–55.Google Scholar
Eliot, George. George Eliot’s Life: As Related in Her Letters and Journals. Ed. Cross, J.W.. 3 vols. Edinburgh: Blackwood: 1885.Google Scholar
Eliot, George. “Heinrich Heine.” Works of George Eliot: Essays and Leaves from a Note-Book. Preface by Lewes, Charles Lee. Cabinet edn. Edinburgh: Blackwood, 1885. 67120.Google Scholar
Eliot, George. The Journals of George Eliot. Eds. Harris, Margaret and Johnston, Judith. Cambridge: Cambridge University Press, 1998.Google Scholar
Ella, John. “English Dilettantism.” Musical Sketches, Abroad and at Home. Ed. Belcher, John. 3rd edn. London: Reeves, 1878. 3942.Google Scholar
Ella, John. “Fashion and Aristocracy.” Musical Sketches, Abroad and at Home. Ed. Belcher, John. 3rd edn. London: Reeves, 1878. 37–8.Google Scholar
Emotion and Belief: Mr. Balfour on Aesthetic Values, Third Gifford Lecture.” The Times (17 January 1914): 5. Rpt in Theism and Humanism: The Book That Influenced C.S. Lewis. By Balfour, Arthur J.. With letters by Lewis, C.S.. Ed. Perry, Michael W.. Seattle: Inkling, 2000. 3940.Google Scholar
E.V.B.Memories.” Tennyson and His Friends. Ed. Tennyson, Hallam. London: Macmillan, 1911. 292–4.Google Scholar
Foster, Myles B. The History of the Philharmonic Society of London: 1813–1912. London: Lane, 1912.Google Scholar
Fuller Maitland, J.A. Joseph Joachim. London: Lane, [1905].Google Scholar
Fuller Maitland, J.A. The Musician’s Pilgrimage: A Study in Artistic Development. London: Smith, Elder, 1899.Google Scholar
Gambier-Parry, Ernest. Annals of an Eton House, with Some Notes on the Evans Family. London: John Murray, 1907.Google Scholar
Gibbs, Mary and Ellen, . The Bible References of John Ruskin. London: George Allen, 1898.Google Scholar
Gladstone, Catherine. Breakfast Book. 10 Downing Street and 11 Carlton House Terrace, 1870–75. Annotations by Mary Gladstone. ff 56. Private collection.
Gladstone, Erskine William, ed. The Hawarden Events Book: 1864 to 2008. Privately printed, 2009.
Gladstone, Herbert John. After Thirty Years. London: Macmillan, 1928.Google Scholar
Gladstone, Mary. Acton, Gladstone and Others. London: Nisbet, 1924.Google Scholar
Gladstone, Mary. Catherine Gladstone. London: Women’s Printing Society, [1915]. Printed for private circulation. BL shelfmark 10859.n.1.Google Scholar
Gladstone, Mary. Catherine Gladstone. Rev. edn. London: Nisbet, 1919.Google Scholar
Gladstone, Mary. “George Eliot’s Life – II: Literary and Political.” The Pall Mall Gazette. 61.6213. (9 February 1885): 1112.
Gladstone, Mary. “Lord Acton’s Legacy to Liberals.” The Optimist 1.3 (January 1908): 34–9.
Gladstone, Mary. Mary Gladstone (Mrs. Drew): Her Diaries and Letters. Ed. Masterman, Lucy. London: Methuen, 1930.Google Scholar
Gladstone, Mary. Mary Gladstone, Observations, July 1905. Locked commonplace book. Private collection.
Gladstone, Mary. Mary Gladstone’s Visiting Book. 4 September 1866–11 Aug 1923. ff 98. Private collection.
Gladstone, Mary. Mr. Gladstone’s Library at “St. Deiniol’s Hawarden.” Rpt from The Nineteenth Century and After (June 1906). London: Spottiswoode, 1906.Google Scholar
Gladstone, William Ewart. “The Church of England and Ritualism.” Gleanings of Past Years, 1848–78. Vol. 6: Ecclesiastical. London: Murray, 1879. 107–91.Google Scholar
Gladstone, William Ewart. Correspondence on Church and Religion of William Ewart Gladstone. Ed. Lathbury, D.C.. 2 vols. London: Murray, 1910.Google Scholar
Gladstone, William Ewart. Female Suffrage: A Letter from the Right Hon. W.E. Gladstone to Samuel Smith, M.P., 11 April 1892. London: Murray, 1892.Google Scholar
Gladstone, William Ewart. The Gladstone Diaries: With Cabinet Minutes and Prime–Ministerial Correspondence. 14 vols. Eds. Foot, M.R.D. (vols. 1 and 2), Foot, M.R.D. and Matthew, H.C.G. (vols. 3 and 4), Matthew, H.C.G. (vols. 5–14). Oxford: Oxford University Press, 1968–1994.CrossRefGoogle Scholar
Gladstone, William Ewart. “The Hellenic Factor in the Eastern Problem.” Contemporary Review 29 (December 1876): 127. ProQuest British Periodicals (2008).Google Scholar
Gladstone, William Ewart. “Kyrie Eleison.” Music by W.E. Gladstone. Notes by Walford Davies. London: Novello, [1933].
Gladstone, William Ewart. The State in Its Relations with the Church. 1838. 2nd edn. London: John Murray, 1839.Google Scholar
Gladstone, William Ewart. “Tennyson.” Gleanings of Past Years, 1848–78. Vol. 2: Personal and Literary. London: Murray, 1879. 131–79.Google Scholar
Gladstone, William Ewart and Leveson-Gower, Granville George. The Political Correspondence of Mr. Gladstone and Lord Granville, 1876–1886. Ed. Ramm, Agatha. 2 vols. Oxford: Oxford University Press, 1961.Google Scholar
Gladstone, William Henry. Preface. On Purity in Musical Art. By Thibaut, Anton Friedrich Justus. 1825. Trans. Gladstone, W.H.. London: Murray, 1877. ixxvii.Google Scholar
Gore, Charles. “The Holy Spirit and Inspiration.” Lux Mundi: A Series of Studies in the Religion of the Incarnation. Ed. Gore, Charles. London: Murray, 1889. 315–62.Google Scholar
Grant Duff, Mountstuart E. Notes from a Diary, 1873–1881. 2 vols. London: Murray, 1898.Google Scholar
The Great Handel Festival at the Crystal Palace.” Musical Times 8 (1 July 1857): 72.
Green, Thomas Hill. Lectures on the Principles of Political Obligation. London: Longmans, Green, 1895.Google Scholar
Green, Thomas Hill. Prolegomena to Ethics. Ed. Bradley, A.C.. Oxford: Oxford University Press, 1883.Google Scholar
Grove, George. “The Royal College of Music.” The Strand Musical Magazine 1 (January–June 1895): 82–9.Google Scholar
Hallam, Arthur Henry. “On Some of the Characteristics of Modern Poetry, and on the Lyrical Poems of Alfred Tennyson.” Englishman’s Magazine 1 (August 1831): 616–28. Rpt in Victorian Scrutinies: Reviews of Poetry, 1830–1870. Ed. Armstrong, Isobel. London: Athlone, 1972. 84101.Google Scholar
Hallé, Charles. Life and Letters of Sir Charles Hallé. Eds Hallé, C.E. and Hallé, Marie. London: Smith, Elder, 1896.Google Scholar
Hamilton, Edward. The Diary of Sir Edward Walter Hamilton, 1880–1885. Ed. Bahlman, Dudley W.R.. 2 vols. Oxford: Oxford University Press, 1972.Google Scholar
Handel’s ‘Solomon’.” The Athenæum 2460 (19 December 1874): 837–8.
