Skip to main content Accessibility help
×
Home
Hostname: page-component-768ffcd9cc-727vs Total loading time: 0.942 Render date: 2022-12-05T16:01:21.444Z Has data issue: true Feature Flags: { "useRatesEcommerce": false } hasContentIssue true

Select Bibliography

Published online by Cambridge University Press:  22 July 2019

David O'Shaughnessy
Affiliation:
Trinity College Dublin
Get access
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Adolphus, John. Memoirs of John Bannister, Comedian, 2 vols. London: Richard Bentley, 1839.Google Scholar
Baker, David Erskine . Biographia Dramatica; or, A Companion to the Playhouse, 2 vols. London: Longman et al., 1812.Google Scholar
Baker, David Erskine. The Companion to the Play-house: Or, An Historical Account of All the Dramatic Writers (and Their Works) that Have Appeared in Great Britain and Ireland, from the Commencement of Our Theatrical Exhibitions, Down to the Present Year 1764, 2 vols. London: Printed for T. Becket and P. A. Dehondt, 1764.Google Scholar
Boaden, James. The Life of Mr Jordan including Original Private Correspondence and Numerous Anecdotes of her Contemporaries, 2 vols. London: Edward Bull, 1831.Google Scholar
Bourke, Angela, Kilfeather, Siobhán, Luddy, Maria, Curtain, Margaret Mac, Meaney, Geraldine, Dhonnachadha, Máirin Ní, O’Dowd, Mary and Wills, Clair, eds. The Field Day Anthology of Irish Writing: Irish Women’s Writing and Traditions, 2 vols [vols 4 and 5]. Cork: Cork University Press, 2002.Google Scholar
Brooke, Henry. Gustavus Vasa, The Deliverer of His Country. London, J. Buck, 1739.Google Scholar
Busby, Thomas. Concert Room and Orchestra Anecdotes of Music and Musicians, Ancient and Modern, 3 vols. London: Clementi and Co, 1825.Google Scholar
Cooke, William. Memoirs of Charles Macklin, Comedian: With the Dramatic Characters, Manners, Anecdotes & c. of the Age in Which He Lived. London: J. Asperne, 1806.Google Scholar
Danchin, Pierre, ed. The Prologues and Epilogues of the Eighteenth Century: A Complete Edition, 6 vols. Nancy: Presses universitaires de Nancy, 1990–1994.Google Scholar
Deane, Seamus, gen. ed., The Field Day Anthology of Irish Writing, 3 vols. Cork: Cork University Press, 1991.Google Scholar
Edgeworth, Richard Lovell and Edgeworth, Maria. Essay on Irish Bulls. New York: Printed by J. Swaine, 1803.Google Scholar
Garrick, David. The Letters of David Garrick, ed. Little, David Mason, Kahrl, George M. and Wilson, Phoebe de K., 3 vols. Cambridge, MA: Harvard University Press, 1963.Google Scholar
Garrick, David. The Plays of David Garrick, ed. Pedicord, Harry William and Bergmann, Fredrick Louis, 7 vols. Carbondale, IL: Southern Illinois University Press, 1980.Google Scholar
[Gentleman, Francis]Sir Nicholas Nipclose’. The Theatres: A Poetical Dissection. London: Printed for John Bell and C. Etherington, 1772.
Goldsmith, Oliver. The Collected Works of Oliver Goldsmith, ed. Friedman, Arthur, 5 vols. Oxford: Clarendon Press, 1966.Google Scholar
Goldsmith, Oliver. The Letters of Oliver Goldsmith, ed. Griffin, Michael and O’Shaughnessy, David. Cambridge: Cambridge University Press, 2018.Google Scholar
Greene, John C., ed. Theatre in Dublin, 1745–1820: A Calendar of Performances, 6 vols. Bethlehem, PA: Lehigh University Press, 2011.Google Scholar
Greene, John C., and Clark, Gladys, eds. The Dublin Stage 1720–1745: A Calendar of Plays, Entertainments, and Afterpieces. Bethlehem, PA: Lehigh University Press, 1993. HighfillJr, Philip, Kalman, A. Burnim and Langhans, Edward A., eds. A Biographical Dictionary of Actors, Actresses, Dancers, Managers and Other Stage Personnel in London, 1660–1800, 16 vols. Carbondale and Edwardsville: Southern Illinois University Press, 1973–93.Google Scholar
Hunt, Leigh. Critical Essays on the Performers of the London Theatres. London: Printed by and for John Hunt, 1807.Google Scholar
Keating, Geoffrey. The General History of Ireland … Collected by the Learned Jeoffrey Keating, D.D., trans. and ed. O’Connor, Dermod. London: Printed by J. Bettenham, 1723.Google Scholar
Kelly, Hugh. Thespis: Or a Critical Examination into the Merits of All the Principal Performers Belonging to Drury-Lane Theatre. London: Printed for G. Kearsley, 1766–67.Google Scholar
Kelly, Michael. Reminiscences of Michael Kelly, ed. Fiske, Roger. London: Oxford University Press, 1975.Google Scholar
Kirkman, James Thomas. Memoirs of the Life of Charles Macklin, Esq., 2 vols. London: Printed for Lackington, Allen and Co., 1799. Le Fanu, Alicia Sheridan. The Sons of Erin, or Modern Sentiment: A Comedy, in Five Acts Performed at the Lyceum Theatre, 3rd edn. London: J. Ridgeway, 1812.Google Scholar
Macklin, Charles. Four Comedies by Charles Macklin, ed. Bartley, J. O.. London: Sidgwick and Jackson, 1968.Google Scholar
MacNally, Leonard. The Claims of Ireland. London: J. Johnson, 1782.Google Scholar
Macready, William. Macready’s Reminiscences, and Selections from His Diaries and Letters, ed. Pollock, Frederick. New York: Harper and Brothers, 1875.Google Scholar
Mathews, Anne. Anecdotes of Actors: With Other Desultory Recollections. London: T. C. Newby, 1844.Google Scholar
Molesworth, Robert. An Account of Denmark, With Francogallia and Some Considerations for the Promoting of Agriculture and Employing the Poor, ed. Champion, Justin. Indianapolis, IN: Liberty Fund, 2011.Google Scholar
Moore, Thomas. Memoirs of the Life of the Right Honourable Richard Brinsley Sheridan, 2 vols. London: Longman, Hurst, Rees, Orme, Brown and Green, 1825.Google Scholar
The Murphiad. A Mock Heroic Poem by ‘Philim Mocolloch’. London: J. Williams, 1761.
