Akio, Aiba. Gendai Kamigata rakugo benri jiten 現代上方落語便利事典 (Useful Dictionary for Contemporary Kamigata Rakugo). Tokyo: Shōnensha, 1987.Google Scholar

Akio, Aiba Shin gendai Kamigata rakugo jinroku 新現代上方落語人録 (New Contemporary Kamigata Rakugo Directory). Tokyo: Kōbun Shuppan, 1985.Google Scholar

Altman, Rick, ed. Sound Theory, Sound Practice. New York: Routledge, 1992.Google Scholar

Babcock, Barbara. The Reversible World: Symbolic Inversion in Art and Society. Ithaca: Cornell University Press, 1978.Google Scholar

Bender, Ross. “Shoku Nihongi – The Year Tenpyō Shōhō 1: A Translation with Introduction and Annotations by Ross Bender.” PMJS Papers (June 2012): 1–29. www.pmjs.org/pmjs-papers/papers-index/bender-tenpyo_shoho1. Accessed 8 February 2021.Google Scholar

Benedict, Ruth. The Chrysanthemum and the Sword: Patterns of Japanese Culture. 1946. Reprint, Cleveland and New York: The World Publishing Company, 1969.Google Scholar

Blumner, Holly A. “Sakata Tōjūrō, Nakamura Shichisaburō and the Creation of Wagoto Kabuki in the Genroku Era.” Ph.D. dissertation, University of Hawai‘i at Mānoa, 2004. http://scholarspace.manoa.hawaii.edu/handle/10125/11972. Accessed 8 February 2021.Google Scholar

Bouchard, Donald F., ed. Language, Counter-Memory, Practice: Selected Essays and Interviews. Ithaca: Cornell University Press, 1977.Google Scholar

Brandon, James R., and Leiter, Samuel L., eds. Kabuki Plays on Stage: Darkness and Desire, 1804–1864. Honolulu: University of Hawai‘i Press, 2002.Google Scholar

Brau, Lorie. Rakugo: Performing Comedy and Cultural Heritage in Contemporary Tokyo. Lanham: Lexington Books, 2008.Google Scholar

Chafe, Wallace. The Importance of Not Being Ernest: The Feeling behind Laughter and Humor. Philadelphia: John Benjamins Publishing Company, 2007.Google Scholar

Cohn, Joel R. Studies in the Comic Spirit in Modern Japanese Fiction. Cambridge: Harvard University Asia Center, 1998.Google Scholar

Como, Michael I. Shōtoku: Ethnicity, Ritual, and Violence in the Japanese Buddhist Tradition. New York: Oxford University Press, 2008.Google Scholar

Davis, Jessica Milner, ed. Understanding Humor in Japan. Detroit: Wayne State University Press, 2006.Google Scholar

de Ferranti, Hugh, and Tokita, Alison, eds. Music, Modernity and Locality in Prewar Japan: Osaka and Beyond. Burlington: Ashgate, 2013.Google Scholar

Shigeru, Ekuni, et al., eds. Koten rakugo taikei 古典落語大系 (Classical Rakugo Compendium). Vol. 8, Kamigata hen 上方編 (Kamigata Edition). Tokyo: San’ichi Shobō, 1970.Google Scholar

En, Tarō. “Mata Osaka no yose yori” また大阪の寄席より(“One Again from Osaka’s Yose”). Bungei kurabu (January 1917): 314–15.Google Scholar

Foucault, Michel. “A Preface to Transgression.” In Bouchard, Donald F., ed. Language, Counter-Memory, Practice: Selected Essays and Interviews, 29–52. Ithaca: Cornell University Press, 1977.Google Scholar

Frye, Northrop. The Anatomy of Criticism: Four Essays. Princeton: Princeton University Press, 1957.Google Scholar

Fujii, Otō. Hyōshaku Edo bungaku sōsho 評釋江戸文學叢書 (Annotated Edo Literature Series). Vol. 2, Ukiyozōshi meisaku shū 浮世草子名作集 (Collection of Ukiyozōshi Masterpieces). Tokyo: Kōdansha, 1970.Google Scholar

Fuse, Shōichi. Nihonjin no warai to rakugo 日本人の笑いと落語 (Japanese Humor and Rakugo). Tokyo: San’ichi Shobō, 1970.Google Scholar

Kenkyūkai, Geinōshi, ed. Nihon shomin bunka shiryō shūsei 日本庶民文化資料集成 (Japanese Commoner Cultural Document Collection). Vol. 8, Yose, misemono 寄席 見世物 (Yose and Misemono). Tokyo: San’ichi Shobō, 1976.Google Scholar

Kenkyūkai, Geinōshi ed. Nihon no koten geinō 日本の古典芸能 (Japanese Classical Performing Arts). Vol. 9, Yose, wagei no shūsei 寄席 話芸の集成 (Yose and Narrative Arts Collection). Tokyo: Heibonsha, 1971.Google Scholar

Gerstle, C. Andrew. Circles of Fantasy: Conventions in the Plays of Chikamatsu. Cambridge: Council on East Asian Studies, Harvard University, 1986.Google Scholar

Gerstle, C. “Takemoto Gidayū and the Individualistic Spirit of Osaka Theater.” In McClain, James L. and Osamu, Wakita, eds. Osaka: The Merchant’s Capital of Early Modern Japan, 104–24. Ithaca: Cornell University Press, 1999.Google Scholar

Griswold, Wendy. Regionalism and the Reading Class. Chicago: University of Chicago Press, 2008.Google Scholar

Groemer, Gerald. Street Performers and Society in Urban Japan, 1600–1900: The Beggar’s Gift. New York: Routledge, 2016.Google Scholar

Hadley, James Luke. “Theorizing in Unfamiliar Contexts: New Directions in Translation Studies.” Ph.D. dissertation, University of East Anglia, 2014. University of East Anglia Digital Repository. https://ueaeprints.uea.ac.uk/id/eprint/48683/. Accessed 8 February 2021.Google Scholar

Hallett, Catherine. “Deconstructing Hierarchy and Power Relations in the Traditional Performing Arts of Japan: The Music of Kamigata Rakugo.” Ph.D. dissertation, Australian National University, 2020.Google Scholar