Harcourt, Lewis. Loulou: Selected Extracts from the Journals of Lewis Harcourt (1880–1895). Ed. Jackson, Patrick. Madison, NJ: Fairleigh Dickson University Press, 2006.Google Scholar
Hart, Horace. Annals of Grillion’s Club. Oxford: Printed for the club at the University Press, 1914.Google Scholar
Hatchard, Goodwin Mrs.. Eight Years’ Experience of Mothers’ Meetings. London: Hatchards, 1871.Google Scholar
Hayward, A. Lady Palmerston: A Biographical Sketch. Privately printed, June 1872. Rpt from the Times (15 September 1869). CUL shelfmark Acton.d.25.1063.
Hill, Octavia. District Visiting. London: Longmans, Green, 1877.Google Scholar
Hill, Octavia. “The Work of Volunteers in the Organization of Charity.” Macmillan’s Magazine 26 (October 1872): 441–9.Google Scholar
Holland, Henry Scott. A Forty Years’ Friendship: Letters from the Late Henry Scott Holland to Mrs. Drew. Ed. Ollard, S.L.. London: Nisbet, 1919.Google Scholar
Holland, Henry Scott and Rockstro, W.S.. Memoir of Madame Jenny Lind-Goldschmidt: Her Early Art-Life and Dramatic Career, 1820–1851. 2 vols. London: John Murray, 1891.Google Scholar
Houghton, Lord. “Harriet Lady Ashburton.” Monographs Personal and Social. 2nd edn. London: John Murray, 1873. 225–57.Google Scholar
Illingworth, Agnes Louisa, ed. The Life and Work of John Richardson Illingworth, M.A., D.D. Preface by Gore, Charles. London: John Murray, 1917.Google Scholar
James, Henry. The Bostonians. 1885–86. Ed. Anderson, Charles R.. 1984; London: Penguin, 1988.Google Scholar
James, Henry. “Daniel Deronda: A Conversation.” 1876. The Great Tradition. By Leavis, F.R.. 1948. London: Chatto & Windus, 1955. 249–66.Google Scholar
James, Henry. Preface. The Tragic Muse. 2 vols. New York: Scribner’s, 1908. 1: vxxii.Google Scholar
Jane Welsh Carlyle.” Chambers’s Journal 896 (26 February 1881): 135–7.
Joachim, Joseph. Letters From and to Joseph Joachim. Selected and trans. Bickley, Nora. Preface Fuller-Maitland, J.A.. London: Macmillan, 1914.Google Scholar
Johnson, Randal. Editor’s Introduction: “Pierre Bourdieu on Art, Literature and Culture.” The Field of Cultural Production: Essays on Art and Literature. By Bourdieu, Pierre. Ed. Johnson, Randal. Cambridge: Polity, 1993. 125.Google Scholar
Johnston, John Octavius. Life and Letters of Henry Parry Liddon. Conclusion by Paget, Francis. London: Longmans, Green, 1904.Google Scholar
Kilbracken, Arthur Godley. Reminiscences of Lord Kilbracken. London: Macmillan, 1931.Google Scholar
Lee, Elizabeth. Wives of the Prime Ministers. Contributions by Mrs. [Lucy] Masterman, C.F.G.. London: Nisbet, 1918.Google Scholar
Lee, Vernon. Miss Brown. 3 vols. Edinburgh: Blackwood, 1884.Google Scholar
Leslie, Henry David.” Obit. The Musical Times 10 (January–June 1896): 148.
Liszt, Franz. Liszt’s Chopin. 1851. Trans. and intro. Hughes, Meirion. Manchester: Manchester University Press, 2010.Google Scholar
Lock, Walter. “The Church.” Lux Mundi: A Series of Studies in the Religion of the Incarnation. Ed. Gore, Charles. London: Murray, 1889. 365402.Google Scholar
Lyttelton, Alfred. Letters of Alfred Lyttelton. [Title on spine: A.L. to M.G.: 1868–1911. ] Privately printed, [1913]. BL shelfmark
Lyttelton, Edward. Alfred Lyttelton: His Home-Training and Earlier Life. London: Privately printed, [1915?]. BL shelfmark 10861.c.21.Google Scholar
Lyttelton, Edward. Memories and Hopes. London: John Murray, 1925.Google Scholar
Lyttelton, W.H.Laughter: A Contribution to the Morals of the Subject.” Good Words, X (1 July 1869): 482–9.Google Scholar
Mallet, Charles. Herbert Gladstone: A Memoir. London: Hutchinson, 1932.Google Scholar
March-Phillipps, Lisle and Christian, Bertram, eds. Some Hawarden Letters 1876–1913: Written to Mrs. Drew (Miss Mary Gladstone) before and after Her Marriage. London: Nisbet, 1917.Google Scholar
“Mary Drew.” Obit. Time and Tide (15 April 1927): 356–7.
Massey, Gerald. “American Humour.” North British Review LXIII (November 1860): 461–85.Google Scholar
“Mdlle. Janotha’s Concert.” The Musical Times (1 April 1891): 217.
Meredith, George. The Notebooks of George Meredith. Eds. Beer, Gillian and Harris, Margaret. Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1983.Google Scholar
Miles, Alfred H., ed. Lords and Commons (Liberal). London: Simpkin, Marshall, [1886].Google Scholar
Morley, John. The Life of William Ewart Gladstone. 3 vols. London: Macmillan, 1903.Google Scholar
Mother, A. Bright Glimpses for Mothers’ Meetings. Intro. Vores, Thomas. London: Nisbet, 1868.Google Scholar
Neapolitan Justice.” The Edinburgh Review 94.192 (October 1851): 490526.
Newmarch, Rosa. Mary Wakefield: A Memoir. Kendal: Atkinson and Pollitt, 1912.Google Scholar
Oliphant, Margaret. Miss Marjoribanks. 1866. Ed. Jay, Elisabeth. London: Penguin, 1998.Google Scholar
Paget, Francis. Christ the Way: Four Addresses Given at Haileybury, January 11 and 12, 1902. London: Longmans, 1902.Google Scholar
Paget, Stephen. Henry Scott Holland: Memoir and Letters. New York: Dutton, 1921.Google Scholar
Paget, Stephen and Crum, J.M.C.. Francis Paget. London: Macmillan, 1912.Google Scholar
Parry, C. Hubert H. Studies of Great Composers. London: Routledge, 1887.Google Scholar
Pater, Walter. The Renaissance: Studies in Art and Poetry. 3rd edn. London: Macmillan, 1888.Google Scholar
Patmore, Coventry. The Angel in the House. London: Parker, 1858.Google Scholar
Patmore, Coventry. “Essay on English Metrical Law.” 1856. Rpt in Coventry Patmore’s “Essay on English Metrical Law”: A Critical Edition with a Commentary. By Roth, Mary Augustine. Washington, D.C.: The Catholic University of America Press, 1961.Google Scholar
“The Phonograph at the Royal Institution.” The Graphic (16 March 1878): 262.