Murphy, Arthur. The Collected Works of Arthur Murphy, 7 vols. London: Printed for T. Cadell, 1786.Google Scholar
Murphy, Arthur. The Gray’s Inn Journal, 2 vols. Dublin: William Sleater, 1756.Google Scholar
Murphy, Arthur. The Life of David Garrick, Esq., 2 vols. London: J. Wright, 1801.Google Scholar
O’Conor, Charles. The Letters of Charles O’Conor of Belanagare, ed. Ward, Robert E., Wrynn, John F. and Ward, Catherine Coogan. Washington, DC: Catholic University Press, 1988.Google Scholar
O’Conor, Charles. The Letters of Charles O’Conor of Belanagare, ed. Ward, Catherine Coogan and Ward, Robert E., 2 vols. Ann Arbor, MI: University Microfilms, 1980.Google Scholar
O’Hara, Kane. Midas: An English Burletta. London: G. Kearsley et al., 1764.Google Scholar
O’Keeffe, Adelaide, ed. Recollections of the Life of John O’Keeffe: Written by Himself, 2 vols. London: H. Colburn, 1826.Google Scholar
O’Keeffe, John. The Dramatic Works of John O’Keeffe Esq. in Four Volumes, ed. Link, Frederick M.. New York: Garland, 1981.Google Scholar
Owenson, Sydney. The Book of the Boudoir, 2 vols. London: Henry Colburn, 1829.Google Scholar
Owenson, Sydney. The First Attempt, or the Whim of the Moment: a Comic Opera in Two Acts ‘Performing with unbounded applause at the Theatre Royal Dublin, Written by Miss Owenson, the Music Composed by Thomas Cooke’. London: Powers Music House and Westmoreland St. Dublin, 1807.Google Scholar
Owenson, Sydney. Lady Morgan’s Memoirs: Autobiography, Diaries, and Correspondence, ed. Dixon, W. Hepworth. London: W. H. Allen, 1863. In British and Irish Women’s Letters and Diaries: 1500–1950 [https://bwld.alexanderstreet.com]Google Scholar
Owenson, Sydney. The Wild Irish Girl, ed. Kirkpatrick, Kathryn. Oxford and New York: Oxford University Press, 1999.Google Scholar
Oxberry, William. Oxberry’s Dramatic Biography and Histrionic Anecdotes, ed. Oxberry, Catherine, 5 vols. London: George Virtue, 1825–26.Google Scholar
Parke, William T. Musical Memoirs; Comprising an Account of the General State of Music in England, 2 vols. London: Henry Colburn and Richard Bentley, 1830.Google Scholar
Sheridan, Elizabeth. Betsy Sheridan’s Journal: Letters from Sheridan’s Sister 1784–1786 & 1788–1790, ed. Le Fanu, William. London: Eyre & Spottiswoode, 1960.Google Scholar
Sheridan, Elizabeth. The Triumph of Prudence Over Passion, ed. Douglas, Aileen and Ross, Ian Campbell. Dublin: Four Courts Press, 2011.Google Scholar
Sheridan, Richard Brinsley. The Dramatic Works of Richard Brinsley Sheridan ed. Price, Cecil, 2 vols. Oxford: Clarendon Press, 1973.Google Scholar
Sheridan, Richard Brinsley. Letters of Richard Brinsley Sheridan, ed. Price, Cecil, 3 vols. Oxford: Clarendon Press, 1966.Google Scholar
Sheridan, Richard Brinsley. Speeches of the Late Right Honourable Richard Brinsley Sheridan: Several Corrected by Himself and Edited by a Constitutional Friend, 5 vols. London: Patrick Martin, 1816.Google Scholar
Sheridan, Richard Brinsley. Works of the Late Right Honourable Richard Brinsley Sheridan, ed.Moore, Thomas, 2 vols. London: John Murray, 1821.Google Scholar
Stanfield, James Field . The Guinea Voyage, A Poem in Three Books. London: James Phillips, 1789.Google Scholar
Stanfield, James Field . The Guinea Voyage, A Poem in Three Books to which are added Observations on a Voyage to the Coast of Africa in a series of letters to Thomas Clarkson, 2nd edition. Edinburgh, 1807.Google Scholar
Stanfield, James Field. Observations on a Guinea Voyage, in a Series of Letters Addressed to the Rev. Thomas Clarkson. London: Printed by James Phillips, 1788.Google Scholar
Swift, Jonathan. Swift’s Irish Writings: Selected Prose and Poetry, ed. Fabricant, Carole and Mahony, Robert. Basingstoke: Palgrave, 2010.Google Scholar
‘Theatre Royal, Haymarket, A Collection of Playbills from Haymarket Theatre, 1817–1821’, MS British Playbills, 1754–1882, British Library, Nineteenth Century Collections Online.
Theatrical Biography, or Memoirs of the Principal Performers of the Three Theatres Royal, 2 vols. Dublin: Printed for H. Saunders et al., 1772.
The Thespian Dictionary or Dramatic Biography of the Present Age. London: James Cundee, 1805.
Taylor, John. Records of My Life, 2 vols. London: Edward Bull, 1832.Google Scholar
White, Harry and Boydell, B., eds. The Encyclopaedia of Music in Ireland, 2 vols. Dublin: University College Dublin Press, 2013.Google Scholar
Wilson, C. H. Brookiana, 2 vols. London: Richard Philips, 1804.Google Scholar
Winston, James. Drury Lane Journal: Selections from James Winston’s Diaries, 1819–1827, ed. Nelson, Alfred L. and Cross, Gilbert B.. London: Society for Theatre Research, 1974.Google Scholar
Anderson, Emily. ‘Celebrity Shylock’. PMLA 126.4 (2011): 935–49.CrossRefGoogle Scholar
Appleton, William W. Charles Macklin: An Actor’s Life. Boston, MA: Harvard University Press, 1960.CrossRefGoogle Scholar
Bailey, Craig. Irish London: Middle-Class Migration in the Global Eighteenth Century. Liverpool: Liverpool University Press, 2013.CrossRefGoogle Scholar
Bartlett, Thomas. Ireland: A History. Cambridge: Cambridge University Press, 2011.Google Scholar
Bartley, J. O. Teague, Shenkin and Sawney: Being an Historical Study of the Earliest Irish, Welsh, and Scottish Characters in English Plays. Cork: Cork University Press, 1954.Google Scholar
Brown, Michael. The Irish Enlightenment. Cambridge, MA: Harvard University Press, 2016.CrossRefGoogle Scholar
Brunström, Conrad. Thomas Sheridan’s Career and Influence: An Actor in Earnest. Lewisburg, PA: Bucknell University Press, 2011.Google Scholar
Brunström, Conrad M. and Kavanagh, Declan. ‘Arthur Murphy and Florida Peat: “The Gray’s Inn Journal” and versions of the Author’. Eighteenth-Century Ireland/Iris an dá chultúr 27 (2012): 12341.Google Scholar