Hallett, Catherine. “Music in Kamigata Rakugo Performance.” New Voices 6 (January 2014): 91–115.Google Scholar

Hanes, Jeffrey E. The City as Subject: Seki Hajime and the Reinvention of Modern Osaka. Berkeley: University of California Press, 2002.Google Scholar

Somemaru, Hayashiya. Kamigata rakugo saijiki 上方らくご歳時記 (Kamigata Rakugo Seasonal Almanac). Osaka: Nenshōsha, 1999.Google Scholar

Somemaru, Hayashiya Kamigata rakugo yosebayashi no sekai 上方落語寄席囃子の世界 (The World of Kamigata Rakugo Yose Music). 3 vols. Osaka: Sōgensha, 2011.Google Scholar

Somemaru, Hayashiya Shōfukutei Matsunosuke kikisho: Itsumo seishun zutto seishun 笑福亭松之助聞書 いつも青春ずっと青春 (An Account of Shōfukutei Matsunosuke: Always Young, Forever Young). Osaka: Nenshōsha, 2000.Google Scholar

Hendry, Joy, and Raveri, Massimo, eds. Japan at Play: The Ludic and Logic of Power. New York: Routledge, 2002.Google Scholar

Herman, David, Jahn, Manfred, and Ryan, Marie-Laure, eds. Routledge Encyclopedia of Narrative Theory. New York: Routledge, 2005.Google Scholar

Hibbett, Howard. The Chrysanthemum and the Fish: Japanese Humor since the Age of the Shoguns. Tokyo: Kodansha International, 2002.Google Scholar

Hida, Kōzō. Kamigata gakugeishi sōkō 上方学藝史叢攷 (Historical Survey of Kamigata Arts). Musashimurayama: Seishōdō Shoten, 1988.Google Scholar

Kōzō, Hida, Tadayoshi, Ōhashi, and Keisuku, Hamada, eds. Kamigata geibun sōkan 上方藝文叢刋 (Kamigata Literature Series). Vol. 9, Kamigata hanashibon shū 上方咄本集 (Kamigata Hanashibon Anthology). Tokyo: Yagi Shoten; and Osaka: Manjiya Shoten, 1982.Google Scholar

Honjō, Eijirō. Economic Theory and History of Japan in the Tokugawa Period. New York: Russell & Russell, Inc., 1965 [1943].Google Scholar

Ken’ichirō, Horii. Rakugo no kuni kara nozoite mireba 落語の国からのぞいてみれば (Peeking Out from the World of Rakugo). Tokyo: Kōdansha, 2008.Google Scholar

Ken’ichirō, Horii Rakugoron 落語論 (Rakugo Theory). Tokyo: Kōdansha, 2009.Google Scholar

Manabu, Hoshi. Kamigata rakugo kōkyū: Warai no sekai, hanashi to hanashi no hanashi 上方落語考究 笑いの世界、咄と噺のはなし (Kamigata Rakugo Inquiry: The World of Comedy, and the Story of Stories and Stories). Tokyo: Ōtori Shoin, 2013.Google Scholar

Fumiko, Idota. “Kinsei chūkōki ni okeru Osaka shōnin ‘Obashiya ittō’ no ketsugō kankei” 近世中後期における大坂商人「小橋屋一統」の結合関係 (“The Management System of an Osaka Merchant [The Obashiya-Ittō] in the Middle and Late Early Modern Era”). Kansei Gakuin shigaku 31 (March 2004): 38–64.Google Scholar

Iezzi, Julie A. “The Art of Kabuki Speech: Rules and Rhythms.” Ph.D. dissertation, University of Hawai‘i at Mānoa, 2000. Proquest Dissertations & Theses Global. Accessed 8 February 2021.Google Scholar

Ihara, Toshirō. Kabuki nenpyō 歌舞伎年表 (Kabuki Chronology). 4th ed. Edited by Shigetoshi, Kawatake. Tokyo: Iwanami Shoten, 1972.Google Scholar

Nobuo, Imamura. Rakugo jiten 落語事典 (Rakugo Encyclopedia). Tokyo: Seiabō, 1957.Google Scholar

Kentarō, Imaoka, Katsura, Nakagawa, Nobuaki, Miya, and Shigefuji, Gyō. Shōwa no rakugo: Meijin retsuden 昭和の落語 名人列伝 (Shōwa Rakugo: Biographies of the Masters). Tokyo: Tankōsha, 2019.Google Scholar

Hiroshi, Inoue. Hōsō engei shi 放送演芸史 (History of Engei in Broadcasting). Kyoto: Sekai Shisōsha, 1985.Google Scholar

Hiroshi, Inoue Manzai: Osaka no warai 漫才 大阪の笑い (Manzai: Osaka Comedy). Kyoto: Sekai Shisōsha, 1981.Google Scholar

Hiroshi, Inoue Osaka no bunka to warai 大阪の文化と笑い (Osaka Culture and Humor). Suita: Kansai Daigaku Shuppanbu, 2003.Google Scholar

Hiromi, Inui. “Bakumatsuki Osaka chōnin shakai no dōkō” 幕末期大坂町人社会の動向 (“Trends in Bakumatsu-Era Osaka Chōnin Society”). Rekishi kenkyū 26 (1988): 15–53.Google Scholar

Hiromi, Inui “Kasei-Tenpō ni okeru Osaka chōnin shakai no dōkō” 化政・天保における大坂町人社会の動向 (“Trends in Kasei and Tenpō-Era Osaka Chōnin Society”). Rekishi kenkyū 18 (1980): 227–68.Google Scholar

Ito, Ken K. An Age of Melodrama: Family, Gender, and Social Hierarchy in the Turn-of-the-Century Japanese Novel. Stanford: Stanford University Press, 2008.Google Scholar

Ito, Ken K. “The Family and the Nation in Tokutomi Roka’s Hototogisu.” Harvard Journal of Asiatic Studies 60, no. 2 (December 2000): 489–536.Google Scholar