Ponsonby, Mary Elizabeth. Mary Ponsonby: A Memoir, Some Letters and a Journal. Ed. Ponsonby, Magdalen. London: John Murray, 1927.Google Scholar
Ponsonby, Mary Elizabeth. “The Rôle of Women in Society, I. In Eighteenth-Century France. ” The Nineteenth Century and After 48.286 (1900): 941–54.Google Scholar
Ponsonby, Mary Elizabeth. “The Rôle of Women in Society, II. In Nineteenth-Century England.” The Nineteenth Century and After 49.287 (1901): 6476.Google Scholar
Portraits of Celebrities at Different Times of Their Lives: Mrs. Harry Drew.” The Strand Magazine xiv.81 (September 1897): 297.
Rawnsley, Willingham Franklin. Memories of the Tennysons. Ed. Rawnsley, H.D.. 1900. 2nd edn. Glasgow: MacLehose, 1912.Google Scholar
“Richard Wagner Testimonial.” The Musical Times (30 June 1877): 445.
Rosa (Rose), Carl August Nicolas.” Grove’s Dictionary of Music and Musicians. Ed. Fuller Maitland, J.A.. 5 vols. Philadelphia: Theodore Presser, 1922. 4: 139–40.Google Scholar
Rowley, Henry. Is It Nothing to You? (Social Purity.) A Grave Moral Question for Men and Women. London: Hamilton, Adams, 1884.Google Scholar
Royal College of Music. Music in England: The Proposed Royal College of Music: Three Addresses Delivered by H.R.H. The Duke of Edinburgh, H.R.H. The Duke of Albany, and H.R.H. Prince Christian, at the Free Trade Hall, Manchester, Dec. 12, 1881. London: Murray, 1882.
Ruskin, John. Letters to M.G. & H.G. Preface Wyndham, G.. Edinburgh: Privately printed, 1903. CUL shelfmark Syn.7.90.20.Google Scholar
Ruskin, John. The Works of John Ruskin. Eds. Cook, E.T. and Wedderburn, Alexander. 39 vols. Library edn. London: Allen, 1903–12.Google Scholar
Russell, George W.E. Harry Drew: A Memorial Sketch. Oxford: Oxford University Press, 1911.Google Scholar
Schlüter, Auguste. A Lady’s Maid in Downing Street. Ed. Duncan, Mabel. London: Fisher Unwin, 1922.Google Scholar
Scholes, Percy A.German Opera.” The Mirror of Music, 1844–1944: A Century of Musical Life in Britain as Reflected in the Pages of the Musical Times. 2 vols. London: Novello, 1947. 1: 250–8.Google Scholar
Scientific.” Australasian and American Home News (9 March 1878) [New York]. In Digital Edition. The Thomas Edison Papers. MBSB10395X.
Shakespeare, William. Hamlet. In The Plays of William Shakespeare. Ed. Steevens, George. New edn. 10 vols. London: J. Nichols and Son, 1811. 10: 113252.Google Scholar
Sheppard, Elizabeth Sara. Charles Auchester. 1853. London: Dent, 1911.Google Scholar
Shorthouse, J. Henry. John Inglesant: A Romance. 1881. London: Macmillan, 1883.Google Scholar
Shorthouse, J. Henry. “A Teacher of the Violin.” 1887. A Teacher of the Violin and Other Tales. London: Macmillan, 1888. 3115.Google Scholar
Small Meetings in the North Hall.” Cambridge Letter and List of Members, 1881: Old Newnham Students’ Club. Cambridge: Privately printed, 1881. 710. NCA.
Smith, George Barnett. The Life of the Right Honourable William Ewart Gladstone. 6 vols. London: Cassell, [1879].Google Scholar
Stainer, John. “Church Music.” Authorised Report of the Church Congress. Leeds: Leeds Church Congress, 1872. 334–9.Google Scholar
Stanford, C.V.Music, Tennyson, and Joachim.” Tennyson and His Friends. Ed. Tennyson, Hallam. London: Macmillan, 1911. 272–9.Google Scholar
Stanford, C.V. Studies and Memories. London: Constable, 1908.Google Scholar
Stoker, Bram. Personal Reminiscences of Henry Irving. 2 vols. London: Heinmann, 1906.Google Scholar
Swinburne, Algernon Charles. Poems and Ballads. London: Hotten, 1866.Google Scholar
Symonds, John Addington. “Recollections of Lord Tennyson. An Evening at Thomas Woolner’s.” Century Magazine xlvi (May 1893): 32–7.Google Scholar
Talbot, Edward S.Preparation in History for Christ.” Lux Mundi: A Series of Studies in the Religion of the Incarnation. Ed. Gore, Charles. London: Murray, 1889. 129–78.Google Scholar
Tennyson, Alfred. Harold: A Drama. London: King, 1877.Google Scholar
Tennyson, Alfred. Poems. 16th edn. London: Moxon, 1864.Google Scholar
Tennyson, Alfred. The Poetic and Dramatic Works of Alfred, Lord Tennyson. Cambridge edn. Boston: Houghton Mifflin, [c.1898].Google Scholar
Tennyson, Emily. Emily Tennyson’s Journal. Ed. and intro. Hoge, James O.. Charlottesville: University Press of Virginia, 1981.Google Scholar
Tennyson, Emily. The Farringford Journal of Emily Tennyson, 1853–1864. Eds. Hutchings, Richard J. and Hinton, Brian. Newport, England: Isle of Wight County Press, 1986.Google Scholar
Tennyson, Hallam. Alfred Lord Tennyson: A Memoir by His Son. 2 vols. 1897. New York: Macmillan, 1898.Google Scholar
Tennyson, Hallam. “Proof of ‘The Tennyson Settlement’.” The Nineteenth Century (October 1889): 17.
Tennyson, Hallam. Ed. Tennyson and His Friends. London: Macmillan, 1911.Google Scholar
Tennyson Family. Letters to a Tutor: The Tennyson Family Letters to Henry Graham Dakyns (1861–1911) with the Audrey Tennyson Death-Bed Diary. Ed. Peters, Robert. Metuchen, NJ: Scarecrow, 1988.Google Scholar
Thayer, William Roscoe. Hesper: An American Drama. Cambridge, MA: Harvard University Press, 1888.Google Scholar
Thibaut, Anton Friedrich Justus. On Purity in Musical Art. 1825. Trans. Gladstone, W.H.. London: Murray, 1877.Google Scholar
Thirlwall, Connop. Letters to a Friend. Ed. Stanley, Arthur Penrhyn. London: Bentley, 1881.Google Scholar
Thomson, Basil. Forward. A Lady’s Maid in Downing Street. By Schlüter, Auguste. Ed. Duncan, Mabel. London: Fisher Unwin, 1922. 511.Google Scholar
Toole, J.L. Reminiscences of J.L. Toole. Ed. Hatton, Joseph. 2 vols. London: Routledge, 1889.Google Scholar
Warren, Margaret Leicester (Lady Cowell Stepney). Diaries. 2 vols. Privately printed, 1924. BL shelfmark 010855e35.
Wells, Carolyn, ed. A Satire Anthology. 1905. Rpt Freeport, NY: Books for Libraries Press, 1970.Google Scholar
White, Maude Valérie. Friends and Memories. London: Arnold, 1914.Google Scholar
Wickham, E.C. “Mr. Gladstone as Seen from Near at Hand.” Good Words (July 1898): 480–3.
