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Chapter 1 - New York City

Reassessing the Topography of New York City in Don DeLillo’s Fiction

from Part I - Places

Published online by Cambridge University Press:  19 May 2022

By
Alan J. Gravano
Edited by
Jesse Kavadlo
Jesse Kavadlo
Affiliation:
Maryville University of Saint Louis, Missouri
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Summary

DeLillo’s fiction acts as a commentary on the human condition and its relation to spatial stimuli. New York City represents a fixed point of reference that the author revisits and continuously extracts meaning from its inhabitants’ movement throughout the cityscape and the architectural constructs that affect their lives.

Keywords

Don DeLilloNew York CityUnderworldstoriesWorld Trade Center
Type
Chapter
Information
Don DeLillo In Context , pp. 9 - 14
Publisher: Cambridge University Press
Print publication year: 2022

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References

Works Cited

DeLillo, Don. Americana. Penguin, 1971.Google Scholar
DeLillo, Don. “Coming Sun. Mon. Tues.” Kenyon Review, 28, 1966: 391–4.Google Scholar
DeLillo, Don. Falling Man. Scribner, 2007.Google Scholar
DeLillo, Don. “In the Men’s Room of the Sixteenth Century.” Esquire, 1971: 174–7, 243, 246.Google Scholar
DeLillo, Don. “In the Ruins of the Future: Reflections on Terror and Loss in the Shadow of September.” Harper’s, Dec. 2001: 33–40.Google Scholar
DeLillo, Don. Point Omega. Scribner, 2009.Google Scholar
DeLillo, Don. “The River Jordan.” Epoch, 10.2, 1960: 105–20.Google Scholar
DeLillo, Don. “Spaghetti and Meatballs.” Epoch, 14.3, 1965: 244–50.Google Scholar
DeLillo, Don. “Take the ‘A’ Train.” Epoch, 12.1, 1962: 9–25.Google Scholar
DeLillo, Don. Underworld. Scribner, 1997.Google Scholar
DeLillo, Don. Zero K. Scribner, 2016.Google Scholar
Perrett, Connor. “New York City’s Coronavirus Death Toll Officially Passed the Number of People Killed during the 9/11 Attacks.” Business Insider, Apr. 7, 2020.Google Scholar
Tally, Robert T. Jr. “Lukács’s Literary Cartography: Spatiality, Cognitive Mapping, and The Theory of the Novel.” Mediations, vol. 29.2, 2016: 113–24.Google Scholar

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