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Part IV - Literature and Local Transformation

Published online by Cambridge University Press:  12 January 2019

Kristen Poole
Affiliation:
University of Delaware
Lauren Shohet
Affiliation:
Villanova University, Pennsylvania
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Publisher: Cambridge University Press
Print publication year: 2019

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References

Further Reading

Ahnert, Ruth, ed., Re-forming the Psalms in Tudor England, special issue of Renaissance Studies 29.4 (2015): 493680.Google Scholar
Austern, Linda Phyllis, McBride, Kari Boyd, and Orvis, David L., eds., Psalms in the Early Modern World (New York: Routledge, 2011).Google Scholar
Greene, Roland, Post-Petrarchism: Origins and Innovations of the Western Lyric Sonnet Sequence (Princeton: Princeton University Press, 1991).Google Scholar
Wright, George T., Hearing the Measures: Shakespearean and Other Inflections (Madison: University of Wisconsin Press, 2002).Google Scholar

Further Reading

Andrea, Bernadette, Women and Islam in Early Modern English Literature (Cambridge: Cambridge University Press, 2007).Google Scholar
Britton, Dennis Austin, “Re-‘turning’ Othello: Transformative and Restorative Romance,” ELH 78.1 (2011): 2750.Google Scholar
Ezell, Margaret, Writing Women’s Literary History (Baltimore: Johns Hopkins University Press, 1996).Google Scholar
Faris, Wendy B., Ordinary Enchantments: Magical Realism and the Remystification of Narrative (Nashville: Vanderbilt University Press, 2004).CrossRefGoogle Scholar

Further Reading

Astington, John, Actors and Acting in Shakespeare’s Time (Cambridge: Cambridge University Press, 2010).CrossRefGoogle Scholar
Bowsher, Julian, Shakespeare’s London Theatreland: Archaeology, History and Drama (London: Museum of London Archaeology, 2012).Google Scholar
Dutton, Richard, ed., The Oxford Handbook of Early Modern Theatre (Oxford: Oxford University Press, 2009).Google Scholar
Orrell, John, The Human Stage: English Theatre Design, 1567–1640 (Cambridge: Cambridge University Press, 1988).Google Scholar
Museum of London Archaeology, “The Stage is Set at Shakespeare’s Curtain Theatre,” 10 November 2016, www.mola.org.uk/blog/stage-set-shakespeares-curtain-theatre, accessed 16 July 2018.Google Scholar

Further Reading

Bloemendal, Jan and Ford, Philip, Neo-Latin Drama: Forms, Functions, Receptions (Hildesheim: Olms, 2008).Google Scholar
Erskine, Caroline and Mason, Roger, eds., George Buchanan: Political Thought in Early Modern Britain and Europe (Farnham: Ashgate, 2012).Google Scholar
Haugen, Kristine Louise, “The Birth of Tragedy in the Cinquecento: Humanism and Literary History,” in Journal of the History of Ideas 72.3 (2011): 351–70.Google Scholar
McFarlane, I. D., Buchanan (London: Duckworth, 1981).Google Scholar
Smith, Bruce R., Ancient Scripts and Modern Experience on the English Stage, 1500- 1700 (Princeton: Princeton University Press, 1988).Google Scholar
Watanabe-O’Kelly, Helen, “The Renaissance Meets the Reformation: The Dramatist Thomas Neogeorg (1508–1563),” in The Reinvention of Theatre in Sixteenth-Century Europe: Traditions, Texts and Performance, eds. Fouto, C. and Earle, T. C. (Leeds: Legenda, 2014), 317–31.Google Scholar

Further Reading

Fincham, Kenneth and Tyacke, Nicholas, Altars Restored: The Changing Face of English Religious Worship, 1547–c. 1700 (Oxford: Oxford University Press, 2007).Google Scholar
Hunt, Arnold, The Art of Hearing: English Preachers and Their Audiences 1590–1640 (Cambridge: Cambridge University Press, 2010).Google Scholar
Lake, Peter, Moderate Puritans and the Elizabethan Church (Cambridge: Cambridge University Press, 1982).Google Scholar
Lake, Peter and Questier, Michael, eds., Conformity and Orthodoxy in the English Church, c. 1560–1660 (Woodbridge: Boydell and Brewer, 2000).Google Scholar
McCullough, Peter, Sermons at Court: Politics and Religion in Elizabethan and Jacobean Preaching (Cambridge: Cambridge University Press, 1998).Google Scholar

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