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Part IV - Literature and Local Transformation

Published online by Cambridge University Press:  12 January 2019

Kristen Poole
University of Delaware
Lauren Shohet
Villanova University, Pennsylvania
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Publisher: Cambridge University Press
Print publication year: 2019

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Further Reading

Ahnert, Ruth, ed., Re-forming the Psalms in Tudor England, special issue of Renaissance Studies 29.4 (2015): 493680.Google Scholar
Austern, Linda Phyllis, McBride, Kari Boyd, and Orvis, David L., eds., Psalms in the Early Modern World (New York: Routledge, 2011).Google Scholar
Greene, Roland, Post-Petrarchism: Origins and Innovations of the Western Lyric Sonnet Sequence (Princeton: Princeton University Press, 1991).Google Scholar
Wright, George T., Hearing the Measures: Shakespearean and Other Inflections (Madison: University of Wisconsin Press, 2002).Google Scholar

Further Reading

Andrea, Bernadette, Women and Islam in Early Modern English Literature (Cambridge: Cambridge University Press, 2007).Google Scholar
Britton, Dennis Austin, “Re-‘turning’ Othello: Transformative and Restorative Romance,” ELH 78.1 (2011): 2750.Google Scholar
Ezell, Margaret, Writing Women’s Literary History (Baltimore: Johns Hopkins University Press, 1996).Google Scholar
Faris, Wendy B., Ordinary Enchantments: Magical Realism and the Remystification of Narrative (Nashville: Vanderbilt University Press, 2004).CrossRefGoogle Scholar

Further Reading

Astington, John, Actors and Acting in Shakespeare’s Time (Cambridge: Cambridge University Press, 2010).CrossRefGoogle Scholar
Bowsher, Julian, Shakespeare’s London Theatreland: Archaeology, History and Drama (London: Museum of London Archaeology, 2012).Google Scholar
Dutton, Richard, ed., The Oxford Handbook of Early Modern Theatre (Oxford: Oxford University Press, 2009).Google Scholar
Orrell, John, The Human Stage: English Theatre Design, 1567–1640 (Cambridge: Cambridge University Press, 1988).Google Scholar
Museum of London Archaeology, “The Stage is Set at Shakespeare’s Curtain Theatre,” 10 November 2016,, accessed 16 July 2018.Google Scholar

Further Reading

Bloemendal, Jan and Ford, Philip, Neo-Latin Drama: Forms, Functions, Receptions (Hildesheim: Olms, 2008).Google Scholar
Erskine, Caroline and Mason, Roger, eds., George Buchanan: Political Thought in Early Modern Britain and Europe (Farnham: Ashgate, 2012).Google Scholar
Haugen, Kristine Louise, “The Birth of Tragedy in the Cinquecento: Humanism and Literary History,” in Journal of the History of Ideas 72.3 (2011): 351–70.Google Scholar
McFarlane, I. D., Buchanan (London: Duckworth, 1981).Google Scholar
Smith, Bruce R., Ancient Scripts and Modern Experience on the English Stage, 1500- 1700 (Princeton: Princeton University Press, 1988).Google Scholar
Watanabe-O’Kelly, Helen, “The Renaissance Meets the Reformation: The Dramatist Thomas Neogeorg (1508–1563),” in The Reinvention of Theatre in Sixteenth-Century Europe: Traditions, Texts and Performance, eds. Fouto, C. and Earle, T. C. (Leeds: Legenda, 2014), 317–31.Google Scholar

Further Reading

Fincham, Kenneth and Tyacke, Nicholas, Altars Restored: The Changing Face of English Religious Worship, 1547–c. 1700 (Oxford: Oxford University Press, 2007).Google Scholar
Hunt, Arnold, The Art of Hearing: English Preachers and Their Audiences 1590–1640 (Cambridge: Cambridge University Press, 2010).Google Scholar
Lake, Peter, Moderate Puritans and the Elizabethan Church (Cambridge: Cambridge University Press, 1982).Google Scholar
Lake, Peter and Questier, Michael, eds., Conformity and Orthodoxy in the English Church, c. 1560–1660 (Woodbridge: Boydell and Brewer, 2000).Google Scholar
McCullough, Peter, Sermons at Court: Politics and Religion in Elizabethan and Jacobean Preaching (Cambridge: Cambridge University Press, 1998).Google Scholar

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