Wilde, Oscar. “The Critic as Artist.” 1890. Rev. 1891. Oscar Wilde: The Major Works. Ed. Murray, Isobel. Oxford: Oxford University Press, 1989. 241–97.Google Scholar
Williamson, David. Gladstone, the Man: A Non-Political Biography. London: Bowden, 1898.Google Scholar
Wollstonecraft, Mary. A Vindication of the Rights of Woman: An Authoritative Text, Backgrounds, Criticism. Ed. Poston, Carol H.. New York: Norton, 1975.Google Scholar
Wordsworth, William. The Poetical Works of William Wordsworth. New edn. 6 vols. London: Moxon, 1887.Google Scholar

Secondary Sources

Aitken, Ros. The Prime Minister’s Son: Stephen Gladstone, Rector of Hawarden. Chester: University of Chester Press, 2012.Google Scholar
Allis, Michael. British Music and Literary Context: Artistic Connections in the Long Nineteenth Century. Woodbridge, Suffolk: Boydell & Brewer, 2012.Google Scholar
Allis, Michael. “Musical Reactions to Tennyson: Reformulating Musical Imagery in ‘The Lotos-Eaters’.” The Figure of Music in Nineteenth-Century British Poetry. Ed. Weliver, Phyllis. Aldershot: Ashgate, 2005. 132–73.Google Scholar
Amigoni, David. “Victorian Life Writing: Genres, Print, Constituencies.” Life Writing and Victorian Culture. Ed. Amigoni, David. Aldershot: Ashgate, 2006. 119.Google Scholar
Anderson, Amanda. Bleak Liberalism. Chicago: University of Chicago Press, 2016.Google Scholar
Anderson, Amanda. “Character and Ideology: The Case of Cold War Liberalism.” New Literary History 42 (2011): 209–29.CrossRefGoogle Scholar
Anderson, Amanda. “The Liberal Aesthetic.” Theory after “Theory.” Eds. Attredge, Derek and Elliott, Jane. New York: Routledge, 2011.Google Scholar
Anderson, Amanda. “Postwar Aesthetics: The Case of Trilling and Adorno.” Critical Inquiry 40.4. Around 1948: Interdisciplinary Approaches to Global Transformation. Eds. Gandhi, Leela and Nelson, Deborah L.. (Summer 2014): 418–38.CrossRefGoogle Scholar
Arendt, Hannah. “On Humanity in Dark Times: Thoughts about Lessing.” Trans. Clara, and Winston, Richard. In Men in Dark Times. 1955. London: Penguin, 1973. 1138.Google Scholar
Ashton, Rosemary, ed. George Eliot: Selected Critical Writings. Oxford: Oxford University Press, 1992.Google Scholar
Atlas, Allan W.Lord Arthur’s ‘Infernals’: Balfour and the Concertina.” The Musical Times 149.1904 (Autumn 2006): 3551.CrossRefGoogle Scholar
Attridge, Derek. “Beat.” The Oxford Handbook of Victorian Poetry. Ed. Bevis, Matthew. Oxford: Oxford University Press, 2013. 3655.Google Scholar
Bashford, Christina. “Learning to Listen: Audiences for Chamber Music in Early-Victorian London.” Journal of Victorian Culture 4 (1999): 2551.CrossRefGoogle Scholar
Bashford, Christina. “Not Just ‘G.’: Towards a History of the Programme Note.” George Grove, Music and Victorian Culture. Ed. Musgrave, Michael. Basingstoke: Palgrave Macmillan, 2003. 115–42.Google Scholar
Bashford, Christina. The Pursuit of High Culture: John Ella and Chamber Music in Victorian London. Woodbridge, Suffolk: Boydell & Brewer, 2007.Google Scholar
Barrett, Gladys. Blackfriars Settlement: A Short History, 1887–1987. London: Blackfriars Settlement, 1985.Google Scholar
Battiscombe, Georgina. Mrs. Gladstone: The Portrait of a Marriage. London: Constable, 1956.Google Scholar
Beauman, Katharine Bentley. Women and the Settlement Movement. London: Radcliffe, 1996.Google Scholar
Bebbington, David. The Mind of Gladstone: Religion, Homer, and Politics. Oxford: Oxford University Press, 2004.CrossRefGoogle Scholar
Beer, Gillian. Introduction. Jabberwocky and Other Nonsense: Collected Poems. By Carroll, Lewis. Ed. Beer, Gillian. London: Penguin, 2012. xixxxv.Google Scholar
Beer, Gillian. Meredith: A Change of Masks: A Study of the Novels. London: Athlone, 1970.Google Scholar
Benhabib, Seyla. “The Pariah and Her Shadow: Hannah Arendt’s Biography of Rahel Varnhagen.” Feminist Interpretations of Hannah Arendt. Ed. Honig, Bonnie. University Park: Pennsylvania State University Press, 1995. 83104.Google Scholar
Benhabib, Seyla. Situating the Self: Gender, Community and Postmodernism in Contemporary Ethics. Cambridge: Polity, 1992.Google Scholar
Bentley, Michael. The Climax of Liberal Politics: British Liberalism in Theory and Practice 1868–1918. London: Edward Arnold, 1987.Google Scholar
Bentley, Michael. “Gladstone’s Heir.” The English Historical Review 107.425 (October 1992): 901–24.Google Scholar
Biagini, Eugenio F. Liberty, Retrenchment and Reform: Popular Liberalism in the Age of Gladstone, 1860–1880. Cambridge: Cambridge University Press, 1992.Google Scholar
Binfield, Clyde. “‘I suppose you are not a Baptist or a Roman Catholic?’: Nonconformity’s True Conformity.” Victorian Values. Ed. Smout, T.C.. Proceedings of the British Academy 78. Oxford: Oxford University Press for the British Academy, 1992. 81107.Google Scholar
Bourdieu, Pierre. The Field of Cultural Production: Essays on Art and Literature. Ed. Johnson, Randal. Cambridge: Polity, 1993.Google Scholar
Broomfield, Andrea. Food and Cooking in Victorian England: A History. Westport, Connecticut: Praeger, 2007.Google Scholar
Brown, Hilary and Dow, Gillian, eds. Readers, Writers, Salonnières: Female Networks in Europe, 1700–1900. European Connections. Vol. 31. Pieterlen, Switzerland: Peter Lang, 2011.Google Scholar
Bunker, Suzanne L. and Huff, Cynthia A.. “Issues in Studying Women’s Diaries: A Theoretical and Critical Introduction.” Inscribing the Daily: Critical Essays on Women’s Diaries. Eds. Bunker, Suzanne L. and Huff, Cynthia A.. Amherst: University of Massachusetts, 1996. 120.Google Scholar
Burrow, J.W. The Crisis of Reason: European Thought, 1848–1914. New Haven: Yale University Press, 2000.Google Scholar
Bushell, Sally. Text as Process: Creative Composition in Wordsworth, Tennyson, and Dickinson. Charlottesville: University of Virginia Press, 2009.Google Scholar
Cannadine, David. Class in Britain. New Haven: Yale University Press, 1998.Google Scholar
Cannadine, David. “Mr. Gladstone, Carlton House Terrace, and the Mind of a Statesman.” British Academy Review 19 (January 2012): 50–7.Google Scholar