Jacobowitz, Seth. Writing Technology in Meiji Japan: A Media History of Modern Japanese Literature and Visual Culture. Cambridge: Harvard University Asia Center, 2015.Google Scholar

Kamigata Kyōdo Kenkyūkai, ed. Kamigata: Kyōdo kenkyū 上方 郷土研究 (Kamigata: Folk Research). 151 vols. Osaka: Kamigata Kyōdo Kenkyūkai, 1931–1944.Google Scholar

Kamigata Rakugo Kyōkai, ed. Kamigata rakugo omoroi shū 上方落語おもろい集 (Funny Anthology of Kamigata Rakugo). Tokyo: Shinpū Shuppansha, 1968.Google Scholar

Kamigata Rakugo Kyōkai ed. Koten rakugo 古典落語 (Classical Rakugo). Vol. 10, Kamigatabanashi 上方ばなし (Kamigata Stories). Tokyo: Kadokawa Shoten, 1975.Google Scholar

Kamigata Rakugo Kyōkai ed. Nna aho na んなあほな (That’s Ridiculous). 39 vols. Osaka: Kamigata Rakugo Kyōkai, 2004–2017.Google Scholar

Katsura, Beichō. Beichō Kamigata rakugo sen 米朝上方落語選 (Beichō Kamigata Rakugo Selections). 2 vols. Tokyo: Rippū Shobō, 1975.Google Scholar

Katsura, Beichō Beichō rakugo zenshū, zōho kaitei ban 米朝落語全集 増補改訂版 (Beichō Rakugo Anthology, Supplemented and Revised). 8 vols. Osaka: Sōgensha, 2013–2014 [1980–1982, 7 vols.].Google Scholar

Katsura, Beichō “Fūryū mukashibanashi” 風流昔噺 (“Popular Funny Tales of Old”). In Kenkyūkai, Geinōshi, ed. Nihon shomin bunka shiryō shūsei 日本庶民文化資料集成 (Japanese Commoner Cultural Document Collection). Vol. 8, Yose, misemono 寄席 見世物 (Yose and Misemono), 85–114. Tokyo: San’ichi Shobō, 1976.Google Scholar

Katsura, Beichō Kamigata rakugo: Katsura Beichō korekushon 上方落語 桂米朝コレクション (Kamigata Rakugo: Katsura Beichō Collection). 8 vols. Tokyo: Chikuma Shobō, 2002–2003.Google Scholar

Katsura, Beichō Kamigata rakugo nōto上方落語ノート (Kamigata Rakugo Notes). 4 vols. Tokyo: Seiabō, 1978–1998.Google Scholar

Katsura, Beichō Katsura Beichō shūsei 桂米朝集成 (Katsura Beichō Compilation). 4 vols. Edited by Yoshinori, Toyoda and Manabu, Toda. Tokyo: Iwanami Shoten, 2004–2005.Google Scholar

Katsura, Beichō Katsura Beichō zadan 桂米朝座談 (Conversations with Katsura Beichō). 2 vols. Edited by Yoshinori, Toyoda and Manabu, Toda. Tokyo: Iwanami Shoten, 2005–2006.Google Scholar

Katsura, Beichō ed. Yonsei Katsura Yonedanji: yose zuihitsu 四世桂米團治 寄席随筆 (Katsura Yonedanji IV: Essays on the Yose). Tokyo: Iwanami Shoten, 2007.Google Scholar

Beichō, Katsura, et al., eds. Kanpon: Masaoka Iruru yose zuihitsu 完本 正岡容寄席随筆 (Essays on the Yose by Masaoka Iruru: Unabridged). Tokyo: Iwanami Shoten, 2006.Google Scholar

Bunga, Katsura. Fukkatsu chinpin: Kamigata rakugo senshū 復活珍品 上方落語選集 (Revived Rarities: A Kamigata Rakugo Anthology). 3 vols. Osaka: Nenshōsha, 2001–2003.Google Scholar

Bunga, Katsura Kamigata yosebayashi daizenshū 上方寄席囃子大全集 (Complete Collection of Kamigata Rakugo Yose Music). 2 vols. Osaka: Nenshōsha, 2004.Google Scholar

Katsura Bunraku, VIII. “Suzumibanashi: yoku no kawa” 涼み話 慾の皮 (“Stories for Cooling Off: The Skin of Greed”). In Nōryōgō: kōdan to rakugo, Tokyo Nichi Nichi shinbun furoku 納涼號 講談と落語 東京日日新聞付録 (Enjoying the Evening Cool Issue: Kōdan and Rakugo, Tokyo Nichi Nichi Newspaper Supplement) (September 1926).Google Scholar

Bunshi, Katsura. Ankerasō yawa あんけら荘夜話 (Evening Tales of an Idiot). Tokyo: Seiabō, 1996.Google Scholar

Fukudanji, Katsura. Kamigata rakugo wa doko e yuku 上方落語はどこへゆく (Where Will Kamigata Rakugo Go?). Osaka: Kaifūsha, 1989.Google Scholar

Sanshi, Katsura. Shishō, godaime Bunshi e 師匠、五代目文枝へ (To My Master, Katsura Bunshi V). Tokyo: Yoshimoto Bukkusu, 2012.Google Scholar

Shijaku, Katsura. Kamigata rakugo: Katsura Shijaku bakushō korekushon 上方落語 桂枝雀爆笑コレクション (Kamigata Rakugo: Katsura Shijaku Explosive Laughter Collection). 5 vols. Tokyo: Chikuma Shobō, 2005–2006.Google Scholar

Hisae, Kawamoto. Nidaimesan: Nidaime Katsura Harudanji no gei to hito 二代目さん 二代目桂春団治の芸と人 (Mr. Second Gen: The Art and Persona of Katsura Harudanji II). Tokyo: Seiabō, 2002.Google Scholar

Kern, Adam. Manga from the Floating World: Comicbook Culture and the Kibyōshi of Edo Japan. Cambridge: Harvard University Asia Center, 2006.Google Scholar

Kimbrough, Keller, and Shirane, Haruo, eds. Monsters, Animals, and Other Worlds: A Collection of Short Medieval Tales. New York: Columbia University Press, 2018.Google Scholar