Bullard, Paddy. Edmund Burke and the Art of Rhetoric. Cambridge: Cambridge University Press, 2011.CrossRefGoogle Scholar
Burden, Michael. The English Theatre Masque 1690–1800, 2 vols. PhD diss., University of Edinburgh, 1991.Google Scholar
Burke, Helen. ‘Acting in the Periphery: The Irish Theatre’. In The Cambridge Companion to British Theatre, 1730–1830, ed. Moody, Jane and O’Quinn, Daniel. Cambridge: Cambridge University Press, 2007, 219–31.Google Scholar
Burke, Helen. ‘The Catholic Question, Print Media, and John O’Keeffe’s The Poor Soldier (1783)’. Eighteenth-Century Fiction 27.3–4 (2015): 419–48.CrossRefGoogle Scholar
Burke, Helen. ‘Country Matters: Irish “Waggery” and the Irish and British Theatrical Traditions’. In Players, Playwrights, Playhouses: Investigating Performance, 1660–1800, ed. Cordner, Michael and Holland, Peter. Basingstoke: Palgrave Macmillan, 2007, 213–28.Google Scholar
Burke, Helen. ‘Crossing Acts: Irish Drama from George Farquhar to Thomas Sheridan’. In A Companion to Irish Literature, ed. Wright, Julia M., 2 vols. 1: 125–42. Oxford: Wiley-Blackwell, 2010.Google Scholar
Burke, Helen. ‘Integrated as Outsiders: Teague’s Blanket and the Irish Immigrant “Problem” in Early Modern Britain’. Éire-Ireland 46.2 (2011): 2042.CrossRefGoogle Scholar
Burke, Helen. ‘The Revolutionary Prelude: The Dublin Stage in the Late 1770s and Early 1780s’. Eighteenth-Century Life 22.3 (1998): 718.Google Scholar
Burke, Helen. Riotous Performances: The Struggle for Hegemony in the Irish Theater, 1712–1784 (Notre Dame, IN: University of Notre Dame Press, 2003.Google Scholar
Burke, Richard and McBride, Ian, eds. The Princeton History of Modern Ireland. Princeton: Princeton University Press, 2016.CrossRefGoogle Scholar
Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. London: Pandora, 1988.Google Scholar
Carey, Daniel and Festa, Lynn, eds. The Postcolonial Enlightenment: Eighteenth-Century Colonialism and Postcolonial Theory. Oxford University Press, 2009.Google Scholar
Cave, Richard Allen. ‘Staging the Irishman’. In Acts of Supremacy: The British Empire and the Stage, 1790–1930, ed. Bratton, J. S., Cave, Richard Allen, Gregory, Breandan, Pickering, Michael and Holder, Heidi J.. Manchester: Manchester University Press, 1991, 62128.Google Scholar
Chandler, James. ‘A Discipline in Shifting Perspectives: Why We Need Irish Studies’. Field Day Review 2 (2006): 1940.Google Scholar
Choudhury, Mita. ‘Sheridan, Garrick, and a Colonial Gesture: The School for Scandal on the Calcutta Stage’. Theatre Journal 46 (1994): 303–21.CrossRefGoogle Scholar
Clark, Peter. British Clubs and Societies 1580–1800: The Origins of an Associational World. Oxford: Oxford University Press, 2000.Google Scholar
Clarke, Norma. Brothers of the Quill: Oliver Goldsmith in Grub Street. Cambridge, MA: Harvard University Press, 2016.CrossRefGoogle Scholar
Connolly, Claire. A Cultural History of the Irish Novel. Cambridge and New York: Cambridge University Press, 2012.Google Scholar
Connolly, Claire. ‘“I accuse Miss Owenson”: The Wild Irish Girl as Media Event’. Colby Quarterly, 36.2 (2000), 98115.Google Scholar
Conolly, L. W. The Censorship of English Drama, 1737–1824. San Marino, CA: Huntington Library Press, 1976.Google Scholar
De Bruyn, Frans and Regan, Shaun, eds. The Culture of the Seven Years’ War: Empire, Identity, and the Arts in the Eighteenth-Century Atlantic World. Toronto: University of Toronto Press, 2014.CrossRefGoogle Scholar
DeRochi, Jack E. and Ennis, Daniel J., eds. Richard Brinsley Sheridan: The Impresario in Political and Cultural Context. Lewisburg: Bucknell University Press, 2013.Google Scholar
Donohue, Frank. ‘“Avoiding the Cooler Tribunal of the Study”: Richard Brinsley Sheridan’s Writer’s Block and Late Eighteenth-Century Print Culture’. ELH 68 (2001): 831–56.Google Scholar
Donohue, Joseph. ‘Burletta and the Early Nineteenth-Century English Theatre’. Nineteenth Century Theatre Research 1 (1973): 2951.Google Scholar
Donovan, Julie. Sydney Owenson, Lady Morgan and the Politics of Style. Bethesda, MD: Maunsel & Company, 2009.Google Scholar
Dunbar, Howard Hunter. The Dramatic Career of Arthur Murphy. New York and London: Modern Language Association of America and Oxford University Press, 1946.Google Scholar
Edelstein, Dan. The Enlightenment: A Genealogy. Chicago: University of Chicago Press, 2010.CrossRefGoogle Scholar
Emery, John Pike. Arthur Murphy: An Eminent English Dramatist of the Eighteenth Century. Philadelphia: University of Pennsylvania Press, 1946.CrossRefGoogle Scholar
Fiske, Roger. English Theatre Music in the Eighteenth Century. Oxford: Clarendon Press, 1986.Google Scholar
Fitzer, Anna M. ‘“Feeling and sense beyond all seeming”: Private Lines, Public Relations, and the Performances of the Le Fanu Circle’, Nineteenth Century Theatre and Film 38.2 (2011): 2637.CrossRefGoogle Scholar
Fitzer, Anna M.Relating a Life: Alicia LeFanu’s Memoirs of the Life and Writings of Mrs Frances Sheridan’. Women’s Writing 15.3 (2008): 3254.CrossRefGoogle Scholar
Fitzer, Anna M. .‘Revealing Influence: The Forgotten Daughters of Frances Sheridan’. Women’s Writing 20 (2013): 6481.CrossRefGoogle Scholar
Fitzgerald, Percy. The Lives of the Sheridans, 2 vols. London: R. Bentley, 1886.Google Scholar
Fitzpatrick, William John. Lady Morgan; Her Career, Literary and Personal, with a Glimpse of Her Friends, and a Word to Her Calumniators. London: C. J. Skeet, 1860.Google Scholar
Flynn, Christopher. ‘Challenging Englishness from the Racial Margins: William Macready’s Irishman in London; Or; The Happy African. Irish Studies Review 16.2 (2008): 159–72.CrossRefGoogle Scholar
Foot, Jesse. The Life of the late Arthur Murphy Esq. London: Printed for J. Faulder, 1811.Google Scholar