Carter, Kathryn. “The Cultural Work of Diaries in Mid-Century Victorian Britain.” Victorian Review 23.2 (Winter 1997): 250–67.Google Scholar
Cave, Terrance. Introduction. Daniel Deronda. London: Penguin, 1995. ixxxxv.Google Scholar
Chadwick, Owen. Acton and Gladstone. London: University of London and The Athlone Press, 1976.Google Scholar
Clarke, Celia and Musgrave, Michael. “George Grove the Man.” George Grove, Music and Victorian Culture. Ed. Musgrave, Michael. Basingstoke: Palgrave Macmillan, 2003. 2339.Google Scholar
Clarke, Peter. Liberals and Social Democrats. Cambridge: Cambridge University Press, 1978.CrossRefGoogle Scholar
Collini, Stefan. Arnold. Oxford: Oxford University Press, 1988.Google Scholar
Collins, K.K., ed. George Eliot: Interviews and Recollections. Basingstoke: Palgrave Macmillan, 2010.CrossRefGoogle Scholar
Cox, Gordon. A History of Music Education in England, 1872–1928. Aldershot: Scolar, 1993.Google Scholar
Crosby, Travis L. The Two Mr. Gladstones: A Study in Psychology and History. New Haven: Yale University Press, 1997.Google Scholar
Cunningham, Valentine. Victorian Poetry Now: Poets, Poems and Poetics. Chichester: Blackwell, 2011.CrossRefGoogle Scholar
da Sousa Correa, Delia. George Eliot, Music and Victorian Culture. Basingstoke: Palgrave Macmillan, 2003.CrossRefGoogle Scholar
da Sousa Correa, Delia. “Goddesses of Instruction and Desire: Ruskin and Music.” Ruskin and the Dawn of the Modern. Ed. Birch, Dinah. Oxford: Oxford University Press, 1999. 111–30.Google Scholar
Dayan, Peter. Music Writing Literature, from Sand via Debussy to Derrida. Aldershot: Ashgate, 2006.Google Scholar
Dearden, James S. John Ruskin: A Life in Pictures. Sheffield: Sheffield Academic Press, 1999.Google Scholar
De Man, Paul. “The Rhetoric of Blindness: Jacques Derrida’s Reading of Rousseau.” Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism. London: Methuen, 1986. 102–41.Google Scholar
D’Ezio, Marianna. “Literary and Cultural Intersections between British and Italian Women Writers and Salonnières during the Eighteenth Century.” Readers, Writers, Salonnières: Female Networks in Europe, 1700–1900. Eds. Brown, Hilary and Dow, Gillian. Oxford: Peter Lang, 2011. 1129.Google Scholar
Dibble, Jeremy. Charles Villiers Stanford: Man and Musician. Oxford: Oxford University Press, 2002.Google Scholar
Dibble, Jeremy. C. Hubert H. Parry: His Life and Music. Oxford: Oxford University Press, 1992.Google Scholar
Dibble, Jeremy. “Edward Dannreuther and the Orme Square Phenomenon.” Music and British Culture, 1785–1914: Essays in Honour of Cyril Ehrlich. Eds. Bashford, Christina and Langley, Leanne. Oxford: Oxford University Press, 2000. 275–98.Google Scholar
Dibble, Jeremy. John Stainer: A Life in Music. Woodbridge: Boydell, 2007.Google Scholar
Dibble, Jeremy. “Musical Trends and the Western Church: A Collision of the ‘Ancient’ and ‘Modern’.” The Cambridge History of Christianity: Vol. 8, World Christianities c.1815–c.1914. Eds. Gilley, Sheridan and Stanley, Brian. Cambridge: Cambridge University Press, 2006. 121–35.Google Scholar
Dibble, Jeremy. “Parry as Historiographer.” Nineteenth-Century British Music Studies. Vol. 1. Ed. Zon, Bennett. Aldershot: Ashgate, 1999. 3741.Google Scholar
Dibble, Jeremy. “Parry’s Guenever: Trauma and Catharsis.” King Arthur in Music. Ed. Barber, Richard W.. Woodbridge, Suffolk: Boydell & Brewer, 2002. 3550.Google Scholar
Dow, Gillian, ed. Women’s Writing. Special issue: Women Readers in Europe: Readers, Writers, Salonnières, 1750–1900. 18.1 (February 2011).CrossRef
Dowling, Linda. The Vulgarization of Art: The Victorians and Aesthetic Democracy. Charlottesville: University Press of Virginia, 1996.Google Scholar
Eger, Elizabeth. Bluestockings: Women of Reason from Enlightenment to Romanticism. Basingstoke: Palgrave Macmillan, 2010.CrossRefGoogle Scholar
Eger, Elizabeth. Ed. Bluestockings Displayed: Portraiture, Performance and Patronage, 1730–1830. Cambridge: Cambridge University Press, 2013.CrossRefGoogle Scholar
Eger, Elizabeth and Peltz, Lucy. Brilliant Women: 18th-Century Bluestockings. New Haven: Yale University Press, 2008.Google Scholar
Egremont, Max. Balfour: A Life of Arthur James Balfour. London: Collins, 1980.Google Scholar
Eley, Geoff. “Nations, Publics, and Political Cultures: Placing Habermas in the Nineteenth Century.” Habermas and the Public Sphere. Ed. Calhoun, Craig. Cambridge, MA: MIT Press, 1992. 289339.Google Scholar
Ellenberger, Nancy W. Balfour’s World: Aristocracy and Political Culture at the Fin de Siècle. Woodbridge: Boydell, 2015.Google Scholar
Ellmann, Richard. “The Critic as Artist as Wilde.” The Artist as Critic. By Wilde, Oscar. Ed. Ellmann, Richard. Random House, 1968, 1969. Rpt in Oscar Wilde: A Collection of Critical Essays. Ed. Freedman, Jonathan. Upper Saddle River, NJ: Prentice-Hall, 1996. 23–35.Google Scholar
Elwyn-Jones, Frederick. In My Time: An Autobiography. London: Weidenfeld and Nicolson, 1983.Google Scholar
Feldman, Martha and Gordon, Bonnie, eds. The Courtesan’s Arts: Cross-Cultural Perspectives. Oxford: Oxford University Press, 2006.Google Scholar
Fitzgerald, Penelope. Edward Burne-Jones: A Biography. London: Michael Joseph, 1975.Google Scholar
Fletcher, Sheila. “Gladstone’s Daughter.” 2001. Incomplete MS. BL shelfmark YA.2003.b.1832
Fletcher, Sheila. “Talbot, Lavinia (1849–1939).” Oxford Dictionary of National Biography. Ed. Matthew, H.C.G. and Harrison, Brian. Oxford: Oxford University Press, 2004. Online edn. Ed. Goldman, Lawrence. May 2006. 8 August 2014. Scholar
Fletcher, Sheila. Victorian Girls: Lord Lyttelton’s Daughters. London: Hambledon, 1997.Google Scholar
Foucault, Michel. The Order of Things: Archaeology of the Human Sciences. 1966. Trans. 1970. New York: Random House, 1970.Google Scholar
Fuhrmann, Wolfgang. “Private Space, Homeliness, Intimacy: Listening to (and Performing) Music in the Domestic Space during the 19th Century.” Oxford Handbook for the History of Music Listening in the 19th and 20th Centuries. Eds. Thorau, Christian and Ziemer, Hansjakob. Oxford: Oxford University Press, in press.