Koishi, Kimi and Manabu, Toda. Itoshi Koishi omoidegatari いとしこいし思い出がたり(Memories of Itoshi Koishi). Tokyo: Iwanami Shoten, 2008.Google Scholar

Kei, Kizugawa. Kamigata no warai: Manzai to rakugo 上方の笑い 漫才と落語 (Kamigata Comedy: Manzai and Rakugo). Tokyo: Kōdansha, 1984 [1979].Google Scholar

Yoshio, Kojima, et al. Mainichi hōsō bunka sōsho 毎日放送文化双書 (Mainichi Broadcasting Culture Series). Vol 10, Osaka no bungei 大阪の文芸 (Osaka Literary Arts). Osaka: Mainichi Hōsō, 1973.Google Scholar

Kōjōkai, Kokugeki, ed. Geinō jiten 藝能辞典 (Performing Arts Dictionary). Tokyo: Tōkyōdō, 1963 [1953].Google Scholar

Kominz, Laurence R. The Stars Who Created kabuki: Their Lives, Loves and Legacy. Tokyo: Kodansha International, 1997.Google Scholar

Kruitz, Paul. The Making of Theatre History. Upper Saddle River: Prentice Hall, 1988.Google Scholar

Mamichi, Kurokawa. Nihon fūzoku zue 日本風俗図絵 (Japanese Manners and Customs, Illustrated). Vol. 9. Tokyo: Nihon Fūzoku Zue Kankōkai, 1915.Google Scholar

Kushner, Barak. The Thought War: Japanese Imperial Propaganda. Honolulu: University of Hawai‘i Press, 2006.Google Scholar

Nanryō, Kyokudo (Konanryō). Meijiki Osaka no engei sokkibon kiso kenkyū 明治期大阪の演芸速記本基礎研究 (Fundamental Research on Meiji-Era Transcriptions of Osaka Yose Arts). 3 vols. Osaka: Taru Shuppan, 1994–2011.Google Scholar

Lancashire, Terence A. An Introduction to Japanese Folk Performing Arts. Burlington: Ashgate, 2011.Google Scholar

Leiter, Samuel L., ed. Rising from the Flames: The Rebirth of Theater in Occupied Japan, 1945–1952. Lanham: Lexington Books, 2009.Google Scholar

Linhart, Sepp, and Frühstück, Sabine, eds. The Culture of Japan as Seen through Its Leisure. Albany: State University of New York Press, 1998.Google Scholar

Isamu, Maeda, ed. Edogo no jiten 江戸語の辞典 (Edo Language Dictionary). Tokyo: Kōdansha, 1979.Google Scholar

Isamu, Maeda ed. Kamigata engei jiten 上方演芸事典 (Kamigata Engei Encyclopedia). Tokyo: Tōkyōdō Shuppan, 1966.Google Scholar

Isamu, Maeda Kamigata manzai happyakunen shi 上方まんざい八百年史 (Kamigata Manzai, an Eight-Hundred-Year History). Osaka: Sugimoto Shoten, 1975.Google Scholar

Isamu, Maeda Kamigata rakugo no rekishi 上方落語の歴史 (Kamigata Rakugo History). Osaka: Sugimoto Shoten, 1966.Google Scholar

Isamu, Maeda ed. Kinsei Kamigatago jiten 近世上方語辞典 (Dictionary of Early Modern Kamigata Language). Tokyo: Tōkyōdō Shuppan, 1964.Google Scholar

Isamu, Maeda Osakaben no kenkyū 大阪弁の研究 (Osaka Dialect Research). Osaka: Asahi Shinbunsha, 1949.Google Scholar

Shiyō, Makimura, ed. Osaka kotoba jiten 大阪ことば事典 (Dictionary of Osaka Language). Tokyo: Kōdansha, 2009 [1984].Google Scholar

Markus, Andrew L. “The Carnival of Edo: Misemono Spectacles from Contemporary Accounts.” Harvard Journal of Asiatic Studies 45, no. 2 (December 1985): 499–541.Google Scholar

Iruru, Masaoka. Enshoku rakugo kōdan kanshō 艶色落語講談鑑賞 (Erotic Rakugo and Kōdan Appreciation). Tokyo: Amatoriasha, 1952.Google Scholar

Iruru, Masaoka Zuihitsu yose andon 随筆寄席行燈 (Essays: Yose Paper-Shade Lamps). Tokyo: Yanagi Shobō, 1946.Google Scholar

Iruru, Masaoka Zuihitsu yosebayashi 随筆寄席囃子 (Essays: Yose Music). Tokyo: Ryūankyo, 1944.Google Scholar

Iruru, Masaoka Zuihitsu yose fūzoku 随筆寄席風俗 (Essays: Yose Customs). Tokyo: Sankyō Shoin, 1943.Google Scholar

McArthur, Ian. Henry Black: On Stage in Meiji Japan. Clayton: Monash University Publishing, 2013.Google Scholar

McClain, James L. Japan, a Modern History. New York: W. W. Norton & Company, 2002.Google Scholar

McClain, James L., and Osamu, Wakita, eds. Osaka: The Merchant’s Capital of Early Modern Japan. Ithaca: Cornell University Press, 1999.Google Scholar

McElrath, Jr., Miles, Kenneth. “The Seisuishō of Anrakuan Sakuden: Humorous Anecdotes of the Sengoku and Early Edo Periods.” Ph.D. dissertation, University of Michigan, 1971. Proquest Dissertations & Theses Global. Accessed 8 February 2021.Google Scholar

Miller, J. Scott. Adaptations of Western Literature in Meiji Japan. New York: Palgrave, 2001.Google Scholar

Miller, J. Scott “Japanese Shorthand and Sokkibon.” Monumenta Nipponica 49, no. 4 (Winter 1994): 471–87.Google Scholar

Mita, Jun’ichi. Kamigata geinō 上方芸能 (Kamigata Performing Arts). Tokyo: San’ichi Shobō, 1971.Google Scholar