Gallagher, Noelle. Historical Literatures: Writing about the Past in England, 1660–1740. Manchester: Manchester University Press, 2012.Google Scholar
Gargett, Graham and Sheridan, Geraldine, eds. Ireland and the French Enlightenment, 1700–1800. Basingstoke: Palgrave, 1999.CrossRefGoogle Scholar
Gibbons, Luke. Edmund Burke and Ireland: Aesthetics, Politics, and the Colonial Sublime. Cambridge: Cambridge University Press, 2003.Google Scholar
Gibbons, Luke and O’Conor, Kieran, eds. Charles O’Conor of Ballinagare, 1710–91: Life and Works. Dublin: Four Courts Press, 2015.Google Scholar
Goring, Paul. ‘“John Bull, Pit, Box, and Gallery, Said No!”: Charles Macklin and the Limits of Ethnic Resistance on the Eighteenth-Century London Stage’. Representations 79.1 (2002): 6381.CrossRefGoogle Scholar
Griffin, Michael. Enlightenment in Ruins: The Geographies of Oliver Goldsmith. Lewisburg: Bucknell University Press, 2013.Google Scholar
Harvey, Karen J. and Pry, Kevin B.. ‘John O’Keeffe as an Irish Playwright within the Theatrical, Social, and Economic Context of His Time’. Éire-Ireland 22 (1987): 1943.Google Scholar
Harris, James, ed. The Oxford Handbook of British Philosophy in the Eighteenth Century. Oxford University Press, 2013.CrossRefGoogle Scholar
Hayton, David. ‘From Barbarian to Burlesque: English Images of the Irish c. 1660-1750’. Irish Economic and Social History 15 (1988): 531.CrossRefGoogle Scholar
Higgins, Padhraig. A Nation of Politicians: Gender, Patriotism, and Political Culture in Late Eighteenth-Century Ireland. Madison: University of Wisconsin Press, 2010.Google Scholar
Hill, Jacqueline. Dublin Civic Politics and Irish Protestant Patriotism 1660–1840. Oxford: Clarendon Press, 1997.Google Scholar
Jones, Robert W.Texts, Tools and Things: An Approach to Manuscripts of Richard Brinsley Sheridan’s The School for Scandal’. Review of English Studies 66 (2015): 723–43.CrossRefGoogle Scholar
Kanter, Douglas. The Making of British Unionism, 1740–1848: Politics, Government, and the Anglo-Irish Constitutional Relationship. Dublin: Four Courts, 2009.Google Scholar
Kelly, James. Prelude to Union: Anglo-Irish Politics in the 1780s. Cork: Cork University Press, 1992.Google Scholar
Kelly, James. and Powell, Martyn J., eds. Clubs and Societies in Eighteenth-Century Ireland. Dublin: Four Courts Press, 2010.Google Scholar
Kennedy, Máire. French Books in Eighteenth-Century Ireland. Oxford: Voltaire Foundation, 2001.Google Scholar
Klein, Axel. ‘Stage-Irish, or the National in Irish Opera, 1780–1925’. Opera Quarterly 21 (2005): 2767.CrossRefGoogle Scholar
Langan, Celeste. ‘Scotch Drink & Irish Harps: Mediations of the National Air’. In The Figure of Music in Nineteenth-Century British Poetry, ed. Weliver, Phyllis. Aldershot: Ashgate, 2005, 2549.Google Scholar
Lawrenson, Sonja. ‘Frances Sheridan, “The History of Nourjahad” and the Sultan of Smock Alley’. Eighteenth-Century Ireland 26 (2011): 2450.Google Scholar
Leerssen, Joep. Mere Irish and Fíor Ghael: Studies in the Idea of Irish Nationality, Its Development and Literary Expression Prior to the Nineteenth Century. Notre Dame, IN and Cork: Cork University Press and Field Day, 1986.CrossRefGoogle Scholar
Livesey, James. ‘Free trade and Empire in the Anglo-Irish Commercial Propositions of 1785’. Journal of British Studies 52 (2013): 103–27.CrossRefGoogle Scholar
Maxwell, Margaret F.Olympus at Billingsgate: The Burlettas of Kane O’Hara’. Educational Theatre Journal 15/2 (1963): 130–35.Google Scholar
McBride, Ian. ‘The Edge of Enlightenment: Ireland and Scotland in the Eighteenth Century’. Modern Intellectual History 10 (2013): 135–51.CrossRefGoogle Scholar
McBride, Ian. Eighteenth-Century Ireland: Isle of Slaves. Dublin: Gill and Macmillan, 2009.Google Scholar
Mee, Jon. Conversable Worlds: Literature, Contention, and Community, 1762 to 1830. Oxford: Oxford University Press, 2011.CrossRefGoogle Scholar
Moody, Jane and O’Quinn, Daniel, eds. The Cambridge Companion to British Theatre, 1730–1830. Cambridge: Cambridge University Press, 2007.CrossRefGoogle Scholar
Moore, Sean D., ed. ‘Ireland and Enlightenment’. Special issue, Eighteenth-Century Studies, 45 (2012).CrossRefGoogle Scholar
Morash, Christopher. A History of Irish Theatre, 1601–2000. Cambridge and New York: Cambridge University Press, 2002.Google Scholar
Morwood, James and Crane, David, eds. Sheridan Studies. Cambridge: Cambridge University Press, 1995.Google Scholar
Nussbaum, Felicity. Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater. Philadelphia: University of Pennsylvania Press, 2010.CrossRefGoogle Scholar
O’Brien, Karen. Narratives of Enlightenment: Cosmopolitan History from Voltaire to Gibbon. Cambridge: Cambridge University Press, 1997.CrossRefGoogle Scholar
Ó Catháin, Diarmuid. ‘Dermot O’Connor, Translator of Keating’. Eighteenth-Century Ireland/Iris an Dá Chultúr 2 (1987): 6787.Google Scholar
O’Dowd, Mary. A History of Women in Ireland, 1500–1800. Harlow: Pearson Longman, 2005.Google Scholar
O’Halloran, Clare. Golden Ages and Barbarous Nations; Antiquarian Debate and Cultural Politics in Ireland, c. 1750–1800. Notre Dame and Cork: University of Notre Dame Press and Cork University Press, 2004.Google Scholar
Oliver, Kathleen M.Frances Sheridan’s Faulkland, the Silenced, Emasculated, Ideal, Male’. SEL 43 (2003): 683700.Google Scholar
O’Quinn, Daniel. Staging Governance: Theatrical Imperialism in London 1770–1800. Baltimore, MD: Johns Hopkins University Press, 2005.Google Scholar
O’Quinn, Daniel and Russell, Gillian, eds. ‘Georgian Theatre in an Information Age: Media, Performance, Sociability’. Special issue, Eighteenth-Century Fiction 27.3–4 (2015).Google Scholar