Fuller, Sophie. “Elgar and the Salons: The Significance of a Private Musical World.” Elgar and His World. Ed. Adams, Byron. Princeton: Princeton University Press, 2007. 223–47.Google Scholar
Gagnier, Regina. Subjectivities; A History of Self-Representation in Britain, 1832–1920. Oxford: Oxford University Press, 1991.Google Scholar
Gatens, William J. Victorian Cathedral Music in Theory and Practice. Cambridge: Cambridge University Press, 1986.Google Scholar
Girouard, Mark. Life in the English Country House: A Social and Architectural History. 1978. London: Penguin, 1980.Google Scholar
Gooddie, Sheila. Mary Gladstone: A Gentle Rebel. Chichester: Wiley, 2003.Google Scholar
Goozé, Marjanne E.Mimicry and Influence: The ‘French’ Connection and the Berlin Jewish Salon.” Readers, Writers, Salonnières: Female Networks in Europe, 1700–1900. Eds. Brown, Hilary and Dow, Gillian. Oxford: Peter Lang, 2011. 4971.Google Scholar
Gray, Beryl. George Eliot and Music. London: Macmillan, 1989.CrossRefGoogle Scholar
Greengarten, I.M. Thomas Hill Green and the Development of Liberal-Democratic Thought. Toronto: University of Toronto Press, 1981.Google Scholar
Griffiths, Eric. The Printed Voice of Victorian Poetry. Oxford: Oxford University Press, 1989.Google Scholar
Habermas, Jürgen. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. 1962. Trans. Burger, Thomas with Lawrence, Frederick. 1989. Boston: MIT Press, 1991.Google Scholar
Hadley, Elaine. Living Liberalism: Practical Citizenship in Mid-Victorian Britain. Chicago: University of Chicago Press, 2010.CrossRefGoogle Scholar
Hall, Newman. An Autobiography. London: Cassell, 1898.Google Scholar
Harris, Jose. Private Lives, Public Spirit: A Social History of Britain, 1870–1914. Oxford: Oxford University Press, 1993.Google Scholar
Harris, Susan K. The Cultural Work of the Late Nineteenth-Century Hostess: Annie Adams Fields and Mary Gladstone Drew. Basingstoke: Palgrave Macmillan, 2002.CrossRefGoogle Scholar
Hay, Daisy. Mr. and Mrs. Disraeli: A Strange Romance. London: Chatto & Windus, 2015.Google Scholar
Helsinger, Elizabeth. “Song’s Fictions.” The Yearbook of English Studies 40.1–2 (June 2010): 141–59.Google Scholar
Hewitt, Martin. “Diary, Autobiography and the Practice of Life History.” Life Writing and Victorian Culture. Ed. Amigoni, David. Aldershot: Ashgate, 2006. 2139.Google Scholar
Hibberd, Sarah. Introduction. Melodramatic Voices: Understanding Music Drama. Ed. Hibberd, Sarah. Farnham: Ashgate, 2011. 111.Google Scholar
Hilderley, Janet. Mrs. Catherine Gladstone: “A Woman Not Quite of Her Time.” Brighton: Alpha, 2013.Google Scholar
Himmelfarb, Gertrude. Poverty and Compassion: The Moral Imagination of the Late Victorians. New York: Knopf, 1991.Google Scholar
Houseman, Victoria. “Mary Gladstone and the Keble College Group: The Transformation of the Victorian Episcopate.” Unpublished PhD dissertation. Washington University in Saint Louis, 2004.
Hughes, Linda K.A Club of Their Own: The ‘Literary Ladies,’ New Women Writers, and Fin-de-Siècle Authorship.” Victorian Literature and Culture 35.1 (2007): 233–60.CrossRefGoogle Scholar
Hughes, Meirion. “‘A Thoroughgoing Modern’: Elgar Reception in the Manchester Guardian, 1896–1908.” British Music and Modernism, 1895–1960. Ed. Riley, Matthew. Farnham: Ashgate, 2010. 3148.Google Scholar
Hughes, Meirion and Stradling, Robert. The English Musical Renaissance, 1840–1940: Constructing a National Music. 1993. 2nd edn. Manchester: Manchester University Press, 2001.Google Scholar
Hutchison, Hazel. “Eye Rhyme: Visual Experience and the Poetics of Gerard Manley Hopkins.” Victorian Poetry 49.2 (Summer 2011): 217–33.CrossRefGoogle Scholar
Jarvis, Simon. “Thinking in Verse.” The Cambridge Companion to British Romantic Poetry. Eds. Chandler, James and McLane, Maureen N.. Cambridge: Cambridge University Press, 2008. 98116.CrossRefGoogle Scholar
Jenkins, Roy. Gladstone. London: Macmillan, 1995.Google Scholar
Jones, Ewan and Weliver, Phyllis. “‘The Princess’ and the Tennysons’ Constructions of Childhood.” The Edinburgh Companion to Literature and Music. Ed. da Sousa Correa, Delia. Edinburgh: Edinburgh University Press, in press.
Kale, Steven D. French Salons: High Society and Political Sociability from the Old Regime to the Revolution of 1848. Baltimore: Johns Hopkins University Press, 2004.Google Scholar
Kramer, Lawrence. Classical Music and Postmodern Knowledge. Berkeley: University of California Press, 1995.Google Scholar
Landow, George. The Aesthetic Critical Theories of John Ruskin. Princeton: Princeton University Press, 1971.Google Scholar
Langfield, Valerie. “The Family von Glehn.” Nineteenth-Century British Music Studies. Vol. 3. Eds. Horton, Peter and Zon, Bennett. Aldershot: Ashgate, 2003. 273–93.Google Scholar
Langford, Paul. Englishness Identified: Manners and Character, 1650–1850. Oxford: Oxford University Press, 2000.Google Scholar
Lawrence, Jon. Electing Our Masters: The Hustings in British Politics from Hogarth to Blair. Oxford: Oxford University Press, 2009.CrossRefGoogle Scholar
Leavis, F.R. The Great Tradition. 1948. London: Chatto & Windus, 1955.Google Scholar
Ledbetter, Kathryn. Tennyson and Victorian Periodicals: Commodities in Context. Aldershot: Ashgate, 2007.Google Scholar
Leighton, Angela. “On ‘the hearing ear’: Some Sonnets of the Rossettis.” Victorian Poetry 47.3 (Fall 2009): 505–16.Google Scholar
Leighton, Denys P. The Greenian Moment: T.H. Green, Religion and Political Argument in Victorian Britain. Exeter: Imprint Academia, 2004.Google Scholar
Lévi-Strauss, Claude. The Raw and the Cooked. Trans. John, and Weightman, Doreen. London: Cape, 1969.Google Scholar
Lubenow, William C. Liberal Intellectuals and Public Culture in Modern Britain, 1815–1914: Making Words Flesh. Woodbridge: Boydell, 2010.Google Scholar
MacCarthy, Fiona. The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination. 2011. London: Faber, 2012.CrossRefGoogle Scholar
Martin, John. “Talbot, Dame Meriel Lucy (1866–1956).” Oxford Dictionary of National Biography. Oxford University Press, 2004. 30 July 2016. Scholar
Martin, Robert. The Triumph of Wit. Oxford: Oxford University Press, 1974.Google Scholar
Masterman, Lucy. “Lucy Cavendish.” Draft biography. [1967?]. 251 pp ts. LCCA/LP 8/5.