Mita, Jun’ichi. Kamigata hanashi bessatsu: kaisetsu 上方はなし別冊 解説 (Kamigata Story Supplemental Commentary). Tokyo: San’ichi Shobō, 1972.Google Scholar

Mita, Jun’ichi. Kamigata rakugo endai sōran 上方落語演題総覧 (Kamigata Rakugo Story Guide). Self-published, 1963.Google Scholar

Mita, Jun’ichi. Shōfukutei Shokaku 笑福亭松鶴 (Shōfukutei Shokaku). Tokyo: Shinshindō Shuppan, 1987.Google Scholar

Mita, Jun’ichi. Shōwa Kamigata shōgei shi 昭和上方笑芸史 (History of Shōwa-Era Kamigata Comedy Arts). Tokyo: Gakugei Shorin, 1993.Google Scholar

Utaroku, Miyakoya. Rakugo rekoodo hachijūnenshi 落語レコード八十年史 (Rakugo Record Albums, an Eighty-Year History). 2 vols. Tokyo: Kokusho Kankōkai, 1987.Google Scholar

Mataji, Miyamoto. Kamigata to Bandō 上方と坂東 (Kamigata and Bandō). Tokyo: Seiabō, 1982 [1969].Google Scholar

Mataji, Miyamoto Kansai bunmei to fūdo 関西文明と風土 (Kansai Literary Arts and Local Climate). Tokyo: Shiseidō, 1971.Google Scholar

Mataji, Miyamoto Osaka no kenkyū 大阪の研究 (Osaka Research). 5 vols. Osaka: Seibundō, 1967–1970.Google Scholar

Shigeo, Miyao. Edo kobanashi shū 江戸小咄集 (Edo Comic Story Anthology). 2 vols. Tokyo: Heibonsha, 1971.Google Scholar

Yoshio, Miyao. Genroku zekkō bungei no kenkyū 元禄舌耕文芸の研究 (Research on Genroku-Era Oral Entertainment). Tokyo: Kasama Shoin, 1992.Google Scholar

Yoshio, Miyao ed. Kamigata hanashi no kaibon shūsei 上方咄の会本集成 (Collection of Books Published by Kamigata Storytelling Clubs). Osaka: Izumi Shoin, 2002.Google Scholar

Yoshio, Miyao Kamigata zekkō bungei shi no kenkyū 上方舌耕文芸史の研究 (Historical Study of Oral Entertainment in Kamigata). Tokyo: Bensei Shuppan, 1999.Google Scholar

Yoshio, Miyao Seisuishō 醒睡笑 (Slumber-Rousing Laughter). 2 vols. Tokyo: Shirakaba Bunko, 1976.Google Scholar

Takao, Mizukawa. Sōseki to rakugo: Edo shomin geinō no eikyō 漱石と落語 江戸庶民芸能の影響 (Sōseki and Rakugo: The Influence of Edo Commoner Entertainment). Tokyo: Sairyūsha, 1986.Google Scholar

Mayumi, Morinishi, ed. Kamigata geinō jiten 上方芸能辞典 (Kamigata Performing Arts Dictionary). Tokyo: Iwanami Shoten, 2008.Google Scholar

Morioka, Heinz, and Sasaki, Miyoko. Rakugo: The Popular Narrative Art of Japan. Cambridge: Council on East Asian Studies, Harvard University, 1990.Google Scholar

Norinaga, Motoori. Motoori Norinaga zenshū 本居宣長全集 (Complete Works of Motoori Norinaga). Vol. 16. Edited by Susumu, Ōno and Tadashi, Ōkubo. Tokyo: Chikuma Shobō, 1974.Google Scholar

Sadao, Mutō, ed. Mihonkoku An’eiki Kamigata hanashi no kaibon rokushu 未飜刻安永期上方咄会本 六種 (An’ei-Era Books Published by Kamigata Storytelling Clubs: Six Specimens, Newly Transcribed). 7 vols. Tokyo: Kinsei Fūzoku Kenkyūkai, 1973.Google Scholar

Sadao, Mutō Rakugo sanbyakudai: rakugo no koseki shirabe 落語三百題 落語の戸籍調べ (Three Hundred Rakugo Stories: An Investigation of Rakugo’s Lineage). 2 vols. Tokyo: Tōkyōdō Shuppan, 1969.Google Scholar

Sadao, Mutō Teihon rakugo sanbyaku dai 定本落語三百題 (Three Hundred Rakugo Stories, Revised). Tokyo: Iwanami Shoten, 2007.Google Scholar

Sadao, Mutō and Masahiko, Oka, eds. Hanashibon taikei 噺本大系 (Hanashibon Compendium). 20 vols. Tokyo: Tōkyōdō Shuppan, 1975–1979.Google Scholar

Najita, Tetsuo. “Ambiguous Encounters: Ogata Kōan and International Studies in Late Tokugawa Osaka.” In McClain, James L. and Osamu, Wakita, eds. Osaka: The Merchant’s Capital of Early Modern Japan, 213–42. Ithaca: Cornell University Press, 1999.Google Scholar

Najita, Tetsuo Visions of Virtue in Tokugawa Japan: The Kaitokudō Merchant Academy of Osaka. Honolulu: University of Hawai‘i Press, 1997 [1987].Google Scholar

Nakajima, Heihachirō. Ikiteiru Kamigata rakugo 生きている上方落語 (Living Kamigata Rakugo). Kyoto: Kyoto Shinbunsha, 1973.Google Scholar

Yukihiko, Nakamura. “Osaka no hanashikai” 大阪の噺会 (“Osaka’s Storytelling Clubs”). Senryū shinano 215 (25 October 1960), 1–5.Google Scholar

Yukihiko, Nakamura “Osaka no hanashikai” 大阪の噺会 (“Osaka’s Storytelling Clubs”). In Yukihiko, Nakamura, Nakamura Yukihiko chojutsu shū 中村幸彦著述集 (Collected Writings of Nakamura Yukihiko), vol. 10, 205–12. Tokyo: Chūō Kōronsha, 1983.Google Scholar

Nelles, William. “Embedding.” In Herman, David, Jahn, Manfred, and Ryan, Marie-Laure, eds. Routledge Encyclopedia of Narrative Theory, 134–5. New York: Routledge, 2005.Google Scholar

