Book contents
- Epic Visions
- Epic Visions
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Contributors
- Preface
- Abbreviations
- Introduction
- 1 Seeing in the dark: kleos, tragedy and perception in Iliad 101
- 2 Operatic visions: Berlioz stages Virgil
- 3 Visualising Venus: epiphany and anagnorisis in Valerius Flaccus’ Argonautica
- 4 The look of the Late Antique Emperor and the art of praise
- 5 Intermediality in Latin epic – en video quaecumque audita
- 6 Viewing violence in Statius’ Thebaid and the films of Quentin Tarantino
- 7 Storyboarding and epic
- 8 Epic in the round
- 9 Split-screen visions: Heracles on top of Troy in the Casa di Octavius Quartio in Pompeii
- 10 Epic visions on the Tabulae Iliacae
- Bibliography
- Index locorum
- General index
Epic Visions
Published online by Cambridge University Press: 05 February 2015
- Epic Visions
- Epic Visions
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Contributors
- Preface
- Abbreviations
- Introduction
- 1 Seeing in the dark: kleos, tragedy and perception in Iliad 101
- 2 Operatic visions: Berlioz stages Virgil
- 3 Visualising Venus: epiphany and anagnorisis in Valerius Flaccus’ Argonautica
- 4 The look of the Late Antique Emperor and the art of praise
- 5 Intermediality in Latin epic – en video quaecumque audita
- 6 Viewing violence in Statius’ Thebaid and the films of Quentin Tarantino
- 7 Storyboarding and epic
- 8 Epic in the round
- 9 Split-screen visions: Heracles on top of Troy in the Casa di Octavius Quartio in Pompeii
- 10 Epic visions on the Tabulae Iliacae
- Bibliography
- Index locorum
- General index
- Type
- Chapter
- Information
- Epic VisionsVisuality in Greek and Latin Epic and its Reception, pp. i - iiPublisher: Cambridge University PressPrint publication year: 2013