Masterman, Lucy. “Mary and Her Family.” Mary Gladstone (Mrs Drew): Her Diaries and Letters. By Gladstone, Mary. Ed. Masterman, Lucy. London: Methuen, 1930. 17.Google Scholar
Matthew, H.C.G. Gladstone: 1809–1874. Oxford: Oxford University Press, 1986.Google Scholar
Matthew, H.C.G. Gladstone: 1875–1898. Oxford: Oxford University Press, 1995.Google Scholar
Matthew, H.C.G. Introduction. The Gladstone Diaries: With Cabinet Minutes and Prime–Ministerial Correspondence. Ed. Matthew, H.C.G.. Vol. 10. Oxford: Oxford University Press, 1990. xxviicxcii.Google Scholar
McCormack, Kathleen. George Eliot in Society: Travels Abroad and Sundays at the Priory. Columbus: The Ohio State University Press, 2013.Google Scholar
McKelvy, William R. The English Cult of Literature: Devoted Readers, 1774–1880. Charlottesville: University of Virginia Press, 2007.Google Scholar
Metzner, Paul. Crescendo of the Virtuoso: Spectacle, Skill, and Self-Promotion in Paris during the Age of Revolution. Berkeley: University of California Press, 1998.Google Scholar
Mort, Frank. “Purity, Feminism, and the State: Sexuality and Moral Politics, 1880–1914.” Crises in the British State 1880–1930. Eds. Langan, Mary and Schwarz, Bill. London: Hutchinson in association with the Centre for Contemporary Cultural Studies, University of Birmingham, 1985. 209–25.Google Scholar
Moscrop, John James. Measuring Jerusalem: The Palestine Exploration Fund and British Interests in the Holy Land. New York: Leicester University Press, 2000.Google Scholar
Moyn, Samuel. The Last Utopia: Human Rights in History. Cambridge, MA: Harvard University Press, 2010.Google Scholar
Musgrave, Michael. “Leighton and Music.” Frederic Leighton: Antiquity Renaissance Modernity. Eds. Barringer, Tim and Prettejohn, Elizabeth. Studies in British Art 5. New Haven: Yale University Press, 1996. 295314.Google Scholar
Musgrave, Michael. The Musical Life of the Crystal Palace. Cambridge: Cambridge University Press, 1995.Google Scholar
Musgrave, Michael. “Themes of a Lifetime: The Many Interests of a Great Victorian.” George Grove, Music and Victorian Culture. Ed. Musgrave, Michael. Basingstoke: Palgrave Macmillan, 2003. 322.Google Scholar
Nelson, Carolyn Christensen, ed. A New Woman Reader: Fiction, Articles and Drama of the 1890s. Peterborough, Ontario: Broadview, 2000.Google Scholar
Nici, John B.Delacroix’s Portrait of Chopin as a Surrogate Self–Portrait.” The Age of Chopin: Interdisciplinary Inquiries. Ed. Goldberg, Halina. Bloomington: Indiana University Press, 2004. 2239.Google Scholar
Parry, Jonathan. Democracy and Religion: Gladstone and the Liberal Party, 1867–1875. Cambridge: Cambridge University Press, 1986.CrossRefGoogle Scholar
Parry, Jonathan. The Politics of Patriotism: English Liberalism, National Identity and Europe, 1830–1886. Cambridge: Cambridge University Press, 2006.CrossRefGoogle Scholar
Parry, Jonathan. The Rise and Fall of Liberal Government in Victorian Britain. New Haven: Yale University Press, 1993.Google Scholar
Parsons, Gerald. “Emotion and Piety: Revivalism and Ritualism in Victorian Christianity.” Religion in Victorian Britain, I: Traditions. Ed. Parsons, Gerald. Manchester: Manchester University Press, 1988. 213–34.Google Scholar
Pekacz, Jolanta T.Chopin and the Discourse on Salons.” Chopin in Paris: The 1830s. Ed. Szklener, Artur. Trans. Comber, John. Warsaw: Narodowy Instytut Fryderyka Chopina/National Frederic Chopin Institute, 2007. 299314.Google Scholar
Pekacz, Jolanta T. Conservative Tradition in Pre-Revolutionary France: Parisian Salon Women. New York: Peter Lang, 1999.Google Scholar
Pekacz, Jolanta T.Music, Identity and Gender in France in the Age of Sensibility.” French History and Civilisation: Papers from the George Rude Seminar. Ed. Betros, Gemma. Vol. 3 (2009): 4455. 16 October 2013. Scholar
Peterson, Linda H. Traditions of Victorian Women’s Autobiography: The Poetics and Politics of Life Writing. Charlottesville: University Press of Virginia, 1999.Google Scholar
Picker, John M. Victorian Soundscapes. Oxford: Oxford University Press, 2003.CrossRefGoogle Scholar
Pisani, Michael. “Music for the Theatre: Style and Function in Incidental Music.” The Cambridge Companion to Victorian and Edwardian Theatre. Ed. Powell, Kerry. Cambridge: Cambridge University Press, 2004. 7092.CrossRefGoogle Scholar
Plotz, John. The Crowd: British Literature and Public Politics. Berkeley: University of California Press, 2000.Google Scholar
Pohl, Nicole and Schellenberg, Betty A., eds. Reconsidering the Bluestockings. San Marion: University of California Press, 2005.Google Scholar
Prins, Yopie. “‘Break, Break, Break’ into Song.” Meter Matters: Verse Cultures of the Long Nineteenth Century. Ed. Hall, Jason David. Athens: Ohio University Press, 2011. 105–34.Google Scholar
Prins, Yopie. “Historical Poetics, Dysprosody, and The Science of English Verse.” PMLA 123.1 (January 2008): 229–34.CrossRefGoogle Scholar
Prins, Yopie. “Metrical Translation: Nineteenth-Century Homers and the Hexameter Mania.” Nation, Language, and the Ethics of Translation. Eds. Bermann, Sandra L. and Wood, Michael. Princeton: Princeton University Press, 2005. 229–56.Google Scholar
Prins, Yopie. “Robert Browning, Transported by Meter.” The Traffic in Poems: Nineteenth-Century Poetry and Transatlantic Exchange. Ed. McGill, Meredith L.. New Brunswick: Rutgers University Press, 2008. 205–30.Google Scholar
Prins, Yopie. “Sappho Recomposed: A Song Cycle by Granville and Helen Bantock.” The Figure of Music in Nineteenth-Century British Poetry. Ed. Weliver, Phyllis. Aldershot: Ashgate, 2005. 230–58.Google Scholar
Prins, Yopie. “Victorian Meters.” The Cambridge Companion to Victorian Poetry. Ed. Bristow, Joseph. Cambridge: Cambridge University Press, 1999. 89113.Google Scholar
Prins, Yopie. “Voice Inverse.” Victorian Poetry 42.1 (Spring 2004): 4359.CrossRefGoogle Scholar
Rader, Ralph Wilson. Tennyson’s Maud: The Biographical Genesis. Berkeley: University of California Press, 1963.Google Scholar
Rhodes James, Robert. The British Revolution: British Politics, 1880–1939. 1976. London: Hamish Hamilton, 1978.Google Scholar
Rhodes James, Robert. Rosebery: A Biography of Archibald Philip, Fifth Earl of Rosebery. London: Weidenfeld and Nicholson, 1963.Google Scholar