Orr, Bridget. Empire on the English Stage, 1660–1714. Cambridge: Cambridge University Press, 2001.Google Scholar
O’Shaughnessy, David . ‘“Bit, by some mad whig”: Charles Macklin and the Theater of Irish Enlightenment’. Huntington Library Quarterly 80.4 (2017): 559–84.Google Scholar
O’Shaughnessy, David, ed. ‘Networks of Aspiration: The London Irish of the Eighteenth Century’. Special issue, Eighteenth-Century Life 39.1 (2015).Google Scholar
O’Shaughnessy, David . ‘“Rip’ning Buds in Freedom’s Field”: Staging Irish Improvement in the 1780s’. Journal of Eighteenth-Century Studies 38.4 (2015): 541–54.Google Scholar
O’Toole, Fintan. A Traitor’s Kiss: The Life of Richard Brinsley Sheridan. London: Granta, 1998.Google Scholar
Parry, Sir Edmund Abbott. Charles Macklin. New York: Longmans, Green, and Co., 1891.Google Scholar
Powell, Martyn J.Charles James Fox and Ireland’. Irish Historical Studies 33 (2002): 169–90.CrossRefGoogle Scholar
Prendergast, Amy. Literary Salons across Britain and Ireland in the Long Eighteenth Century. Basingstoke: Palgrave, 2015.CrossRefGoogle Scholar
Ragussis, Michael. ‘Jews and Other “Outlandish Englishmen”: Ethnic Performance and the Invention of British Identity under the Georges’. Critical Inquiry 26 (2000): 773–97.CrossRefGoogle Scholar
Ragussis, Michael. Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain. Philadelphia: University of Pennsylvania Press, 2010.CrossRefGoogle Scholar
Richards, Jeffrey H. Drama, Theatre, and Identity in the American New Republic. Cambridge: Cambridge University Press, 2005.CrossRefGoogle Scholar
Robbins, Caroline. The Eighteenth-Century Commonwealthman. Cambridge, MA: Harvard University Press, 1959.CrossRefGoogle Scholar
Rosenfeld, Sybil. Foreign Theatrical Companies in Great Britain in the 17th and 18th Centuries. London: Society for Theatre Research, 1955.Google Scholar
Rosenthal, Laura J.Juba’s Roman Soul: Addison’s Cato and Enlightenment Cosmopolitanism’. Studies in the Literary Imagination 32 (1999): 6475.Google Scholar
Russell, Gillian. Women, Sociability and Theatre in Georgian London. Cambridge: Cambridge University Press, 2007.Google Scholar
Sadie, Stanley. The New Grove Dictionary of Opera, 4 vols. London: Macmillan, 1992.Google Scholar
Schellenberg, Betty A.Frances Sheridan Reads John Home: Placing Sidney Bidulph in the Republic of Letters’. Eighteenth-Century Fiction 13 (2001): 561–77.CrossRefGoogle Scholar
Schweitzer, David R.The Failure of William Pitt’s Irish Trade Propositions’. Parliamentary History 3 (1984): 129–45.Google Scholar
Siskin, Clifford and Warner, William, eds. This Is Enlightenment. Chicago: University of Chicago Press, 2012.Google Scholar
Slowey, Desmond. The Radicalization of Irish Drama 1600–1900: The Rise and Fall of Ascendancy Theatre. Dublin: Irish Academic Press, 2008.Google Scholar
Small, Stephen. Political Thought in Ireland 1776–1798: Republicanism, Patriotism, and Radicalism. Oxford: Oxford University Press, 2012.Google Scholar
Spenser, Edmund. View of the Present State of Irelande, ed. Renwick, W. L.. Oxford: Clarendon Press, 1970.Google Scholar
Swindells, Julia and Taylor, David Francis, eds. The Oxford Handbook of the Georgian Theatre, 1737–1832. Oxford: Oxford University Press, 2014.CrossRefGoogle Scholar
Taylor, David Francis. Theatres of Opposition: Empire, Revolution, and Richard Brinsley Sheridan. Oxford: Oxford University Press, 2012.CrossRefGoogle Scholar
Truninger, Annelise. Paddy and the Paycock: A Study of the Stage Irishman from Shakespeare to O’Casey. Bern: Francke, 1976.Google Scholar
Wagoner, Michael M.The “Merry” Tragedy of Henry VII as written by “Charles Macklin, Comedian”’. New Theatre Quarterly 31.4 (2015): 372–80.CrossRefGoogle Scholar
Walsh, T. J. Opera in Dublin 1705–1797: The Social Scene. Dublin: A. Figgis, 1973.Google Scholar
Werkmeister, Lucyle. A Newspaper History of England 1792–1793. Lincoln: University of Nebraska Press, 1967.Google Scholar
Whelan, Kevin. Acts of Union: The Causes, Contexts, and Consequences of the Act of Union. Dublin: Four Courts, 2001.Google Scholar
Wiesenthal, Christine S.Representation and Experimentation in the Mayor Comedies of Richard Brinsley Sheridan’. Eighteenth-Century Studies 25 (1992): 309–30.CrossRefGoogle Scholar
Withers, Charles W. J. Placing the Enlightenment: Thinking Geographically about the Age of Reason. Chicago: University of Chicago Press, 2007.CrossRefGoogle Scholar
Wood, Gillen D’Arcy. Romanticism and Music Culture in Britain, 1770–1840: Virtue and Virtuosity. Cambridge: Cambridge University Press, 2010.Google Scholar
Wright, Herbert. ‘Henry Brooke’s “Gustavus Vasa”’. Modern Language Review 14 (1919): 173–82.Google Scholar
Wyn-Jones, David. Music in Eighteenth-Century Britain. Aldershot: Ashgate, 2000.Google Scholar

Secondary Sources

Anderson, Emily. ‘Celebrity Shylock’. PMLA 126.4 (2011): 935–49.CrossRefGoogle Scholar
Appleton, William W. Charles Macklin: An Actor’s Life. Boston, MA: Harvard University Press, 1960.CrossRefGoogle Scholar
Bailey, Craig. Irish London: Middle-Class Migration in the Global Eighteenth Century. Liverpool: Liverpool University Press, 2013.CrossRefGoogle Scholar
Bartlett, Thomas. Ireland: A History. Cambridge: Cambridge University Press, 2011.Google Scholar
Bartley, J. O. Teague, Shenkin and Sawney: Being an Historical Study of the Earliest Irish, Welsh, and Scottish Characters in English Plays. Cork: Cork University Press, 1954.Google Scholar
Brown, Michael. The Irish Enlightenment. Cambridge, MA: Harvard University Press, 2016.CrossRefGoogle Scholar
Brunström, Conrad. Thomas Sheridan’s Career and Influence: An Actor in Earnest. Lewisburg, PA: Bucknell University Press, 2011.Google Scholar