Shinji, Nobuhiro. Rakugo wa ika ni shite keisei sareta ka 落語はいかにして形成されたか (How Did Rakugo Take Form?). Tokyo: Heibonsha, 1986.Google Scholar

Shinji, Nobuhiro, Susumu, Yamamoto, and Yū, Kawazoe, eds. Rakugo no sekai 落語の世界 (The World of Rakugo). 3 vols. Tokyo: Iwanami Shoten, 2003.Google Scholar

Novograd, Paul. “Rakugo: The Storyteller’s Art.” Japan Quarterly 21, no. 2 (1974): 188–96.Google Scholar

Sakunosuke, Oda. Stories of Osaka Life. Translated by Burton Watson. New York: Columbia University Press, 1990.Google Scholar

Kiyoshi, Ogita. Kamigata rakugo: Hayari uta no jidai 上方落語 流行唄の時代 (Kamigata Rakugo: The Popular Song Era). Osaka: Izumi Shoin, 2015.Google Scholar

Kiyoshi, Ogita “Kamigata rakugo no tokushitsu” 上方落語の特質 (“Characteristics of Kamigata Rakugo”). In Shinji, Nobuhiro, Susumu, Yamamoto, and Yū, Kawazoe, eds. Rakugo no sekai 落語の世界 (The World of Rakugo). Vol. 1, Rakugo no tanoshimi 落語の愉しみ (The Pleasure of Rakugo), 81–100. Tokyo: Iwanami Shoten, 2003.Google Scholar

Kiyoshi, Ogita and Osada, Sadao. “Intābyū: Shitennō wagashi o kataru” インタービュー 四天王わが師を語る (“Interview: The Four [Kamigata] Greats Talk about Their Masters”). Kamigata geinō 93 (November 1986): 6–25.Google Scholar

Hiroshi, Okamoto. “Kinsei kōki ni okeru machi to jūnin: Shiragachō o megutte” 近世後期における町と住人 白髪町をめぐって (“Late Early Modern-Era Towns and Inhabitants: The Case of Shiragachō”). Rekishi hyōron 547 (November 1995): 16–31.Google Scholar

Kaname, Okitsu. Nihon bungaku to rakugo 日本文学と落語 (Japanese Literature and Rakugo). Tokyo: Ōfūsha, 1970.Google Scholar

Ong, Walter J. Orality and Literacy: The Technologizing of the World. Online ed. New York: Routledge, 2001 [1982]. Proquest EBook Central. Accessed 22 January 2020.Google Scholar

Orbaugh, Sharalyn. Propaganda Performed: Kamishibai in Japan’s Fifteen-Year War. Leiden: Brill, 2014.Google Scholar

Sadao, Osada. Kamigata rakugo no butai ura 上方落語の舞台裏 (Kamigata Rakugo behind the Scenes). Tokyo: Chikuma Shobō, 2018.Google Scholar

Sadao, Osada Kamigata rakugo no netachō: Ippun de wakaru hanashi no arasuji shōjiten 上方落語のネタ帳: 1分でわかる噺のあらすじ笑事典 (Kamigata Rakugo Story Register: A Comical Encyclopedia for Understanding Story Plots in One Minute). Tokyo: PHP Kenkyūjo, 2011.Google Scholar

Osaka Furitsu Kamigata Engei Shiryōkan (Wahha Kamigata), ed. Kamigata engei taizen 上方演芸大全 (Kamigata Variety Entertainment Encyclopedia). Osaka: Sōgensha, 2008.Google Scholar

Osaka Geinō Konwakai, ed. Geinō konwa 芸能懇話 (Entertainment Exchange). 21 vols. + 5 special issues. Sakai: Osaka Geinō Konwakai, 1989–2019.Google Scholar

Ramseyer, J. Mark. “Thrift and Diligence: House Codes of Tokugawa Merchant Families.” Monumenta Nipponica 34, no. 2 (Summer 1979): 209–230.Google Scholar

Ryang, Sonia. Love in Modern Japan: Its Estrangement from Self, Sex and Society. New York: Routledge, 2006.Google Scholar

Sahin, Esra Gokce, “Rakugo Humor: The Performance of Memory, Mime & Mockery in Urban Tokyo.” Ph.D. dissertation, Harvard University, 2016. Proquest Dissertations & Theses Global. Accessed 8 February 2021.Google Scholar

Sakurada Jisuke II. Shitadashi Sanbasō. Translated “Sanbasō with His Tongue Stuck Out” by Mark Oshima. In Brandon, James R. and Leiter, Samuel L., eds. Kabuki Plays on Stage: Darkness and Desire, 1804–1864, 52–61. Honolulu: University of Hawai‘i Press, 2002.Google Scholar

Saltzman-Li, Katherine. Creating Kabuki Plays: Context for Keizairoku, “Valuable Notes on Playwrighting.” Leiden: Brill, 2010.Google Scholar

Akihiro, Satake and Jun’ichi, Mita, eds. Kamigata rakugo 上方落語 (Kamigata Rakugo). 2 vols. Tokyo: Chikuma Shobō, 1969–1970.Google Scholar

Takaharu, Sawada. Warai o tsukuru: Kamigata geinō warai no hōsōshi 笑いをつくる 上方芸能笑いの放送史 (Making Laughter: The History of Kamigata Comic Performing Arts in Broadcasting). Tokyo: Nihon Hōsō Shuppan Kyōkai, 2002.Google Scholar

Screech, Timon. The Lens within the Heart: The Western Scientific Gaze and Popular Imagery in Later Edo Japan. New York: Routledge, 2017 [1996].Google Scholar

Kazuo, Sekiyama. Anrakuan Sakuden: Hanashi no keifu 安楽庵策伝 咄の系譜 (Anrakuan Sakuden: Comic Story Lineage). Tokyo: Seiabō, 1961.Google Scholar

Kazuo, Sekiyama Sekkyō no rekishiteki kenkyū 説教の歴史的研究 (A Historical Study of Buddhist Sermons). Kyoto: Hōzōkan, 1973.Google Scholar

