Book contents
- The Grotesque in Roman Love Elegy
- The Grotesque in Roman Love Elegy
- Copyright page
- Dedication
- Contents
- Preface
- Acknowledgements
- Abbreviations
- Chapter 1 Premises and Expectations of the Elegiac Grotesque
- Chapter 2 Context and Prehistory of the Elegiac Grotesque
- Chapter 3 Cynthia and the Grotesque Ethos
- Chapter 4 The Ovidian Unmasking of the Elegiac Grotesque
- Chapter 5 Revolting and Refined: The Aesthetic Function of Acanthis
- Chapter 6 Grotesque Hermeneutics of the Lena in Tibullus and Ovid
- Chapter 7 The Rival: A Vir Foedus
- Chapter 8 Pasiphae and the Allurement of the Grotesque
- Chapter 9 Ovid’s Remedia and the Waning of the Elegiac Grotesque
- References
- Index
Chapter 5 - Revolting and Refined: The Aesthetic Function of Acanthis
Published online by Cambridge University Press: 10 September 2020
- The Grotesque in Roman Love Elegy
- The Grotesque in Roman Love Elegy
- Copyright page
- Dedication
- Contents
- Preface
- Acknowledgements
- Abbreviations
- Chapter 1 Premises and Expectations of the Elegiac Grotesque
- Chapter 2 Context and Prehistory of the Elegiac Grotesque
- Chapter 3 Cynthia and the Grotesque Ethos
- Chapter 4 The Ovidian Unmasking of the Elegiac Grotesque
- Chapter 5 Revolting and Refined: The Aesthetic Function of Acanthis
- Chapter 6 Grotesque Hermeneutics of the Lena in Tibullus and Ovid
- Chapter 7 The Rival: A Vir Foedus
- Chapter 8 Pasiphae and the Allurement of the Grotesque
- Chapter 9 Ovid’s Remedia and the Waning of the Elegiac Grotesque
- References
- Index
Summary
Propertius 4.5 is the poet–lover’s vindictive fantasy against the lena, the character who is most inimical to him in the dramatic scenario of love elegy. He expresses his hostility towards her by depicting her as a profoundly grotesque creature, wicked and revolting in every way. Propertius enables the poet–lover to be mercilessly punitive and to use images likely to generate a strong emotional reaction. The images contemplated by the poet–lover in his rage are the same ones contemplated by us, Propertius’ readers, as we move through the text. Being expressions of a rejected lover, such images are likely to generate a sequence of vehement emotions, both within the narrative and in the reading experience, while our gaze and the poet–lover’s both remain fixed on the lena as an embodied source of the dark passions that course through the poem. We would miss the genre’s signature of authenticity if we did not conclude that the grotesque is implicit in and central to the Propertian elegy.
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- The Grotesque in Roman Love Elegy , pp. 114 - 138Publisher: Cambridge University PressPrint publication year: 2020