Brunström, Conrad M. and Kavanagh, Declan. ‘Arthur Murphy and Florida Peat: “The Gray’s Inn Journal” and versions of the Author’. Eighteenth-Century Ireland/Iris an dá chultúr 27 (2012): 12341.Google Scholar
Bullard, Paddy. Edmund Burke and the Art of Rhetoric. Cambridge: Cambridge University Press, 2011.CrossRefGoogle Scholar
Burden, Michael. The English Theatre Masque 1690–1800, 2 vols. PhD diss., University of Edinburgh, 1991.Google Scholar
Burke, Helen. ‘Acting in the Periphery: The Irish Theatre’. In The Cambridge Companion to British Theatre, 1730–1830, ed. Moody, Jane and O’Quinn, Daniel. Cambridge: Cambridge University Press, 2007, 219–31.Google Scholar
Burke, Helen. ‘The Catholic Question, Print Media, and John O’Keeffe’s The Poor Soldier (1783)’. Eighteenth-Century Fiction 27.3–4 (2015): 419–48.CrossRefGoogle Scholar
Burke, Helen. ‘Country Matters: Irish “Waggery” and the Irish and British Theatrical Traditions’. In Players, Playwrights, Playhouses: Investigating Performance, 1660–1800, ed. Cordner, Michael and Holland, Peter. Basingstoke: Palgrave Macmillan, 2007, 213–28.Google Scholar
Burke, Helen. ‘Crossing Acts: Irish Drama from George Farquhar to Thomas Sheridan’. In A Companion to Irish Literature, ed. Wright, Julia M., 2 vols. 1: 125–42. Oxford: Wiley-Blackwell, 2010.Google Scholar
Burke, Helen. ‘Integrated as Outsiders: Teague’s Blanket and the Irish Immigrant “Problem” in Early Modern Britain’. Éire-Ireland 46.2 (2011): 2042.CrossRefGoogle Scholar
Burke, Helen. ‘The Revolutionary Prelude: The Dublin Stage in the Late 1770s and Early 1780s’. Eighteenth-Century Life 22.3 (1998): 718.Google Scholar
Burke, Helen. Riotous Performances: The Struggle for Hegemony in the Irish Theater, 1712–1784 (Notre Dame, IN: University of Notre Dame Press, 2003.Google Scholar
Burke, Richard and McBride, Ian, eds. The Princeton History of Modern Ireland. Princeton: Princeton University Press, 2016.CrossRefGoogle Scholar
Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. London: Pandora, 1988.Google Scholar
Carey, Daniel and Festa, Lynn, eds. The Postcolonial Enlightenment: Eighteenth-Century Colonialism and Postcolonial Theory. Oxford University Press, 2009.Google Scholar
Cave, Richard Allen. ‘Staging the Irishman’. In Acts of Supremacy: The British Empire and the Stage, 1790–1930, ed. Bratton, J. S., Cave, Richard Allen, Gregory, Breandan, Pickering, Michael and Holder, Heidi J.. Manchester: Manchester University Press, 1991, 62128.Google Scholar
Chandler, James. ‘A Discipline in Shifting Perspectives: Why We Need Irish Studies’. Field Day Review 2 (2006): 1940.Google Scholar
Choudhury, Mita. ‘Sheridan, Garrick, and a Colonial Gesture: The School for Scandal on the Calcutta Stage’. Theatre Journal 46 (1994): 303–21.CrossRefGoogle Scholar
Clark, Peter. British Clubs and Societies 1580–1800: The Origins of an Associational World. Oxford: Oxford University Press, 2000.Google Scholar
Clarke, Norma. Brothers of the Quill: Oliver Goldsmith in Grub Street. Cambridge, MA: Harvard University Press, 2016.CrossRefGoogle Scholar
Connolly, Claire. A Cultural History of the Irish Novel. Cambridge and New York: Cambridge University Press, 2012.Google Scholar
Connolly, Claire. ‘“I accuse Miss Owenson”: The Wild Irish Girl as Media Event’. Colby Quarterly, 36.2 (2000), 98115.Google Scholar
Conolly, L. W. The Censorship of English Drama, 1737–1824. San Marino, CA: Huntington Library Press, 1976.Google Scholar
De Bruyn, Frans and Regan, Shaun, eds. The Culture of the Seven Years’ War: Empire, Identity, and the Arts in the Eighteenth-Century Atlantic World. Toronto: University of Toronto Press, 2014.CrossRefGoogle Scholar
DeRochi, Jack E. and Ennis, Daniel J., eds. Richard Brinsley Sheridan: The Impresario in Political and Cultural Context. Lewisburg: Bucknell University Press, 2013.Google Scholar
Donohue, Frank. ‘“Avoiding the Cooler Tribunal of the Study”: Richard Brinsley Sheridan’s Writer’s Block and Late Eighteenth-Century Print Culture’. ELH 68 (2001): 831–56.Google Scholar
Donohue, Joseph. ‘Burletta and the Early Nineteenth-Century English Theatre’. Nineteenth Century Theatre Research 1 (1973): 2951.Google Scholar
Donovan, Julie. Sydney Owenson, Lady Morgan and the Politics of Style. Bethesda, MD: Maunsel & Company, 2009.Google Scholar
Dunbar, Howard Hunter. The Dramatic Career of Arthur Murphy. New York and London: Modern Language Association of America and Oxford University Press, 1946.Google Scholar
Edelstein, Dan. The Enlightenment: A Genealogy. Chicago: University of Chicago Press, 2010.CrossRefGoogle Scholar
Emery, John Pike. Arthur Murphy: An Eminent English Dramatist of the Eighteenth Century. Philadelphia: University of Pennsylvania Press, 1946.CrossRefGoogle Scholar
Fiske, Roger. English Theatre Music in the Eighteenth Century. Oxford: Clarendon Press, 1986.Google Scholar
Fitzer, Anna M. ‘“Feeling and sense beyond all seeming”: Private Lines, Public Relations, and the Performances of the Le Fanu Circle’, Nineteenth Century Theatre and Film 38.2 (2011): 2637.CrossRefGoogle Scholar
Fitzer, Anna M.Relating a Life: Alicia LeFanu’s Memoirs of the Life and Writings of Mrs Frances Sheridan’. Women’s Writing 15.3 (2008): 3254.CrossRefGoogle Scholar
Fitzer, Anna M. .‘Revealing Influence: The Forgotten Daughters of Frances Sheridan’. Women’s Writing 20 (2013): 6481.CrossRefGoogle Scholar
Fitzgerald, Percy. The Lives of the Sheridans, 2 vols. London: R. Bentley, 1886.Google Scholar
Fitzpatrick, William John. Lady Morgan; Her Career, Literary and Personal, with a Glimpse of Her Friends, and a Word to Her Calumniators. London: C. J. Skeet, 1860.Google Scholar
Flynn, Christopher. ‘Challenging Englishness from the Racial Margins: William Macready’s Irishman in London; Or; The Happy African. Irish Studies Review 16.2 (2008): 159–72.CrossRefGoogle Scholar