Hanmin, Seto. “Osaka no yose” 大阪の寄席 (“Osaka’s Yose”). Bungei kurabu (April 1909): 255–8.Google Scholar

Shimizu, Ichirō . Rakugo kabuki awase kagami 落語歌舞伎あわせ鏡 (Rakugo and Kabuki’s Double Mirror). Tokyo: San’ichi Shobō, 1998.Google Scholar

Shirane, Haruo, ed. Early Modern Japanese Literature: An Anthology, 1600–1900. New York: Columbia University Press, 2002.Google Scholar

Shōfukutei Shokaku, V, ed. Kamigata hanashi 上方はなし (Kamigata Story). 2 vols. Tokyo: San’ichi Shobō, 1971–1972 [1936–1940].Google Scholar

Shōfukutei Shokaku, V (Takeuchi Umenosuke). Osaka rakugo meisaku sen 大阪落語名作選 (Selected Masterpieces of Osaka Rakugo). Osaka: Osaka Shinkō Shuppan, 1948.Google Scholar

Shōfukutei Shokaku VI. Kamigata rakugo sūpā bunko 上方落語 スーパー文庫 (Kamigata Rakugo, Super Bunko Edition). Tokyo: Kōdansha, 1987.Google Scholar

Shōfukutei Shokaku VI. Koten Kamigata rakugo 古典上方落語 (Classical Kamigata Rakugo). 2 vols. Tokyo: Kōdansha, 1973.Google Scholar

Shōfukutei Shokaku VI. Rokudaime Shōfukutei Shokaku: kiwametsuke omoshiro jinsei 六代目笑福亭松鶴 極めつけおもしろ人生 (Shōfukutei Shokaku VI: A Perfectly Fun Life). Kobe: Kobe Shinbun Shuppan Sentā, 1986.Google Scholar

Konwakai, Shogei and Konwakai, Osaka Geinō, eds. Kokon tōzai rakugoka jiten 古今東西落語家事典 (Encyclopedia of Storytellers Past and Present, East and West). Tokyo: Heibonsha, 1989.Google Scholar

Shores, M.W. “Jippensha Ikku, Hizakurige, and Comic Storytelling.” Early Modern Japan: An Interdisciplinary Journal 20 (2012): 46–75.Google Scholar

Shores, M.W. “Kamigata rakugo no rekishi to tokushitsu: Godaime Katsura Bunshi no sekai o jirei ni” 上方落語の歴史と特質 五代目桂文枝の世界を事例に (“Kamigata Rakugo History and Characteristics: Taking the World of Katsura Bunshi V as an Example”), M.A. Thesis, Tezukayama University, 2004.Google Scholar

Shores, M.W. “Laughter after Wars: Rakugo during the Occupation.” In Leiter, Samuel L., ed. Rising from the Flames: The Rebirth of Theater in Occupied Japan, 1945–1952, 101–121. Lanham: Lexington Books, 2009.Google Scholar

Shores, M.W. “Rakugo’s Negotiation of Militarism during the World War II Years.” In Puck Brecher, W. and Myers, Michael, eds. Japan’s Asia–Pacific War as Lived and Remembered: New Interpretations, 58–9. Honolulu: University of Hawai‘i Press, 2019).Google Scholar

Shores, M.W. “Spotlight – Popular Arts: Rakugo and Misemono.” In Salz, Jonah, ed. Cambridge History of Japanese Theatre, 184–9. Cambridge: Cambridge University Press, 2016.Google Scholar

Shores, M.W. “The Makura of Rakugo, Tradition and Modernity.” In Jessica Milner Davis, ed. Humour in Asian Cultures: Tradition and Context. London: Taylor & Francis, forthcoming.Google Scholar

Shores, M.W. “Travel and Tabibanashi in the Early Modern Period: Forming Japanese Geographic Identity.” Asian Theatre Journal 25, no. 1 (Spring 2008): 101–21.Google Scholar

Shores, M.W. “Using Yoshikono and War to Save Rakugo in Osaka.” Japan Forum 30, no. 3 (2018): 394–420.Google Scholar

Stallybrass, Peter, and White, Allon. The Politics and Poetics of Transgression. Ithaca: Cornell University Press, 1986.Google Scholar

Kumi, Suzuki. Kinsei hanashibon no kenkyū 近世噺本の研究 (Early Modern Hanashibon Research). Tokyo: Kasama Shoin, 2009.Google Scholar

Sweeny, Amin. “Rakugo Professional Japanese Storytelling.” Asian Folklore Studies 38, no. 1 (1979): 25–80.Google Scholar

Hiroyuki, Takahashi. Rakugo jinbutsu jiten 落語人物事典 (Rakugo Character Encyclopedia). Tokyo: Tōkyōdō Shuppan, 2005.Google Scholar

Takashima, Kōji. Kamigata rakugo shikan 上方落語史観 (Kamigata Rakugo Historiography). Osaka: 140^B, 2018.Google Scholar

Makoto, Takeuchi. Edo to Osaka 江戸と大阪 (Edo and Osaka). Tokyo: Shōgakukan, 1989.Google Scholar

Jun’ichirō, Tanizaki. Tanizaki Jun’ichirō zenshū 谷崎潤一郎全集 (Complete Works of Tanizaki Jun’ichirō). Vol. 21. Tokyo: Chūō Kōronsha, 1974 [1968].Google Scholar

Yasutaka, Teruoka. Rakugo no nenrin 落語の年輪 (History of Rakugo). Tokyo: Kōdansha, 1978.Google Scholar

Manabu, Toda. Kamigata rakugo no sengo shi 上方落語の戦後史 (Kamigata Rakugo’s Post-War History). Tokyo: Iwanami Shoten, 2014.Google Scholar

Manabu, Toda Kamigata rakugo shitennō no keishōshatachi: Zuihitsu 上方落語四天王の継承者たち 随筆 (Successors of the Four Kamigata Rakugo Greats: Essays). Tokyo: Iwanami Shoten, 2013.Google Scholar