Richards, Bernard. “The Phonographic Fallacy?Oxford Magazine 217 (Michaelmas Term 2003): 1214.Google Scholar
Riley, Denise. “Am I That Name?” Feminism and the Category of “Women” in History. Minneapolis: University of Minnesota Press, 1988.Google Scholar
Rogers, Helen. “In the Name of the Father: Political Biographies by Radical Daughters.” Life Writing and Victorian Culture. Ed. Amigoni, David. Aldershot: Ashgate, 2006. 145–64.Google Scholar
Rose, Kenneth. The Later Cecils. New York: Harper & Row, 1975.Google Scholar
Rosen, Andrew. Rise up, Women!: The Militant Campaign of the Women’s Social and Political Union, 1903–1914. 1974. Aldershot: Gregg, 1993.Google Scholar
Rosenthal, Margaret F. The Honest Courtesan: Veronica Franco, Citizen and Writer in Sixteenth-Century Venice. Chicago: The University of Chicago Press, 1992.CrossRefGoogle Scholar
Rothenberg, Gunther E. Foreward. Moltke on the Art of War: Selected Writings. Ed. Hughes, Daniel J.. Trans. Hughes, Daniel J. and Bell, Harry. Novato, CA: Presidio, 1993. vii–xi.Google Scholar
Rowlinson, Matthew. “Lyric.” A Companion to Victorian Poetry. Eds. Cronin, Richard, Chapman, Alison and Harrison, Antony H.. Malden: Blackwell, 2002. 5979.Google Scholar
Rubery, Matthew. “Thomas Edison’s Poetry Machine.” 19: Interdisciplinary Studies in the Long Nineteenth Century 18 (2014): 125. Scholar
Schafer, R. Murray. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, Vermont: Destiny Books, 1994.Google Scholar
Schmid, Susanne. British Literary Salons of the Late Eighteenth and Early Nineteenth Centuries. New York: Palgrave Macmillan, 2013.CrossRefGoogle Scholar
Senellart, Michel. “Course Content.” Security, Territory, Population: Lectures at the Collège de France, 1977–78. By Foucault, Michel. Ed. Senellart, Michel. 2004. Trans. Burchell, Graham. Basingstoke: Palgrave Macmillan, 2007. 369401.Google Scholar
Shannon, Richard. Gladstone: Heroic Minister 1865–1898. London: Penguin, 1999.Google Scholar
Shannon, R.T. Gladstone and the Bulgarian Agitation 1876. London: Nelson, 1963.Google Scholar
Shea, Victor and Whitla, William, eds. Essays and Reviews: The 1860 Text and Its Reading. Charlottesville: The University Press of Virginia, 2000.Google Scholar
Sidgwick, Ethel. Mrs. Henry Sidgwick. London: Sidgwick and Jackson, 1938.Google Scholar
Solie, Ruth A. Music in Other Words: Victorian Conversations. Berkeley: University of California Press, 2004.CrossRefGoogle Scholar
Steeves, Edna Leake, ed. The Art of Sinking in Poetry: Martinus Scriblerus’ ΙΙΕΡΙ ΒΑΘΟΤΣ. New York: Columbia University Press, 1952.Google Scholar
Stephenson, Gwendolen. Edward Stuart Talbot: 1844–1934. London: SPCK, 1936.Google Scholar
Sutton, Emma. Aubrey Beardsley and British Wagnerism in the 1890s. Oxford: Oxford University Press, 2002.Google Scholar
Taylor, Charles. Sources of the Self: The Making of the Modern Identity. Cambridge, MA: Harvard University Press, 1989.Google Scholar
Temperley, Nicholas. The Music of the English Parish Church. 2 vols. Cambridge: Cambridge University Press, 1979.Google Scholar
Temperley, Nicholas and Temperley, David. “Music-Language Correlations and the ‘Scotch Snap.’Music Perception 29.1 (2011): 5163.CrossRefGoogle Scholar
Tennyson, Charles. “The Tennyson Phonograph Records.” Bulletin 3 (1956): 28.Google Scholar
Thwaite, Emily. Emily Tennyson: The Poet’s Wife. London: Faber, 1996.Google Scholar
Vadillo, Ana Parejo. “New Woman Poets and the Culture of the Salon at the Fin de Siècle. ” Women: A Cultural Review 10.1 (1999): 2234.Google Scholar
Walker, Alan. Liszt: The Final Years, 1861–1886. Cornell: Cornell University Press, 1997.Google Scholar
Walker, Ernest. A History of Music in England. 1907. 3rd edn. Rev. by Westrup, J.A.. Oxford: Oxford University Press, 1952.Google Scholar
Wallace, Anne D. “On the Deceased Wife’s Sister Controversy, 1835–1907.” Branch: Britain, Representation and Nineteenth-Century History. Extension of Romanticism and Victorianism on the Net. Web. 27 May 2016.
Weliver, Phyllis. “Classical Music’s Unsung Heroines: Mary Gladstone.” Writer and presenter Phyllis Weliver. The Essay program. BBC Radio 3. 5 March 2015. Produced by Simon Richardson.
Weliver, Phyllis. “Emily Tennyson’s Manuscript Music Books.” Sounding Tennyson. 31 March 2016.
Weliver, Phyllis. “Gladstone, Liberalism and Music.” Podcast. The British Academy, London. 16 June 2018.
Weliver, Phyllis. “Liberal Dreaminess and The Golden Stairs of Edward Burne-Jones (1833–1898).” The British Art Journal 17.3 (Winter 2016/17).Google Scholar
Weliver, Phyllis. “Musical Diplomacy and Mary Gladstone’s Diary.” Victorian Soundscapes Revisited. Eds Hewitt, Martin and Cowgill, Rachel. Leeds Working Papers in Victorian Studies Volume 9. Leeds: Leeds Trinity & All Saints/Leeds Centre for Victorian Studies and LUCEM, 2007. 161–77. Revised and republished in Music and Institutions in Nineteenth-Century Britain. Ed. Rodmell, Paul. Farnham: Ashgate, 2012. 121–42.
Weliver, Phyllis. “The Performance and Publication of Emily Tennyson’s Music.” Sounding Tennyson. 31 March 2016.
Weliver, Phyllis. Sounding Tennyson. 31 March 2016.
Weliver, Phyllis. “To Break or Not to Break? Emily Tennyson’s scansion of ‘Break, Break, Break.’” Sounding Tennyson. 31 March 2016.
Weliver, Phyllis. “Variability and Musical Motion in ‘Break, Break, Break’.” Sounding Tennyson. 31 March 2016.
Weliver, Phyllis. Women Musicians in Victorian Fiction, 1860–1900: Representations of Music, Science and Gender in the Leisured Home. Aldershot: Ashgate, 2000.Google Scholar
Wheeler, Michael. “Gladstone and Ruskin.” Gladstone. Ed. Jagger, Peter J.. London: Hambledon, 1998. 177–95.Google Scholar
Wickham, Catherine. The Story of Bishop Creighton House [Fulham]: Fulham History Society, 1965. BL shelfmark W.P.B.236/5.Google Scholar
Wilson, Margaret. A Kent Girl-Graduate. Tonbridge: Privately printed, 1994.Google Scholar
Windscheffel, Ruth Clayton. Reading Gladstone. Basingstoke: Palgrave Macmillan, 2008.Google Scholar
Wright, David. “Grove’s Role in the Founding of the RCM.” George Grove, Music and Victorian Culture. Ed. Musgrave, Michael. Palgrave Macmillan, 2003. 219–44.Google Scholar
Yates, Nigel. Anglican Ritualism in Victorian Britain 1830–1910. Oxford: Oxford University Press, 1999.Google Scholar