Foot, Jesse. The Life of the late Arthur Murphy Esq. London: Printed for J. Faulder, 1811.Google Scholar
Gallagher, Noelle. Historical Literatures: Writing about the Past in England, 1660–1740. Manchester: Manchester University Press, 2012.Google Scholar
Gargett, Graham and Sheridan, Geraldine, eds. Ireland and the French Enlightenment, 1700–1800. Basingstoke: Palgrave, 1999.CrossRefGoogle Scholar
Gibbons, Luke. Edmund Burke and Ireland: Aesthetics, Politics, and the Colonial Sublime. Cambridge: Cambridge University Press, 2003.Google Scholar
Gibbons, Luke and O’Conor, Kieran, eds. Charles O’Conor of Ballinagare, 1710–91: Life and Works. Dublin: Four Courts Press, 2015.Google Scholar
Goring, Paul. ‘“John Bull, Pit, Box, and Gallery, Said No!”: Charles Macklin and the Limits of Ethnic Resistance on the Eighteenth-Century London Stage’. Representations 79.1 (2002): 6381.CrossRefGoogle Scholar
Griffin, Michael. Enlightenment in Ruins: The Geographies of Oliver Goldsmith. Lewisburg: Bucknell University Press, 2013.Google Scholar
Harvey, Karen J. and Pry, Kevin B.. ‘John O’Keeffe as an Irish Playwright within the Theatrical, Social, and Economic Context of His Time’. Éire-Ireland 22 (1987): 1943.Google Scholar
Harris, James, ed. The Oxford Handbook of British Philosophy in the Eighteenth Century. Oxford University Press, 2013.CrossRefGoogle Scholar
Hayton, David. ‘From Barbarian to Burlesque: English Images of the Irish c. 1660-1750’. Irish Economic and Social History 15 (1988): 531.CrossRefGoogle Scholar
Higgins, Padhraig. A Nation of Politicians: Gender, Patriotism, and Political Culture in Late Eighteenth-Century Ireland. Madison: University of Wisconsin Press, 2010.Google Scholar
Hill, Jacqueline. Dublin Civic Politics and Irish Protestant Patriotism 1660–1840. Oxford: Clarendon Press, 1997.Google Scholar
Jones, Robert W.Texts, Tools and Things: An Approach to Manuscripts of Richard Brinsley Sheridan’s The School for Scandal’. Review of English Studies 66 (2015): 723–43.CrossRefGoogle Scholar
Kanter, Douglas. The Making of British Unionism, 1740–1848: Politics, Government, and the Anglo-Irish Constitutional Relationship. Dublin: Four Courts, 2009.Google Scholar
Kelly, James. Prelude to Union: Anglo-Irish Politics in the 1780s. Cork: Cork University Press, 1992.Google Scholar
Kelly, James. and Powell, Martyn J., eds. Clubs and Societies in Eighteenth-Century Ireland. Dublin: Four Courts Press, 2010.Google Scholar
Kennedy, Máire. French Books in Eighteenth-Century Ireland. Oxford: Voltaire Foundation, 2001.Google Scholar
Klein, Axel. ‘Stage-Irish, or the National in Irish Opera, 1780–1925’. Opera Quarterly 21 (2005): 2767.CrossRefGoogle Scholar
Langan, Celeste. ‘Scotch Drink & Irish Harps: Mediations of the National Air’. In The Figure of Music in Nineteenth-Century British Poetry, ed. Weliver, Phyllis. Aldershot: Ashgate, 2005, 2549.Google Scholar
Lawrenson, Sonja. ‘Frances Sheridan, “The History of Nourjahad” and the Sultan of Smock Alley’. Eighteenth-Century Ireland 26 (2011): 2450.Google Scholar
Leerssen, Joep. Mere Irish and Fíor Ghael: Studies in the Idea of Irish Nationality, Its Development and Literary Expression Prior to the Nineteenth Century. Notre Dame, IN and Cork: Cork University Press and Field Day, 1986.CrossRefGoogle Scholar
Livesey, James. ‘Free trade and Empire in the Anglo-Irish Commercial Propositions of 1785’. Journal of British Studies 52 (2013): 103–27.CrossRefGoogle Scholar
Maxwell, Margaret F.Olympus at Billingsgate: The Burlettas of Kane O’Hara’. Educational Theatre Journal 15/2 (1963): 130–35.Google Scholar
McBride, Ian. ‘The Edge of Enlightenment: Ireland and Scotland in the Eighteenth Century’. Modern Intellectual History 10 (2013): 135–51.CrossRefGoogle Scholar
McBride, Ian. Eighteenth-Century Ireland: Isle of Slaves. Dublin: Gill and Macmillan, 2009.Google Scholar
Mee, Jon. Conversable Worlds: Literature, Contention, and Community, 1762 to 1830. Oxford: Oxford University Press, 2011.CrossRefGoogle Scholar
Moody, Jane and O’Quinn, Daniel, eds. The Cambridge Companion to British Theatre, 1730–1830. Cambridge: Cambridge University Press, 2007.CrossRefGoogle Scholar
Moore, Sean D., ed. ‘Ireland and Enlightenment’. Special issue, Eighteenth-Century Studies, 45 (2012).CrossRefGoogle Scholar
Morash, Christopher. A History of Irish Theatre, 1601–2000. Cambridge and New York: Cambridge University Press, 2002.Google Scholar
Morwood, James and Crane, David, eds. Sheridan Studies. Cambridge: Cambridge University Press, 1995.Google Scholar
Nussbaum, Felicity. Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater. Philadelphia: University of Pennsylvania Press, 2010.CrossRefGoogle Scholar
O’Brien, Karen. Narratives of Enlightenment: Cosmopolitan History from Voltaire to Gibbon. Cambridge: Cambridge University Press, 1997.CrossRefGoogle Scholar
Ó Catháin, Diarmuid. ‘Dermot O’Connor, Translator of Keating’. Eighteenth-Century Ireland/Iris an Dá Chultúr 2 (1987): 6787.Google Scholar
O’Dowd, Mary. A History of Women in Ireland, 1500–1800. Harlow: Pearson Longman, 2005.Google Scholar
O’Halloran, Clare. Golden Ages and Barbarous Nations; Antiquarian Debate and Cultural Politics in Ireland, c. 1750–1800. Notre Dame and Cork: University of Notre Dame Press and Cork University Press, 2004.Google Scholar
Oliver, Kathleen M.Frances Sheridan’s Faulkland, the Silenced, Emasculated, Ideal, Male’. SEL 43 (2003): 683700.Google Scholar
O’Quinn, Daniel. Staging Governance: Theatrical Imperialism in London 1770–1800. Baltimore, MD: Johns Hopkins University Press, 2005.Google Scholar
O’Quinn, Daniel and Russell, Gillian, eds. ‘Georgian Theatre in an Information Age: Media, Performance, Sociability’. Special issue, Eighteenth-Century Fiction 27.3–4 (2015).Google Scholar