Manabu, Toda Rokusei Shōfukutei Shokaku hanashi 六世笑福亭松鶴はなし (The Story of Shōfukutei Shokaku VI). Tokyo: Iwanami Shoten, 2004.Google Scholar

Manabu, Toda Zuihitsu Kamigata rakugo no shitennō: Shokaku, Beichō, Bunshi, Harudanji 随筆 上方落語の四天王 松鶴 米朝 文枝 春団治 (Essays on the Four Kamigata Rakugo Greats: Shokaku, Beichō, Bunshi, Harudanji). Tokyo: Iwanami Shoten, 2011.Google Scholar

Rakugokai, Tōdai, ed. Rakugo jiten 落語事典 (Rakugo Encyclopedia). Tokyo: Seiabō, 2001 [1969].Google Scholar

Taeko, Tomioka. Manzai sakusha Akita Minoru 漫才作者秋田實 (Manzai Writer Akita Minoru). Tokyo: Chikuma Shobō, 1986.Google Scholar

Tonomura, Hitomi. “Black Hair and Red Trousers: Gendering the Flesh in Medieval Japan.” The American Historical Review 99, no. 1 (1994): 129–54.Google Scholar

Torrance, Richard. “Literary Accounts of the Decline of Senba.” Monumenta Nipponica 67, no. 1 (2012): 29–73.Google Scholar

Totman, Conrad. Early Modern Japan. Berkeley: University of California Press, 1995 [1993].Google Scholar

Harumatsu, Tsukitei (Uemura Hideichirō), ed. Rakugo keizu 落語系図 (Rakugo Genealogical Chart). Tokyo: Meicho Kankōkai, 1974 [1929].Google Scholar

Gorō, Tsuyu no, ed. Godaime Shōfukutei Shokaku shū 五代目笑福亭松鶴集 (Shōfukutei Shokaku V Anthology). Tokyo: Seiabō, 1971.Google Scholar

Gorō, Tsuyu no Kamigata rakugo no hanashi 上方落語のはなし (The Story of Kamigata Rakugo). Tokyo: Asahi Shinbunsha, 1992.Google Scholar

Gorō, Tsuyu no Kamigata rakugo yawa 上方落語夜話 (Evening Tales about Kamigata Rakugo). Osaka: Osaka Shoseki, 1982.Google Scholar

Masayuki, Ueda. “Futabatei Shimei to rakugo: Rakugoteki naru mono no jisshitsu” 二葉亭四迷と落語 落語的なるものの実質 (“Futabatei Shimei and Rakugo: The Quality of That Which Becomes Rakugo-esque”). Kokubungaku kaishaku to kanshō 68, no. 4 (April 2003): 127–34.Google Scholar

Ui, Mushū. Kamigata hanashi kō 上方落語考 (A Study of Kamigata Rakugo). Tokyo: Seiabō, 1965.Google Scholar

Ui, Mushū Nihon no shōwa 日本の笑話 (Japan’s Comic Tales). Tokyo: Kadokawa Shoten, 1977.Google Scholar

Ui, Mushū Rakugo no furusato 落語のふるさと (Rakugo’s Birthplace). Tokyo: Asahi Shinbunsha, 1978.Google Scholar

Ui, Mushū Rakugo no genwa 落語の原話 (Rakugo’s Original Tales). Tokyo: Kadokawa Shoten, 1970.Google Scholar

Ui, Mushū Rakugo no keifu: Kamigata rakugo to Tokyo rakugo 落語の系譜 上方落語と東京落語 (Rakugo Ancestry: Kamigata Rakugo and Tokyo Rakugo). Tokyo: Kadokawa Shoten, 1972.Google Scholar

Ui, Mushū Rakugo no minamoto 落語のみなもと (The Origins of Rakugo). Tokyo: Chūō Kōronsha, 1983.Google Scholar

Vaporis, Constantine Nomikos. Tour of Duty: Samurai, Military Service in Edo, and the Culture of Early Modern Japan. Honolulu: University of Hawai‘i Press, 2009.Google Scholar

Osamu, Wakita. “The Distinguishing Characteristics of Osaka’s Early Modern Urbanism.” In McClain, James L. and Osamu, Wakita, eds. Osaka: The Merchant’s Capital of Early Modern Japan, 261–71. Ithaca: Cornell University Press, 1999.Google Scholar

(Kin), Watanabe Hitoshi. Rakugo no kanshō 落語の鑑賞 (Rakugo Appreciation). Osaka: Osaka Shinkyō Shuppan, 1949.Google Scholar

(Kin), Watanabe Hitoshi Rakugo no kenkyū 落語の研究 (Rakugo Research). Osaka: Shinshindō Shoten, 1943.Google Scholar

Watanabe, Noriko. “Character Introduction and Establishment in Japanese Narrative.” Ph.D. dissertation, State University of New York at Buffalo, 1998. Proquest Dissertations & Theses Global. Accessed 8 February 2021.Google Scholar

Wells, Marguerite. Japanese Humour. London: Macmillan Press, 1997.Google Scholar

Riyoko, Yamada. Kamigata rakugoka meikan 上方落語家名鑑 (Kamigata Storyteller Directory). Second edition. Osaka: Shuppan Bunkasha, 2010.Google Scholar

Yamasaki, Kōki. “Tsuyu no Gorobē denkō” 露の五郎兵衛伝考 (“A Biographical Study of Tsuyu no Gorobē”). Okayama Rika Daigaku kiyō 28B (1992): 97–110.Google Scholar

Seiichi, Yano. Rakugo tōjō jinbutsu jiten 落語登場人物事典 (Rakugo Character Encyclopedia). Tokyo: Hakusuisha, 2018.Google Scholar

Yasar, Kerim. Electrified Voices: How the Telephone, Phonograph, and Radio Shaped Modern Japan, 1868–1945. New York: Columbia University Press, 2018.Google Scholar

Young, Thomas Joshua. “A Touching Talk: Nineteenth-Century Edo Rakugo and the Performance of Language.” Ph.D. dissertation, Cornell University, 2003. Proquest Dissertations & Theses Global (full text unavailable). Accessed 8 February 2021.Google Scholar