Orr, Bridget. Empire on the English Stage, 1660–1714. Cambridge: Cambridge University Press, 2001.Google Scholar
O’Shaughnessy, David . ‘“Bit, by some mad whig”: Charles Macklin and the Theater of Irish Enlightenment’. Huntington Library Quarterly 80.4 (2017): 559–84.Google Scholar
O’Shaughnessy, David, ed. ‘Networks of Aspiration: The London Irish of the Eighteenth Century’. Special issue, Eighteenth-Century Life 39.1 (2015).Google Scholar
O’Shaughnessy, David . ‘“Rip’ning Buds in Freedom’s Field”: Staging Irish Improvement in the 1780s’. Journal of Eighteenth-Century Studies 38.4 (2015): 541–54.Google Scholar
O’Toole, Fintan. A Traitor’s Kiss: The Life of Richard Brinsley Sheridan. London: Granta, 1998.Google Scholar
Parry, Sir Edmund Abbott. Charles Macklin. New York: Longmans, Green, and Co., 1891.Google Scholar
Powell, Martyn J.Charles James Fox and Ireland’. Irish Historical Studies 33 (2002): 169–90.CrossRefGoogle Scholar
Prendergast, Amy. Literary Salons across Britain and Ireland in the Long Eighteenth Century. Basingstoke: Palgrave, 2015.CrossRefGoogle Scholar
Ragussis, Michael. ‘Jews and Other “Outlandish Englishmen”: Ethnic Performance and the Invention of British Identity under the Georges’. Critical Inquiry 26 (2000): 773–97.CrossRefGoogle Scholar
Ragussis, Michael. Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain. Philadelphia: University of Pennsylvania Press, 2010.CrossRefGoogle Scholar
Richards, Jeffrey H. Drama, Theatre, and Identity in the American New Republic. Cambridge: Cambridge University Press, 2005.CrossRefGoogle Scholar
Robbins, Caroline. The Eighteenth-Century Commonwealthman. Cambridge, MA: Harvard University Press, 1959.CrossRefGoogle Scholar
Rosenfeld, Sybil. Foreign Theatrical Companies in Great Britain in the 17th and 18th Centuries. London: Society for Theatre Research, 1955.Google Scholar
Rosenthal, Laura J.Juba’s Roman Soul: Addison’s Cato and Enlightenment Cosmopolitanism’. Studies in the Literary Imagination 32 (1999): 6475.Google Scholar
Russell, Gillian. Women, Sociability and Theatre in Georgian London. Cambridge: Cambridge University Press, 2007.Google Scholar
Sadie, Stanley. The New Grove Dictionary of Opera, 4 vols. London: Macmillan, 1992.Google Scholar
Schellenberg, Betty A.Frances Sheridan Reads John Home: Placing Sidney Bidulph in the Republic of Letters’. Eighteenth-Century Fiction 13 (2001): 561–77.CrossRefGoogle Scholar
Schweitzer, David R.The Failure of William Pitt’s Irish Trade Propositions’. Parliamentary History 3 (1984): 129–45.Google Scholar
Siskin, Clifford and Warner, William, eds. This Is Enlightenment. Chicago: University of Chicago Press, 2012.Google Scholar
Slowey, Desmond. The Radicalization of Irish Drama 1600–1900: The Rise and Fall of Ascendancy Theatre. Dublin: Irish Academic Press, 2008.Google Scholar
Small, Stephen. Political Thought in Ireland 1776–1798: Republicanism, Patriotism, and Radicalism. Oxford: Oxford University Press, 2012.Google Scholar
Spenser, Edmund. View of the Present State of Irelande, ed. Renwick, W. L.. Oxford: Clarendon Press, 1970.Google Scholar
Swindells, Julia and Taylor, David Francis, eds. The Oxford Handbook of the Georgian Theatre, 1737–1832. Oxford: Oxford University Press, 2014.CrossRefGoogle Scholar
Taylor, David Francis. Theatres of Opposition: Empire, Revolution, and Richard Brinsley Sheridan. Oxford: Oxford University Press, 2012.CrossRefGoogle Scholar
Truninger, Annelise. Paddy and the Paycock: A Study of the Stage Irishman from Shakespeare to O’Casey. Bern: Francke, 1976.Google Scholar
Wagoner, Michael M.The “Merry” Tragedy of Henry VII as written by “Charles Macklin, Comedian”’. New Theatre Quarterly 31.4 (2015): 372–80.CrossRefGoogle Scholar
Walsh, T. J. Opera in Dublin 1705–1797: The Social Scene. Dublin: A. Figgis, 1973.Google Scholar
Werkmeister, Lucyle. A Newspaper History of England 1792–1793. Lincoln: University of Nebraska Press, 1967.Google Scholar
Whelan, Kevin. Acts of Union: The Causes, Contexts, and Consequences of the Act of Union. Dublin: Four Courts, 2001.Google Scholar
Wiesenthal, Christine S.Representation and Experimentation in the Mayor Comedies of Richard Brinsley Sheridan’. Eighteenth-Century Studies 25 (1992): 309–30.CrossRefGoogle Scholar
Withers, Charles W. J. Placing the Enlightenment: Thinking Geographically about the Age of Reason. Chicago: University of Chicago Press, 2007.CrossRefGoogle Scholar
Wood, Gillen D’Arcy. Romanticism and Music Culture in Britain, 1770–1840: Virtue and Virtuosity. Cambridge: Cambridge University Press, 2010.Google Scholar
Wright, Herbert. ‘Henry Brooke’s “Gustavus Vasa”’. Modern Language Review 14 (1919): 173–82.Google Scholar
Wyn-Jones, David. Music in Eighteenth-Century Britain. Aldershot: Ashgate, 2000.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Select Bibliography
  • Edited by David O'Shaughnessy, Trinity College Dublin
  • Book: Ireland, Enlightenment and the English Stage, 1740-1820
  • Online publication: 22 July 2019
  • Chapter DOI: https://doi.org/10.1017/9781108628747.012
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Select Bibliography
  • Edited by David O'Shaughnessy, Trinity College Dublin
  • Book: Ireland, Enlightenment and the English Stage, 1740-1820
  • Online publication: 22 July 2019
  • Chapter DOI: https://doi.org/10.1017/9781108628747.012
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Select Bibliography
  • Edited by David O'Shaughnessy, Trinity College Dublin
  • Book: Ireland, Enlightenment and the English Stage, 1740-1820
  • Online publication: 22 July 2019
  • Chapter DOI: https://doi.org/10.1017/9781108628747.012
Available formats
×